Ken Friedman

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Ken Friedman (born September 19, 1949 in New London, Connecticut) is a design researcher. He was a member of Fluxus, an international laboratory for experimental art, architecture, design, and music. Friedman joined Fluxus in 1966 as the youngest member of the classic Fluxus group. [1] He has worked closely with other Fluxus artists and composers such as George Maciunas, Dick Higgins, and Nam June Paik, as well as collaborating with John Cage and Joseph Beuys. He was the general manager of Dick Higgins's Something Else Press in the early 1970s. [2] In the 1990s, Friedman's work as a management consultant and designer led him to an academic career, first as Professor of Leadership and Strategic Design at the Norwegian School of Management in Oslo, [3] then as Dean of the Faculty of Design at Swinburne University of Technology in Melbourne. [4] Friedman is currently University Distinguished Professor at Swinburne and Chair Professor of Design Innovation Studies at Tongji University.

Contents

Education

From 1965 to 1966, Friedman studied at Shimer College, a Great Books school then located in Mount Carroll, Illinois. It was at this time that he developed the programs at Radio WRSB that brought him into contact with Dick Higgins and the Something Else Press. [5] While Friedman was at Shimer, he created the score for A Mandatory Happening. George Maciunas would produce this as one of Friedman’s first Fluxus boxes. [6] [7] [8] [9]

Friedman received his Master of Arts degree in Interdisciplinary Studies in education, psychology, and social science from San Francisco State University in 1971. He received his doctorate in 1976 from the United States International University. In 2007 Loughborough University in the UK honored Friedman with the degree of Doctor of Science, honoris causa, for outstanding contributions to design research. [10]

Artistic career

Recent solo exhibitions of Ken Friedman’s work include Ken Friedman: 99 Events at Stendhal Galleryin New York City, [11] Ken Friedman Art(net)worker Extraordinaire at the University of Iowa Museum of Art in 2000, [12] and Twelve Structures at The Centre of Attention, London, in 2004. [13]

Many museums and galleries presented Friedman's work in group exhibitions over the past decade. These include Fluxus and the Essential Questions of Life, a traveling exhibition in 2011 from The Hood Museum of Art, [14] [15] [16] [17] and several exhibitions at the Museum of Modern Art in New York [18] [19]

Friedman’s work is represented in major museums and galleries around the world, including the Museum of Modern Art and the Guggenheim Museum in New York, the Tate Modern in London, the Hood Museum of Art at Dartmouth College, and Staatsgalerie Stuttgart. The University of Iowa Alternative Traditions in the Contemporary Arts is the official repository of Friedman’s art work, personal papers, and research notes. Archiv Sohm at Staatsgalerie Stuttgart and the Mandeville Department of Special Collections at the University of California hold extensive collections of his work and papers from the 1960s and 1970s.

Academic career

In the 1970s he was Director of the Institute for Advanced Studies in Contemporary Art, San Diego, and during the mid-1980s he was President of the Art Economist Corporation in New York. From 1994 to 2009, Friedman was Professor of Leadership and Strategic Design at the Norwegian School of Management in Oslo, as well as professor the Design Research Center at The Danish Design School in Copenhagen from 2003 to 2009. In October 2007, he was appointed Dean of the Faculty of Design at Swinburne University of Technology in Melbourne, a position he held through 2012. Friedman is currently University Distinguished Professor at Swinburne and Chair Professor of Design Innovation Studies at Tongji University.

Friedman is Editor-in-Chief of She Ji: The Journal of Design, Economics, and Innovation, [20] a research journal published by Tongji University Press and Elsevier, and he is editor of Design Thinking, Design Theory, [21] a book series from The MIT Press that Friedman edits together with Erik Stolterman of Indiana University.

