Established | 1985 |
---|---|
Location | Hanover, New Hampshire, U.S. |
Coordinates | 43°42′08″N72°17′17″W / 43.70222°N 72.28806°W |
Type | Art museum |
Accreditation | American Alliance of Museums |
Collection size | 65,000 |
Director | John Stomberg |
Owner | Dartmouth College |
Website | hoodmuseum |
The Hood Museum of Art is an art museum owned and operated by Dartmouth College in Hanover, New Hampshire. The first reference to the development of an art collection at Dartmouth was in 1772, [1] making the collection among the oldest and largest, at about 65,000 objects, of any college or university museum in the United States. The Hood Museum of Art officially opened in the fall of 1985. The original building was designed by Charles Willard Moore and Chad Floyd. [2]
In March 2016, the museum closed for a major expansion and renovation designed by Tod Williams Billie Tsien Architects. [3] The museum reopened to the public on January 26, 2019, with more gallery and office spaces as well as a welcoming new atrium. [4] It also added the Bernstein Center for Object Study, which houses three smart object-study rooms, an object-staging room, and curatorial and security offices, all accessible to Dartmouth faculty and students via an entrance set parallel to the doors to the galleries themselves. [5]
As a teaching museum, [6] the Hood Museum of Art's mission is to "enable and cultivate transformative encounters with works of artistic and cultural significance to advance critical thinking and enrich people's lives." [7] It offers support to the Dartmouth curriculum across many disciplines and majors while encouraging co-curricular engagement through workshops such as Museum Collecting 101 [8] and the undergraduate-driven Museum Club. [9] The museum is free and open to all. [10]
The Hood Museum's collection is drawn from a wide range of cultures and historical periods. The 65,000 objects in the museum's care represent the diverse artistic traditions of six continents, including, broadly, Native American, [11] European [12] and American, [13] Asian, [14] Indigenous Australian, [15] African, [16] and Melanesian art. [17] The museum hosts both collection-driven and loan-based traveling exhibitions. [18]
Among the museum's most important holdings are six Assyrian stone reliefs from the palace of Ashurnasirpal II (about 900 BCE), [19] the complete archive of photojournalist James Nachtwey, [20] and the fresco by José Clemente Orozco titled The Epic of American Civilization (1932–34), which was designated a National Historic Landmark in 2013, [21] located nearby in Dartmouth's Baker-Berry Library. [22]
José Clemente Orozco was a Mexican caricaturist and painter, who specialized in political murals that established the Mexican Mural Renaissance together with murals by Diego Rivera, David Alfaro Siqueiros, and others. Orozco was the most complex of the Mexican muralists, fond of the theme of human suffering, but less realistic and more fascinated by machines than Rivera. Mostly influenced by Symbolism, he was also a genre painter and lithographer. Between 1922 and 1948, Orozco painted murals in Mexico City, Orizaba, Claremont, California, New York City, Hanover, New Hampshire, Guadalajara, Jalisco, and Jiquilpan, Michoacán. His drawings and paintings are exhibited by the Carrillo Gil Museum in Mexico City, and the Orozco Workshop-Museum in Guadalajara. Orozco was known for being a politically committed artist, and he promoted the political causes of peasants and workers.
The Baker-Berry Library is the main library at Dartmouth College in Hanover, New Hampshire. The fresco, The Epic of American Civilization, was painted by José Clemente Orozco in the lower level of the library, and is a National Historic Landmark. Baker's tower, designed after Independence Hall in Philadelphia, stands 200 feet above campus and is often used as an iconic representation of the college.
Ken Friedman is a design researcher. He was a member of Fluxus, an international laboratory for experimental art, architecture, design, and music. Friedman joined Fluxus in 1966 as the youngest member of the classic Fluxus group. He has worked closely with other Fluxus artists and composers such as George Maciunas, Dick Higgins, and Nam June Paik, as well as collaborating with John Cage and Joseph Beuys. He was the general manager of Dick Higgins's Something Else Press in the early 1970s. In the 1990s, Friedman's work as a management consultant and designer led him to an academic career, first as Professor of Leadership and Strategic Design at the Norwegian School of Management in Oslo, then as Dean of the Faculty of Design at Swinburne University of Technology in Melbourne. Friedman is currently University Distinguished Professor at Swinburne and Chair Professor of Design Innovation Studies at Tongji University.
