Mars Needs Moms

Last updated

Mars Needs Moms
Mars Needs Moms! Poster.jpg
Theatrical release poster
Directed by Simon Wells
Screenplay by
  • Simon Wells
  • Wendy Wells
Based onMars Needs Moms!
by Berkeley Breathed
Produced by
Starring
CinematographyRobert Presley
Edited byWayne Wahrman
Music by John Powell
Production
companies
Distributed by Walt Disney Studios
Motion Pictures
Release dates
  • March 6, 2011 (2011-03-06)(El Capitan Theatre)
  • March 11, 2011 (2011-03-11)(United States)
Running time
88 minutes
CountryUnited States
LanguageEnglish
Budget$150 million [1] [2]
Box office$39.2 million [1]

Mars Needs Moms is a 2011 American 3D computer-animated science fiction film co-written and directed by Simon Wells, produced by ImageMovers Digital and released by Walt Disney Pictures. Based on the Berkeley Breathed book of the same title, the film was animated through the process of performance capture and stars Seth Green, Dan Fogler, Elisabeth Harnois, Mindy Sterling, and Joan Cusack. It was the second and final film produced by ImageMovers Digital before the studio was shut down and re-absorbed into ImageMovers resulting in the company leaving the animation business for good. [3] It tells the story of a nine-year-old boy named Milo who sets out to save his mother on Mars after she is abducted by Martians.

Contents

Mars Needs Moms premiered at the El Capitan Theatre in Los Angeles on March 6, 2011, and was released in theaters on March 11, 2011, in Disney Digital 3D, RealD 3D and IMAX 3D formats. The film received mixed reviews from critics, who praised the visuals, set design and cast, but criticized its story, characters and "unsettling" character animation, with critics saying that it "suffers from a lack of imagination and heart". It grossed $39.2 million worldwide on a $150 million budget, becoming one of the biggest box-office bombs of all time, losing an estimated $100–144 million for Disney.

Plot

Unbeknownst to humans, there is a thriving, technologically sophisticated society of Martians living below the surface of Mars. The Martians' Supervisor, while observing Earth, sees a mother persuading her son, Milo, to do his chores. The Martians decide to bring her to Mars, where her "mom-ness" will be extracted and implanted into the next-generation of nanny-bots. Meanwhile, Milo, who doesn't like to follow house rules and do chores and has been sent to his room for feeding broccoli to his cat, Cujo, sarcastically tells his mother that his life would be better without her, which hurts her deeply.

Later that night, Milo goes to apologize, but discovers his mom is taken away. He runs after her, but they end up in separate parts of the Martian spaceship. On Mars, Milo is taken to an underground prison cell. He escapes and is chased by the Supervisor's henchmen, but he follows a voice that tells him to jump down a chute, and lands in a lower subterranean level. There, he sees a trash-covered landscape that is inhabited by furry creatures.

Milo is whisked away by the creatures to meet Gribble, also known as George Ribble, the childlike adult human who had told him to jump down the chute. Gribble explains to Milo that the Martians plan to extract Milo's mom's memories at sunrise, using a process that will kill her. Gribble, who is lonely and does not want Milo to leave, pretends to help Milo find his mother. His plan goes awry, leading to Gribble being captured and Milo being chased by the Supervisor's henchmen. Milo is rescued by Ki, one of the supervisors who raise Martian babies. Milo tells her about his search for his Mom and what a human relationship with a mom is like, as Ki and her kin were mentored by only nanny-bots and supervisors and do not know of love.

Milo returns to Gribble's home but finds him missing. Gribble's robotic spider, Two-Cat, takes Milo to the Martian compound where Gribble is being prepared for execution. Milo is captured by his henchmen, but Ki tosses him a laser gun, allowing him to escape. Milo and Gribble retreat to an even lower uninhabited level, where Gribble describes his own mom's abduction and murder by the Martians 20 years ago. Gribble blames himself for her being chosen and regrets that he had not been able to save her. Milo convinces Gribble to actually help him just as Ki finds them. They discover an ancient mural of a Martian family and realize that Martian children were not always raised by machines. Gribble explains that Martian female babies are currently raised by nanny-bots in the technologically advanced society, while the male babies are sent down below to be raised by adult male Martians, which are the furry creatures he encountered earlier.

