Mary Poppins Returns | |
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Directed by | Rob Marshall |
Screenplay by | David Magee |
Story by |
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Based on | Mary Poppins by P. L. Travers [1] |
Produced by |
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Starring | |
Cinematography | Dion Beebe |
Edited by | Wyatt Smith |
Music by | Marc Shaiman |
Production companies |
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Distributed by | Walt Disney Studios Motion Pictures |
Release dates |
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Running time | 131 minutes [2] |
Country | United States |
Language | English |
Budget | $130 million [3] |
Box office | $349.5 million [4] |
Mary Poppins Returns is a 2018 American musical fantasy comedy film directed by Rob Marshall, with a screenplay written by David Magee and a story by Magee, Marshall, and John DeLuca. Loosely based on the book series Mary Poppins by P. L. Travers, [1] the film is a sequel to the 1964 film Mary Poppins , and stars Emily Blunt as Mary Poppins, with supporting roles from Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer, Julie Walters, Dick Van Dyke, Angela Lansbury, Colin Firth, Meryl Streep, and David Warner in his final film appearance. [5] Set in London during the Great Depression, the film sees Mary Poppins, the former nanny of Jane and Michael Banks, return to them in the wake of the death of Michael's wife.
Walt Disney Pictures announced the film in September 2015. [6] Marshall was hired later that month, and Blunt and Miranda were cast in February 2016. Principal photography lasted from February to July 2017, and took place at Shepperton Studios in England. Mary Poppins Returns had its world premiere at the Dolby Theatre in Hollywood on 29 November 2018, and was theatrically released in the United States on 19 December 2018, making it the longest interval between film sequels in cinematic history, at 54 years. [7]
The film grossed $349 million worldwide and received positive reviews from critics, who praised the performances of the cast (particularly those of Blunt and Miranda), direction, visuals, musical score, musical numbers, costume design, production values, visual effects (especially the animated segments), and sense of nostalgia, although some critics found it too derivative of its predecessor. It was chosen by both the National Board of Review and American Film Institute as one of the top ten films of 2018 and received numerous award nominations, including four at the 76th Golden Globe Awards (including for Best Motion Picture – Musical or Comedy), nine at the 24th Critics' Choice Awards, three at the 72nd British Academy Film Awards, and a SAG Award nomination for Blunt at the 25th Screen Actors Guild Awards. It also received four Oscar nominations for Best Original Score, Best Original Song ("The Place Where Lost Things Go"), Best Production Design, and Best Costume Design at the 91st Academy Awards.
The film is set in London, during the Great Depression. Michael Banks lives in his childhood home with his three children, John, Annabel and Georgie, after the death of his wife, Kate, a year earlier. Michael has taken a loan from his employer, the Fidelity Fiduciary Bank, and is three months behind on payments. Wilkins, the bank's corrupt new chairman, sends associates to warn him that his house will be repossessed if the loan is not repaid in full by Friday. Michael mourns Kate and expresses concern about raising his children without her ("A Conversation"). Michael and his sister Jane recall that their father left them shares in the bank that should cover the loan, and they search the house for the share certificate. During the search, Michael finds his childhood kite and disposes of it.
The children visit a local park and Georgie, who has found the kite, flies it. Mary Poppins descends from the sky with the kite in her hand. She takes the children home and announces that she will take charge of them as their nanny. She draws a bath for the three children, leading to underwater adventures ("Can You Imagine That?").
Michael visits the bank seeking proof of his shares, but Wilkins denies that there are any records before covertly destroying the page from the official ledger. Annabel and John decide to sell their mother's 'priceless' bowl to pay off the debt. Georgie tries to stop them, and the bowl becomes damaged while the three fight over it. Jack, a lamplighter and Bert's former apprentice, greets Mary Poppins and joins her and the children on a trip into the scene decorating the bowl. During their visit to the Royal Doulton Music Hall ("A Cover is Not the Book"), Georgie is kidnapped by a talking wolf, weasel, and badger that are repossessing their belongings, and Annabel and John set out to rescue him. They do so successfully, fall off the edge of the bowl, and wake in their beds. Realizing they are hurting after the loss of their mother; Mary sings them a lullaby ("The Place Where Lost Things Go").
