Disney Renaissance

Last updated

The ten films considered to make up the Disney Renaissance era Disney Renaissance Films.jpgThe Little MermaidBeauty and the BeastAladdinPocahontasThe Hunchback of Notre DameHerculesMulanTarzan
The ten films considered to make up the Disney Renaissance era
The Roy E. Disney Animation Building, opened in 1995 as the new location for Walt Disney Animation Studios. Roy E. Disney Animation Building.jpg
The Roy E. Disney Animation Building, opened in 1995 as the new location for Walt Disney Animation Studios.

The Disney Renaissance was a period from 1989 to 1999 during which Walt Disney Feature Animation returned to producing critically and commercially successful animated films. The ten feature films associated with this period are The Little Mermaid (1989), The Rescuers Down Under (1990), Beauty and the Beast (1991), Aladdin (1992), The Lion King (1994), Pocahontas (1995), The Hunchback of Notre Dame (1996), Hercules (1997), Mulan (1998), and Tarzan (1999). [1]

Contents

The films were mostly musical adaptations of well-known stories, similar to the films produced by Walt Disney from the 1930s to 1960s. [2] [3] The resurgence allowed Disney's animated films to become a powerhouse of successes at the domestic and foreign box office, earning much greater profits. [4] [5] [1]

Background (pre-1989)

The original Animation Building at the Walt Disney Studios, which the animation department left in 1985. Oldanimationbuilding.JPG
The original Animation Building at the Walt Disney Studios, which the animation department left in 1985.

After the deaths of Walt and Roy O. Disney (in 1966 and 1971, respectively), Walt Disney Productions was left in the hands of Donn Tatum, Card Walker, and Walt's son-in-law Ron Miller. Under their supervision, creative leadership over feature animated films largely fell to Wolfgang Reitherman. [6]

While certain films such as The Rescuers (1977) were commercially and critically successful, [7] on the whole the films released over the 18-year period following the death of the Disney brothers did not perform as well as the studio's previous work. One issue was that Reitherman was determined to produce only family-friendly material certain to turn a profit, and consequently he softened Disney villains so that they were more comical or pitiful than scary. [6] An especially hard blow was dealt during production of The Fox and the Hound (1981), when long-time animator Don Bluth left Disney's animation department to start his own rival studio, Don Bluth Productions, taking eleven Disney animators with him. [8] [9] With 17% of the animators now gone, production on The Fox and the Hound was delayed by six months. [10] Don Bluth Productions produced The Secret of NIMH (1982), whose story had originally been rejected by Disney for being too dark, and the company became Disney's main competitor in the animation industry during the 1980s and early 1990s.

Disney made major organizational changes in the mid-1980s after narrowly escaping a hostile takeover attempt by businessman and financier Saul Steinberg. Michael Eisner, formerly of Paramount Pictures, became CEO in 1984, and was joined by his Paramount associate Jeffrey Katzenberg as studio chairman, while Frank Wells, formerly of Warner Bros. Pictures, became president. In 1985, Peter Schneider was hired as president of Disney's feature animation department, which was soon to be rebranded as Walt Disney Feature Animation. In the same year, to make more room for live-action filmmaking, the animation department was moved from the main Disney lot in Burbank to a "temporary" location in various hangars, warehouses, and trailers about 2 miles (3.2 km) east in nearby Glendale, where it would remain for the next ten years. Most of the Disney Renaissance films were produced there, in the former Grand Central Airport, then known as the Grand Central Business Centre. (It should have been spelled "Center" in American English, but American business promoters sometimes resort to exotic British English spellings.)

After the box office failure of the PG-rated The Black Cauldron (1985), the future of the animation department was in jeopardy. Going against a 30-year studio policy, the company founded a television animation division (now Disney Television Animation), which produced such shows as DuckTales . In the interest of saving what he believed to be the studio's core business, Roy E. Disney, who resigned from the company in 1984, persuaded Eisner to let him return and supervise the animation department in the hopes of improving its fortunes.

1986–1988: The Great Mouse Detective, Disney vs. Don Bluth, Hayao Miyazaki's influence, and Oliver and Company

1400 Flower Street in Glendale, where several films immediately predating the Disney Renaissance through Pocahontas were partially produced. 1400flowerstreet.jpg
1400 Flower Street in Glendale, where several films immediately predating the Disney Renaissance through Pocahontas were partially produced.

Disney released The Great Mouse Detective (1986) a few months before Don Bluth released An American Tail (1986). An American Tail outperformed The Great Mouse Detective and became the highest grossing animated film to that date. [11] Despite An American Tail's greater level of success, The Great Mouse Detective was still successful enough (both critically and commercially) to instill executive confidence in Disney's animation department. Oliver and Company (1988) would later be released on the same day as The Land Before Time (1988). Despite The Land Before Time becoming globally the highest grossing animated film to that date, breaking the previous record of An American Tail, Oliver and Company outgrossed it in the United States, launching an era of increased theatrical turnout for Disney. [12]

In the 1980s, Disney collaborated with filmmaker Steven Spielberg—producer of An American Tail and The Land Before Time and a long-time animation fan—to produce Who Framed Roger Rabbit (1988), a live-action/animation hybrid that featured animated characters of the 1930s and 1940s from many different studios together. The film was a critical and commercial success, winning three Academy Awards as well as a Special Achievement Academy Award, and renewing interest in theatrical animated cartoons. In addition to the film itself, Spielberg also helped Disney produce three Roger Rabbit shorts. Disney moved to first place in box office receipts by 1988, with Who Framed Roger Rabbit being the summer's biggest hit. [13]