Milo, Gribble, and Ki save Milo's mom just before sunrise, causing the energy of the extraction device to short out the electronic locks to the control room. This lets the adult males and babies enter, where they run amok, attacking the guards and robots. Milo and his mom steal oxygen helmets and try to escape across the Martian surface, but the Supervisor, while attempting to kill them, causes Milo to trip and his helmet shatters. His mom gives him her own helmet, saving Milo but causing herself to suffocate in the planet's air. The Martians are awed, as this is the first time they have seen love. Gribble finds his own mother's helmet and gives it to Milo's mom, saving her. Milo apologizes to his mom for his earlier words and the two reconcile. Ki brings a ship for them to escape in, but the Supervisor intervenes. Ki argues that Martians were meant to be raised in families, with love, but the Supervisor insists that the current situation is better because, to her, it is more efficient. The henchmen realize the Supervisor's cruel nature and arrest her, deciding that they now prefer the loving vision of family life, and the other Martians celebrate.

Milo, his mom, Gribble, Ki, and Two-Cat travel back to Earth. Gribble decides not to stay because he wants to pursue a relationship with Ki on Mars. Milo and his mom return home just before Milo's dad arrives.

Cast

Production

Simon Wells had known Robert Zemeckis since the mid-1980s, having worked on Who Framed Roger Rabbit (1988), Back to the Future Part II (1989), Back to the Future Part III (1990), and The Polar Express (2004). [4] The production designer was Doug Chiang, and the supervising art director was Norm Newberry. [5] The title of the film (and to an extent, the source material) is a twist on the title of American International Pictures' 1966 film Mars Needs Women .

The makers came up with their own alien language. [6] In developing the language, all of the actors spent a day where they recorded different interpretations of a list of words; the producers picked their favorite interpretations from that recording and put them in a book documenting the fictional language for the actors to speak. [7]

Elisabeth Harnois stated in an interview that she and the cast were given scenarios by Wells to which they acted out responses in improvised Martian language. [8]

Seth Green described doing the motion-capture as physically demanding work: "A lot of running, jumping, falling, hitting, spinning. I wore a harness for, like, 85 percent of the movie. It was uncomfortable." [9] After spending six weeks outfitted in a special sensor-equipped performance capture suit while simultaneously performing Milo's lines, Seth Green's voice sounded too mature for the character and was dubbed over by that of 12-year-old newcomer Seth R. Dusky. [10]

For the auditions, Kevin Cahoon performed two scenes, including the ending; he recalled the instructions saying, "create your Martian language and play the scene." [7] He previously played Ed, another non-speaking role, in the Broadway musical version of The Lion King (1994): "it's almost like silent film. You have to speak with your heart and soul and face, and you have to act as if you have dialogue with everyone else. I think that's where you find the humanity, or the martiananity, of the character." [7] Cahoon's mannerisms were also used for the other martians. [7] Mars Needs Moms is Cahoon's first time collaborating with Dan Fogler since the two worked with each other in New York stage theater. [7] As he described his opinion on the film, "I was blown away. It's beautiful. The technology is incredible and the IMAX is awesome. I was so impressed with the score, but also the heart. I got misty-eyes towards the end with the mom/Milo relationship. I thought it really connected in a wonderful way and am so honored to be a part of it." [7]

In 2020, Brie Larson revealed via YouTube that she had auditioned for the character Ki, who was eventually portrayed by Elisabeth Harnois. [11]

Release

Mars Needs Moms was released in theaters on March 11, 2011. [12] The film's premiere was held at the El Capitan Theatre in Los Angeles on March 6, 2011. [13]

Home media

Mars Needs Moms was released on Blu-ray, Blu-ray 3D, DVD, and movie download on August 9, 2011. [14] [15] [16] The release is produced in three different physical packages: a four-disc combo pack (Blu-ray, Blu-ray 3D, DVD, and "Digital Copy"); a two-disc Blu-ray combo pack (Blu-ray and DVD); and a single-disc DVD. [15] [16] [17] The "Digital Copy" included with the four-disc combo pack is a separate disc that allows users to download a copy of the film onto a computer through iTunes or Windows Media Player software. [15] [16] The film is also a movie download or On-Demand option. All versions of the release (except for the On-Demand option) include the "Fun with Seth" and "Martian 101" bonus features, while the Blu-ray 2D version additionally includes deleted scenes, the "Life On Mars: The Full Motion-Capture Experience" feature, and an extended opening film clip. [15] [16] The Blu-ray 3D version also has an alternate scene called "Mom-Napping", a finished 3D alternate scene of the Martian abduction of Milo's mom. [15] [16] [18]