The children visit Mary Poppins's cousin Topsy, hoping to get the bowl mended ("Turning Turtle") and learn that it has little monetary value. They take Michael's briefcase to him at the bank, where they overhear Wilkins discussing the planned repossession of their house. Believing that he and his associates are the same animal gang who kidnapped him, Georgie interrupts the meeting. Michael is angry with the children for putting the house and his job at risk. Mary Poppins takes the children home, guided by Jack and his fellow lamplighters who teach the children their rhyming slang ("Trip A Little Light Fantastic"). The children comfort a despairing Michael, and the four reconcile.
As midnight on Friday approaches, the Bankses prepare to move out of their house. While examining his old kite, Michael discovers that Georgie had used the missing share certificate to mend it. Jane and Michael rush to the bank while Mary Poppins and the children go with Jack and the lamplighters to Big Ben to 'turn back time'. After scaling the clock tower, they turn the clock back five minutes, giving Jane and Michael just enough time to reach the bank. Wilkins, however, will not accept the certificate as part of it is still missing. Wilkins's elderly uncle and the bank's previous chairman, Mr. Dawes Jr., arrives and sacks Wilkins on the spot for his corrupt business practices. He reveals that Michael has plenty of assets to cover the loan, namely the judiciously invested tuppence he had deposited with the bank many years earlier.
The next day, the Bankses visit the park, where a fair is in full swing. They purchase balloons that carry them into the air, where they are joined by Jack and many others ("Nowhere to Go but Up"). On their return home, Mary Poppins announces that it is time for her to leave. Jane and Michael thank her as her umbrella carries her back up into the sky and away.
A sequel to Mary Poppins had been gestating in development hell since the first film's release in 1964. Walt Disney attempted to produce a sequel a year later but was rejected by the author P. L. Travers, who dismissed Disney's first adaptation. In the late 1980s, the chairman of Walt Disney Studios, Jeffrey Katzenberg, and the vice-president of live-action production, Martin Kaplan, approached Travers with the idea of a sequel set years after the first film, with the Banks children now as adults and Julie Andrews reprising her role as an older Mary Poppins. Travers again rejected the concept except for Andrews' return, suggesting a sequel set one year after the original film with Andrews reprising the role. That idea also did not come to fruition, however, because Travers would not go ahead without certain caveats that the company would not concede, including barring Poppins' clothing from being red. [3]
Travers' attempt to make a sequel to the first film with her involvement was not deterred. In the 1980s, she and Brian Sibley, a good friend whom she met in the 1970s, wrote a screenplay for a sequel titled Mary Poppins Comes Back, based on the parts from Travers' second Mary Poppins book unused in the 1964 film. Sibley then wrote a letter to Roy E. Disney about making the film, to which Disney contracted them to supply a film treatment. According to Sibley, Travers wrote notes on his script ideas and though she rejected some of them, she liked some of them, including replacing Bert with his brother, an ice cream man in a park in Edwardian London who similarly served as Mary's friend and potential admirer. Four months later, however, casting issues emerged, as Andrews temporarily retired from making films and was not interested in reprising her role as Mary Poppins. It was tricky to find an actor to play Bert's brother, though an executive suggested that singer Michael Jackson was right for the part. The planned sequel was eventually cancelled because of a combination of issues: the casting problems and the fact that new executives took over the company. [20]