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<span class="mw-page-title-main">Fluxus</span> International network of artists, composers and designers

Fluxus was an international, interdisciplinary community of artists, composers, designers, and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms. These art forms include intermedia, a term coined by Fluxus artist Dick Higgins; conceptual art, first developed by Henry Flynt, an artist contentiously associated with Fluxus; and video art, first pioneered by Nam June Paik and Wolf Vostell. Dutch gallerist and art critic Harry Ruhé describes Fluxus as "the most radical and experimental art movement of the sixties".

<span class="mw-page-title-main">Dick Higgins</span> English composer and poet (1938–1998)

Dick Higgins was an American artist, composer, art theorist, poet, publisher, printmaker, and a co-founder of the Fluxus international artistic movement. Inspired by John Cage, Higgins was an early pioneer of electronic correspondence. Higgins coined the word intermedia to describe his artistic activities, defining it in a 1965 essay by the same name, published in the first number of the Something Else Newsletter. His most notable audio contributions include Danger Music scores and the Intermedia concept to describe the ineffable inter-disciplinary activities that became prevalent in the 1960s.

<span class="mw-page-title-main">Pierre Alechinsky</span> Belgian artist (born 1927)

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Intermedia is an art theory term coined in the mid-1960s by Fluxus artist Dick Higgins to describe the strategies of interdisciplinarity that occur within artworks existing between artistic genres. It was also used by John Brockman to refer to works in expanded cinema that were associated with Jonas Mekas' Film-Makers’ Cinematheque. Gene Youngblood also described intermedia, beginning in his Intermedia column for the Los Angeles Free Press beginning in 1967 as a part of a global network of multiple media that was expanding consciousness. Youngblood gathered and expanded upon intermedia ideas from this series of columns in his 1970 book Expanded Cinema, with an introduction by Buckminster Fuller. Over the years, intermedia has been used almost interchangeably with multi-media and more recently with the categories of digital media, technoetics, electronic media and post-conceptualism.

<span class="mw-page-title-main">George Maciunas</span> Lithuanian artist

George Maciunas was a Lithuanian American artist, art historian, and art organizer who was the founding member and central coordinator of Fluxus, an international community of artists, architects, composers, and designers. He is most famous for organizing and performing in early Fluxus Happenings and Festivals, for his Fluxus graphic art work, and for assembling a series of highly influential Fluxus artists' multiples.

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<span class="mw-page-title-main">Bengt af Klintberg</span>

Bengt af Klintberg is a Swedish folklorist, ethnologist, and artist who is known for his work on modern urban legends. His work reached a large audience with such books as Råttan i pizzan, published in 1986, and Den stulna njuren published in 1994.

Something Else Press was founded by Dick Higgins in 1963. It published many important Intermedia texts and artworks by such Fluxus artists as Higgins, Ray Johnson, Alison Knowles, Allan Kaprow, George Brecht, Daniel Spoerri, Robert Filliou, Al Hansen, John Cage, Emmett Williams and by such important modernist figures as Gertrude Stein, Henry Cowell, and Bern Porter.

<span class="mw-page-title-main">Joe Jones (Fluxus musician)</span> American classical composer

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<span class="mw-page-title-main">Robert Watts (artist)</span> American artist in Fluxus (1923–1988)

Robert Marshall Watts (1923–1988) was an American artist best known for his work as a member of the international group of artists Fluxus. Born in Burlington, Iowa June 14, 1923, he became Professor of Art at Douglass College, Rutgers University, New Jersey in 1953, a post he kept until 1984. In the 1950s, he was in close contact with other teachers at Rutgers including Allan Kaprow, Geoffrey Hendricks and Roy Lichtenstein. This has led some critics to claim that pop art and conceptual art began at Rutgers.

Eric Andersen is a Danish artist associated with the Fluxus art movement. He lives in Copenhagen, Denmark.

<span class="mw-page-title-main">Ben Patterson</span> American musician

Benjamin Patterson was an American musician, artist, and one of the founders of the Fluxus movement.