Reception

Box office

Mars Needs Moms was a box-office bomb, and the worst financial loss for a Disney-branded film. It grossed $1,725,000 on its first day, and its opening weekend earnings added up to $6,825,000. [19] Overall, the film debuted in fifth place behind Battle: Los Angeles , Rango , Red Riding Hood and The Adjustment Bureau . [20] This is the 22nd-worst opening ever for a film playing in 3,000+ theaters. [21] Adjusted for inflation, considering the total net loss of money (not the profit-to-loss ratio), it is the fourth-largest box office failure in history. [22] [23] In 2014, the Los Angeles Times listed the film as one of the most expensive box-office disasters of all time. [24] On March 14, 2011, Brooks Barnes of The New York Times commented that it was rare for a Disney-branded film to do so badly, with the reason for its poor performance being the unoriginal premise, the animation style which failed to cross the uncanny valley threshold, and negative word of mouth on social networks, along with releasing it on the same week as Battle: Los Angeles which had more hype with the general movie goers. Barnes concluded, "Critics and audiences alike, with audiences voicing their opinions on Twitter, blogs and other social media, complained that the Zemeckis technique can result in character facial expressions that look unnatural. Another common criticism was that Mr. Zemeckis focuses so much on technological wizardry that he neglects storytelling." [25]

Critical response

The review aggregator website Rotten Tomatoes reported a 37% approval rating with an average rating of 5.00/10 based on 116 reviews. The website's consensus reads, "The cast is solid and it's visually well-crafted, but Mars Needs Moms suffers from a lack of imagination and heart." [26] On Metacritic, the film had a score of 49 out of 100 based on 22 critics, indicating "mixed or average reviews". [27] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale. [28]

The Sydney Morning Herald labeled the motion-capture animation superior to Avatar (2009), and while noting the story had "pure Disney cheese", Wells "thankfully know[s] precisely when to inject action and humour when the mush-o-meter approaches the red." [29]

Some critics favorably compared the set design to Tron: Legacy (2010), [29] [30] including Tim Grierson of Screen Daily , who opined that the motion-capture "improved significantly since the days of The Polar Express." He also spotlighted the film's attempt at a "tonal divide", as it has both comic sequences typical for a kids film and themes about sacrifice. However, he criticized the "chaotic" story and two "irksome" protagonists: Milo, whose voice actor "overdoes the character's whiny anxiousness to the point that it's hard to root for him;" and Gribble, a "predictably wisecracking sidekick". [30] Us Weekly also panned the characters: "[Milo] makes a whiny hero, and Dan Fogler (as his buddy on Mars) fails to amuse. Plus, why is Milo's stay-at-home mom a saint and the working alien moms evil?" [31]

The Hollywood Reporter praised Mars Needs Moms's motion-capture visuals, but analogized its story as too much like a Disneyland ride and also called it "odd [...] how a movie meant to glorify moms is so riddled with anti-feminist concepts." [32] Time Out New York called it not that much different from other children's science fiction movies: "After the novelty of these backgrounds and comin’-at-ya bits wears off, Mars Needs Moms has to rely on Fogler's obnoxious Jack Black Jr. shtick, a weak subplot involving a ’60s-obsessed Martian graffiti artist (Harnois) and rote video-game-y action sequences to carry it along—and that simply won't cut it." [33]

Entertainment Weekly positively described the film as a children's movie version of Avatar: "Enhanced by nimble ad-libbing from the comedy-trained cast, the screenplay is delightful, by turns funny and emotional, as befits a Disney family fable in which, through wacky adversity, Mom and kid reaffirm their love for each other while Dad is nowhere in sight. (He's not dead, just away on business.) And with its splendid use of computer-generated motion-capture animation and 3-D effects, the movie is also visually magnificent — modestly so." [34] Mike Hale of the New York Times also gave the film a negative review, saying, "Mars, once again, looks to Earth to supplement its female population because, it seems, the women who run Mars think Earth mothers are skilled at child rearing." [35]