The 2004 release of the 40th Anniversary DVD of the original film contained a trivia track that stated, in regards to a possible sequel, "One day the wind may change again ...". [21] On 14 September 2015, Walt Disney Pictures president Sean Bailey pitched a new Mary Poppins film to Rob Marshall, John DeLuca, and Marc Platt, as the team had produced Into the Woods for the studio the year prior. With approval from Travers' estate, Disney greenlit the project with the film taking place 25 years after the first [22] featuring a standalone narrative, based on the remaining seven books in the series. Marshall was hired to direct, while DeLuca and Platt would serve as producers along with Marshall. David Magee was hired to write the script. [23]
On 18 February 2016, Emily Blunt entered negotiations to play the title role in the sequel. [8] On 24 February 2016, Lin-Manuel Miranda was cast in the film to play Jack, a lamplighter. [9] In April 2016, Disney confirmed that the film was in development and Blunt and Miranda's castings. [24] In May, Disney announced the film's title as Mary Poppins Returns. [25] By July 2016, Meryl Streep had entered negotiations to join the cast to play cousin Topsy, [15] and would be officially cast in September. [26] Ben Whishaw was in negotiations to play the adult Michael Banks in August, [10] with Emily Mortimer cast as the adult Jane Banks, [11] and Colin Firth joined the film as William Weatherall Wilkins, president of the Fidelity Fiduciary Bank in October. [14]
In February 2017, Angela Lansbury was cast to play the Balloon Lady. [27] Julie Andrews, who portrayed Poppins in the 1964 film, was approached to do a cameo (possibly as the Balloon Lady before the part was offered to Angela Lansbury) [28] in the sequel but turned down the offer as she wanted it to be "Emily's show". [29] Dick Van Dyke, who portrayed Bert and Mr. Dawes Sr. in the original film, returns in the sequel as the latter's son, Mr. Dawes Jr., replacing Arthur Malet, who died in 2013. [30] Karen Dotrice, who played the young Jane Banks in the original, has a cameo appearance in the film. [31]
Principal photography on the film began on 10 February 2017, at Shepperton Studios in Surrey, England. [19] Eight soundstages were used to build practical sets for the film, including Cherry Tree Lane, and the enormous abandoned park, where a big part of the musical number, "Trip a Little Light Fantastic", was set. [32]
Scenes requiring green and blue screens for visual effects were first filmed on J and K Stages with physical set pieces for the cast to interact with, which were then swapped out in post-production with animation. [33] Unlike the first film, which was wholly shot within soundstages in Hollywood, filming also took place on location, including outside the Bank of England in March 2017, and outside Buckingham Palace in April 2017. [34] [35] Principal photography was wrapped by July 2017. [36]
The visual effects were provided by Cinesite, Framestore, Luma Pictures, Pixomondo, the Government of Victoria with the assistance of Film Victoria (both in Australia), and TPO VFX and supervised by Christian Irles, Christian Kaestner, Brendan Seals, Matthew Tinsley and Matt Johnson. [37] Like the original film, this film includes a sequence combining live action and traditional hand-drawn animation. According to Marshall, he asked for an animated/live-action sequence rather than employing modern CGI animation, feeling that it was vital to hold on the classic hand-drawn animation to protect the spirit of the original film. [38]
The animation sequence was developed and overall supervision was handled by Jim Capobianco, with Ken Duncan supervising physical animation production at his studio in Pasadena, California. Over 70 animation artists specializing in hand-drawn 2D animation from Walt Disney Animation Studios, Pixar Animation Studios, and other animation studios were recruited for the sequence. [1] The animated drawings were created using pencil and paper and scanned onto the computer to be digitally inked and painted. Character designer James Woods and animator James Baxter also helped redesign the penguins from the first film. All of the hand-drawn animation was created by Duncan's animation studio, Duncan Studio, in Pasadena. [39]
