"Seagulls Screaming Kiss Her Kiss Her" | |
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Song by XTC | |
from the album The Big Express | |
Written | 1981–1984 |
Released | 15 October 1984 |
Recorded | 1984 |
Studio |
|
Length | 3:50 |
Label | Virgin |
Songwriter(s) | Andy Partridge |
Producer(s) | David Lord, XTC |
Audio sample | |
"Seagulls Screaming Kiss Her Kiss Her" is a song written by Andy Partridge of the English rock band XTC, released on their seventh studio album The Big Express (1984). Composed on a Mellotron using only three fingers, it was the first song he wrote on a keyboard instrument. The lyrics were inspired by Erica Wexler, a fan who caused tensions with Partridge's then-wife. After his divorce, Partridge married Wexler in the 1990s. Japanese band Seagull Screaming Kiss Her Kiss Her named themselves after the song.
Like other tracks on The Big Express, "Seagulls Screaming Kiss Her Kiss Her" is a seaside-themed song. [1] It germinated from a piano riff found during the 1981 sessions for English Settlement [2] and later composed on the band's Mellotron using only three fingers, [1] becoming the first song Partridge wrote on a keyboard. [3] He drew illustrations of the "Seagulls" imagery before he wrote its lyrics [3] and recalled having the 1971 Joe Cocker song "Marjorine" in mind when he wrote it. Commenting on its "dream-like" structure, he said that he wrote the "flags that flap on the pier" section to "break up the reoccurrence of that continuing melody." [4] A demo was recorded in his bedroom: "the shape of it is all there -- kind of how I wanted it to go. It was just refining the sounds, you know." [4]
The lyrics to "Seagulls" were about Roy Lichtenstein's then-girlfriend Erica Wexler, who would later become Partridge's wife. [4] Partridge met Wexler at the US premiere of the 1980 film Times Square and remembered: "I didn't want to think of it as love at first sight, because I'd only been married for something like six months, so it was a bit painful, you know? It was like, "'Shit! I'm married!" [5] Wexler mailed Partridge fan letters, which caused tensions between him and his then-wife, whereas fellow band member Dave Gregory nicknamed her "Whacky Wex". [3] She also inspired "You're the Wish You Are I Had" from The Big Express and "Another Satellite" from 1986's Skylarking . [3]
Partridge performed "Seagulls" for Wexler on the day that she visited the band in the studio. [6] He said:
I actually sat at the piano and played it to her, and tried my best to sing it at the same time. And she must have thought, "Well, hell -- if he's not going to take the opportunity, I sure am!" And she leaned in to kiss me, sat next to me on the piano seat, as I'm playing her this song, and I thought, "Oh my god!" and just, true to type -- and the fact that I was married, and didn't want to fuck up my marriage -- I leaned right out, scared shitless, and sort of immediately said, [fast] "Oh, well, I've still got a lot of work to do on that, and let's go into the control room, shall we?" [4]
"Seagulls" was recorded at Crescent Studios in Bath and Odyssey Sound in London. [4] Bassist Colin Moulding played his newly purchased Wal bass [4] and session musician Steve Saunders, known for his work with Michael Nyman, played a euphonium solo. [2] Producer David Lord and guitarist Dave Gregory voiced concerns about the discordant harmony in "Seagulls", but Partridge refused to change it. [3] The drum sounds came from a programmed LinnDrum to meet his desire for a "sense of disparate percussion". A mixed thumb piano and wood block sample is played on every seventh beat. In the bridge, there is the sound of a LinnDrum's tom-tom sample tuned down "with a fuck of a lot of reverb" to sound like the firing of coastal artillery. [4]
Although "Seagulls" was never released as a single and no music video was created for the song, Partridge planned out potential sleeve designs and a concept for a video. He explained the premise:
... there were masked people, who had these big flat semi-Picasso-like masks. They were stood in a big desolate landscape near the sea, and a sort of proscenium across the top was constantly scrolling, changing the different images that were either telling the story with you, or contradicting what was going on. And then there was also the opposite of that, a band across the bottom that was scrolling the other way, which was either completing the imagery or contradicting what was going on. [3]
Partridge regarded "Seagulls" as his favourite XTC song for several years. [4] In a retrospective review of The Big Express, Dave Jennings of Louder Than War highlighted "Seagulls" as "reason enough to label this album as 'classic'." [1]
Japanese band Seagull Screaming Kiss Her Kiss Her named themselves after the song. [7]
XTC
Additional musicians
XTC were an English rock band formed in Swindon in 1972. Fronted by songwriters Andy Partridge and Colin Moulding, the band gained popularity during the rise of punk and new wave in the 1970s, later playing in a variety of styles that ranged from angular guitar riffs to elaborately arranged pop. Partly because the group did not fit into contemporary trends, they achieved only sporadic commercial success in the UK and US, but attracted a considerable cult following. They have since been recognised for their influence on post-punk, Britpop and later power pop acts.
Andrew John Partridge is an English guitarist, singer, songwriter, and record producer best known for co-founding the band XTC. He and Colin Moulding each acted as a songwriter and frontman for XTC, with Partridge writing and singing about two-thirds of the group's material. While XTC were a formative British new wave group, Partridge's songwriting drew heavily from 1960s pop and psychedelia, and his style gradually shifted to more traditional pop, often with pastoral themes. The band's only UK top 10 hit, "Senses Working Overtime", was written by Partridge.
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Black Sea is the fourth studio album by the English rock band XTC, released 12 September 1980 on Virgin Records. It is the follow-up to the previous year's Drums and Wires, building upon its focus on guitars and expansive-sounding drums, but with more economical arrangements written with the band's subsequent concert performances in mind, avoiding overdubs unless they could be performed live.
English Settlement is the fifth studio album and first double album by the English rock band XTC, released 12 February 1982 on Virgin Records. It marked a turn towards the more pastoral pop songs that would dominate later XTC releases, with an emphasis on acoustic guitar, 12-string electric guitar and fretless bass. In some countries, the album was released as a single LP with five tracks deleted. The title refers to the Uffington White Horse depicted on the cover, to the "settlement" of viewpoints, and to the Englishness that the band felt they "settled" into the record.
"Garden of Earthly Delights" is a song written by Andy Partridge of the English rock band XTC, released as the opening track on their 1989 album Oranges & Lemons. Partridge wrote the song as a children's guide to the world dedicated to his son Harry Partridge. He intended it to sound "like this crazy tapestry of camels and elephants and belly dancers and all the Arabian Nights, interwoven -- a big ornate Eastern rug come to life." It features Arabic modalities and a guitar solo played through two harmonizers set to different intervals.
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Apple Venus Volume 1 is the thirteenth studio album by the English rock band XTC, released on March 2, 1999. It was the first on the band's own Idea Records label through Cooking Vinyl and distributed in the United States by TVT Records. The album relies heavily on strings, acoustic guitars and keyboards, expanding upon the more orchestral approach developed on the group's previous LP Nonsuch (1992), whilst its lyrics reflect themes of paganism, middle age, romance, and rebirth. Apple Venus Volume 1 was met with critical acclaim and moderate sales, peaking at number 42 on the UK Albums Chart and number 106 on the US Billboard 200.
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