Lael Loewenstein of Variety magazine gave the film a mixed review and called it "A modestly enjoyable performance-capture creation bearing the unmistakable imprint of producer Robert Zemeckis." [5] In addition to acclaiming the visuals, SFX also opined gave some praises towards the writing "there are some good laughs, it's pacy enough to whizz us on by the sometimes repetitive narrative [...] and although it's hard to see little boys admitting that they really do love their mummies – as much as the film wants them to – Mars Needs Moms does provoke a few lumps in older throats, for all you may decry its mawkish Stateside sensibilities." [36]

Nick Schager of The Village Voice was very harsh; panning the "rubbery", "unreal", and "unsettling" character animation, which he called a "jarring dissonance" with the science fiction setting; and the stealing of common tropes in other well-known science fiction films. He also noted a major plot hole, specifically Supervisor's stealing of mothers' disciplinary skills for use on technological devices: "The plot thus hinges on a fundamental illogicality, since the chief differentiating characteristic between mothers and machines isn't discipline but compassion." [37] William Thomas of Empire gave the film a two out of five stars, saying, "An uninvolving mo-cap adventure that's well below par. Marvin the Martian would be unhappy to share his planet with this bunch." [38]

Some reviewers questioned the film's moral about well-behaved kids having their very good mothers taken by aliens. [39] [37]

Accolades

Mars Needs Moms received a nomination for a Movieguide Award for Best Film for Family Audiences; [40] while John Powell's work on it, Rio (2011), and Kung Fu Panda 2 (2011) garnered him a nomination for the 2011 World Soundtrack Award for Film Composer of the Year. [41]

See also

Related Research Articles

<i>Mars Needs Women</i> 1968 television film by Larry Buchanan

Mars Needs Women is a 1968 independently made American made-for-television science fiction film from Azalea Pictures. The film was produced, written, and directed by self-proclaimed schlock artist/auteur Larry Buchanan, and stars Tommy Kirk, Yvonne Craig, and Byron Lord. The film was released in first-run syndication by American International Pictures without a theatrical release.

<i>The Little Mermaid</i> (1989 film) Animated Disney film

The Little Mermaid is a 1989 American animated musical fantasy film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. It is loosely based on the 1837 Danish fairy tale of the same name by Hans Christian Andersen. The film was written and directed by John Musker and Ron Clements and produced by Musker and Howard Ashman, who also wrote the film's songs with Alan Menken. Menken also composed the film's score. Featuring the voices of René Auberjonois, Christopher Daniel Barnes, Jodi Benson, Pat Carroll, Paddi Edwards, Buddy Hackett, Jason Marin, Kenneth Mars, Ben Wright and Samuel E. Wright, The Little Mermaid tells the story of a teenage mermaid princess named Ariel, who dreams of becoming human and falls in love with a human prince named Eric, which leads her to make a magic deal with the sea witch, Ursula, to become human and be with him.

<i>Tangled</i> 2010 animated musical fantasy-comedy film by Disney

Tangled is a 2010 American animated musical adventure fantasy comedy film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. Loosely based on the German fairy tale "Rapunzel" in the collection of folktales published by the Brothers Grimm, the film was directed by Nathan Greno and Byron Howard, and produced by Roy Conli, from a screenplay written by Dan Fogelman. Featuring the voices of Mandy Moore, Zachary Levi, and Donna Murphy, Tangled tells the story of Rapunzel, a lost young princess with magical long blonde hair who yearns to leave her secluded tower. She accepts the aid of an intruder to take her out into the world which she has never seen.

<i>John Carter</i> (film) 2012 American film by Andrew Stanton

John Carter is a 2012 American science fiction action-adventure film directed by Andrew Stanton, written by Stanton, Mark Andrews, and Michael Chabon, and based on A Princess of Mars, the first book in the Barsoom series of novels by Edgar Rice Burroughs. Produced by Jim Morris, Colin Wilson and Lindsey Collins, it stars Taylor Kitsch in the title role, Lynn Collins, Samantha Morton, Mark Strong, Ciarán Hinds, Dominic West, James Purefoy and Willem Dafoe. It chronicles the first interplanetary adventure of John Carter and his attempts to mediate civil unrest amongst the warring kingdoms of Barsoom.