The music and score for the film was composed by Marc Shaiman, with song lyrics written by Scott Wittman and Shaiman. [40] The complete soundtrack album was released by Walt Disney Records on 7 December 2018. [40] Shaiman had heard about the film in 2014 and begged director Marshall to be allowed to write the songs for the film. Shaiman, in regards to working on the film, stated "Our love for the original movie overrode our fears, we re-embraced the thing we loved as children. There's no need for irony or snark. This is our love letter to the original". [41]
Mary Poppins Returns was originally scheduled to be released on 25 December 2018. However, in July 2018, it was moved up from its original release date to 19 December 2018. [42]
On 22 November 2018, Disney released a special episode of 20/20 on ABC called "Mary Poppins Returns: Behind the Magic" which included an extended look of the film, [43] with advance tickets for the film going on sale along with the digital pre-order of the soundtrack and the release of two tracks off the soundtrack, "The Place Where Lost Things Go" and "Trip a Little Light Fantastic". [44]
Mary Poppins Returns was released by Walt Disney Studios Home Entertainment on Ultra HD Blu-ray, Blu-ray and DVD on March 19, 2019. [45]
Mary Poppins Returns grossed $172 million in the United States and Canada, and $177.6 million in other territories, for a total worldwide gross of $349.5 million against a production budget of $130 million. [4]
In the United States and Canada, the film was projected to gross $49–51 million from 4,090 theatres over its first five days (including around $35 million in its first weekend) and a total of $75 million over its first week of release. [46] The film made $4.8 million on its first day of release and $4.1 million on its second. [47] It went on to gross $23.5 million its opening weekend (a total of $32.3 million over its first five days), finishing below expectations but second at the box office behind fellow newcomer Aquaman . It then made $6.1 million on Monday and $11.5 million on Christmas Day for total week opening of $49.9 million. [48] [49] In its second weekend the film increased by 20.5% to $28.4 million, remaining in second, and in its third weekend made $15.9 million, finishing third behind Aquaman and newcomer Escape Room . [50] [51] [52] [53]
On Rotten Tomatoes, the film holds an approval rating of 79% based on 379 reviews, with an average rating of 7.3/10. The website's critical consensus reads, "Mary Poppins Returns relies on the magic of its classic forebear to cast a familiar – but still solidly effective – family-friendly spell." [54] On Metacritic, the film has a weighted average score of 66 out of 100, based on 54 critics, indicating "generally favorable reviews". [55] Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale, while those at PostTrak gave it an 84% overall positive score and a 62% "definite recommend". [48]
Peter Bradshaw of The Guardian gave the film 3 out of 5 stars, writing "Emily Blunt is the magical nanny in this scarily accomplished clone-pastiche sequel, which starts terrifically and ends cloyingly – just like the original." [56] Geoffrey MacNab of The Independent wrote "The nostalgia here could easily have been very cloying. Instead, it adds to the richness and mystery. In an era of superhero franchises where sequels to successful movies turn up almost instantly, Mary Poppins's return shows that sometimes it pays to wait. Half a century on, her allure hasn't faded at all." [57] Owen Gleiberman of Variety deemed the film a "rapturous piece of nostalgia"; lauded Blunt's take on Mary Poppins and described her casting as "practically perfect"; and gave his praise on Marshall's direction as well as the production design, musical score, songs, and the supporting cast (particularly Miranda, Whishaw, Firth, and Streep). He compared the film's quality and tone to that of 1960s musicals, and its nostalgia to Star Wars: The Force Awakens . [58] David Rooney of The Hollywood Reporter wrote: "Its old-fashioned, honest sentimentality plasters a smile across your face and plants a tear in your eye, often simultaneously." Rooney lauded Blunt's work (which he labelled as "preening vanity with unmistakable warmth") along with the supporting cast as well as the costumes, sets, musical score, and songs. He referred to the last two as the best since Hairspray and described these as "full of personality and humor, and reverential without being slavish in their adherence to the musical patterns of the first film". [59]
