Rick Prol (born 1958) is an American visual artist who came to the foray during the Neo-Expressionism, Street Art, and Graffiti art movements which first took hold in and around the East Village, Manhattan in the 1980s. [1] The style of Prol's work can be compared to German expressionism. Art writer Anthony Haden-Guest has described Prol's works as darkly cartoony. [2]
Prol received his B.F.A. from Cooper Union in 1980. [3] He was a friend of Jean Michel Basquiat and helped him with his artwork in the studio. [4] [5] Martha Schwendener, writing in the New York Times, makes light of this and Prol's artistic output in her review of the show Circa 1985 at the Hudson Valley Center for Contemporary Art stating that "Interestingly, there are no paintings by Mr. Basquiat, who died of a drug overdose in 1988, in Circa 1986 but Mr. Prol's large canvas, I Have This Cat (1985) is an apt surrogate, complete with a primitive figure set against a bleak cityscape marked with graffitilike scrawls. [6] In 1984 Prol's work was included in the exhibition Neo-Expressionists at The Aldrich Contemporary Art Museum in Ridgefield, Connecticut. [7] Prol made the cover art for the first Live Skull record in 1984 produced by Massive Records.
In 2021 Prol's work was the subject of a solo show at the James Fuentes gallery. [8] Also in 2021 Prol had a solo show in Seoul at the Leeahn gallery. [9] In 2024 his work was included in the exhibition Urban Art Evolution at the Nassau County Museum of Art (curated by Christopher Pusey) and then in the corresponding exhibition Boyz from the Museum (curated by Loni Efron) at the Ilon Gallery in Harlem, Manhattan. [10] [11]
Jean-Michel Basquiat was an American artist who rose to success during the 1980s as part of the Neo-expressionism movement.
Abstract expressionism in the United States emerged as a distinct art movement in the immediate aftermath of World War II and gained mainstream acceptance in the 1950s, a shift from the American social realism of the 1930s influenced by the Great Depression and Mexican muralists. The term was first applied to American art in 1946 by the art critic Robert Coates. Key figures in the New York School, which was the center of this movement, included such artists as Arshile Gorky, Jackson Pollock, Franz Kline, Mark Rothko, Norman Lewis, Willem de Kooning, Adolph Gottlieb, Clyfford Still, Robert Motherwell, Theodoros Stamos and Lee Krasner among others.
Neo-expressionism is a style of late modernist or early-postmodern painting and sculpture that emerged in the late 1970s. Neo-expressionists were sometimes called Transavantgarde, Junge Wilde or Neue Wilden. It is characterized by intense subjectivity and rough handling of materials.
Friedel Dzubas was a German-born American abstract painter.
Mary Boone is an American art dealer and collector. As the owner and director of the Mary Boone Gallery, she played an important role in the New York art market of the 1980s. Her first two artists, Julian Schnabel and David Salle, became internationally known, and, in 1982, she was featured in a cover story on New York magazine tagged: "The New Queen of the Art Scene".
Irving Kriesberg was an American painter, sculptor, educator, author, and filmmaker, whose work combined elements of Abstract Expressionism with representational human, animal, and humanoid forms. Because Kriesberg blended formalist elements with figurative forms he is often considered to be a Figurative Expressionist.
James Brown was an American-born painter active in Paris and Oaxaca, Mexico. He was most well known in the 1980s for his rough painterly semi-figurative paintings, bearing affinities to Jean-Michel Basquiat and East Village painting of the time, but with influences from primitive art and classical Western modernism.
20th-century Western painting begins with the heritage of late-19th-century painters Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat, Henri de Toulouse-Lautrec, and others who were essential for the development of modern art. At the beginning of the 20th century, Henri Matisse and several other young artists including the pre-cubist Georges Braque, André Derain, Raoul Dufy and Maurice de Vlaminck, revolutionized the Paris art world with "wild", multi-colored, expressive landscapes and figure paintings that the critics called Fauvism. Matisse's second version of The Dance signified a key point in his career and in the development of modern painting. It reflected Matisse's incipient fascination with primitive art: the intense warm color of the figures against the cool blue-green background and the rhythmical succession of the dancing nudes convey the feelings of emotional liberation and hedonism.
Jimmy DeSana was an American artist, and a key figure in the East Village punk art and New Wave scene of the 1970s and 1980s. DeSana's photography has been described as "anti-art" in its approach to capturing images of the human body, in a manner ranging from "savagely explicit to purely symbolic". DeSana was close collaborators with photographer Laurie Simmons and writer William S. Burroughs, who wrote the introduction to DeSana's self-published collection of photographs Submission. His work includes the album cover for the Talking Heads album More Songs about Buildings and Food as well as John Giorno’s LP, You’re The Guy I Want To Share My Money With.
Jim Radakovich is an American sculptor and painter living and working in New York City. He was a key figure in the East Village art scene in New York from 1982 to 1987 often showing together both Neo-Surrealist paintings and totem-like sculpture. He frequently exhibited with other artists who emerged at the time, including Kiki Smith, David Wojnarowicz, George Condo, Rick Prol, Peter Schuyff, Mark Kostabi and Marilyn Minter.
Robert Hawkins is an American artist born in Sunnyvale, California, USA and presently lives in London, UK., Hawkins' is best known for his "ferocious" style of realism. His first drawing in a publication appeared in the kid's section of the San Francisco Chronicle at the age of 5.
Amaranth Roslyn Ehrenhalt was an American painter, sculptor, and writer, who spent the majority of her career living and working in Paris, France before returning to New York City.
Corinne Michelle West (1908–1991) was an American painter; she also used the names Mikael and Michael West. She was an Abstract Expressionist.
Samuel E. Vázquez, styled as Samuel E Vázquez, was a participant of the New York City Subway graffiti art movement of the 1980s. Today, Vázquez works on abstract expressionist paintings.
April Kingsley was an American art critic and curator known for her support of abstract expressionism in New York City, her work on the catalogue raisonné of Franz Kline, and her book about the rise of abstract expressionism, The Turning Point. In addition to her work as an art critic, art historian, and author, Kingsley was an educator and a curator especially of figurative- and abstract-expressionist work.
A Panel of Experts is a painting created by American artist Jean-Michel Basquiat in 1982. The artwork in part is Basquiat's depiction of a catfight between two of his lovers, Suzanne Mallouk and singer Madonna.
A Pile of Crowns for Jean-Michel Basquiat is a 1988 painting created by American artist Keith Haring. The artwork was made to memorialize his friend, artist Jean-Michel Basquiat. It depicts a towering pile of Basquiat's trademark crowns.
Annina Nosei is an Italian-born art dealer and gallerist. Nosei is best known for being Jean-Michel Basquiat’s first art dealer and providing him with studio space in the basement of her gallery. From 1981 to 2006, the Annina Nosei Gallery represented or exhibited work by artists such as Barbara Kruger, Robert Longo, Ghada Amer, and Shirin Neshat.
Anthony Clark, known as A-One, was an American graffiti artist. He developed a style he called "aerosol expressionism".
Fernanda Lavera is a neo-expressionist artist from Buenos Aires, Argentina. Lavera's artistic style was influenced by the street art scene and the Buenos Aires art community. Her art came to an international audience after being spotted by music producer and art collector Clive Davis, who came across Lavera's art during an exhibition that took place at the Palacio Duhau in Buenos Aires.