<i>Mission to Mars</i> 2000 film by Brian De Palma

Mission to Mars is a 2000 American science fiction adventure film directed by Brian De Palma, written by Jim Thomas, John Thomas, and Graham Yost, and suggested by Disney's theme park attraction of the same name. The film depicts the first crewed Mars exploration mission going awry; American astronaut Jim McConnell helps to coordinate a rescue mission for a colleague. Principal support actors were Tim Robbins, Don Cheadle, Connie Nielsen, Jerry O'Connell, and Kim Delaney.

<i>Bolt</i> (2008 film) 2008 Disney animated film

Bolt is a 2008 American animated action adventure film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. It was directed by Chris Williams and Byron Howard and produced by Clark Spencer, from a screenplay written by Williams and Dan Fogelman. The film stars the voices of John Travolta, Miley Cyrus, Susie Essman, Mark Walton, Malcolm McDowell, James Lipton and Greg Germann. This was also one of the final film roles for Lipton before his death in 2020, the other being Igor, which was released the same year as Bolt.

<span class="mw-page-title-main">7.1 surround sound</span> Sound systems that use 7 speakers and one subwoofer

7.1 surround sound is the common name for an eight-channel surround audio system commonly used in home theatre configurations. It adds two additional speakers to the more conventional six-channel (5.1) audio configuration. As with 5.1 surround sound, 7.1 surround sound positional audio uses the standard front left and right, center, and LFE (subwoofer) speaker configuration. However, whereas a 5.1 surround sound system combines both surround and rear channel effects into two channels, a 7.1 surround system splits the surround and rear channel information into four distinct channels, in which sound effects are directed to left and right surround channels, plus two rear surround channels.

<span class="mw-page-title-main">ImageMovers</span> American production company

ImageMovers (IM), is an American production company which produces CGI animation, motion-capture, live-action films and television shows. The company is known for producing such films as Cast Away (2000), What Lies Beneath (2000), The Polar Express (2004), Monster House (2006), and Beowulf (2007). From 2007 to 2011, The Walt Disney Company and ImageMovers founded a joint venture animation facility known as ImageMovers Digital which produced two motion-captured CGI-animated films: A Christmas Carol (2009) and Mars Needs Moms (2011) for Walt Disney Pictures, neither of which were financially successful.

<i>Duck Dodgers</i> (TV series) American animated television series

Duck Dodgers is an American animated television series developed by Spike Brandt and Tony Cervone based on the 1953 theatrical animated short film of the same name. Duck Dodgers is a comic science fiction series, featuring the Looney Tunes characters in metafictional roles, with the character Daffy Duck as the title character. It was produced by Warner Bros. Animation from 2003 to 2005. It originally aired on Cartoon Network and later ended on Boomerang.

<span class="mw-page-title-main">Dan Fogler</span> American actor, comedian and writer

Daniel Kevin Fogler is an American actor, comedian and writer. He has appeared in films including Balls of Fury, Good Luck Chuck, the Fantastic Beasts film series and has done voice acting for Kung Fu Panda, Horton Hears a Who!, and Mars Needs Moms. He also appeared on The Walking Dead as Luke and played Francis Ford Coppola in miniseries, The Offer.

<i>A Christmas Carol</i> (2009 film) Film by Robert Zemeckis

Disney's A Christmas Carol is a 2009 American animated Christmas dark fantasy film produced, written for the screen and directed by Robert Zemeckis. Produced by Walt Disney Pictures and Zemeckis' ImageMovers Digital, and released by Walt Disney Studios Motion Pictures, it is based on Charles Dickens's 1843 novel A Christmas Carol. The film was animated through the process of motion capture, a technique used in ImageMovers' previous animated films including The Polar Express (2004), Monster House (2006), and Beowulf (2007), and stars the voices of Jim Carrey, Gary Oldman, Colin Firth, Bob Hoskins, Robin Wright Penn and Cary Elwes. It is Disney's third adaptation of the novel, following Mickey's Christmas Carol (1983) and The Muppet Christmas Carol (1992).

<i>Tom and Jerry: Blast Off to Mars</i> 2005 American film

Tom and Jerry: Blast Off to Mars is a 2005 American animated science fiction comedy-adventure film starring the cat-and-mouse duo Tom and Jerry. Produced by Warner Bros. Animation and Turner Entertainment Co., it is the second made-for-video Tom and Jerry film.

