Make Mine Music | |
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Directed by |
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Story by |
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Based on | "Casey at the Bat" by Ernest Thayer Peter and the Wolf by Sergei Prokofiev |
Produced by | Walt Disney Joe Grant |
Starring | |
Music by | |
Production company | |
Distributed by | RKO Radio Pictures |
Release dates | |
Running time | 75 minutes |
Country | United States |
Language | English |
Budget | $1.35 million [2] |
Box office | $3.275 million (worldwide rentals) [3] |
Make Mine Music is a 1946 American animated musical anthology film produced by Walt Disney and released by RKO Radio Pictures on April 20, 1946.
During World War II, much of Walt Disney's staff was drafted into the army, and those that remained were called upon by the U.S. government to make training and propaganda films. As a result, the studio was littered with unfinished story ideas. In order to keep the feature film division alive during this difficult time, the studio released six package films including this one, made up of various unrelated segments set to music. This is the third package film, following Saludos Amigos and The Three Caballeros . The film was entered into the 1946 Cannes Film Festival. [4]
This particular film has ten such segments.
The popular radio vocal group The King's Men sings the story of a Hatfields and McCoys-style feud in the mountains. The feud is broken up when Grace Martin and Henry Coy, two young people from each side, inadvertently fall in love. [This segment was later censored from the film's US video release due to objections to the film's depiction of gun violence.]
This segment featured animation originally intended for Fantasia using the Claude Debussy musical composition Clair de Lune from Suite bergamasque (conducted by Leopold Stokowski). It featured two egrets flying through the Everglades on a moonlit night. However, by the time Make Mine Music was released Clair de Lune was replaced by the new song Blue Bayou, performed by the Ken Darby Singers. However, the original version of the segment still survives.
This segment was one of two sections in which Benny Goodman and his Orchestra contributed. [5] Their music played over visuals drawn by an animator's pencil as the action occurred. The scene portrayed hepcat teens of the 1940s, being swept away by popular music. This segment features some mild female nudity that was edited out in both the US and UK DVD releases, although the film's Japanese home video releases features it intact and uncensored. [6]
This segment is a ballad of lost love, sung by Andy Russell.
This segment featured Jerry Colonna, reciting the poem also titled "Casey at the Bat" by Ernest Thayer, about the arrogant ballplayer whose cockiness was his undoing. The setting is 1902, in the town of Mudville. A few moments are exaggerated or altered and music is added. A sequel cartoon to this segment called Casey Bats Again was released on June 18, 1954.
This segment featured two rotoscoped live-action ballet dancers, David Lichine and Tania Riabouchinskaya, moving in silhouette with animated backgrounds and characters. The dancers are accompanied by two putti, also in silhouette. Dinah Shore sang the title song.
The segment "Peter and the Wolf" is an animated dramatization of the 1936 musical composition by Sergei Prokofiev, with narration by actor Sterling Holloway. A Russian boy named Peter sets off into the forest to hunt the wolf with his animal friends: a bird named Sascha, a duck named Sonia, and a cat named Ivan. Just like in Prokofiev's piece, each character is represented with a specific musical accompaniment: Peter by the String Quartet, Sascha by the Flute, Sonia by the Oboe, Ivan by the Clarinet, Grandpapa by the Bassoon, the Hunters through their gunfire by the Kettledrums, and the evil Wolf primarily by horns and cymbals.
This segment again featured Benny Goodman and The Goodman Quartet (Teddy Wilson, Cozy Cole and Sid Weiss) as six anthropomorphized instruments (Piano, Bass, Snare and bass Drums, Cymbal and Clarinet) who paraded through a musical playground.
This segment told the romantic story of two hats who fell in love in a department store window in New York City. When Alice Bluebonnet was sold, Johnnie Fedora devoted himself to finding her again. They eventually, by pure chance, meet up again and live happily ever after together, side by side. The Andrews Sisters provided the vocals. Like the other segments, it was later released theatrically. It was released as such on May 21, 1954. [7]
The final segment, the finale of the film, is a bittersweet story about a sperm whale (named Willie) with incredible musical talent and his dreams of singing grand opera. A rumor is spread throughout the city about an operatic whale, but is seemingly disproven, therefore the short-sighted impresario Tetti-Tatti believes that the whale has swallowed an opera singer. He concludes this after studying the story of Jonah.