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<span class="mw-page-title-main">Ginny Lloyd</span> American artist

Ginny Lloyd is an American artist, noted for her work with mail art, photocopy art, performance art and photography. She organized the Copy Art Exhibition in San Francisco in 1980 with programming devoted to promoting xerography. Her work was included in the exhibition, From Bonnard to Baselitz: A Decade of Acquisitions by the Prints Collection 1978–1988 and listed annually since 1992 in Benezit Dictionary of Artists.

<span class="mw-page-title-main">Larry Miller (artist)</span>

Larry Miller is an American artist, most strongly linked to the Fluxus movement after 1969. He is "an intermedia artist whose work questions the borders between artistic, scientific and theological disciplines. He was in the vanguard of using DNA and genetic technologies as new art media." Electronic Arts Intermix, a pioneering international resource for video and new media art has said, "Miller has produced a diverse body of experimental art works as a key figure in the emergent installation and performance movements in New York in the 1970s... His installations and performances have integrated diverse mediums [sic] and materials."

Jack Ox is an intermedia artist and an acknowledged pioneer of music visualization.

Harry Stendhal is an American gallerist, arts organization founder, and entrepreneur.

<span class="mw-page-title-main">Chuck Welch</span>

Chuck Welch, also known as the CrackerJack Kid or Jack Kid, was born in Kearney, Nebraska on Tuesday, 05 October 1948. He wrote "Eternal Network: A Mail Art Anthology", with a foreword by Ken Friedman, which was published and edited by University of Calgary Press in 1995. The Eternal Network and the Crackerjack Kid were mentioned in a review of mail art titled "Pushing the Envelope" in 2001, and the archivist and curator Judith Hoffberg wrote about him in her publication Umbrella. His awards include a Fulbright Grant and NEA Hilda Maehling Fellowship.

Jacquelynn Baas is an independent curator, cultural historian, writer, and Director Emeritus of the University of California Berkeley Art Museum and Pacific Film Archive. She has published on topics ranging from the history of the print media to Mexican muralism to Fluxus to Asian philosophies and practices as resources for European and American artists.

Carla Liss (1944–2012) was an American visual and performance artist, and filmmaker and film actor. She was known for her associations with Fluxus and the London Film-Makers' Co-op.