The San José Museum of Art (SJMA) is a modern and contemporary art museum in downtown San Jose, California, United States. Founded in 1969, the museum holds a permanent collection with an emphasis on West Coast artists of the 20th and 21st centuries. It is located at Circle of Palms Plaza, beside Plaza de César Chávez. A member of North American Reciprocal Museums, SJMA has received several awards from the American Alliance of Museums.
Pansy Napangardi is an Australian artist. She is associated with the Jukurrpa group of women artists in Alice Springs where she lives today.
Louis Conrad Rosenberg (1890–1983) was an American artist, architect, author, and educator active between 1914 and 1966 known for his precise staging and rendering of architectural scenes in Europe and the United States during the 1920s and 1930s.
The Mint Museum, also referred to as The Mint Museums, is a cultural institution comprising two museums, located in Charlotte, North Carolina. The Mint Museum Randolph and Mint Museum Uptown, together these two locations have hundreds of collections showcasing art and design from around the globe.
The Museum of Texas Tech University is part of Texas Tech University in Lubbock, Texas. It is made up of the main museum building, the Moody Planetarium, the Natural Science Research Laboratory, the research and educational elements of the Lubbock Lake Landmark, and the Val Verde County research site. It features collections in anthropology, fine arts, clothing and textiles, history, natural sciences and paleontology.
Timothy F. Rub is an American museum director and art historian. He previously held the position of the George D. Widener Director and Chief Executive Officer at the Philadelphia Museum of Art, one of the largest museums in the United States.
Varujan Yegan Boghosian was an American artist, best known for his sculptures and assemblages. During his career, he held teaching positions at the University of Florida, Cooper Union, Pratt Institute, Yale University, Brown University and Dartmouth College. At Dartmouth, Boghosian was a member of the art faculty from 1968 to 1995. He was awarded an endowed position as the George Frederick Jewett Professor of Art in 1982. Boghosian retired from Dartmouth in 1995 and had since continued his work as a practicing artist up until his death.
Michael R. Taylor is a curator, author, and expert in modern and contemporary art with a focus on Dada, Surrealism, and the work of Marcel Duchamp. With a Ph.D in Art History from the Courtauld Institute of Art in London, he was a Curator of Modern Art at the Philadelphia Museum of Art from 1997 until 2011, and Director of the Hood Museum of Art at Dartmouth College in Hanover, New Hampshire from 2011 until 2015 In May 2015, the Virginia Museum of Fine Arts announced its appointment of Dr. Taylor as Chief Curator and Deputy Director for Art and Education.
The Epic of American Civilization is a mural by the social realist painter José Clemente Orozco. It is located in the basement reading room of the Baker Memorial Library on the campus of Dartmouth College in Hanover, New Hampshire. The mural, painted between 1932 and 1934, consists of a series of 24 fresco panels, whose principal themes are the impact of both indigenous Native Americans and European colonists on North America, and the impact of war and rapid industrialization on the human spirit. The mural was designated a National Historic Landmark in 2013.
Jacquelynn Baas is an independent curator, cultural historian, writer, and Director Emeritus of the University of California Berkeley Art Museum and Pacific Film Archive. She has published on topics ranging from the history of the print media to Mexican muralism to Fluxus to Asian philosophies and practices as resources for European and American artists.
Francis Charles Portzline was an American fraktur artist of German birth.
Jill Mathis is an American photographer.
Kay Lindjuwanga is an Aboriginal Australian artist from Maningrida in the Northern Territory of Australia. She is known for her bark paintings which often make use of Aboriginal rrark designs.
Gali Yalkarriwuy Gurruwiwi (1942–2020) was an internationally acclaimed Aboriginal Australian artist from Elcho Island (Galiwin'ku), an island off the coast of Northeast Arnhem Land. Gali was a Yolngu Mala leader and Gälpu clan representative, a clan group of the Dhuwa moiety, as well as a prominent member of the Galiwin'ku Uniting Church. He was best known for his Morning Star poles which have been featured in international exhibitions in London and the United States and for his unique melding of traditional Yolngu beliefs and Christian theology.
Prometheus is a fresco by Mexican muralist José Clemente Orozco depicting the Greek Titan Prometheus stealing fire from the heavens to give to humans. It was commissioned for Pomona College's Frary Dining Hall and completed in June 1930, becoming the first modern fresco in the United States. It has received widespread critical acclaim.
Sana Musasama is an African-American ceramic and mixed-media artist based in New York City. Her artistic practice parallels her work as an educator and commitment to human rights causes especially the human trafficking of women. Musasama is an associate adjunct professor at Hunter College.