Tetti-Tatti sets out to "rescue" his non-existent quarry, the newspapers announcing that he was going to sea. Whitey, Willie's seagull friend, excitedly brings Willie the newspaper, all of his friends believing that this is his big chance, so he goes out to meet the boat and sing for Tetti-Tatti. He finds them, and upon hearing Willie sing, Tetti-Tatti comes to believe that Willie has swallowed not one, but three singers (due to his having three uvulas, each with a different voice range; tenor, baritone and bass), and chases him with a harpoon on a boat with three crewmen. Upon hearing the whale sing, the crewmen try to stop the stubborn and deluded Tetti-Tatti from killing the whale, as they want to continue listening to him sing, even to the point of pinning Tetti-Tatti down by sitting on him. A montage then follows of what would be Willie's future career in performing opera on the stage of the Met, with Tetti-Tatti shown to have finally been convinced. In the end, reality strikes when Tetti-Tatti succeeds in harpooning and killing Willie which causes the three sailors to beat him up afterwards, but the narrator then explains that Willie's voice (now in a thousand, each more golden than before) will sing on in heaven, ironically still achieving his dream after all; the final shot is of the Pearly gates with a "sold out" sign. Nelson Eddy narrated and performed all the voices in this segment. As Willie the Whale, Eddy sang, among others, Shortnin' Bread , "Largo al factotum" from The Barber of Seville , all three male voices in the first part of the Sextet from Donizetti's opera, Lucia di Lammermoor , and Mag der Himmel Euch Verbegen from Friedrich Wilhelm Riese's opera Martha.
As the curtains close, the film ends.
Actor | Role(s) |
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Nelson Eddy | Narrator; characters (The Whale Who Wanted to Sing at the Met) |
Dinah Shore | Singer (Two Silhouettes) |
Benny Goodman | Musician (All the Cats Join In/After You've Gone) |
The Andrews Sisters | Singers (Johnnie Fedora and Alice Bluebonnet) |
Jerry Colonna | Narrator (Casey at the Bat) |
Sterling Holloway | Narrator (Peter and the Wolf) |
Andy Russell | Singer (Without You) |
David Lichine | Dancer (Two Silhouettes) |
Tania Riabouchinskaya | Dancer (Two Silhouettes) |
The Pied Pipers | Singers (All the Cats Join In) |
The King's Men | Singers (The Martins and the Coys) |
The Ken Darby Singers | Singers (Blue Bayou) |
No. | Title | Writer(s) | Performer(s) | Length |
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1. | "Make Mine Music" | Ken Darby & Eliot Daniel | Disney Studio Chorus | |
2. | "The Martins and the Coys" | Al Cameron & Ted Weems | The King's Men | |
3. | "Blue Bayou" | Bobby Worth & Ray Gilbert | The Ken Darby Singers | |
4. | "All the Cats Join In" | Alec Wilder & Ray Gilbert | Benny Goodman and His Orchestra | |
5. | "Without You" | Ray Gilbert | Andy Russell | |
6. | "Casey at the Bat" | Ray Gilbert, Ken Darby & Eliot Daniel | Jerry Colonna | |
7. | "Two Silhouettes" | Charles Wolcott & Ray Gilbert | Dinah Shore | |
8. | "Peter and the Wolf" | Sergei Prokofiev | Sterling Holloway | |
9. | "After You've Gone" | Turner Layton & Henry Creamer | Benny Goodman & The Goodman Quartet | |
10. | "Johnnie Fedora and Alice Bluebonnet" | Allie Wrubel & Ray Gilbert | The Andrews Sisters |
Make Mine Music was initially released in theaters in 1946. Like many other package features of the 1940s, it was never given a wide theatrical reissue. Instead, its distinct segments were separated and released as separate short films or used as segments in Disney television programmes.