Brian Truitt of USA Today described the film as a "comforting nostalgia-fest" and "satisfaction in spit-spot fashion" as well as commended the performances of Blunt and Miranda, Marshall's knack for musical numbers and Shaiman's "swinging delight" original score. [60] The Atlantic 's Christopher Orr remarked that: "Mary Poppins Returns serves as a reminder that, for all its global scope and hegemonic ambition, Disney still has a little magic left up its sleeve." Orr called it a "highly likable diversion" and similarly praised the film for balancing the familiar and the new. Orr praised Blunt's version of Mary Poppins to be "excellent", finding it "a little chillier and more austere" while referring to it as "truer to the spirit of the heroine of P. L. Travers's books". [61] Peter Travers of Rolling Stone rated the film with three out of five stars and praised Blunt's portrayal of the title character. Despite finding the film not living up to the original film, Travers nevertheless praised the film, remarking, "Mary Poppins Returns shows it has the power to leave you deliriously happy". [62] Time magazine's Stephanie Zacharek wrote that "Mary Poppins Returns honors the spirit of its predecessor". She also highlighted Blunt's interpretation of the title character (in which she described the performance as close to "Travers's original vision"), as well as the costumes, production values, and 2D animation sequences, but found fault with Shaiman's and Wittman's songs as one of the film's "weaker points". [63]
Will Gompertz of the BBC gave the film 2 out of 5 stars, stating, "It looks fantastic, the special effects are special, and a great deal of money has clearly been spent in the hope of making it supercalifragilisticexpialidocious. All of which is great. Except the movie – unlike the eponymous super nanny – never quite takes off." [64] Manohla Dargis of The New York Times wrote that "Mary Poppins Returns looks, feels and sounds like a sales pitch" and "ratchets up more than the family's existential stakes", but praised the "emotional rawness" of Whishaw's acting; she called Shaiman's and Wittman's songs "the gravest disappointment", stressing that "there's nothing here with comparable melodic or lyrical staying power" to the Sherman Brothers' original 1964 songs. [65] Mick LaSalle of the San Francisco Chronicle regarded the sequel as inferior to its 1964 original, feeling that the story did not deliver, and gave a mixed review on the songs. He described some of the songs as "forgettable", "indifferent", and "dreadful", but singled out others, such as "Lovely London Sky" and "The Place Where the Lost Things Go", as some of the best; he stated "Mary Poppins Returns might have had a chance had the movie not tried to compete with the original in terms of scale. With 20 minutes of song and dance numbers cut, the movie really could have been better – not great, but better." [66]
Award | Date of ceremony | Category | Recipient(s) | Result | Ref. |
---|---|---|---|---|---|
American Film Institute | January 4, 2019 | Top 10 Films of the Year | Mary Poppins Returns | Won | [67] |
Academy Awards | February 24, 2019 | Best Costume Design | Sandy Powell [a] | Nominated | [68] |
Best Original Score | Marc Shaiman | Nominated | |||
Best Original Song | "The Place Where Lost Things Go" – Marc Shaiman and Scott Wittman | Nominated | |||
Best Production Design | John Myhre and Gordon Sim | Nominated | |||
Annie Awards | February 2, 2019 | Best Animated Special Production | Mary Poppins Returns | Won | [69] |
Outstanding Achievement for Character Animation in a Live Action Production | Chris Sauve, James Baxter and Sandro Cleuzo | Won | |||
Outstanding Achievement for Character Design in an Animated Feature Production | James Woods | Nominated | |||
Outstanding Achievement for Production Design in an Animated Feature Production | Jeff Turley | Nominated | |||
Outstanding Achievement for Storyboarding in an Animated Feature Production | Ovi Nedelcu | Nominated | |||