The Disney Renaissance was prompted by competition with Don Bluth's animated productions, along with the evolution of overseas animation, most notably the Studio Ghibli anime productions from Japanese animator Hayao Miyazaki. [14] His Lupin the Third film adaptation of the animated TV series based on the Monkey Punch comics, Castle of Cagliostro (1979), influenced the climax of The Great Mouse Detective, which in turn paved the way for the Disney Renaissance. The two-minute climax scene used computer-generated imagery (CGI), making it the first Disney film to extensively use computer animation, a fact that Disney used to promote the film during marketing. [15] [16] Glen Keane, a leading animator for Disney films, has also credited Miyazaki's work as a "huge influence" on Disney's animated films. [17]

Timeline (1989–1999)

1400 Air Way in Glendale, where several films of the Disney Renaissance were partially produced. 1400airway.JPG
1400 Air Way in Glendale, where several films of the Disney Renaissance were partially produced.

1989: The Little Mermaid

Disney had been developing The Little Mermaid (1989) since the 1930s, and by 1988, after the success of Touchstone Pictures' Who Framed Roger Rabbit, the studio had decided to make it into an animated musical, much like many of its previous animated movies, but with a more Broadway feel to it. Lyricist Howard Ashman and composer Alan Menken, who worked on Broadway years earlier on Little Shop of Horrors alongside now-Walt Disney Feature Animation president Peter Schneider (who served as company manager on the stage musical), [18] became involved in the production, writing and composing the songs and score for the film. [19] Ashman worked to have the songs stitched into the movie and bringing the musical theater tradition into Disney. [20] [21]

Upon release, The Little Mermaid was a critical and commercial success and garnered a higher weekend gross than Don Bluth's All Dogs Go to Heaven (1989), which was released on the same day, [22] eventually breaking The Land Before Time's record of highest-grossing animated film.

It won two Academy Awards for Best Original Song ("Under the Sea") and for Best Original Score, earning an additional nomination for Best Original Song for "Kiss the Girl". [23] It also marked a significant turn by the studio back towards the darker and scarier villains typical of the films it had produced before Walt Disney's death. [6]

1990–1991: The Rescuers Down Under and Beauty and the Beast

The Rescuers Down Under (1990) was released as the first sequel produced by Walt Disney Feature Animation. The film garnered mainly positive reception, but was not as financially successful as The Little Mermaid. [24] However, it was notable for being the first film to be completely produced using Disney's new Computer Animation Production System (CAPS). [25] The rest of the traditionally-animated films during this period would be produced using CAPS.

Beauty and the Beast (1991) was Disney's next film and proved to be an immense critical and commercial success. It was the first animated film nominated for an Academy Award for Best Picture, remaining the only animated film nominated for Best Picture when that category had only five entries (1944–2008), and won the Golden Globe Award for Best Picture (Musical or Comedy) and two Academy Awards, for Best Original Score and Best Original Song ("Beauty and the Beast"). [26] [27] Beauty and the Beast also received an Academy Award nomination for Best Sound, as well as two additional nominations for Best Original Song. [28] In addition to being Disney's highest grossing animated movie at the time, it was the first animated film to reach $100 million at the box office in the US. [29] The box office success also gave way to a profitable merchandising campaign. In 1994, it was the first Disney Renaissance film to receive a Broadway adaptation. [30]

1992–1994: Aladdin and TheLion King

Aladdin (1992) and The Lion King (1994) followed, respectively, with both films having the highest worldwide grosses of their respective release years. [31] [32] Aladdin was the highest-grossing animated film at the time of its release, but later became second after being surpassed by The Lion King, which became the highest-grossing animated film at the time and remains the highest-grossing traditionally animated film in history. [33]

Howard Ashman wrote several songs for Aladdin before his death, but only three were ultimately used in the film. Tim Rice ultimately joined the project and completed the score and songs with Alan Menken. Rice later went on to collaborate with Elton John and Hans Zimmer for The Lion King after ABBA had turned down the offer to write songs for the film. Both films won Academy Awards for Best Original Song ("Can You Feel the Love Tonight") and Best Original Score, [34] [35] and also like Beauty and the Beast won the Golden Globe Award for Best Picture (Musical or Comedy). Aladdin also earned an additional Academy Award nomination for Best Original Song and nominations for Best Sound and Best Sound Effects Editing, for a total of five nominations. [28] The Lion King earned two additional Academy Award nominations for Best Original Song, giving it a total of four Academy Award nominations. [35]

622/610 Circle 7 Drive (the Hart-Dannon Building), where several films of the Disney Renaissance were partially produced. 622610circle7drive.JPG
622/610 Circle 7 Drive (the Hart-Dannon Building), where several films of the Disney Renaissance were partially produced.