Make Mine Music was originally released on home video in Japan on October 21, 1985. All of its segments (except for Without You and The Martins and the Coys) had been released on home video in the US since they were shown on The Magical World of Disney television series and/or released only as shorts.
Casey at the Bat was featured on the VHS release of Disney's Tall Tales in 1985.
Blue Bayou was featured on the Disney’s Greatest Lullabies Part Two VHS.
All the Cats Join In, Two Silhouettes, After You've Gone and The Whale Who Wanted To Sing At The Met (along with Stokowski’s original recording of Claire de Lune) were featured on the VHS compilation The Wonderful World of Disney: Music for Everybody in 1986.
Peter and the Wolf was first released on the Storybook Classics VHS in 1982 and eventually joined the Walt Disney Mini Classics series (along with Willie the Operatic Whale) and the Favorite Stories collection.
Johnnie Fedora and Alice Bluebonnet was released on laserdisc in 1999 as part of The Disneyland Anthology 3 disc box-set, as it was a segment of the Adventures in Fantasy episode on side 5.
The actual film was released on VHS and DVD on June 6, 2000 under the Walt Disney Gold Classic Collection line. They edited this release to remove The Martins and the Coys, which contained comic gunplay that they deemed not suitable for children, [6] as well as editing out the sexualized imagery in All the Cats Join In.
Outside of North America, Make Mine Music has been largely unavailable on DVD and VHS. It has, however, been available in Scandinavia on both VHS (1983) and DVD (2006) and since 2013 on DVD in the UK (unrestored, albeit with The Martins and the Coys intact, but still editing out the sexualized imagery in All the Cats Join In). This and The Adventures of Ichabod and Mr. Toad are the only two major Disney animated films never to see a release on Region 4 DVD in Australia; however, the latter did get a VHS release.
As of 2024, Make Mine Music is the only Walt Disney Animation Studios feature film that is not available on Disney+. [8]
Disney released Make Mine Music and Melody Time for the first time ever on Blu-ray, through their Disney Movie Club website on November 2, 2021. Despite explicit reports by Disney's customer service confirming this release would be uncut and mentioning that the release would include all ten musical segments, the actual discs contained the 2000 censored version of the film.
The film grossed $70,000 in its first week at the Globe Theatre in New York City. [9] It went on to earn $2,085,000 in theatrical rentals from the United States and Canada. Cumulatively, it earned $3,275,000 in worldwide rentals. [3]
Abel Green of Variety stated that "the animation, color and music, the swing versus symph, and the imagination, execution and delineation—that this Disney feature (two years in the making) may command widest attention yet. The blend of cartoon with human action has been evidenced before; here Disney has retained all his characters in their basic art form, but endowed them with human qualities, voices and treatments, which is another step forward in the field where cartoons graduate into the field of the classics." [10] Harrison's Reports felt that some of the shorts were "more entertaining than others, but all are good, and each has something to please movie-goers of all tastes and ages. It is a delightful blend of comedy, music, pathos, animation, and color, given a most imaginative treatment." [11]
Bosley Crowther, reviewing for The New York Times , praised the film as "a brilliant abstraction wherein fanciful musical instruments dance gayly on sliding color disks, sets of romping fingers race blithely down tapes of piano keys and musical notes fly wildly through the multi-hued atmosphere—all to the tingling accompaniment of Benny Goodman's quartet playing the ancient and melodious torch song, "After You're Gone". Color, form and music blend dynamically in this bit, and a rich stimulant of sensuous rhythm is excitingly achieved." [12] Edwin Schallert of the Los Angeles Times wrote that Make Mine Music was "a picture of much inventiveness and imagination. The lighter the picture is, the more is its excellence demonstrated, it might be noted. And while music is the keynote of the production, it ranges well into comedy, and plentifully into swing." [13]
The film holds 58% rating on Rotten Tomatoes, with an average score of 6.5/10. The site's critical consensus reads, "This collection of musical-themed shorts doesn't reach the artistic heights of Fantasia, but it's well animated and mostly good fun." [14]
Saludos Amigos is a 1942 American live-action/animated propaganda anthology film produced by Walt Disney and released by RKO Radio Pictures. Set in Latin America, it is made up of four different segments; Donald Duck stars in two of them and Goofy stars in one. It also features the first appearance of José Carioca, the malandro Brazilian parrot. Saludos Amigos premiered in Rio de Janeiro on August 24, 1942. It was released in the United States on February 6, 1943.