<i>The Man from M.A.R.S.</i> (1922 film) 1922 film

The Man from M.A.R.S. is a 1922 silent U.S. science fiction film. It is notable for using the 3-D process called Teleview, similar to today's alternating frame 3-D systems. Shown in 3-D only at the Selwyn Theater in New York City, it was previewed as Mars Calling at a trade and press screening on October 13, 1922, premiered as M.A.R.S. on December 27, 1922, and ran through January 20, 1923. A 2-D version was distributed as Radio-Mania in 1923–1924. The film was directed by Roy William Neil and photographed by George J. Folsey.

<i>Pirates of the Caribbean: On Stranger Tides</i> 2011 film by Rob Marshall

Pirates of the Caribbean: On Stranger Tides is a 2011 American fantasy swashbuckler film directed by Rob Marshall. It is the first film in the series not to be directed by Gore Verbinski. Produced by Jerry Bruckheimer and written by Ted Elliott and Terry Rossio, the film is suggested by the 1987 novel On Stranger Tides by Tim Powers as a standalone sequel to At World's End (2007) and the fourth installment in the Pirates of the Caribbean film series. The film stars Johnny Depp, Geoffrey Rush, and Kevin R. McNally, who reprise their roles from the previous films, alongside Penélope Cruz, Ian McShane, Sam Claflin and Àstrid Bergès-Frisbey. The story follows the eccentric pirate Captain Jack Sparrow (Depp) forced into a shaky alliance with Angelica (Cruz), a mysterious woman from his past, as they embark on a quest for the Fountain of Youth. Jack is forced aboard the Queen Anne's Revenge, contends with the infamous pirate Blackbeard (McShane), and enters an uneasy alliance with Jack's rival Hector Barbossa (Rush).

<i>Rio</i> (2011 film) Film by Carlos Saldanha

Rio is a 2011 American animated musical adventure comedy film produced by Blue Sky Studios and 20th Century Fox Animation. It was directed by Carlos Saldanha from a screenplay written by Don Rhymer, Joshua Sternin, Jeffrey Ventimilia, and Sam Harper, based on a story conceived by Saldanha and the writing team of Earl Richey Jones and Todd Jones. The title refers to the Brazilian city of Rio de Janeiro, where the film is set. The film features the voices of Anne Hathaway, Jesse Eisenberg, Jemaine Clement, Leslie Mann, George Lopez, and Jamie Foxx. It tells the story of Blu (Eisenberg), a domesticated male Spix's macaw who is taken to Rio de Janeiro to mate with a free-spirited female Spix's macaw, Jewel (Hathaway). The two eventually fall in love, and together they have to escape from being smuggled by Nigel (Clement), a cockatoo.

<i>Drive Angry</i> 2011 film by Patrick Lussier

Drive Angry is a 2011 American action horror film in the grindhouse cinema tradition, directed by Patrick Lussier, who co-wrote it with Todd Farmer. The film stars Nicolas Cage, Amber Heard, William Fichtner, Billy Burke, Charlotte Ross, Katy Mixon, and Tom Atkins. Photographed in 3D, the film was released on February 25.

<i>Gnomeo & Juliet</i> 2011 computer-animated romantic comedy film

Gnomeo & Juliet is a 2011 animated romantic comedy film directed by Kelly Asbury from a screenplay by Rob Sprackling and John Smith. It is loosely based on the play Romeo and Juliet by William Shakespeare and features the voices of James McAvoy, Emily Blunt, Michael Caine, Jason Statham, Maggie Smith, Ashley Jensen, Stephen Merchant, Matt Lucas, Jim Cummings, Julie Walters, Richard Wilson, Patrick Stewart, and Ozzy Osbourne. The story follows Gnomeo and Juliet, a pair of garden gnomes who fall in love, but due to the feud between their respective families, they must find a way to keep their blossoming romance a secret.

<i>Partysaurus Rex</i> 2012 Pixar short directed by Mark Walsh

Toy Story Toons: Partysaurus Rex is a 2012 American animated short film written and directed by Mark Walsh. It was first screened ahead of the 3D theatrical re-release of Finding Nemo as the third and final short in the trilogy of Toy Story Toons, based on the characters from the Toy Story feature films. It depicts Rex getting left in a bathroom and befriending bath toys.

