XTC were an English rock band formed in Swindon in 1972. Fronted by songwriters Andy Partridge and Colin Moulding, the band gained popularity during the rise of punk and new wave in the 1970s, later playing in a variety of styles that ranged from angular guitar riffs to elaborately arranged pop. Partly because the group did not fit into contemporary trends, they achieved only sporadic commercial success in the UK and US, but attracted a considerable cult following. They have since been recognised for their influence on post-punk, Britpop and later power pop acts.
Andrew John Partridge is an English guitarist, singer, songwriter, and record producer who founded the rock band XTC. He and Colin Moulding each acted as a songwriter and frontman for XTC, with Partridge writing and singing about two-thirds of the group's material. While the band were a formative punk group, Partridge's music drew heavily from 1960s songwriters, and his style gradually shifted to more traditional pop, often with pastoral themes. The band's only UK top 10 hit, "Senses Working Overtime" (1982), was written by Partridge.
Oranges & Lemons is the 11th studio album and the second double album by the English band XTC, released 27 February 1989 on Virgin Records. It is the follow-up to 1986's Skylarking. The title was chosen in reference to the band's poor financial standing at the time, while the music is characterised as a 1980s update of 1960s psychedelia. It received critical acclaim and became the band's highest-charting album since 1982's English Settlement, rising to number 28 in the UK and number 44 in the US.
Black Sea is the fourth studio album by the English rock band XTC, released 12 September 1980 on Virgin Records. It is the follow-up to the previous year's Drums and Wires, building upon its focus on guitars and expansive-sounding drums, but with more economical arrangements written with the band's subsequent concert performances in mind, avoiding overdubs unless they could be performed live.
English Settlement is the fifth studio album and first double album by the English rock band XTC, released 12 February 1982 on Virgin Records. It marked a turn towards the more pastoral pop songs that would dominate later XTC releases, with an emphasis on acoustic guitar, 12-string electric guitar and fretless bass. In some countries, the album was released as a single LP with five tracks deleted. The title refers to the Uffington White Horse depicted on the cover, to the "settlement" of viewpoints, and to the Englishness that the band felt they "settled" into the record.
White Music is the debut studio album by the English rock band XTC, released on 20 January 1978. It was the follow-up to their debut, 3D EP, released three months earlier. White Music reached No. 38 in the UK Albums Chart and spawned the single "Statue of Liberty", which was banned by BBC Radio 1 for the lyric "In my fantasy I sail beneath your skirt". In April 1978, the group rerecorded "This Is Pop" as their third single.
Drums and Wires is the third studio album by the English rock band XTC, released in 1979 on Virgin Records. It is a more pop-orientated affair than the band's previous, Go 2 (1978), and was named for its emphasis on guitars ("wires") and expansive-sounding drums. The album was their first issued in the United States and their first recorded with guitarist Dave Gregory, who had replaced keyboardist Barry Andrews earlier in 1979. It features a mix of pop, art rock, new wave and punk styles with much rhythmic interplay between XTC's two guitarists.
Skylarking is the ninth studio album by the English rock band XTC, released 27 October 1986 on Virgin Records. Produced by American musician Todd Rundgren, it is a loose concept album about a nonspecific cycle, such as a day, a year, the seasons, or a life. The title refers to a type of bird (skylark), as well as the Royal Navy term "skylarking", which means "fooling around". It became one of XTC's best-known albums and is generally regarded as their finest work.
Apple Venus Volume 1 is the thirteenth studio album by the English rock band XTC, released in February 1999. It was the first on the band's own Idea Records label through Cooking Vinyl and distributed in the United States by TVT Records. The album relies heavily on strings, acoustic guitars and keyboards, expanding upon the more orchestral approach developed on the group's previous LP Nonsuch (1992), whilst its lyrics tackle paganist themes, middle age, blossoming romance, and rebirth. Apple Venus Volume 1 was met with critical acclaim and moderate sales, peaking at number 42 on the UK Albums Chart and number 106 on the US Billboard 200.