Between the two in-house productions, Disney diversified in animation methods and produced the stop-motion animated film The Nightmare Before Christmas (1993) with former Disney animator Tim Burton, which was directed by also former Disney animator Henry Selick. That film received an Academy Award nomination for Best Visual Effects becoming the first animated film to do so, losing to Spielberg's 1993 film Jurassic Park. [36] Thanks to the success of the early films of the Renaissance era, Disney management was able to allocate sufficient money to bring Feature Animation back from its ten-year exile to Glendale. A 240,000-square-foot building designed by Robert A. M. Stern opened across the street from the main Disney lot in Burbank on December 16, 1994.

1995–1997: Pocahontas, The Hunchback of Notre Dame, and Hercules

The next Disney animated film, Pocahontas (1995), opened to mixed reviews, though it still earned $346 million worldwide and garnered two Academy Awards for Best Original Musical or Comedy Score and Best Original Song ("Colors of the Wind"). [37] However, its box office gross was far lower in comparison to what The Lion King earned the previous year. [38] [39] The following year, The Hunchback of Notre Dame (1996), Disney's first animated film produced at a budget over $100 million, opened to better reviews than Pocahontas, but a lower total box office of $325 million. Both films feature composer (now serving only as lyricist to Menken's music) Stephen Schwartz.

When Hercules (1997), with songs by Menken and David Zippel, earned $252 million—$73 million less than The Hunchback of Notre Dame—at the box office, news media began to openly suggest that Disney animation was on a downward trend of their animated film releases. Although it gained more positive criticism than Pocahontas and The Hunchback of Notre Dame, it was still vulnerable to competition from companies such as DreamWorks Animation and Pixar. [40] [41]

1998–1999: Mulan and Tarzan

Disney's penultimate Renaissance film, Mulan (1998), with a score by Jerry Goldsmith and songs by Matthew Wilder and David Zippel, earned $304 million at the worldwide box office, restoring the commercial and critical standing of Disney's output.

The release of Tarzan (1999) is retrospectively seen as the end of the Renaissance era. [42] [43] With a score by Mark Mancina and songs by Phil Collins, Tarzan won an Academy Award for Best Original Song ("You'll Be in My Heart"), [44] and became Disney's most commercially successful film since The Lion King, earning $448 million at the box office and widespread positive reviews.

Reception

Critical and public response

Ron Clements and John Musker have the most films in the Renaissance era they directed with three each. Most of the films Disney released in the Renaissance era were well received. According to review-aggregation website Rotten Tomatoes, six of the movies— The Little Mermaid , Beauty and the Beast , Aladdin , The Lion King , Mulan , and Tarzan garnered approval ratings of over 85%, with the first four being referred to by Roger Ebert as the "big four" in 1997. [45] Pocahontas has the lowest reception of Disney's Renaissance films – it averaged 54% positive reviews.

FilmDirectors Rotten Tomatoes Metacritic CinemaScore
The Little Mermaid Ron Clements, John Musker 93% (8.1/10 average rating) (71 reviews) [46] 88 (24 reviews) [47] —
The Rescuers Down Under Hendel Butoy, Mike Gabriel 71% (6.2/10 average rating) (28 reviews) [48] 70 (19 reviews) [49] —
Beauty and the Beast Gary Trousdale, Kirk Wise 94% (8.5/10 average rating) (118 reviews) [50] 95 (22 reviews) [51] A+ [52]
Aladdin Ron Clements, John Musker95% (8.2/10 average rating) (75 reviews) [53] 86 (25 reviews) [54] A+ [52]
The Lion King Roger Allers, Rob Minkoff 93% (8.5/10 average rating) (136 reviews) [55] 88 (30 reviews) [56] A+ [52]
Pocahontas Mike Gabriel, Eric Goldberg 54% (6/10 average rating) (56 reviews) [57] 58 (23 reviews) [58] A− [52]
The Hunchback of Notre Dame Gary Trousdale, Kirk Wise71% (7.1/10 average rating) (56 reviews) [59] 74 (28 reviews) [60] A [52]
Hercules Ron Clements, John Musker84% (7/10 average rating) (55 reviews) [61] 74 (22 reviews) [62] A [52]
Mulan Barry Cook, Tony Bancroft 86% (7.6/10 average rating) (79 reviews) [63] 71 (24 reviews) [64] A+ [52]
Tarzan Kevin Lima, Chris Buck 89% (7.6/10 average rating) (105 reviews) [65] 79 (27 reviews) [66] A [52]

Box office performance

FilmRelease dateRevenueRankBudgetReference
United StatesForeignWorldwideAll time domestic(A)All time worldwide
The Little Mermaid November 17, 1989$111,543,479$99,800,000$235,343,479687417705$40,000,000 [67]
The Rescuers Down Under November 16, 1990$27,931,461$19,468,539$47,400,0003,071$27,000,000 [68]
Beauty and the Beast November 22, 1991$218,967,620$224,033,956$443,001,576193143251$25,000,000 [69]
Aladdin November 25, 1992$217,350,219$286,700,000$504,150,219200104139$28,000,000 [70]
The Lion King June 24, 1994$422,783,777$545,700,000$968,583,777342039$45,000,000 [71]
Pocahontas June 23, 1995$141,579,773$204,500,000$346,179,773464286363$55,000,000 [72]
The Hunchback of Notre Dame June 21, 1996$100,138,851$225,200,000$325,338,851831543314$70,000,000 [73]
Hercules June 27, 1997$99,112,101 [74] $153,600,000$252,712,101839578450$85,000,000 [75]
Mulan June 19, 1998$120,620,254$183,700,000$304,320,254606433347$90,000,000 [76]
Tarzan June 18, 1999$171,091,819$277,100,000$448,191,819334271179$130,000,000 [77]
Total$1,631,119,354$2,182,353,617$3,875,321,849