<i>The Pirate Fairy</i> 2014 American animated fantasy film

The Pirate Fairy is a 2014 American animated fantasy film directed by Peggy Holmes. It is the fifth direct-to-video feature-length animated film in the Disneytoon Studios' Tinker Bell film series and the Disney Fairies franchise, based on the character Tinker Bell from J. M. Barrie's Peter and Wendy. The film features the voices of Mae Whitman, reprising her role of Tinker Bell, Christina Hendricks as a dust-keeper fairy named Zarina, and Tom Hiddleston as James.

References

  1. 1 2 "Mars Needs Moms (2011)". Box Office Mojo . Archived from the original on November 8, 2012. Retrieved November 9, 2012.
  2. ↑ Kaufman, Amy (March 10, 2011). "Movie Projector: 'Battle: Los Angeles' will rule, 'Mars Needs Moms' will bomb". Los Angeles Times . Archived from the original on September 17, 2019. Retrieved March 13, 2011.
  3. ↑ Finke, Nikki (March 12, 2010). "Disney Closing Zemeckis' Digital Studio". Deadline Hollywood . Archived from the original on July 15, 2020. Retrieved June 7, 2018.
  4. ↑ Webb, Charles (August 9, 2011). "Interview: MARS NEEDS MOMS Director/Writer Simon Wells". Twitch Film. Archived from the original on November 11, 2011. Retrieved February 25, 2012.
  5. 1 2 Loewenstein, Lael (March 8, 2011). "Review: 'Mars Needs Moms'". Variety. Archived from the original on April 8, 2015. Retrieved September 25, 2014.
  6. ↑ "Mars Needs Moms - Productions Notes". Cinemareview.com. Archived from the original on September 17, 2019. Retrieved February 24, 2012.
  7. 1 2 3 4 5 6 Cortez, Carl (March 8, 2011). "Exclusive Interview: MARS NEEDS MOMS actor Kevin Cahoon gets a kick out playing a sidekick". Assignment X. Archived from the original on December 13, 2019. Retrieved December 9, 2019.
  8. ↑ "Mars Needs Moms Interview - Elisabeth Harnois". Trailer Addict. March 5, 2011. Archived from the original on March 16, 2011. Retrieved February 24, 2012.
  9. ↑ Snyder, Tom (March 11, 2011). "Behinds the Scenes of MARS NEEDS MOMS". Movieguide . Archived from the original on December 9, 2019. Retrieved December 9, 2019.
  10. ↑ Kaufman, Amy (March 8, 2011). "Seth Green moves, but doesn't speak, in 'Mars Needs Moms'". Los Angeles Times. Archived from the original on November 18, 2012. Retrieved May 23, 2012.
  11. ↑ "Brie Larson: AUDITION STORYTIME! (pt. 2)". YouTube . September 3, 2020. Archived from the original on December 15, 2021. Retrieved September 3, 2020.
  12. ↑ Stewart, Andrew (March 9, 2010). "Disney sets date for 'Mars'". Variety . Archived from the original on December 6, 2010. Retrieved March 10, 2010.
  13. ↑ ""Mars Needs Moms" World Premiere". December 13, 2012. Archived from the original on October 1, 2021. Retrieved October 1, 2021.
  14. ↑ "Mars Needs Moms Blu-ray 3D Release Date and Pre-Orders". The HD Room. May 6, 2011. Archived from the original on May 7, 2011. Retrieved May 6, 2011.
  15. 1 2 3 4 5 Gallagher, Brian (May 6, 2011). "Mars Needs Moms 3D Blu-ray, Blu-ray, and DVD Arrive August 9th". MovieWeb. Archived from the original on January 2, 2014. Retrieved May 8, 2011.
  16. 1 2 3 4 5 "Mars Needs Moms 2D and 3D Blu-rays". Blu-ray.com. May 6, 2011. Archived from the original on May 11, 2011. Retrieved May 8, 2011.
  17. ↑ DuHamel, Brandon (May 7, 2011). "Mars Needs Moms Travels to Blu-ray, 3D and DVD in August". Blu-ray Definition. Archived from the original on November 22, 2011. Retrieved May 8, 2011.
  18. ↑ "'Mars Needs Moms' Lands on Disney 3D Blu-ray/DVD on August 9; Includes 3D Exclusive Bonus Scene". Stitch Kingdom. May 6, 2011. Archived from the original on June 13, 2011. Retrieved May 8, 2011.
