"Respectable Street" | ||||
---|---|---|---|---|
Single by XTC | ||||
from the album Black Sea | ||||
Released | March 1981 | |||
Recorded | 1980 | |||
Studio | Townhouse Studios, London | |||
Genre | ||||
Length | 3:56 | |||
Label | Virgin | |||
Songwriter(s) | Andy Partridge | |||
Producer(s) | Steve Lillywhite | |||
XTC singles chronology | ||||
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"Respectable Street" is a song written by Andy Partridge of XTC, released as the opening track on their 1980 album Black Sea . According to Partridge, the song is about English streets [3] and "the hypocrisy of living in a so-called respectable neighborhood. It's all talk behind twitching curtains. It's all Alan Bennett land." [4] In another interview Partridge reveals that Respectable Street was based on a real street Bowood Road in Swindon, which was diagonally opposite the flat above a shop on Kingshill Road where he was living at the time he wrote it. [5] Discounting the Canada-only "Love at First Sight", it was the fourth and last single issued from the LP. BBC Radio banned the song because of its references to abortion and a "Sony Entertainment Centre". [6]
Music journalist John Harris highlighted "Respectable Street" as "one of the most evocative items in Partridge's oeuvre." [3] In 1996, critic Jack Rabid praised its "sardonic crack" and wrote "am I the only one who's noticed that super-fans Blur have ripped this song off three times already???!!!!" [7]
In 1982, it was the only song XTC performed at a televised gig simulcast in Paris, which became one of the last live performances of their career. Partridge experienced a panic attack mid-performance and walked off the stage. [4]
It is the first XTC recording in which Dave Gregory contributed his keyboard playing. [8]
XTC
XTC were an English rock band formed in Swindon in 1972. Fronted by songwriters Andy Partridge and Colin Moulding, the band gained popularity during the rise of punk and new wave in the 1970s, later playing in a variety of styles that ranged from angular guitar riffs to elaborately arranged pop. Partly because the group did not fit into contemporary trends, they achieved only sporadic commercial success in the UK and US, but attracted a considerable cult following. They have since been recognised for their influence on post-punk, Britpop and later power pop acts.
Andrew John Partridge is an English guitarist, singer, songwriter, and record producer who founded the rock band XTC. He and Colin Moulding each acted as a songwriter and frontman for XTC, with Partridge writing and singing about two-thirds of the group's material. While the band were a formative punk group, Partridge's music drew heavily from 1960s songwriters, and his style gradually shifted to more traditional pop, often with pastoral themes. The band's only UK top 10 hit, "Senses Working Overtime" (1982), was written by Partridge.
Oranges & Lemons is the 11th studio album and the second double album by the English band XTC, released 27 February 1989 on Virgin Records. It is the follow-up to 1986's Skylarking. The title was chosen in reference to the band's poor financial standing at the time, while the music is characterised as a 1980s update of 1960s psychedelia. It received critical acclaim and became the band's highest-charting album since 1982's English Settlement, rising to number 28 in the UK and number 44 in the US.
Black Sea is the fourth studio album by the English rock band XTC, released 12 September 1980 on Virgin Records. It is the follow-up to the previous year's Drums and Wires, building upon its focus on guitars and expansive-sounding drums, but with more economical arrangements written with the band's subsequent concert performances in mind, avoiding overdubs unless they could be performed live.
English Settlement is the fifth studio album and first double album by the English rock band XTC, released 12 February 1982 on Virgin Records. It marked a turn towards the more pastoral pop songs that would dominate later XTC releases, with an emphasis on acoustic guitar, 12-string electric guitar and fretless bass. In some countries, the album was released as a single LP with five tracks deleted. The title refers to the Uffington White Horse depicted on the cover, to the "settlement" of viewpoints, and to the Englishness that the band felt they "settled" into the record.
"Garden of Earthly Delights" is a song written by Andy Partridge of the English rock band XTC, released as the opening track on their 1989 album Oranges & Lemons. Partridge wrote the song as a children's guide to the world dedicated to his son Harry Partridge. He intended it to sound "like this crazy tapestry of camels and elephants and belly dancers and all the Arabian Nights, interwoven -- a big ornate Eastern rug come to life." It features Arabic modalities and a guitar solo played through two harmonizers set to different intervals.
Drums and Wires is the third studio album by the English rock band XTC, released in 1979 on Virgin Records. It is a more pop-orientated affair than the band's previous, Go 2 (1978), and was named for its emphasis on guitars ("wires") and expansive-sounding drums. The album was their first issued in the United States and their first recorded with guitarist Dave Gregory, who had replaced keyboardist Barry Andrews earlier in 1979. It features a mix of pop, art rock, new wave and punk styles with much rhythmic interplay between XTC's two guitarists.
Skylarking is the ninth studio album by the English rock band XTC, released 27 October 1986 on Virgin Records. Produced by American musician Todd Rundgren, it is a loose concept album about a nonspecific cycle, such as a day, a year, the seasons, or a life. The title refers to a type of bird (skylark), as well as the Royal Navy term "skylarking", which means "fooling around". It became one of XTC's best-known albums and is generally regarded as their finest work.