Pinocchio is a 1940 American animated musical fantasy film produced by Walt Disney Productions and released by RKO Radio Pictures. Loosely based on Carlo Collodi's 1883 Italian children's novel The Adventures of Pinocchio, it is the studio's second animated feature film, as well as the third animated film overall produced by an American film studio, after Disney's Snow White and the Seven Dwarfs (1937) and Fleischer Studios' Gulliver's Travels (1939). With the voices of Cliff Edwards, Dickie Jones, Christian Rub, Walter Catlett, Charles Judels, Evelyn Venable, and Frankie Darro, the film follows a wooden puppet, Pinocchio, who is created by an old woodcarver, Geppetto, and brought to life by a blue fairy. Wishing to become a real boy, Pinocchio must prove himself to be "brave, truthful, and unselfish." Along his journey, Pinocchio encounters several characters representing the temptations and consequences of wrongdoing, as a cricket named Jiminy, who takes the role of Pinocchio's conscience, attempts to guide him in matters of right and wrong.
Cinderella is a 1950 American animated musical fantasy film produced by Walt Disney Productions and released by RKO Radio Pictures. Based on Charles Perrault's 1697 fairy tale, it features supervision by Ben Sharpsteen. The film was directed by Wilfred Jackson, Hamilton Luske, and Clyde Geronimi. The film features the voices of Ilene Woods, Eleanor Audley, Verna Felton, Rhoda Williams, James MacDonald, and Luis van Rooten.
The Little Mermaid is an American animated television series produced by Walt Disney Television Animation based on the 1989 animated feature film of the same name. It features the adventures of Ariel as a mermaid prior to the events of the film. This series is the third Disney television series to be spun off from a major animated film. Some of the voice actors of the film reprise their roles in the series, among them Jodi Benson as Ariel, Samuel E. Wright as Sebastian, Kenneth Mars as King Triton, and Pat Carroll as Ursula. Other voice actors include Edan Gross as Flounder, and Jeff Bennett as Prince Eric.
Fantasia 2000 is a 1999 American animated musical anthology film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. Produced by Roy E. Disney and Donald W. Ernst, it is the sequel to Disney's 1940 animated feature film Fantasia. Like its predecessor, Fantasia 2000 consists of animated segments set to pieces of classical music. Segments are introduced by celebrities including Steve Martin, Itzhak Perlman, Quincy Jones, Bette Midler, James Earl Jones, Penn & Teller, James Levine, and Angela Lansbury in live action scenes directed by Don Hahn.
Fun and Fancy Free is a 1947 American animated musical fantasy anthology film produced by Walt Disney and Ben Sharpsteen and released on September 27, 1947 by RKO Radio Pictures. The film is a compilation of two stories: Bongo, narrated by Dinah Shore and loosely based on the short story "Little Bear Bongo" by Sinclair Lewis; and Mickey and the Beanstalk, narrated by Edgar Bergen and based on the "Jack and the Beanstalk" fairy tale. Though the film is primarily animated, it also uses live-action segments starring Edgar Bergen to join its two stories.
The Many Adventures of Winnie the Pooh is a 1977 American animated musical anthology fantasy film produced by Walt Disney Productions and distributed by Buena Vista Distribution. It was first released on a double bill with The Littlest Horse Thieves on March 11, 1977.
Melody Time is a 1948 American live-action and animated musical anthology film produced by Walt Disney. It was released to theatres by RKO Radio Pictures on May 27, 1948. Made up of seven segments set to popular music and folk music, the film is, like Make Mine Music before it, the popular music version of Fantasia. Melody Time, while not meeting the artistic accomplishments of Fantasia, was mildly successful.