  19. ↑ Young, John (March 13, 2011). "Box office report: 'Battle: Los Angeles' conquers all with $36 mil". Entertainment Weekly . Retrieved February 24, 2012.
  20. ↑ Barnes, Brooks (March 13, 2011). "'Mars Needs Moms' ... and Paying Customers". The New York Times. Archived from the original on April 5, 2023. Retrieved June 21, 2022.
  21. ↑ "Worst Openings at the Box Office for 3,000+ Theatres". Box Office Mojo . Archived from the original on September 21, 2018. Retrieved October 12, 2018.
  22. ↑ Ben Riley-Smith (March 21, 2011). "'Mars Needs Moms': does flop mean 3D is history?". thefirstpost.co.uk. Archived from the original on March 23, 2011. Retrieved July 31, 2011.
  23. ↑ McClintock, Pamela (March 14, 2011). "Why Disney's 'Mars Needs Moms' Bombed". The Hollywood Reporter . Archived from the original on January 13, 2012. Retrieved February 24, 2012.
  24. ↑ Eller, Claudia (January 15, 2014). "The costliest box office flops of all time". Los Angeles Times . Archived from the original on May 5, 2014. Retrieved October 6, 2014.
  25. ↑ Barnes, Brooks (March 14, 2011). "Many Culprits in Fall of a Family Film". The New York Times . Archived from the original on March 22, 2011. Retrieved April 1, 2011.
  26. ↑ "Mars Needs Moms (2011)". Rotten Tomatoes . Archived from the original on April 8, 2019. Retrieved June 22, 2019., accessed October 10, 2020.
  27. ↑ "Mars Needs Moms Reviews". Metacritic . Archived from the original on September 17, 2019. Retrieved June 22, 2019. Accessed October 10, 2020.
  28. ↑ "Cinemascore". Archived from the original on December 20, 2018.
  29. 1 2 Schembri, Jim (April 13, 2011). "Mars Needs Moms". The Sydney Morning Herald . Archived from the original on April 8, 2019. Retrieved December 8, 2019.
  30. 1 2 Grierson, Tim (March 8, 2011). "Mars Needs Moms". Screen Daily . Archived from the original on December 9, 2019. Retrieved December 8, 2019.
  31. ↑ Adams, Thelma (March 8, 2011). "Mars Needs Moms". Us Weekly . Archived from the original on March 13, 2011. Retrieved December 9, 2019.
  32. ↑ Honeycutt, Kirk (March 8, 2011). "Mars Needs Moms: Film Review". The Hollywood Reporter . Archived from the original on October 20, 2019. Retrieved December 8, 2019.
  33. ↑ Fear, David (March 8, 2011). "Mars Needs Moms". Time Out New York . Archived from the original on March 12, 2011. Retrieved December 9, 2019.
  34. ↑ Schwarzbaum, Lisa (March 10, 2011). "Mars Needs Moms". Entertainment Weekly . Retrieved December 9, 2019.
  35. ↑ Hale, Mike (March 11, 2011). "Mars, Moms and More". The New York Times. Archived from the original on November 10, 2019. Retrieved November 3, 2020.
  36. ↑ Berriman, Ian (April 8, 2011). "Mars Needs Moms – Film review". SFX . Archived from the original on June 27, 2013. Retrieved December 8, 2019.
  37. 1 2 Schager, Nick (March 9, 2011). "Curse of the Mummy in Mars Needs Moms". The Village Voice . Archived from the original on December 9, 2019. Retrieved December 8, 2019.
  38. ↑ "Mars Needs Moms". Archived from the original on April 7, 2022. Retrieved October 18, 2020.
  39. ↑ Meek, Tom (March 10, 2011). "Review: Mars Needs Moms". The Phoenix . Archived from the original on March 19, 2011. Retrieved December 9, 2019.
  40. ↑ "Awards". Movieguide Awards . Archived from the original on March 9, 2012. Retrieved December 8, 2019.
  41. ↑ "Film Composer of the Year". World Soundtrack Awards . Archived from the original on December 25, 2019. Retrieved December 8, 2019.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.