Apple Venus Volume 1 is the thirteenth studio album by the English rock band XTC, released on March 2, 1999. It was the first on the band's own Idea Records label through Cooking Vinyl and distributed in the United States by TVT Records. The album relies heavily on strings, acoustic guitars and keyboards, expanding upon the more orchestral approach developed on the group's previous LP Nonsuch (1992), whilst its lyrics tackle paganist themes, middle age, blossoming romance, and rebirth. Apple Venus Volume 1 was met with critical acclaim and moderate sales, peaking at number 42 on the UK Albums Chart and number 106 on the US Billboard 200.
The Big Express is the seventh studio album by the English rock band XTC, released on 15 October 1984 by Virgin Records. It is an autobiographical concept album inspired by the band's hometown of Swindon and its railway system, the Swindon Works. In comparison to its predecessor Mummer (1983), which had a modest, pastoral approach to production, the album features a bright, uptempo sound marked by studio experimentation and denser arrangements, setting a template that they further developed on subsequent albums.
25 O'Clock is the debut record by English rock band the Dukes of Stratosphear and the eighth studio album by XTC, released on April Fools Day 1985 through Virgin Records. It was publicised as a long-lost collection of recordings by a late 1960s group, but actually consisted of new tracks recorded by Andy Partridge, Colin Moulding, and Dave Gregory of XTC with Gregory's brother Ian.
"Senses Working Overtime" is a song written by Andy Partridge of the English rock band XTC, released as the lead single from their 1982 album English Settlement. He based the song on Manfred Mann's "5-4-3-2-1" (1964). The album and single became the highest-charting records XTC would ever have in the UK, peaking at number five and number 10, respectively.
The Dukes of Stratosphear were an English rock band formed in 1984 by Andy Partridge, Colin Moulding, Dave Gregory, and Ian Gregory. Modelled after psychedelic pop groups from the 1960s, the Dukes were initially publicised by Virgin Records as a mysterious new act, but were actually an XTC spin-off band. They recorded only two albums: 25 O'Clock (1985) and Psonic Psunspot (1987). In the UK, the records outsold XTC's then-current albums The Big Express (1984) and Skylarking (1986).
"Generals and Majors" is a song written by Colin Moulding of the English rock band XTC, released as the first single from their 1980 album Black Sea. Moulding accordingly wrote the song as a satirical take on the phrase "oh, what a lovely war". The song charted in the UK single chart at No. 32 and No. 104 on the US singles chart, while reaching No. 28 on Billboard's Album Rock Tracks chart. It was the first XTC single to chart in the U.S., and it also had chart success in Canada, Australia and New Zealand.
"Love on a Farmboy's Wages" is a song written by Andy Partridge of the English rock band XTC, released as the third single from their 1983 album Mummer. It peaked at number 50 on the UK Singles Chart. Partridge wrote the song during the aftermath of the cancelled English Settlement tour. It features a key modulation from E to F# before its bridge. Drummer Terry Chambers left the band during rehearsals for the song. The single's cover art is a photograph of Partridge's actual wallet with the title embossed.
"Towers of London" is a song written by Andy Partridge of the English rock band XTC, released as the second single from their 1980 album Black Sea. It peaked at number 31 on the UK Singles Chart. The BBC-2 documentary XTC at the Manor featured the group recording the song in the studio. Partridge later reflected that he may have been "subconsciously" trying to rewrite the Beatles' "Rain", desiring "clangorous guitars crashing together, and sort of droning." The night after John Lennon was killed, XTC played a gig at Liverpool, where they performed both "Towers of London" and "Rain" in tribute to the Beatle.
"Easter Theatre" is a song written by Andy Partridge of the English rock band XTC, released as the lead single from their 1999 album Apple Venus Volume 1. According to Partridge, the lyrics were an attempt to match a "muddy" ascending chord progression. "There's the little melodic figure at the beginning, which I thought sounded medieval and earthy, combined with placid, droning high keyboard chords, which sound like you're floating—so it suggested floating over a land."
"Seagulls Screaming Kiss Her Kiss Her" is a song written by Andy Partridge of the English rock band XTC, released on their seventh studio album The Big Express (1984). Composed on a Mellotron using only three fingers, it was the first song he wrote on a keyboard instrument. The lyrics were inspired by Erica Wexler, a fan who caused tensions with Partridge's then-wife. After his divorce, Partridge married Wexler in the 1990s. Japanese band Seagull Screaming Kiss Her Kiss Her named themselves after the song.
"Wrapped in Grey" is a song written by Andy Partridge of XTC, released on their 1992 album Nonsuch. It was to be issued as the third single from the album, but its initial pressings were withdrawn by Virgin Records for an unknown reason. This was a stimulus for the band to go on "strike" against the label for a few years until their contracts were terminated.
"Thanks for Christmas" is a song by the English band XTC, credited as "the Three Wise Men" and written by Andy Partridge It was released by Virgin Records in late 1983 as a holiday single backed with "Countdown to Christmas Party Time". The song made its first album appearance on the 1990 compilation album Rag and Bone Buffet: Rare Cuts and Leftovers.
1980's Black Sea sold well on the album charts on the strength of its solid post-punk tracks, including "Respectable Street", "Towers of London", and "Generals and Majors".
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