List indicator(s)

* As of 26 August 2024

Awards

The Rescuers Down Under is the only film in the Renaissance era not to have been nominated in both Annie and Oscar ceremonies. Nine of the ten films in the Disney Renaissance were nominated for Academy Awards, six of which won at least one Academy Award; six Best Original Song and five Best Original Score, with the first five films won awards in both categories. The Disney Renaissance is also notable for its film Beauty and the Beast becoming the first animated film ever to be nominated for Best Picture. Eight of the films were nominated for Annie Awards, with seven of each films winning at least one:

YearFilm Academy Awards Annie Awards
Nomination(s)Win(s)Nomination(s)Win(s)
1989 The Little Mermaid 3200
1991 Beauty and the Beast 6222
1992 Aladdin 5231
1994 The Lion King 4233
1995 Pocahontas 2274
1996 The Hunchback of Notre Dame 10130
1997 Hercules 1064
1998 Mulan 101210
1999 Tarzan 11111

Music

Soundtracks

All soundtracks were initially released under Walt Disney Records in the format of CD and cassette.

List of soundtracks, with selected chart positions and certifications
TitleRelease datePeak chart positions Certifications
US AUS AUT BEL
(Vl) 		BEL
(Wa) 		FRA GER NL NZ SWI RIAA MC
The Little Mermaid October 19, 198932————————256× Platinum3× Platinum
Beauty and the Beast October 24, 19911918—————2521—3× PlatinumPlatinum
Aladdin October 27, 1992615————71—29—3× Platinum
The Lion King April 27, 199413416517611Diamond
Pocahontas June 1, 1995119353211—79—8363× Platinum4× Platinum
The Hunchback of Notre Dame May 7, 199611————12————Platinum
Hercules May 27, 199717————28————Gold
Mulan June 2, 199825————20————Gold
Tarzan May 18, 199954093228965134112× Platinum
"—" denotes a recording that did not chart or was not released in that territory.

Singles

List of singles, with selected chart positions and certifications, showing year released and soundtrack name
TitleEnglish-language performer(s)YearPeak chart positions Certifications Album
US US
AC 		AUS UK
"Under the Sea" Samuel E. Wright 1989————RIAA: 2× PlatinumThe Little Mermaid
"Beauty and the Beast" Celine Dion & Peabo Bryson 199193179RIAA: GoldBeauty and the Beast
"A Whole New World"Peabo Bryson & Regina Belle 199211109RIAA: GoldAladdin
"Can You Feel the Love Tonight" Elton John 199441914RIAA: PlatinumThe Lion King
"Circle of Life"1826011RIAA: Gold
"Colors of the Wind" Vanessa Williams 1995421621RIAA: GoldPocahontas
"If I Never Knew You" Jon Secada & Shanice 108——51
"Someday" All-4-One 19963014——RIAA: GoldThe Hunchback of Notre Dame
Eternal ——274
"Go the Distance" Michael Bolton 1997241—14RIAA: GoldHercules
"I Won't Say (I'm in Love)" Belinda Carlisle ————
"True to Your Heart" 98° & Stevie Wonder 1998——7351Mulan
"Reflection" Christina Aguilera —19——
"You'll Be in My Heart" Phil Collins 19992114317RIAA: 3× PlatinumTarzan
"Strangers Like Me"—10——RIAA: Platinum
"Son of Man"2000————RIAA: Gold
"Two Worlds"————RIAA: Gold
"—" denotes a recording that did not chart or was not released in that territory.

Analysis

Many have attributed the success of the Disney Renaissance to a collection of key similarities found in most if not all of the films from 1989 to 1999. Broadway-style musical numbers were put into place that forwarded the narrative of each film. Characters used songs to showcase their internal emotions. Most of the Renaissance films had songs that have the main character singing what they want out of life as well as chorus numbers led by the supporting cast. [78] [79] Critics have also said that the music style of Renaissance films varies from film to film. An example would be The Little Mermaid having Calypso-style musical numbers and Hercules utilizing Motown in its soundtrack. [80]

The use of CAPS, action sequences, and inclusion of celebrity voice talent is also said to have drawn audiences in. [30] Robin Williams' performance as Genie in Aladdin is the reason why many believe other studios began to cast celebrities as voice actors in their animated films. [79] [81]

Due to Disney never acknowledging an official timeline of films for their Renaissance, it is debated what film should be considered the end of the era. Some consider Dinosaur (2000) for its use of CGI or The Emperor's New Groove (2000) for its comedic tone to be the end of the Renaissance. Given its release in 1999, Fantasia 2000 is included in the line-up of films if either Dinosaur or The Emperor's New Groove is seen as the end of the era. Brandon Zachery of Comic Book Resources states that Tarzan is widely considered to be the finale of the Renaissance as it was the final film in a row of Disney's that, "still adhered to many of the era's standard traits, including multiple songs, cutting-edge visuals and celebrity cameos in small roles." [82]