The Adventures of Ichabod and Mr. Toad is a 1949 American animated anthology film produced by Walt Disney Productions and released by RKO Radio Pictures. It consists of two segments: the first based on Kenneth Grahame's 1908 children's novel The Wind in the Willows and narrated by Basil Rathbone, and the second based on Washington Irving's 1820 short story The Legend of Sleepy Hollow and narrated by Bing Crosby. The production was supervised by Ben Sharpsteen, and was directed by Jack Kinney, Clyde Geronimi, and James Algar.
So Dear to My Heart is a 1948 American live-action/animated comedy-drama film produced by Walt Disney and released by RKO Radio Pictures. Its world premiere was in Chicago, Illinois, on November 29, 1948. Like 1946's Song of the South, the film combines animation and live action. It is based on the 1943 Sterling North book Midnight and Jeremiah. The book was revised by North to parallel the film's storyline amendments and then re-issued under the same title as the film.
John Ryan Kinney was an American animator, director and producer of animated shorts. Kinney is the older brother of fellow Disney animator Dick Kinney.
A Symposium on Popular Songs is a special cartoon featurette made by Walt Disney Productions in 1962. It features songs that were written by the Sherman Brothers, with music arrangements by Tutti Camarata. The Shermans also co-wrote the screenplay but are not credited for this. Host Ludwig Von Drake invites his audience into his mansion where he tells all about popular music through the years, introducing several songs illustrated with stop-motion photography. The film was nominated for an Academy Award for Best Animated Short Film.
Beauty and the Beast: Belle's Magical World is a 1998 direct-to-video animated anthology musical film, made of unused TV episodes produced by Walt Disney Television Animation. It was released on February 17, 1998, and it is the sequel to Disney's 1991 animated feature film Beauty and the Beast and the third in the Beauty and the Beast films, featuring the voices of David Ogden Stiers as Cogsworth, Robby Benson as The Beast, Gregory Grudt, who replaced Bradley Pierce as Chip Potts, Paige O'Hara as Belle, Anne Rogers, who replaced Angela Lansbury as Mrs. Potts, and Jerry Orbach as Lumiere. The film features two songs performed by Belle, "Listen With Our Hearts" and "A Little Thought." This storyline is set within the timeline of the original Beauty and the Beast.
Lambert the Sheepish Lion is a Disney animated short film that was released in 1952. It was directed by Jack Hannah.
Madeline is an animated preschool television series produced by DIC Entertainment, L.P., as part of the Madeline media franchise. It began as a series of six television specials from 1988 to 1991, and then continued as Madeline and The New Adventures of Madeline from 1993 to 2001. The show is narrated by Christopher Plummer.
Music Land is a Silly Symphony animated Disney short released in 1935.
Peter and the Wolf is a 1946 animated short based on the 1936 musical composition/fairy tale by Sergei Prokofiev, produced by Walt Disney and narrated by Sterling Holloway. It was originally released theatrically as a segment in Make Mine Music. It was re-issued the following year accompanying a re-issue of Fantasia, then released separately on home video in the 1990s.
Steamboat Willie is a 1928 American animated short film directed by Walt Disney and Ub Iwerks. It was produced in black and white by Walt Disney Animation Studios and was released by Pat Powers, under the name of Celebrity Productions. The cartoon is considered the public debut of Mickey Mouse and Minnie Mouse, although both appeared months earlier in a test screening of Plane Crazy and the then yet unreleased The Gallopin' Gaucho. Steamboat Willie was the third of Mickey's films to be produced, but it was the first to be distributed, because Disney, having seen The Jazz Singer, had committed himself to produce one of the first fully synchronized sound cartoons.
Hamilton Somers Luske was an American animator and film director.
Ferdinand the Bull is a 1938 American stand-alone animated short produced by Walt Disney Productions and released on November 25, 1938, by RKO Radio Pictures. It was directed by Dick Rickard and based on the 1936 book The Story of Ferdinand by Munro Leaf. The music was by Albert Hay Malotte, most known for his setting of The Lord's Prayer, commonly sung at weddings.