Art Directors Guild Awards | February 2, 2019 | Excellence in Production Design for a Fantasy Film | John Myhre | Nominated | [70] |
British Academy Film Awards | February 10, 2019 | Best Original Music | Marc Shaiman | Nominated | [71] |
Best Production Design | John Myhre and Gordon Sim | Nominated | |||
Best Costume Design | Sandy Powell | Nominated | |||
Capri Hollywood International Film Festival | January 2, 2019 | Best Costume Design | Won | [72] | |
Casting Society of America | January 31, 2019 | Feature Big Budget – Comedy | Bernard Telsey, Tiffany Little Canfield, Conrad Woolfe and Sarah Trevis | Nominated | [73] |
Costume Designers Guild Awards | February 19, 2019 | Excellence in Period Film | Sandy Powell | Nominated | [74] |
Critics' Choice Movie Awards | January 13, 2019 | Best Picture | Mary Poppins Returns | Nominated | [75] |
Best Actress | Emily Blunt | Nominated | |||
Best Production Design | John Myhre and Gordon Sim | Nominated | |||
Best Costume Design | Sandy Powell | Nominated | |||
Best Visual Effects | Mary Poppins Returns | Nominated | |||
Best Actress in a Comedy | Emily Blunt | Nominated | |||
Best Score | Marc Shaiman | Nominated | |||
Best Song | "The Place Where Lost Things Go" | Nominated | |||
"Trip a Little Light Fantastic" | Nominated | ||||
Detroit Film Critics Society | December 3, 2018 | Best Use of Music | Mary Poppins Returns | Nominated | [76] |
Georgia Film Critics Association | January 12, 2019 | Best Original Song | "The Place Where Lost Things Go" – Marc Shaiman and Scott Wittman | Nominated | [77] |
"Trip a Little Light Fantastic" – Marc Shaiman and Scott Wittman | Nominated | ||||
Golden Globe Awards | January 6, 2019 | Best Motion Picture – Musical or Comedy | Mary Poppins Returns | Nominated | [78] |
Best Actor in a Motion Picture – Musical or Comedy | Lin-Manuel Miranda | Nominated | |||
Best Actress in a Motion Picture – Musical or Comedy | Emily Blunt | Nominated | |||
Best Original Score | Marc Shaiman | Nominated | |||
Golden Reel Awards | February 17, 2019 | Outstanding Achievement in Sound Editing – Dialogue and ADR | Renée Tondelli, Heather Gross and Alexa Zimmerman | Nominated | [79] |
Outstanding Achievement in Sound Editing – Musical | Jennifer L. Dunnington, Jim Bruening, Lewis Morison and Fiona Cruickshank | Nominated | |||
Golden Trailer Awards | May 29, 2019 | Best Animation/Family TV Spot | Mary Poppins Returns ("Place") | Won | [80] |
Best Billboard | Mary Poppins Returns ("The Grove Billboard") | Nominated | |||
Best Home Ent Family/Animation | Mary Poppins Returns ("Be A Child") | Won | |||
Best Motion Poster | Mary Poppins Returns ("Weather Responsive Motion Poster") | Won | |||
Best Original Score TV Spot | Mary Poppins Returns ("Place") | Nominated | |||
Grammy Awards | January 26, 2020 | Best Score Soundtrack For Visual Media | Marc Shaiman | Nominated | [81] |
Guild of Music Supervisors Awards | February 13, 2019 | Best Music Supervision for Films Budgeted Over $25 Million | Michael Higham and Paul Gemignani | Nominated | [82] |
Best Song Written and/or Recorded Created for a Film | "Trip a Little Light Fantastic" | Nominated | |||
Heartland Film Festival | October 11 – 21, 2018 | Truly Moving Picture Award | Mary Poppins Returns | Won | [83] |
Hollywood Music in Media Awards | November 14, 2018 | Original Score – Sci-Fi/Fantasy/Horror Film | Marc Shaiman | Nominated | [84] |
Original Song – Sci-Fi/Fantasy/Horror Film | "The Place Where Lost Things Go" – Marc Shaiman and Scott Wittman | Nominated | |||
"Trip a Little Light Fantastic" – Marc Shaiman and Scott Wittman | Nominated | ||||
Humanitas Prize | February 8, 2019 | Family Feature Film | Mary Poppins Returns | Won | [85] |
Kids' Choice Awards | March 22, 2019 | Favorite Movie | Nominated | [86] | |
Favorite Movie Actress | Emily Blunt | Nominated | |||
London Film Critics Circle | January 20, 2019 | British/Irish Actress of the Year | Nominated | [87] | |
Make-Up Artists and Hair Stylists Guild | February 16, 2019 | Best Period and/or Character Make-Up | Peter Robb-King and Paula Price | Nominated | [88] |
Best Period and/or Character Hair Styling | Nominated | ||||
Movieguide Awards | February 8, 2019 | Best Movies for Families | Mary Poppins Returns | Nominated | [89] |
