John Rhys Harris (born 1969) is a British journalist, writer and critic. He is the author of The Last Party: Britpop, Blair and the Demise of English Rock (2003); So Now Who Do We Vote For?, which examined the 2005 UK general election; a 2006 behind-the-scenes look at the production of Pink Floyd's The Dark Side of the Moon ; and Hail! Hail! Rock'n'Roll (2009). His articles have appeared in Select , Q , Mojo , Shindig! , Rolling Stone , Classic Rock , The Independent , the New Statesman , The Times and The Guardian .
Harris was born in 1969 [1] and raised in Wilmslow in north Cheshire; his father was a university lecturer in nuclear engineering, [2] and his mother a teacher who was the daughter of a nuclear research chemist. He became fixated by pop music at an early age.
Harris attended the comprehensive Wilmslow County High School (at the same time as members of the band Doves [3] ), then went to Loreto College, Manchester, a Roman Catholic sixth form college sited between the University of Manchester and Old Trafford. [4] He applied to study Modern History at Keble College, Oxford, but was rejected, and claimed his membership of left-wing organisations had not won him many favours with such a traditional and conservative college. [4] He spent three years studying philosophy, politics and economics at another Oxford college, Queen's, between 1989 and 1992.
In 1991, Harris joined Melody Maker . Between 1993 and the summer of 1995, he wrote for the NME . In 1995, he was named editor of Select magazine after a brief stint with Q .
In 1995, Harris resumed his career as a freelance writer, writing about pop music, politics and a variety of other subjects. His articles have appeared in Q, Mojo , Rolling Stone , The Independent , the New Statesman , The Times and The Guardian . He presented a BBC Four documentary on the musical movement, The Britpop Story .
In addition to writing, Harris often appears on television programmes concerned with late 1980s/early 1990s British pop music, as well as being a regular pundit on BBC Two's Newsnight Review . In 2010 he created the video series Anywhere but Westminster [5] for The Guardian , documenting the political feelings of people around the country. In December 2018 Harris wrote and presented a four-part BBC Radio 4 series, Tyranny of Story. Harris is a political columnist for The Guardian and is one of the presenters of the newspaper’s Politics Weekly UK podcast.
Harris is the editor of the companion book, published on 12 October 2021, of the documentary The Beatles: Get Back . The illustrated book compiles conversations recorded during the sessions of the album Let It Be . [6] In addition, he hosted a short promotional film for the project called The Beatles, Get Back and London: On the Trail of a Timeless Story. He also contributed a chapter in the hardcover book accompanying the release of the Let It Be: Special Edition that same year. [7]
Harris lives in Frome, Somerset. [8] He has been a ethical vegetarian since the mid-1980s. [9]
Britpop was a mid-1990s British-based music culture movement that emphasised Britishness. Musically, Britpop produced bright, catchy alternative rock, in reaction to the darker lyrical themes and soundscapes of the US-led grunge music and the UK's own shoegaze music scene. The movement brought British alternative rock into the mainstream and formed the larger British popular cultural movement, Cool Britannia, which evoked the Swinging Sixties and the British guitar pop of that decade.
Blur are an English rock band formed in London in 1988. The band consists of singer Damon Albarn, guitarist Graham Coxon, bass guitarist Alex James and drummer Dave Rowntree. Their debut album, Leisure (1991), incorporated the sounds of Madchester and shoegaze. Following a stylistic change influenced by English guitar pop groups such as the Kinks, the Beatles and XTC, Blur released the albums Modern Life Is Rubbish (1993), Parklife (1994) and The Great Escape (1995). As a result, the band helped to popularise the Britpop genre and achieved mass popularity in the UK, aided by a widely publicised chart battle with rival band Oasis in 1995 dubbed "The Battle of Britpop".
Indie rock is a subgenre of rock music that originated in the United Kingdom, United States and New Zealand in the early to mid-1980s. Although the term was originally used to describe rock music released through independent record labels, by the 1990s it became more widely associated with the music such bands produced.
New Musical Express (NME) is a British music, film, gaming, and culture website and brand. Founded as a newspaper in 1952, with the publication being referred to as a "rock inkie", the NME would become a magazine that ended up as a free publication, before becoming an online brand which includes its website and radio stations.
Oasis are an English rock band formed in Manchester in 1991. The group initially consisted of Liam Gallagher, Paul "Bonehead" Arthurs (guitar), Paul "Guigsy" McGuigan and Tony McCarroll (drums), with Liam asking his older brother Noel Gallagher to join as a fifth member a few months later to finalise their formation. Noel became the de facto leader of the group and took over the songwriting duties for the band's first four albums. They are characterised as one of the defining and most globally successful groups of the Britpop genre.
Alternative rock is a category of rock music that evolved from the independent music underground of the 1970s. Alternative rock acts achieved mainstream success in the 1990s with the likes of the grunge subgenre in the United States, and the Britpop and shoegaze subgenres in the United Kingdom and Ireland. During this period, many record labels were looking for "alternatives", as many corporate rock, hard rock, and glam metal acts from the 1980s were beginning to grow stale throughout the music industry. The emergence of Generation X as a cultural force in the 1990s also contributed greatly to the rise of alternative rock.
