Harry Stendhal is an American gallerist, arts organization founder, and entrepreneur.
As an art dealer he operated the Stendhal gallery in the Soho section of New York City and then the Maya Stendhal Gallery in Chelsea section of New York City (in partnership with his sister Maya) and exhibited among other artists; the painters Ron English and Rick Prol, the Dadaist Hans Richter [1] and the Fluxus group members Ken Friedman and Larry Miller. [2] [3] [4] In 2007 Hans Richter's artistic archives were displayed at the Gallery in an exhibition comprehensive of his Dada years and collaboration with Viking Eggeling, a fellow Dadaist who created the groundbreaking film Symphonie Diagonal and Hans Richter Rhythmus 21. The exhibition titled "Universal Language and the Avant-Garde" was covered in Artforum. [5]
After exhibiting George Macunias' work at his now closed commercial gallery he opened the foundation in 2011. [6] The organization which when it had an artspace purpose' was to exhibit the entire inter-disciplinary body work of George Maciunas the Lithuanian born co-founder of the Fluxus art movement. [7] Stendhal's exhibitions of Maciunas' work were covered by among others Anthony Haden-Guest in the Financial Times [8] and Fionn Meade in ArtForum. [9]
In 1991 the Soho gallery hosted a benefit organized for the charity God's Love We Deliver which brings meals to homebound people with Aids and other serious illnesses organized by late fashion photographer Francesco Scavullo and featuring men's suits by such designers as Issac Mizrahi, Todd Oldham and Romeo Gigli which were then embellished (painted upon) by such artists as Ronnie Cutrone and Ron English. [10] In 2004 Harry and his sister Maya commissioned the painter and filmmaker Jeff Scher to create an animated film portrait of their friend Susan Shin and then offered the ability to commission a similar rendering to gallery clients. This endeavor which was reported on by The New York Times . [11]
Stendhal himself is a presence on the New York City social scene whose events draw press coverage as does his goings on about town. [12] [13]
During the second incarnation of his gallery Harry Stendhal became ensnared in legal imbroglios [14] [15] [16] [17] [18] [19] with graphic designer and visual artist Paula Scher and the filmmaker and visual artist Jonas Mekas, a then-octagenarian, who accused the gallerist of selling his artwork without his consent and or reimbursement for among other things as an avenue for Stendhal to cover his tab at Cipriani Downtown. [20] The Mekas case was eventually settled out of court. [18] [21]
In 2013 he co-founded Fluxus llc, a privately held construction technology firm. [22] In 2020 Fluxus with cooperation with Arcadis presented "Harnessing Prefabrication to Tackle the Affordable Housing Challenge: A Global Partnership Approach" at the Advancing Prefabrication conference in Dallas, Texas. [23] Their prototype the "Fluxhouse" is currently shown in Augmented reality on the website of the World Economic Forum for whom Fluxus llc. is helping to implement augmented reality technology. [24]
Fluxus was an international, interdisciplinary community of artists, composers, designers, and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms. These art forms include intermedia, a term coined by Fluxus artist Dick Higgins; conceptual art, first developed by Henry Flynt, an artist contentiously associated with Fluxus; and video art, first pioneered by Nam June Paik and Wolf Vostell. Dutch gallerist and art critic Harry Ruhé describes Fluxus as "the most radical and experimental art movement of the sixties".
Intermedia is an art theory term coined in the mid-1960s by Fluxus artist Dick Higgins to describe the strategies of interdisciplinarity that occur within artworks existing between artistic genres. It was also used by John Brockman to refer to works in expanded cinema that were associated with Jonas Mekas' Film-Makers’ Cinematheque. Gene Youngblood also described intermedia, beginning in his Intermedia column for the Los Angeles Free Press beginning in 1967 as a part of a global network of multiple media that was expanding consciousness. Youngblood gathered and expanded upon intermedia ideas from this series of columns in his 1970 book Expanded Cinema, with an introduction by Buckminster Fuller. Over the years, intermedia has been used almost interchangeably with multi-media and more recently with the categories of digital media, technoetics, electronic media and post-conceptualism.
Jonas Mekas was a Lithuanian-American filmmaker, poet, and artist who has been called "the godfather of American avant-garde cinema". Mekas's work has been exhibited in museums and at festivals worldwide. Mekas was active in New York City, where he co-founded Anthology Film Archives, The Film-Makers' Cooperative, and the journal Film Culture. He was also the first film critic for The Village Voice.
Ken Friedman is a design researcher. He was a member of Fluxus, an international laboratory for experimental art, architecture, design, and music. Friedman joined Fluxus in 1966 as the youngest member of the classic Fluxus group. He has worked closely with other Fluxus artists and composers such as George Maciunas, Dick Higgins, and Nam June Paik, as well as collaborating with John Cage and Joseph Beuys. He was the general manager of Dick Higgins's Something Else Press in the early 1970s. In the 1990s, Friedman's work as a management consultant and designer led him to an academic career, first as Professor of Leadership and Strategic Design at the Norwegian School of Management in Oslo, then as Dean of the Faculty of Design at Swinburne University of Technology in Melbourne. Friedman is currently University Distinguished Professor at Swinburne and Chair Professor of Design Innovation Studies at Tongji University.
George Maciunas was a Lithuanian American artist, born in Kaunas. A founding member and the central coordinator of Fluxus, an international community of artists, architects, composers, and designers, he is most famous for organising and performing early happenings and for assembling a series of highly influential artists' multiples.
George Brecht, born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.