References

  1. Roms, Heike. 2012. “Ken Friedman.” The Lunatics are on the Loose. European Fluxus Festivals 1962-1977. Petra Stegmann, ed. Potsdam: Down with Art!, p. 554.
  2. Frank, Peter. 1983. Something Else Press. An Annotated Bibliography. Kingston, NY: McPherson & Co., p. 13.
  3. Tony Hodgson. 2007. Professor Ken Friedman. Honorary Degree Oration. July 23, 2007. URL: http://www.lboro.ac.uk/service/publicity/degree_days/2007/Summer/Friedman.html Accessed September 10, 2016.
  4. McColl, Gina. 2008. “Innovators: Ken Friedman. Outside the Box.” BRW. July 26-August 6, 2008, pp. 46-48.
  5. Frank, Peter. 2008. “Ken Friedman: A Life in Fluxus.” Artistic Bedfellows. Histories, Theories, and Conversations in Collaborative Art Practices. Holly Crawford, ed. Lanham, Maryland: University Press of America, pp. 146-147.
  6. Ken Friedman (2001). "52 Events" (PDF). Show and Tell Editions. p. 111. Retrieved 2012-11-20.
  7. Barnes, Carolyn. 2009. “Ken Friedman. Event, Idea, and Inquiry.” Ken Friedman. 99 Events. New York: Stendhal Gallery, pp. 10, 66. Accessible at: https://www.academia.edu/23834195/Friedman._2009._99_Events Accessed September 10, 2016.
  8. Hendricks, Jon. “Ken Friedman.” Fluxus Codex. New York: Harry N. Abrams, p. 257.
  9. Museum of Modern Art. The Gilbert and Lila Silverman Fluxus Collection Gift. Ken Friedman. Prototype for Mandatory Happening. Accessible at: http://www.moma.org/collection/works/128066?locale=en Accessed September 10, 2016.
  10. Tony Hodgson. 2007. Professor Ken Friedman. Honorary Degree Oration. July 23, 2007. URL: http://www.lboro.ac.uk/service/publicity/degree_days/2007/Summer/Friedman.html Accessed September 10, 2016.
  11. Stendhal Gallery, New York. Ken Friedman. 99 Events. Work On Paper. September 10 – October 10, 2009. Accessible at: http://stendhalgallery.com/?page_id=118 Accessed September 10, 2016.
  12. University of Iowa Museum of Art, Iowa City. Ken Friedman Art(net)worker Extraordinaire. Accessible at: https://wayback.archive-it.org/823/20120416193354/http://sdrc.lib.uiowa.edu/atca/subjugated/five_12.htm Accessed September 10, 2016.
  13. The Centre of Attention, London. Ken Friedman. 12 Structures. April 4 – May 2, 2004. Accessible at: http://www.thecentreofattention.org/exhibitions/fluxus.html Accessed September 10, 2016.
  14. Hood Museum of Art, Hanover, New Hampshire. Fluxus and the Essential Questions of Life. April 16 – August 07, 2011. Accessible at: http://hoodmuseum.dartmouth.edu/explore/exhibitions/fluxus-and-essential-questions-life Accessed September 10, 2016.
  15. Baas, Jacquelynne, ed. 2011. Fluxus and the Essential Questions of Life. Hanover, New Hampshire and Chicago: The Hood Museum of Art and University of Chicago Press.
  16. Grey Art Gallery, New York University. Fluxus and the Essential Questions of Life. September 9 – December 3, 2011. Accessible at: https://greyartgallery.nyu.edu/exhibition/fluxus-090911-120311/ Accessed September 10, 2016.
  17. Smee, Sebastian. 2011. “Art, Life, and the Legacy of Fluxus.” The Boston Globe. May 15, 2011. Accessible at: http://archive.boston.com/ae/theater_arts/articles/2011/05/15/fluxus_exhibit_at_hood_museum_of_art_looks_at_a_legacy_of_provocation/ Accessed September 10, 2016.
  18. Museum of Modern Art, New York. Accessible at: http://www.moma.org/artists/2007 Accessed September 10, 2016.
  19. Pospiszyl, Tomáš. 2015. Milan Knížák and Ken Friedman: Keeping Together Manifestations in a Divided World. Museum of Modern Art, New York. Accessible at: http://post.at.moma.org/content_items/683-milan-knizak-and-ken-friedman-keeping-together-manifestations-in-a-divided-world Accessed September 10, 2016.
  20. She Ji: The Journal of Design, Economics, and Innovation Accessible at: http://www.journals.elsevier.com/she-ji-the-journal-of-design-economics-and-innovation Accessed September 10, 2016.
  21. Design Thinking, Design Theory. Accessible at: https://mitpress.mit.edu/books/series/design-thinking-design-theory Accessed September 10, 2016.

Further reading

Baas, Jacquelynne, ed. 2011. Fluxus and the Essential Questions of Life. Hanover, New Hampshire and Chicago: The Hood Museum of Art and University of Chicago Press.

Chung, You Jin. 2013. Fluxus and the Zen Buddhist’s Concept of Emptiness. PhD Thesis. Reading, UK: Department of History of Art, University of Reading.

Frank, Peter. 2008. “Ken Friedman: A Life in Fluxus.” Artistic Bedfellows. Histories, Theories, and Conversations in Collaborative Art Practices. Holly Crawford, ed. Lanham, Maryland: University Press of America, pp. 145–186.

Hendricks, Jon. “Ken Friedman.” Fluxus Codex. New York: Harry N. Abrams, pp. 251–258.

Lushetich, Natasha. 2014. Fluxus: The Practice of Non-Duality. Amsterdam and New York: Rodopi.