Parklife is the third studio album by the English rock band Blur, released on 25 April 1994, by Food Records. After moderate sales for their previous album Modern Life Is Rubbish (1993), Parklife returned Blur to prominence in the UK, helped by its four hit singles: "Girls & Boys", "To the End", the title track and "End of a Century".
Modern Life Is Rubbish is the second studio album by the English alternative rock band Blur, released in May 1993. Although their debut album Leisure (1991) had been commercially successful, Blur faced a severe media backlash soon after its release, and fell out of public favour. After the group returned from an unsuccessful tour of the United States, poorly received live performances and the rising popularity of rival band Suede further diminished Blur's status in the UK.
(What's the Story) Morning Glory? is the second studio album by the English rock band Oasis. Released on 2 October 1995 by Creation Records, it was produced by Owen Morris and the group's lead guitarist and chief songwriter Noel Gallagher. The structure and arrangement style of the album was a significant departure from the band's previous album, Definitely Maybe (1994). Gallagher's compositions were more focused in balladry and placed more emphasis on "huge" choruses, with the string arrangements and more varied instrumentation contrasting with the rawness of the group's debut album. Morning Glory was the group's first album with drummer Alan White, who replaced Tony McCarroll.
Dog Man Star is the second album by English alternative rock band Suede, released in October 1994 on Nude Records. The album was recorded in London at Master Rock studios in early 1994, and was produced by Ed Buller. It was the last Suede album to feature guitarist Bernard Butler; growing tensions between him and singer Brett Anderson ended with Butler leaving the band before recording was complete. As a result, some tracks on the album had to be finished with the assistance of session musicians.
Michael Lawrence Crick is an English broadcaster, journalist and author. He was a founding member of the Channel 4 News team in 1982 and remained there until joining the BBC in 1990. He started work on the BBC's Newsnight programme in 1992, serving as political editor from 2007 until his departure from the BBC in 2011. Crick then returned to Channel 4 News as political correspondent. In 2014 he was chosen as Specialist Journalist of the Year at the Royal Television Society television journalism awards.
Daniel Joseph Anthony Meehan was a founder member of the British group the Drifters with Jet Harris, Hank Marvin and Bruce Welch, which evolved into the Shadows. He played drums on early Cliff Richard and the Shadows hits and on early Shadows' instrumentals.
Barney Hoskyns is a British music critic and editorial director of the online music journalism archive Rock's Backpages.
Revolution in the Head: The Beatles' Records and the Sixties is a book by British music critic and author Ian MacDonald, discussing the music of the Beatles and the band's relationship to the social and cultural changes of the 1960s. The first edition was published in 1994, with revised editions appearing in 1997 and 2005, the latter following MacDonald's death in 2003.
British pop music is popular music, produced commercially in the United Kingdom. It emerged in the mid-to late 1950s as a softer alternative to American rock 'n' roll. Like American pop music it has a focus on commercial recording, often orientated towards a youth market, as well as that of the Singles Chart usually through the medium of relatively short and simple love songs. While these basic elements of the genre have remained fairly constant, pop music has absorbed influences from most other forms of popular music, particularly borrowing from the development of rock music, and utilising key technological innovations to produce new variations on existing themes. From the British Invasion in the 1960s, led by The Beatles, British pop music has alternated between acts and genres with national appeal and those with international success that have had a considerable impact on the development of the wider genre and on popular music in general
Post-Britpop is an alternative rock subgenre and is the period in the late 1990s and early 2000s, following Britpop, when the media were identifying a "new generation" or "second wave" of guitar bands influenced by acts like Oasis and Blur, but with less overt British concerns in their lyrics and making more use of American rock and indie influences, as well as experimental music. Bands in the post-Britpop era that had been established acts, but gained greater prominence after the decline of Britpop, such as Radiohead and the Verve, and new acts such as Keane, Snow Patrol, Stereophonics, Feeder, and particularly Travis and Coldplay, achieved much wider international success than most of the Britpop groups that had preceded them, and were some of the most commercially successful acts of the late 1990s and early 2000s.
Barnaby John Lenon is a British schoolmaster who was headmaster of Harrow School until 2011. He is currently professor and dean of education at the University of Buckingham. He is chairman of the Independent Schools Council (ISC) and has been a governor of 23 state and independent schools and a board member of Ofqual. From 2011 to 2012 he was vice-president of the Royal Geographical Society. In 2012 he helped establish a Free School in east London, the London Academy of Excellence, and was the chairman of governors. He was a trustee of the New Schools Network and is a trustee of Yellow Submarine.
Robin Denselow is an English writer, journalist, and broadcaster.
Spencer Leigh is a BBC radio presenter and author, with particular expertise in the development of pop and rock music and culture in Britain.
Jane Savidge is a British writer and public relations agent.