Treasure | ||||
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Studio album by | ||||
Released | 12 November 1984 [1] | |||
Recorded | August–September 1984 | |||
Studio |
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Genre | ||||
Length | 41:19 | |||
Label | 4AD | |||
Producer | Cocteau Twins | |||
Cocteau Twins chronology | ||||
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Treasure is the third studio album by Scottish alternative rock band Cocteau Twins, released on 12 November 1984 by 4AD. With this album, the band settled on what would, from then on, be their primary lineup: vocalist Elizabeth Fraser, guitarist Robin Guthrie and bass guitarist Simon Raymonde. The album also reflected the group's embrace of the distinctive ethereal sound with which they became associated. [2] [3]
The album reached number 29 on the UK Albums Chart, becoming the band's first UK Top 40 album, and charted for eight weeks. [4] It also became one of the band's most critically successful releases, although the band considered it underdeveloped. [5] The track "Lorelei" became a minor dance hit during the mid-1980s. [3]
The album was recorded from August to September 1984 at Palladium Studios in Edinburgh and at Rooster in West London. [6]
Record label executive Ivo Watts-Russell originally tried to hire Brian Eno and Daniel Lanois to produce the album. However, Eno felt the band did not need him and Guthrie ended up producing the album. [7] Pitchfork noted that the album's drum machine backing added a sharp edge in contrast to the band's ethereal sound and Elizabeth Fraser's "angelic vocals". [3] On the album's title, Fraser said, "I thought it was a really good idea because I thought, well, what are people gonna see in these names? They're gonna realise it’s got nothing to do with mythology and all that bollocks. Well, it's not bollocks, but I foolishly thought people wouldn't think that we were into that sort of thing". [8]
Raymonde alluded to Treasure being rushed and unfinished, while Guthrie referred to it as "an abortion", [9] "our worst album by a mile", [7] and to the period in which it was made as "arty-farty pre-Raphaelite". [5] Additionally, Guthrie noted the record's 'dated' quality "because of the early digital stuff and the technology we used on that record. It’s got good things on it, but it’s certainly not got that timeless quality.'" [10] Nonetheless, as Raymonde observed, "It seems to be the one that people like the best and it's probably sold the best". [9]
Review scores | |
---|---|
Source | Rating |
AllMusic | [11] |
Louder Than War | 10/10 [12] |
Q | [13] |
Record Collector | [14] |
Record Mirror | [15] |
The Rolling Stone Album Guide | [16] |
Smash Hits | 8/10 [17] |
Spin Alternative Record Guide | 9/10 [18] |
Stylus Magazine | 7/10 [19] |
Uncut | 9/10 [20] |
Treasure is considered by many fans to be the band's finest work, [5] and has received critical acclaim. Upon its release, Smash Hits Ian Cranna gave the album an 8 out of 10 rating, finding Cocteau Twins on their third album in a "noticeably lighter mood. The songs are airier, almost swinging, with more delicate acoustic guitar than the familiar electric razzle" and noting Elizabeth Fraser's vocals that "soars, weaves or whispers through the instrumental mix (,,,) to build beguiling, impressionist pieces based on vaguely Victorian names." [17] Steve Sutherland in Melody Maker described the album as "true brilliance" and stated that the band were "the voice of God". [21]
Retrospectively, Pitchfork wrote, "Cocteau Twins' third album was titled simply enough. Treasure was an adjective for the endlessly inventive melodic lines you'd find buried in these songs, and a verb for what you'd do with them for years to come", and noted that the record signalled the start of Cocteau Twins' "signature ethereality". [3] Ned Raggett of AllMusic complimented its "accomplished variety", saying, "Treasure lives up to its title and then some as a thorough and complete triumph". [11] BBC Online wrote, "Treasure was where the Cocteau Twins first got it 100 percent right". [22] [23]
In March 2018, the album was repressed on 180g vinyl using new masters created from high definition files transferred from the original analogue tapes. [24]
