Dick Higgins was an American composer, poet, printmaker, artist, and a co-founder of Fluxus.
Alfred Earl "Al" Hansen was an American artist. He was a member of Fluxus, a movement that originated on an artists' collective around George Maciunas.
George Maciunas was a Lithuanian American artist. He was a founding member and the central coordinator of Fluxus, an international community of artists, architects, composers, and designers. Other leading members brought together by this movement included Ay-O, Joseph Beuys, Jonas Mekas, George Brecht, Dick Higgins, Yoko Ono, Nam June Paik and Wolf Vostell.
Something Else Press was founded by Dick Higgins in 1963. It published many important Intermedia texts and artworks by such Fluxus artists as Higgins, Ray Johnson, Alison Knowles, Allan Kaprow, George Brecht, Daniel Spoerri, Robert Filliou, Al Hansen, John Cage, Emmett Williams and by such important modernist figures as Gertrude Stein, Henry Cowell, and Bern Porter.
The Zimmerli Art Museum is located on the Voorhees Mall of the campus of Rutgers University in New Brunswick, New Jersey. The museum houses more than 60,000 works, including Russian and Soviet Nonconformist Art from the acclaimed Dodge Collection, American art from the 18th century to the present, and six centuries of European art with a particular focus on 19th-century French art. The Zimmerli is also noted for its holdings of works on paper, including prints, drawings, photographs, original illustrations for children's books, and rare books.
Lucas Samaras is an artist who was born in Kastoria, Greece. He studied at Rutgers University on a scholarship, where he met Allan Kaprow and George Segal. He participated in Kaprow's "Happenings," and posed for Segal's plaster sculptures. Claes Oldenburg, in whose Happenings he also participated, later referred to Samaras as one of the "New Jersey school," which also included Kaprow, Segal, George Brecht, Robert Whitman, Robert Watts, Geoffrey Hendricks and Roy Lichtenstein. Samaras previously worked in painting, sculpture, and performance art, before beginning work in photography. He subsequently constructed room environments that contained elements from his own personal history. His "Auto-Interviews" were a series of text works that were "self-investigatory" interviews. The primary subject of his photographic work is his own self-image, generally distorted and mutilated. He has worked with multi-media collages, and by manipulating the wet dyes in Polaroid photographic film to create what he calls "Photo-Transformations".
Water Yam is an artist's book by the American artist George Brecht. Originally published in Germany, June 1963 in a box designed by George Maciunas and typeset by Tomas Schmit, it has been re-published in various countries several times since. It is now considered one of the most influential artworks released by Fluxus, the internationalist avant-garde art movement active predominantly in the 1960s and '70s. The box, sometimes referred to as a Fluxbox or Fluxkit, contains a large number of small printed cards, containing instructions known as event-scores, or fluxscores. Typically open-ended, these scores, whether performed in public, private or left to the imagination, leave a lot of space for chance and indeterminancy, forcing a large degree of interpretation upon the performers and audience.
In some cases [event-scores] would arise out of the creation of the object, while in others the object was discovered and Brecht subsequently wrote a score for it, thus highlighting the relationship between language and perception. Or, in the words of the artist, "ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed." The event-score was as much a critique of conventional artistic representation as it was a gesture of firm resistance against individual alienation.
Joe Jones was an American avant-garde musician associated with Fluxus especially known for his creation of rhythmic music machines.
Robert Watts was an American artist best known for his work as a member of the international group of artists Fluxus. Born in Burlington, Iowa June 14, 1923, he became Professor of Art at Douglass College, Rutgers University, New Jersey in 1953, a post he kept until 1984. In the 1950s, he was in close contact with other teachers at Rutgers including Allan Kaprow, Geoffrey Hendricks and Roy Lichtenstein. This has led some critics to claim that pop art and conceptual art began at Rutgers.
Eric Andersen is a Danish artist associated with the Fluxus art movement. He lives in Copenhagen, Denmark.
Letty Lou Eisenhauer was an American visual and performance artist known for her free-spirited Fluxus performances during the 1960s. She is now on faculty at the Borough of Manhattan Community College as a counselor, professor, and forensic psychologist.
Benjamin Patterson was an American musician, artist, and one of the founders of the Fluxus movement.
The Smolin Gallery was an avant-garde art venue and gallery on 57th Street in New York City, at its peak in the 1960s. It was known for its involvement with installation art, performance art and experimental art, and was best known for the Allan Kaprow assemblage performance of September 11–12, 1962 entitled "Words", believed to be the first allowing the audience to participate in an art gallery context. Kaprow "used two continual rolls of cloth with words from poems, newspapers, comic and telephone books" during which the audience were asked to "tear off the words, staple them together, write notes, even attack and hack them". Verbal fragments were pasted on the walls from floor to ceiling. In April 1963, Lima and Tony Towle gave their first public recital at the gallery.
Larry Miller is an American artist, most strongly linked to the Fluxus movement after 1969. He is "an intermedia artist whose work questions the borders between artistic, scientific and theological disciplines. He was in the vanguard of using DNA and genetic technologies as new art media." Electronic Arts Intermix, a pioneering international resource for video and media art has said, "Miller has produced a diverse body of experimental art works as a key figure in the emergent installation and performance movements in New York in the 1970s... His installations and performances have integrated diverse mediums [sic] and materials."