The Big Express is the seventh studio album by the English rock band XTC, released on 15 October 1984 by Virgin Records. It is an autobiographical concept album inspired by the band's hometown of Swindon and its railway system, the Swindon Works. In comparison to its predecessor Mummer (1983), which had a modest, pastoral approach to production, the album features a bright, uptempo sound marked by studio experimentation and denser arrangements, setting a template that they further developed on subsequent albums.
25 O'Clock is the debut record by English rock band the Dukes of Stratosphear and the eighth studio album by XTC, released on April Fools Day 1985 through Virgin Records. It was publicised as a long-lost collection of recordings by a late 1960s group, but actually consisted of new tracks recorded by Andy Partridge, Colin Moulding, and Dave Gregory of XTC with Gregory's brother Ian.
Fossil Fuel: The XTC Singles 1977–92 is a compilation album by XTC released in 1996. It was their third such greatest hits album following 1982's Waxworks: Some Singles 1977-1982 and 1985's The Compact XTC. It collects all 31 of their Virgin Records UK singles in chronological order. It does not include their pseudonymous singles as The Dukes of Stratosphear, The Three Wise Men or The Colonel.
Waxworks: Some Singles 1977–1982 is the first compilation album by English rock band XTC, released in November 1982 by Virgin Records. Though it followed closely on the heels of the successful English Settlement album and its lead-off single "Senses Working Overtime", it failed to crack the Top 40 perhaps signalling their commercial decline in Britain. All twelve tracks appear on the first disc of 1996's Fossil Fuel: The XTC Singles 1977-1992. It was initially released shrinkwrapped with the Beeswax: Some B-Sides 1977-1982 included as a "free bonus album".
"Mayor of Simpleton" is a song written by Andy Partridge of the English band XTC, released as the first single from their 1989 album Oranges & Lemons. The single reached No. 72 on the Billboard Hot 100 singles chart, No. 1 on its Alternative Songs chart, and No. 15 on its Mainstream Rock chart, becoming the band's best-performing single in the United States.
"Making Plans for Nigel" is a song by English rock band XTC, released by Virgin Records as the lead single from their 1979 album Drums and Wires. It was written by Colin Moulding, the band's bassist. The lyrics are told from the point of view of overbearing parents who are certain that their son Nigel is "happy in his world", affirming that his future, to be spent working for British Steel, "is as good as sealed", and that he "likes to speak and loves to be spoken to".
"Generals and Majors" is a song written by Colin Moulding of the English rock band XTC, released as the first single from their 1980 album Black Sea. Moulding accordingly wrote the song as a satirical take on the phrase "oh, what a lovely war". The song charted in the UK single chart at No. 32 and No. 104 on the US singles chart, while reaching No. 28 on Billboard's Album Rock Tracks chart. It was the first XTC single to chart in the U.S., and it also had chart success in Canada, Australia and New Zealand.
"All You Pretty Girls" is a song written by Andy Partridge of the English rock band XTC, released on their 1984 album The Big Express. It peaked at number 55 on the UK Singles Chart, and its music video cost £33,000 to make. Partridge remembers that song came about while he was "dicking around, playing some Hendrix. ... I was just playing this little two-note, quasi-Hendrix thing, and I liked the inherent melody in it."
"Love on a Farmboy's Wages" is a song written by Andy Partridge of the English rock band XTC, released as the third single from their 1983 album Mummer. It peaked at number 50 on the UK Singles Chart. Partridge wrote the song during the aftermath of the cancelled English Settlement tour. It features a key modulation from E to F# before its bridge. Drummer Terry Chambers left the band during rehearsals for the song. The single's cover art is a photograph of Partridge's actual wallet with the title embossed.
"Wrapped in Grey" is a song written by Andy Partridge of XTC, released on their 1992 album Nonsuch. It was to be issued as the third single from the album, but its initial pressings were withdrawn by Virgin Records for an unknown reason. This was a stimulus for the band to go on "strike" against the label for a few years until their contracts were terminated.
"Ball and Chain" is a song written by Colin Moulding of XTC for their 1982 album English Settlement. It was issued as the second single from the album on 26 February 1982, following the success of the band's biggest hit "Senses Working Overtime". The single reached No. 58 in the UK Singles Chart.