National Board of Review | January 8, 2019 | Top Ten Films | Won | [90] | |
Palm Springs International Film Festival | January 3, 2019 | Best Ensemble Performance | Won | [91] | |
Satellite Awards | February 17, 2019 | Best Motion Picture, Comedy or Musical | Nominated | [92] | |
Best Actor in a Motion Picture, Comedy or Musical | Lin-Manuel Miranda | Nominated | |||
Best Actress in a Motion Picture, Comedy or Musical | Emily Blunt | Nominated | |||
Best Original Song | "Can You Imagine That?" – Marc Shaiman and Scott Wittman | Nominated | |||
Best Art Direction and Production Design | John Myhre | Won | |||
Best Sound (Editing or Mixing) | Mary Poppins Returns | Nominated | |||
Saturn Awards | September 13, 2019 | Best Fantasy Film | Nominated | [93] | |
Best Actress | Emily Blunt | Nominated | |||
Best Supporting Actor | Lin-Manuel Miranda | Nominated | |||
Best Music | Marc Shaiman | Won | |||
Best Production Design | John Myhre | Nominated | |||
Best Costume Design | Sandy Powell | Nominated | |||
Screen Actors Guild Awards | January 27, 2019 | Outstanding Performance by a Female Actor in a Leading Role | Emily Blunt | Nominated | [94] |
Seattle Film Critics Society | December 17, 2018 | Best Costume Design | Sandy Powell | Nominated | [95] |
Best Production Design | John Myhre and Gordon Sim | Nominated | |||
Teen Choice Awards | August 11, 2019 | Choice Movie: Fantasy | Mary Poppins Returns | Nominated | [96] |
Choice Movie: Fantasy Actor | Lin-Manuel Miranda | Nominated | |||
Choice Movie: Fantasy Actress | Emily Blunt | Nominated | |||
Washington D.C. Area Film Critics Association | December 3, 2018 | Best Production Design | John Myhre | Nominated | [97] |
By May 2023, Marshall stated that a third movie is in active development. [98]
Mary Poppins is a 1964 American live-action/animated hybrid musical fantasy comedy film directed by Robert Stevenson and produced by Walt Disney, with songs written and composed by the Sherman Brothers. The screenplay is by Bill Walsh and Don DaGradi, based on P. L. Travers's book series Mary Poppins. The film, which combines live-action and animation, stars Julie Andrews in her feature film debut as Mary Poppins, who visits a dysfunctional family in London and employs her unique brand of lifestyle to improve the family's dynamic. Dick Van Dyke, David Tomlinson, and Glynis Johns are featured in supporting roles. The film was shot entirely at the Walt Disney Studios in Burbank, California, using painted London background scenes.
Pamela Lyndon Travers was an Australian-born British writer who spent most of her career in England. She is best known for the Mary Poppins series of books, which feature the eponymous magical nanny.
The Sherman Brothers were an American songwriting duo that specialized in musical films, made up of brothers Robert Sherman and Richard Sherman. Together they received various accolades including two Academy Awards and three Grammy Awards. They received nominations for a Laurence Olivier Award, a BAFTA Award, and five Golden Globe Awards. In 1976, they received a star on the Hollywood Walk of Fame, and the National Medal of the Arts in 2008.
Robert Doyle Marshall Jr. is an American film and theater director, producer, and choreographer. He is best known for directing the film version of the Broadway musical Chicago, which was based on the play of the same name by playwright Maurine Dallas Watkins. His work on the film earned him the Directors Guild of America Award for Outstanding Directing – Feature Film, as well as nominations for the Academy Award for Best Director, the Golden Globe Award for Best Director, and the BAFTA Award for Best Direction. He also directed the films Memoirs of a Geisha, Pirates of the Caribbean: On Stranger Tides, Into the Woods, Mary Poppins Returns, and the Disney live-action remake The Little Mermaid.
Richard Morton Sherman was an American songwriter who specialized in musical films with his brother Robert B. Sherman. According to the official Walt Disney Company website and independent fact checkers, "The Sherman Brothers were responsible for more motion picture musical song scores than any other songwriting team in film history."