Sequels

Disney MovieToons, later known as Disneytoon Studios, was established by Disney to produce direct-to-video sequels to many of the Renaissance films utilizing the crew of their television animation studios. The Return of Jafar (1994), a sequel to Aladdin, was the first film to be released. [83] Further sequels to Renaissance films include Beauty and the Beast: The Enchanted Christmas (1997), Pocahontas II: Journey to a New World (1998), The Lion King II: Simba's Pride (1998), The Little Mermaid II: Return to the Sea (2000), The Hunchback of Notre Dame II (2002), Mulan II (2004) and Tarzan II (2005). [84]

Impact on other studios

The success of the Disney Renaissance attracted the attention of many animation studios and film studios. Major film studios established new animation divisions such as Fox Animation Studios, Warner Bros. Feature Animation and DreamWorks Animation to replicate Disney's success by turning their animated films into Disney-styled musicals. Examples of said musicals include Cats Don't Dance (1997), Anastasia (1997), Quest for Camelot (1998), and The Prince of Egypt (1998). [85]

Impact on the company (2009–present)

Many have hailed Walt Disney Animation Studios’ theatrical film releases from 2009 to onward as a return to form, referring to this era in Disney history as the Disney Revival or even the new Disney Renaissance. [78] [79] Most films in the Revival use CGI animation to tell stories set in fantastical settings incorporating the Renaissance's Broadway musical style. [78] Several crew members from the Renaissance returned to help create Revival films. Ron Clements and John Musker returned to direct The Princess and the Frog (2009) and Moana (2016). [86] Alan Menken scored Tangled (2010) and was a composer for songs for Ralph Breaks the Internet (2018). [87]

The Disney Revival is the most profitable era in Disney animation history. [88] Frozen, for instance, grossed over 1.2 billion worldwide. The film held the title of highest-grossing animated film, [89] fifth-highest-grossing film of all time, [90] and second Walt Disney Studios highest-grossing film (behind The Avengers ) in 2013. [91] Frozen also was Walt Disney Animation Studios' first feature-length motion picture to win an Academy Award since Tarzan. [92]

Remakes

Beauty and the Beast , directed by Bill Condon, was released on March 17, 2017, as the first live-action adaptation of the Disney Renaissance. [93] Alan Menken returned for writing a new score and new songs with Tim Rice. [94] The film grossed over $1.2 billion worldwide, [95] [96] [97] [98] becoming the highest-grossing live-action musical film, second-highest-grossing film of 2017, and the tenth-highest-grossing film of all time. [99] Beauty and the Beast received positive reviews from critics, with many praising its faithfulness to the original animated film, the elements used from the Broadway musical, performances, visual style, musical score, songs, costume design, and production values, though criticism was drawn toward its character designs, the auto-tuning of the singing voices, and the inclusion of new Menken songs that deviated in tone from his previous creative zenith. [100] [101]

Aladdin , directed and co-written by Guy Ritchie, is the second live-action Disney Renaissance adaptation theatrically released in the United States on May 24, 2019. [102] Alan Menken returned again to write new music and songs with Benj Pasek and Justin Paul. [103] It grossed $1 billion worldwide, becoming the ninth-highest-grossing film of 2019. [104] The film received mixed reviews from critics, with praise for its music, costume design, and the performances of actors, but criticism for Ritchie's direction and the screenplay. [105]

The third live-action Disney Renaissance remake became CGI remake The Lion King (directed and produced by Jon Favreau). It was theatrically released in the United States on July 19, 2019. [106] Hans Zimmer returned as composer, and Elton John and Tim Rice returned to write new songs with Beyoncé. [107] It grossed over $1.6 billion worldwide, becoming highest-grossing animated film of all time, the highest-grossing musical film of all time, the highest-grossing remake of all time, the highest-grossing Walt Disney Pictures film of all time, the second-highest-grossing film of 2019, and the seventh highest-grossing film of all time. [108] The film received mixed reviews from critics, with praise for its visual effects, music, and vocal performances, but criticism for its lack of originality, and facial emotion on the characters. [109]

The fourth live-action adaptation, Mulan , was released on September 4, 2020. [110] It was directed by Niki Caro with Harry Gregson-Williams acting as the new composer and songwriter for the film. [111] Originally scheduled to be a wide theatrical release in March 2020, it was ultimately cancelled in the United States after being delayed multiple times due to the COVID-19 pandemic. Disney instead premiered the film on September 4, 2020, on Disney+, for a premium fee in countries where the service had launched. The film had a traditional theatrical release in countries without Disney+ where theaters have re-opened. With a production budget of $200 million, the film was a financial disappointment (partially due to the pandemic), grossing only $70 million, not including digital earnings from Disney+. The film received generally positive reviews from western critics, who praised the action sequences, visuals, and performances but criticized the screenplay. It received unfavorable reviews from Chinese audiences, who criticized the character development, inaccurate depictions of Chinese history and mishandling of Chinese cultural elements. [112] [113]

