XTC were an English rock band formed in Swindon in 1972. Fronted by songwriters Andy Partridge and Colin Moulding, the band gained popularity during the rise of punk and new wave in the 1970s, later playing in a variety of styles that ranged from angular guitar riffs to elaborately arranged pop. Partly because the group did not fit into contemporary trends, they achieved only sporadic commercial success in the UK and US, but attracted a considerable cult following. They have since been recognised for their influence on post-punk, Britpop and later power pop acts.
Andrew John Partridge is an English guitarist, singer, songwriter, and record producer who founded the rock band XTC. He and Colin Moulding each acted as a songwriter and frontman for XTC, with Partridge writing and singing about two-thirds of the group's material. While the band were a formative punk group, Partridge's music drew heavily from 1960s songwriters, and his style gradually shifted to more traditional pop, often with pastoral themes. The band's only UK top 10 hit, "Senses Working Overtime" (1982), was written by Partridge.
Oranges & Lemons is the 11th studio album and the second double album by the English band XTC, released 27 February 1989 on Virgin Records. It is the follow-up to 1986's Skylarking. The title was chosen in reference to the band's poor financial standing at the time, while the music is characterised as a 1980s update of 1960s psychedelia. It received critical acclaim and became the band's highest-charting album since 1982's English Settlement, rising to number 28 in the UK and number 44 in the US.
Black Sea is the fourth studio album by the English rock band XTC, released 12 September 1980 on Virgin Records. It is the follow-up to the previous year's Drums and Wires, building upon its focus on guitars and expansive-sounding drums, but with more economical arrangements written with the band's subsequent concert performances in mind, avoiding overdubs unless they could be performed live.
Colin Ivor Moulding is an English bassist, singer, and songwriter who was one of the core members of the rock band XTC. Though he was less prolific a songwriter than his bandmate Andy Partridge, Moulding wrote their first three charting UK singles: "Life Begins at the Hop" (1979), "Making Plans for Nigel" (1979) and "Generals and Majors" (1980).
English Settlement is the fifth studio album and first double album by the English rock band XTC, released 12 February 1982 on Virgin Records. It marked a turn towards the more pastoral pop songs that would dominate later XTC releases, with an emphasis on acoustic guitar, 12-string electric guitar and fretless bass. In some countries, the album was released as a single LP with five tracks deleted. The title refers to the Uffington White Horse depicted on the cover, to the "settlement" of viewpoints, and to the Englishness that the band felt they "settled" into the record.
Nonsuch is the 12th studio album by the English band XTC, released 27 April 1992 on Virgin Records. The follow-up to Oranges & Lemons (1989), Nonsuch is a relatively less immediate and more restrained sounding album, carrying the band's psychedelic influences into new musical styles, and displaying a particular interest in orchestral arrangements. The LP received critical acclaim, charted at number 28 in the UK Albums Chart, and number 97 on the US Billboard 200, as well as topping Rolling Stone's College album chart.
Mummer is the sixth studio album by the English rock band XTC, released on 30 August 1983 on Virgin Records. It was the first XTC album to be recorded following the band's retirement from live performance in 1982. The album's title and artwork refers to a Mummers' play, in which the identity of the players is hidden. A working title considered for the album was Fruits Fallen From God's Garden.
Drums and Wires is the third studio album by the English rock band XTC, released in 1979 on Virgin Records. It is a more pop-oriented affair than the band's previous, Go 2 (1978), and was named for its emphasis on guitars ("wires") and expansive-sounding drums. The album was their first issued in the United States and their first recorded with guitarist Dave Gregory, who had replaced keyboardist Barry Andrews earlier in 1979. It features a mix of pop, art rock, new wave and punk styles with much rhythmic interplay between XTC's two guitarists.
Skylarking is the ninth studio album by the English rock band XTC, released 27 October 1986 on Virgin Records. Produced by American musician Todd Rundgren, it is a loose concept album about a nonspecific cycle, such as a day, a year, the seasons, or a life. The title refers to a type of bird (skylark), as well as the Royal Navy term "skylarking", which means "fooling around". It became one of XTC's best-known albums and is generally regarded as their finest work.
Apple Venus Volume 1 is the thirteenth studio album by the English rock band XTC, released in February 1999. It was the first on the band's own Idea Records label through Cooking Vinyl and distributed in the United States by TVT Records. The album relies heavily on strings, acoustic guitars and keyboards, expanding upon the more orchestral approach developed on the group's previous LP Nonsuch (1992), whilst its lyrics tackle paganist themes, middle age, blossoming romance, and rebirth. Apple Venus Volume 1 was met with critical acclaim and moderate sales, peaking at number 42 on the UK Albums Chart and number 106 on the US Billboard 200.
The Big Express is the seventh studio album by English rock band XTC, released on 15 October 1984 by Virgin Records. It is an autobiographical concept album inspired by the band's hometown of Swindon and its railway system, the Swindon Works. In comparison to its predecessor Mummer (1983), which had a modest, pastoral approach to production, the album features a bright, uptempo sound marked by studio experimentation and denser arrangements, setting a template that they further developed on subsequent albums.
25 O'Clock is the debut record by English rock band the Dukes of Stratosphear and the eighth studio album by XTC, released on April Fools Day 1985 through Virgin Records. It was publicised as a long-lost collection of recordings by a late 1960s group, but actually consisted of new tracks recorded by Andy Partridge, Colin Moulding, and Dave Gregory of XTC with Gregory's brother Ian.
Psonic Psunspot is the second album by English rock band the Dukes of Stratosphear, released in 1987. Also counted as XTC's tenth studio album, it is a follow-up to 25 O'Clock (1985).
Homegrown is a demo album by XTC, released a year after its parent album Wasp Star on Idea Records and TVT Records. It was reissued in 2005 as part of the Apple Box.
Apple Box is a box set by XTC compiling Apple Venus Volume 1 and Wasp Star along with their respective demo albums Homespun and Homegrown. It is the third box set of their career following Transistor Blast: The Best of the BBC Sessions and Coat of Many Cupboards, released by Idea Records.
Waspstrumental is a 2002 instrumental version of XTC's Wasp Star album released in 2000 by Idea Records.
The Dukes of Stratosphear were an English rock band formed in 1984 by Andy Partridge, Colin Moulding, Dave Gregory, and Ian Gregory. Modelled after psychedelic pop groups from the 1960s, the Dukes were initially publicised by Virgin Records as a mysterious new act, but were actually an XTC spin-off band. They recorded only two albums: 25 O'Clock (1985) and Psonic Psunspot (1987). In the UK, the records outsold XTC's then-current albums The Big Express (1984) and Skylarking (1986).
"Easter Theatre" is a song written by Andy Partridge of the English rock band XTC, released as the lead single from their 1999 album Apple Venus Volume 1. According to Partridge, the lyrics were an attempt to match a "muddy" ascending chord progression. "There's the little melodic figure at the beginning, which I thought sounded medieval and earthy, combined with placid, droning high keyboard chords, which sound like you're floating—so it suggested floating over a land."
"Wrapped in Grey" is a song written by Andy Partridge of XTC, released on their 1992 album Nonsuch. It was to be issued as the third single from the album, but its initial pressings were withdrawn by Virgin Records for an unknown reason. This was a stimulus for the band to go on "strike" against the label for a few years until their contracts were terminated.