Jeff Terich of Treblezine placed the album on his list of best dream pop albums, stating: "In contrast to the band's more abrasive post-punk albums that arrived earlier, Treasure is an exercise in making beauty seem alien, and making alienation seem sublime, for that matter". [25] Slant Magazine listed the album at No. 74 on its list of the best albums of the 1980s, [26] while NME named Treasure the 37th best album of 1984. [27] Pitchfork listed Treasure as the 27th best album of the 1980s. [28] Paste magazine's Josh Jackson listed the album at No. 38 on his list of "The 50 Best Post-Punk Albums", describing it as "the first full realization of the band's ethereal pop sound". [29] PopMatters included it in their list of the "12 Essential 1980s Alternative Rock Albums" saying, "Fraser's ability to deliver her nonsensical lyrics with the diaphanous touch of a moth or with the muscle of a ravenous lion is astonishing". Jennifer Makowsky concluded that "Treasure is an aptly titled album". [30] The album was included in the 2008 edition of 1001 Albums You Must Hear Before You Die . [31] In Beautiful Noise , the shoegaze/dream pop documentary, Robert Smith of The Cure calls it one of the most romantic records ever recorded, [7] so much that he played it as he was getting ready on his wedding day. [32]
All tracks are written by Cocteau Twins (Elizabeth Fraser, Robin Guthrie and Simon Raymonde)
No. | Title | Length |
---|---|---|
1. | "Ivo" | 3:53 |
2. | "Lorelei" | 3:43 |
3. | "Beatrix" | 3:11 |
4. | "Persephone" | 4:20 |
5. | "Pandora (for Cindy)" | 5:35 |
No. | Title | Length |
---|---|---|
1. | "Amelia" | 3:31 |
2. | "Aloysius" | 3:26 |
3. | "Cicely" | 3:29 |
4. | "Otterley" | 4:04 |
5. | "Donimo" | 6:19 |
Initial pressings of the Canadian LP release included the "Aikea-Guinea" 12" single as a bonus.
Cocteau Twins
Production
Chart (1984) | Peak position |
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New Zealand Albums (RMNZ) [33] | 34 |
Swedish Albums (Sverigetopplistan) [34] | 32 |
UK Albums (OCC) [35] | 29 |
Dream pop is a subgenre of alternative rock and neo-psychedelia that emphasizes atmosphere and sonic texture as much as pop melody. Common characteristics include breathy vocals, dense productions, and effects such as reverb, echo, tremolo, and chorus. It often overlaps with the related genre of shoegaze, and the two genre terms have at times been used interchangeably.
Cocteau Twins were a Scottish rock band active from 1979 to 1997. They were formed in Grangemouth on the Firth of Forth by Robin Guthrie and Will Heggie (bass), adding Elizabeth Fraser (vocals) in 1981. In 1983, Heggie was replaced with multi-instrumentalist Simon Raymonde. The group earned critical praise for their ethereal, effects-laden sound and the soprano vocals of Fraser, whose lyrics often eschew any recognisable language. They pioneered the 1980s alternative subgenre of dream pop and helped define what would become shoegaze.
Head over Heels is the second studio album by Scottish alternative rock band Cocteau Twins. The album was released on 24 October 1983 through the label 4AD. It featured the band's signature sound of "Guthrie's lush guitars under Fraser's mostly wordless vocals" and is considered an archetype of early ethereal wave music.
Heaven or Las Vegas is the sixth studio album by Scottish alternative rock band Cocteau Twins. It was released on 17 September 1990 by 4AD. It is the band's second major-label release in the US, following Blue Bell Knoll in 1988.
Milk & Kisses is the eighth and final studio album by Scottish rock band Cocteau Twins, released on 15 April 1996 in the United Kingdom by Fontana Records and on 14 May 1996 in the United States by Capitol Records. It proved to be their last; a meeting two years later to record a new album ended with the breakup of the band.
Elizabeth Davidson Fraser is a Scottish singer. She was the vocalist for the band Cocteau Twins who achieved success in the UK primarily during the fifteen years from the mid-1980s to the late 1990s. Their studio albums Victorialand (1986) and Heaven or Las Vegas (1990) both reached the top ten of the UK Album Charts, as well as other albums including Blue Bell Knoll (1988), Four-Calendar Café (1993) and Milk & Kisses (1996) charting on the Billboard 200 album charts in the United States as well as the top 20 in the UK. She also performed as part of the 4AD group This Mortal Coil, including the successful 1983 single "Song to the Siren", and as a guest with Massive Attack on their 1998 hit single "Teardrop".