The fifth live-action adaptation, The Little Mermaid , was released on May 26, 2023 (directed and produced by Rob Marshall). [114] Alan Menken also returned as the film's composer and wrote new songs alongside producer Lin-Manuel Miranda. [115] The Little Mermaid grossed $298.2 million in the United States and Canada, and $271.4 million in other territories, for a worldwide gross of $569.6 million, making it the tenth-highest-grossing film of 2023. [116] [117] Critics praised the performances of the cast and the musical sequences but criticized the visual effects and character designs. Vanessa Armstrong of /Film called it a live-action remake "done well" that "improves on the original" and had no doubt that "it will become an indelible part of many a young person's childhood, and I can't wait to watch it with my daughter." [118] Ann Hornaday of The Washington Post called it an "on-the-other-fin mixed bag of a movie that honors its source material with a big, color-saturated production, while never precisely proving that it ever needed to exist." [119]

A live-action adaptation of Hercules [120] is currently in development with Guy Ritchie to direct it. [121]

Video games

With the exception of The Rescuers Down Under , the rest of the movies had video game releases during the 1990s: The Little Mermaid (1991), Aladdin (1993), Beauty and the Beast (1994), The Lion King (1994), Pocahontas (1996), The Hunchback of Notre Dame: Topsy Turvy Games (1996), Hercules (1997), Mulan (1998) and Tarzan (1999). [122]

See also

Related Research Articles

<i>Mulan</i> (1998 film) Animated film directed by Barry Cook and Tony Bancroft

Mulan is a 1998 American animated musical coming-of-age action-adventure film produced by Walt Disney Feature Animation for Walt Disney Pictures. Based on the Chinese legend of Hua Mulan, the film was directed by Barry Cook and Tony Bancroft and produced by Pam Coats, from a screenplay by Rita Hsiao, Chris Sanders, Philip LaZebnik, and the writing team of Raymond Singer and Eugenia Bostwick-Singer, and a story by Robert D. San Souci. Ming-Na Wen, Eddie Murphy, Miguel Ferrer, and BD Wong star in the English version as Mulan, Mushu, Shan Yu, and Captain Li Shang, respectively, while Jackie Chan provided the voice of Li Shang for the Chinese dubs of the film. The film's plot takes place in China during an unspecified Imperial dynasty, where Fa Mulan, daughter of aged warrior Fa Zhou, impersonates a man to take her father's place during a general conscription to counter a Hun invasion.

<i>Aladdin</i> (1992 Disney film) American animated musical fantasy film

Aladdin is a 1992 American animated musical fantasy comedy film produced by Walt Disney Feature Animation and released by Buena Vista Pictures Distribution under Walt Disney Pictures. It is based on the Arabic folktale "Aladdin" from One Thousand and One Nights. The film was produced and directed by John Musker and Ron Clements from a screenplay they co-wrote with the writing team of Ted Elliott and Terry Rossio. Featuring the voices of Scott Weinger, Robin Williams, Linda Larkin, Jonathan Freeman, Frank Welker, Gilbert Gottfried and Douglas Seale, the film follows the titular Aladdin, an Arabian street urchin who finds a magic lamp containing a genie. With the genie's help, Aladdin disguises as a wealthy prince and tries to impress the Sultan of Agrabah to win the heart of his free-spirited daughter, Princess Jasmine, as the Sultan's evil vizier, Jafar, plots to steal the magic lamp.

<i>Beauty and the Beast</i> (1991 film) American animated musical fantasy romance film

Beauty and the Beast is a 1991 American animated musical romantic fantasy film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. It is based on the 1756 fairy tale by Jeanne-Marie Leprince de Beaumont, in turn an abridged version of the 1740 story by Gabrielle-Suzanne Barbot de Villeneuve. The film also incorporates ideas from the 1946 French film directed by Jean Cocteau. The film was directed by Gary Trousdale and Kirk Wise, and produced by Don Hahn, from a screenplay by Linda Woolverton.

Modern animation in the United States from the late 1980s to 2004 is frequently referred to as the renaissance age of American animation. During this period, many large American entertainment companies reformed and reinvigorated their animation departments, following the dark age, and the United States had an influence on global and worldwide animation.

<i>Hercules</i> (1997 film) American animated musical fantasy film

Hercules is a 1997 American animated musical fantasy comedy film produced by Walt Disney Feature Animation for Walt Disney Pictures. It is loosely based on the legendary hero Heracles, a son of Zeus in Greek mythology. The film was directed by John Musker and Ron Clements, both of whom also produced the film with Alice Dewey Goldstone. The screenplay was written by Clements, Musker, Donald McEnery, Bob Shaw, and Irene Mecchi. Featuring the voices of Tate Donovan, Danny DeVito, James Woods, and Susan Egan, the film follows the titular Hercules, a demigod with super-strength raised among mortals, who must learn to become a true hero in order to earn back his godhood and place in Mount Olympus, while his evil uncle Hades plots his downfall.

<i>The Little Mermaid</i> (1989 film) Animated Disney film

The Little Mermaid is a 1989 American animated musical fantasy film produced by Walt Disney Feature Animation in association with Silver Screen Partners IV and released by Walt Disney Pictures. It is loosely based on the 1837 Danish fairy tale "The Little Mermaid" by Hans Christian Andersen. The film was written and directed by John Musker and Ron Clements and produced by Musker and Howard Ashman, who also wrote the film's songs with Alan Menken, who also composed the film's score. Featuring the voices of René Auberjonois, Christopher Daniel Barnes, Jodi Benson, Pat Carroll, Paddi Edwards, Buddy Hackett, Jason Marin, Kenneth Mars, Ben Wright, and Samuel E. Wright, The Little Mermaid tells the story of a teenage mermaid princess named Ariel, who dreams of becoming human and falls in love with a human prince named Eric, which leads her to make a magic deal with the sea witch, Ursula, to become human and be with him.