Emily Olivia Laura Blunt is a British actress. She is the recipient of several accolades, including a Golden Globe Award and two Screen Actors Guild Awards, in addition to nominations for an Academy Award and four British Academy Film Awards. Forbes ranked her as one of the highest-paid actresses in the world in 2020.
David Magee is an American screenwriter who was nominated for a 2004 Academy Award and a Golden Globe for Finding Neverland. Along with Simon Beaufoy, he wrote the screenplay for Miss Pettigrew Lives for a Day starring Frances McDormand and Amy Adams, which was released in 2008.
Mary Poppins is a series of eight children's books written by Australian-British writer P. L. Travers and published over the period 1934 to 1988. Mary Shepard was the illustrator throughout the series.
Karen Dotrice is a British actress. She is known primarily for her role as Jane Banks in Walt Disney's Mary Poppins, the feature film adaptation of the Mary Poppins book series. Dotrice was born in Guernsey in the Channel Islands to two stage actors. Her career began on stage, and expanded into film and television, including starring roles as a young girl whose beloved cat magically reappears in Disney's The Three Lives of Thomasina and with Thomasina co-star Matthew Garber as one of two children pining for their parents' attentions in Poppins. She appeared in five television programmes between 1972 and 1978, when she made her only feature film as an adult. Her life as an actress concluded with a short run as Desdemona in the 1981 pre-Broadway production of Othello.
It may refer to:
Mary Poppins is a fictional character and the eponymous protagonist of P. L. Travers' books of the same name along with all of their adaptations. A magical English nanny, she blows in on the east wind and arrives at the Banks home at Number 17 Cherry Tree Lane, London, where she is given charge of the Banks children and teaches them valuable lessons with a magical touch. Travers gives Poppins the accent and vocabulary of a real London nanny: cockney base notes overlaid with a strangled gentility.
Kelly Marcel is an English screenwriter, film director, and former actress.
Saving Mr. Banks is a 2013 biographical drama film directed by John Lee Hancock and written by Kelly Marcel and Sue Smith. Centered on the development of the 1964 film Mary Poppins, the film stars Emma Thompson as author P. L. Travers and Tom Hanks as film producer Walt Disney, with supporting performances by Paul Giamatti, Jason Schwartzman, Bradley Whitford, Colin Farrell, Ruth Wilson, and B. J. Novak. Deriving its title from the father in Travers's story, Saving Mr. Banks depicts the author's tragic childhood in rural Queensland in 1906 and the two weeks of meetings during 1961 in Los Angeles, during which Disney attempts to obtain the film rights to her novels.
Mary Poppins: Original Cast Soundtrack is the soundtrack album of the 1964 film Mary Poppins, with music and lyrics written by songwriters Richard M. Sherman and Robert B. Sherman, and adapted and conducted by Irwin Kostal.
Pixie Love Davies is a British actress. Born and raised in England, she began her career in 2012, starring in the BBC's The Secret of Crickley Hall. After making her film debut in Nativity 2: Danger in the Manger (2012), she appeared in several other features, including Out of the Dark (2014) and Miss Peregrine's Home for Peculiar Children (2016). In 2018, she had her breakout role as Annabel Banks in Disney's Mary Poppins Returns. Davies also voiced Adel in Netflix's The Magician's Elephant.
Mary Poppins is a fantasy media franchise created by P. L. Travers, originating with the Mary Poppins series of children's books, featuring the character of the same name.
Mary Poppins Returns: Original Motion Picture Soundtrack is the soundtrack album for the film of the same name. The songs and score for the film were composed by Marc Shaiman, with song lyrics written by Scott Wittman and Shaiman. The soundtrack album was released by Walt Disney Records on December 7, 2018.
"The Place Where Lost Things Go" is a song from the 2018 film Mary Poppins Returns which was written by Marc Shaiman and Scott Wittman. The song was performed by Emily Blunt as the titular character, while a reprise of the song was performed by Blunt's co-stars Pixie Davies, Nathanael Saleh, and Joel Dawson.
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