Garlands is the debut studio album by the Scottish alternative rock band Cocteau Twins. It was released on 10 July 1982 through the record label 4AD. It peaked in the Top 5 of the UK Independent Albums Chart and received support from BBC Radio 1 radio host John Peel.
It'll End in Tears is the first album released by 4AD collective This Mortal Coil, a loose grouping of artists on the label brought together by label boss Ivo Watts-Russell. The album was released by 4AD on 8 October 1984, and reached #38 on the UK Albums Chart.
Four-Calendar Café is the seventh studio album by Scottish band Cocteau Twins, released on 18 October 1993 by Fontana Records. It was their first release since leaving their former record label 4AD. Two singles were released to promote the album, "Evangeline" and "Bluebeard". A performance to promote "Bluebeard" on The Tonight Show with Jay Leno marked their debut performance on American television.
Victorialand is the fourth studio album by Scottish alternative rock band Cocteau Twins, released by 4AD in 1986. Working without bassist Simon Raymonde, vocalist Elizabeth Fraser and guitarist/producer Robin Guthrie opted for a subtler sound on the album.
Stars and Topsoil – A Collection (1982–1990) is a compilation album by the Scottish band Cocteau Twins, released on the 4AD label on October 16, 2000. The album featured tracks released during the group's time on 4AD between 1982 and 1990, covering every Cocteau Twins album from Garlands through Heaven or Las Vegas. The collection reached number sixty-three on the UK Albums Chart.
"Peppermint Pig" is a song by Scottish alternative rock band Cocteau Twins. It was released as both a single and 12" EP on 4 April 1983 by record label 4AD. Musically, the material was similar to their previous release, the 1982 EP Lullabies. It was the last release to feature original bassist Will Heggie.
Blue Bell Knoll is the fifth studio album by Scottish dream pop band Cocteau Twins, released on 19 September 1988 by 4AD. This was the band's first album to receive major-label distribution in the United States, as it was originally licensed by Capitol Records from 4AD for North American release. After a period of being out of print while 4AD reclaimed the American distribution rights for their back catalogue, the album was remastered by guitarist Robin Guthrie and reissued in 2003. Vocalist Elizabeth Fraser named the album after a peak in southern Utah called Bluebell Knoll.
The Moon and the Melodies is a collaborative studio album by Scottish dream pop band Cocteau Twins and American minimalist composer Harold Budd. It was released 10 November 1986 by 4AD. The name "Cocteau Twins" did not appear on the release, which instead credited the band's three members and Budd individually.
Ethereal wave, also called ethereal darkwave, ethereal goth or simply ethereal, is a subgenre of dark wave music that is variously described as "gothic", "romantic", and "otherworldly". Developed in the early 1980s in the UK as an outgrowth of gothic rock, ethereal wave was mainly represented by 4AD bands such as Cocteau Twins, This Mortal Coil, and early guitar-driven Dead Can Dance.
The Spangle Maker is an EP by Scottish band Cocteau Twins, released on 4AD in April 1984. It was the first recording to be issued after bassist Simon Raymonde joined the band. The EP featured two versions of "Pearly-Dewdrops' Drops", and two B-sides. All three songs appeared in the band's live set.
The Pink Opaque is a 1986 compilation album by Scottish alternative rock band Cocteau Twins, composed of tracks recorded between 1982 and 1985. A joint release by the UK-based 4AD and the American Relativity Records, it was their first official U.S. release.
"Bluebeard" is a single by the Cocteau Twins. It was released by Fontana Records in February 1994 as the second single to be released from the Four-Calendar Café album. All three members of the band – Fraser, Guthrie and Raymonde – are credited as songwriters as well as producers.
"Heaven or Las Vegas" is a song by Scottish band Cocteau Twins. It was released by Capitol Records in October 1990 as the second single from the Heaven or Las Vegas album. The song has been described as dream pop.
"Carolyn's Fingers" is a song by Scottish alternative rock and dreampop band the Cocteau Twins, released in the US as a promotional single in 1988 from their album Blue Bell Knoll. The song was released through the 4AD record label and credits all three members of the group – Fraser, Guthrie and Raymonde as songwriters and well as producers.