<i>Pocahontas</i> (1995 film) 1995 animated film by Mike Gabriel and Eric Goldberg

Pocahontas is a 1995 American animated musical historical drama film loosely based on the life of Powhatan woman Pocahontas and the arrival of English colonial settlers from the Virginia Company. The film romanticizes Pocahontas's encounter with John Smith and her legendary saving of his life. It was produced by Walt Disney Feature Animation and released by Walt Disney Pictures.

<span class="mw-page-title-main">Howard Ashman</span> American playwright, lyricist, and director (1950-1991)

Howard Elliott Ashman was an American playwright, lyricist and stage director. He is most widely known for his work on feature films for Walt Disney Animation Studios, for which Ashman wrote the lyrics and Alan Menken composed the music. Ashman has been credited as being a main driving force behind the Disney Renaissance. His work included songs for Little Shop of Horrors, The Little Mermaid, Beauty and the Beast, and Aladdin. Tim Rice took over to write the rest of the songs for the latter film after Ashman's death in 1991.

<span class="mw-page-title-main">Alan Menken</span> American composer (born 1949)

Alan Irwin Menken is an American composer and conductor, best known for his scores and songs for films produced by Walt Disney Animation Studios. Menken's contributions to The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), and Pocahontas (1995) won him two Academy Awards for each film. He also composed the scores and songs for Little Shop of Horrors (1986), Newsies (1992), The Hunchback of Notre Dame (1996), Hercules (1997), Home on the Range (2004), Enchanted (2007), Tangled (2010), Disenchanted (2022), and Spellbound (2024), among others. His accolades include winning eight Academy Awards — becoming the second most prolific Oscar winner in the music categories after Alfred Newman, a Tony Award, eleven Grammy Awards, seven Golden Globe Awards, and a Daytime Emmy Award. Menken is one of twenty-one people to have won an Emmy, a Grammy, an Oscar and a Tony.

<span class="mw-page-title-main">Walt Disney Animation Studios</span> American animation studio

Walt Disney Animation Studios (WDAS), sometimes shortened to Disney Animation, is an American animation studio that creates animated features and short films for The Walt Disney Company. The studio's current production logo features a scene from its first synchronized sound cartoon, Steamboat Willie (1928). Founded on October 16, 1923, by brothers Walt Disney and Roy O. Disney after the closure of Laugh-O-Gram Studio, it is the longest-running animation studio in the world. It is currently organized as a division of Walt Disney Studios and is headquartered at the Roy E. Disney Animation Building at the Walt Disney Studios lot in Burbank, California. Since its foundation, the studio has produced 63 feature films, with its first release being Snow White and the Seven Dwarfs (1937), which is also the first hand drawn animated feature film, and its most recent release was Moana 2 (2024). The studio has also produced hundreds of short films.

The Computer Animation Production System (CAPS) was a proprietary collection of software, scanning camera systems, servers, networked computer workstations, and custom desks developed by The Walt Disney Company and Pixar in the late 1980s. Although outmoded by the mid-2000s, it succeeded in reducing labor costs for ink and paint and post-production processes of traditionally animated feature films produced by Walt Disney Animation Studios (WDAS). It also provided an entirely new palette of digital tools to the animation filmmakers.

<span class="mw-page-title-main">Ron Clements</span> American animation filmmaker (born 1953)

Ronald Francis Clements is an American animator, film director, screenwriter, and film producer. He often collaborates with fellow director John Musker and is best known for writing and directing the Disney animated films The Great Mouse Detective (1986), The Little Mermaid (1989), Aladdin (1992), Hercules (1997), Treasure Planet (2002), The Princess and the Frog (2009), and Moana (2016).

<i>Classic Disney: 60 Years of Musical Magic</i> 1995 box set by Various Artists

Classic Disney: 60 Years of Musical Magic is a five-volume compilation series, each containing 25 songs compiled from Disneyland and Walt Disney World, various Disney films in animation and live-action, and the Walt Disney anthology television series. Each volume was released individually on CD and cassette between 1995 and 1998. Volume I was released on March 28, 1995, Volume II on September 12, 1995, Volume III on July 2, 1996, Volume IV on July 15, 1997 and Volume V on September 22, 1998. In 2000, a box set was released containing volumes 1 - 3, followed by a box set containing volumes 1 - 4 in 2001, Finally, a box set containing all five volumes packaged in a slipcase was released by Walt Disney Records in Australia, Japan, North America and Europe in 2003.

<span class="mw-page-title-main">John Musker</span> American animation filmmaker (born 1953)

John Edward Musker is an American animator, film director, screenwriter, and film producer. He often collaborates with fellow director Ron Clements and is best known for writing and directing the Disney animated films The Great Mouse Detective (1986), The Little Mermaid (1989), Aladdin (1992), Hercules (1997), Treasure Planet (2002), The Princess and the Frog (2009), and Moana (2016).