Viking Eggeling was a Swedish avant-garde artist and filmmaker connected to dadaism, Constructivism, and abstract art and was one of the pioneers in absolute film and visual music. His 1924 film Diagonal-Symphonie is one of the seminal abstract films in the history of experimental cinema.
Anthology Film Archives is an international center for the preservation, study, and exhibition of film and video, with a particular focus on independent, experimental, and avant-garde cinema. The film archive and theater is located at 32 Second Avenue on the southeast corner of East 2nd Street, in a New York City historic district in the East Village neighborhood of Manhattan.
Shigeko Kubota was a Japanese video artist, sculptor and avant-garde performance artist, who mostly lived in New York City. She was one of the first artists to adopt the portable video camera Sony Portapak in 1970, likening it to a "new paintbrush." Kubota is known for constructing sculptural installations with a strong DIY aesthetic, which include sculptures with embedded monitors playing her original videos. She was a key member and influence on Fluxus, the international group of avant-garde artists centered on George Maciunas, having been involved with the group since witnessing John Cage perform in Tokyo in 1962 and subsequently moving to New York in 1964. She was closely associated with George Brecht, Jackson Mac Low, John Cage, Joe Jones, Nam June Paik, and Ay-O, among other members of Fluxus. Kubota was deemed "Vice Chairman" of the Fluxus Organization by Maciunas.
Paula Scher is an American graphic designer, painter and art educator in design. She also served as the first female principal at Pentagram, which she joined in 1991.
The year 2007 in art involved some significant events and new works.
Vilnius Guggenheim Hermitage Museum was a proposed art museum in the city of Vilnius, the capital of Lithuania. On April 8, 2008, an international jury named Zaha Hadid, a British-Iraqi architect, the winner of the international design competition for the museum. The museum was initially scheduled to open in 2011. Later, it was announced, that museum was scheduled to open in 2013. However, the project was postponed due to alleged illegal channeling of funds to the Jonas Mekas Arts Center and has been under investigation since 2010. The museum project, as of March 2012, was reported as having regained support, including that of the Vilnius mayor, Arturas Zuokas, even though the embezzlement inquiry was still ongoing.
Joe Jones (1934–1993) was an American avant-garde musician associated with Fluxus, especially known for his creation of rhythmic music machines.
Spice Chess is an artist's multiple by the Japanese artist Takako Saito, while she was resident in the United States. Originally manufactured winter 1964–65, and offered for sale March 1965, the work is one of a famous series of disrupted chess sets referred to as Fluxchess or Flux Chess, made for George Maciunas' Fluxshop at his Canal Street loft, SoHo, New York City and later through his Fluxus Mail-Order Warehouse.
"Takako Saito engaged with Duchamp's practice but also with masculinist cold war metaphors by taking up chess as a subject of [her] art. Saito's fluxchess works... question the primacy of vision to chess, along with notions of perception and in aesthetic experience more generally.... Her "Smell Chess," "Sound Chess" and "Weight Chess" reworked the game of chess so that players would be forced to hone non-visual perception, such as the olfactory sense, tactility, and aurality, in order to follow chess rules." Claudia Mesch
Robert Marshall Watts (1923–1988) was an American artist best known for his work as a member of the international group of artists Fluxus. Born in Burlington, Iowa June 14, 1923, he became Professor of Art at Douglass College, Rutgers University, New Jersey in 1953, a post he kept until 1984. In the 1950s, he was in close contact with other teachers at Rutgers including Allan Kaprow, Geoffrey Hendricks and Roy Lichtenstein. This has led some critics to claim that pop art and conceptual art began at Rutgers.
Fluxus 1 is an artists' book edited and produced by the Lithuanian-American artist George Maciunas, containing works by a series of artists associated with Fluxus, the international collective of avant-garde artists primarily active in the 1960s and 1970s. Originally published in New York, 1964, the contents vary from edition to edition, but usually contain work by Ay-O, George Brecht, Alison Knowles, György Ligeti, Yoko Ono, Robert Watts and La Monte Young amongst many others.
New York Dada was a regionalized extension of Dada, an artistic and cultural movement between the years 1913 and 1923. Usually considered to have been instigated by Marcel Duchamp's Fountain exhibited at the first exhibition of the Society of Independent Artists in 1917, and becoming a movement at the Cabaret Voltaire in February, 1916, in Zürich, the Dadaism as a loose network of artists spread across Europe and other countries, with New York becoming the primary center of Dada in the United States. The very word Dada is notoriously difficult to define and its origins are disputed, particularly amongst the Dadaists themselves.
Non-narrative film is an aesthetic of cinematic film that does not narrate, or relate "an event, whether real or imaginary". It is usually a form of art film or experimental film, not made for mass entertainment.
Microscope Gallery is a contemporary art gallery located at 525 West 29th Street, New York, NY 10001. It was founded by artists and curators Elle Burchill and Andrea Monti and opened in September 2010 in Bushwick, Brooklyn, NY. The gallery specializes in time-based works, particularly film, sound, digital and performance art. Sculpture, installation, painting, mixed media and photographic works are also regularly shown at Microscope.
Larry Miller is an American artist, most strongly linked to the Fluxus movement after 1969. He is "an intermedia artist whose work questions the borders between artistic, scientific and theological disciplines. He was in the vanguard of using DNA and genetic technologies as new art media." Electronic Arts Intermix, a pioneering international resource for video and new media art has said, "Miller has produced a diverse body of experimental art works as a key figure in the emergent installation and performance movements in New York in the 1970s... His installations and performances have integrated diverse mediums [sic] and materials."
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