<i>Waking Sleeping Beauty</i> 2009 American film

Waking Sleeping Beauty is a 2009 American documentary film directed by Disney film producer Don Hahn and produced by Hahn and former Disney executive Peter Schneider. The film documents the history of Walt Disney Feature Animation from 1984 to 1994, covering the rise of a period referred to as the Disney Renaissance.

Creative Capers Entertainment is an American animation studio founded by Terry and Sue Shakespeare with David Molina in 1989. Based in Altadena, California, it specializes in Flash and hand-drawn animation in various feature films, television series, commercials, CD-ROMs and video games.

Wonderful World of Animation is a nighttime show at Disney's Hollywood Studios. The show is a celebration of all Disney animation, beginning with Mickey Mouse. It premiered on May 1, 2019, as part of the park's 30th anniversary celebration, replacing Disney Movie Magic.

Wondrous Journeys was a projection mapping and fireworks show at Disneyland that debuted on January 27, 2023. It premiered alongside World of Color: One as part of the Disney 100 Years of Wonder celebration to commemorate the centennial of The Walt Disney Company. The show contains a large assortment of songs and characters from the entirety of the Walt Disney Animation Studios feature film canon.

References

  1. 1 2 Pallant, Chris (2011). Demystifying Disney: A History of Disney Feature Animation. New York: Continuum Publishing. p. 89. ISBN   9781441150462 . Retrieved January 13, 2017.
  2. ↑ The Art of Disney: The Golden Age (1937–1961). Chronicle Books. 2014. ISBN   9781452122298.
  3. ↑ Mirarchi, Chuck. October 16, 2016. "Taschen Releases Book About Disney's Golden Age of Animation." Disney Information Station.
  4. ↑ "Disney: Notes on the end of the Disney Renaissance". decentfilms.com. Retrieved August 26, 2008.
  5. ↑ Puig, Claudia (March 26, 2010). "'Waking Sleeping Beauty' documentary takes animated look at Disney renaissance". USA Today . Retrieved July 6, 2011.
  6. 1 2 3 Keck, William (Fall 2024). "Drawing the Line: Directing at Disney, the new book by Pete Docter and Don Peri, sheds light on Walt Disney and his complicated relationships with the largely unknown directors of classic Disney Animation". Disney Twenty-three. 16 (3). Burbank: Walt Disney Company: 42–47. ISSN   2162-5492. OCLC   698366817.
  7. ↑ Cawley, John. "The Rescuers". The Animated Films of Don Bluth. Archived from the original on March 11, 2007. Retrieved April 12, 2007– via Cataroo.com.
  8. ↑ "Don Bluth Ireland". Cataroo. Retrieved November 5, 2009.
  9. ↑ "Biography". Don Bluth Official Website. Archived from the original on March 3, 2009. Retrieved December 5, 2009.
  10. ↑ Sito, Tom (November 1998). "Disney's The Fox and the Hound: The Coming of the Next Generation". Animation World Magazine . Retrieved December 2, 2021.
  11. ↑ "Don Bluth Biography" . Retrieved September 13, 2009.
  12. ↑ "Oliver & Company". Box Office Mojo . Retrieved January 5, 2012.
  13. ↑ Stewart, James (2005). DisneyWar . New York: Simon & Schuster. pp.  94. ISBN   0-684-80993-1.
  14. ↑ Pallant, Chris (2011). Demystifying Disney: A History of Disney Feature Animation. A&C Black. p. 90. ISBN   978-1-4411-7421-5.
  15. ↑ Korkis, Jim (March 2, 2011). "How Basil Saved Disney Feature Animation: Part Two". Mouse Planet. Retrieved June 22, 2016.
  16. ↑ Motamayor, Rafael (April 2, 2020). "Revisiting 'The Great Mouse Detective', the Unsung Kickstarter of the Disney Renaissance (And One of Disney's Creepiest Movies)". /Film . Retrieved April 5, 2020.
  17. ↑ Lee, Michael J. October 24, 2010. "An Exclusive Interview with Glen Keane." RadioFree.com.
  18. ↑ "The real hitmaker behind Alan Menken's 'Little Shop of Horrors'". September 26, 2019.
  19. ↑ "Treasures Untold: The Making of Disney's 'The Little Mermaid'" [documentary featurette]. Bonus material from The Little Mermaid: Platinum Edition [DVD]. Walt Disney Home Entertainment. 2006.
  20. ↑ Landis, Michael (November 5, 2019). "The Little Mermaid' Has Been Subverting Expectations for Decades". Smithsonian . Retrieved May 10, 2023.
  21. ↑ Sideways (February 1, 2019). What Makes Disney Music Sound Nostalgic. YouTube.
  22. ↑ "1989 Yearly Box Office for G-Rated Movies". Box Office Mojo. Internet Movie Database . Retrieved July 29, 2010.
  23. ↑ "The 62nd Academy Awards (1990) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Retrieved September 28, 2011.
  24. ↑ Hahn, Don (2009). Waking Sleeping Beauty (Documentary film). Burbank, California: Stone Circle Pictures/Walt Disney Studios Motion Pictures.
  25. ↑ "First fully digital feature film". Guinness World Records. Retrieved March 18, 2016.
  26. ↑ "Beauty and the Beast (1991) – Awards". IMDb . Retrieved January 8, 2010.
  27. ↑ "The 64th Academy Awards (1992) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Retrieved September 28, 2011.
  28. 1 2 "The 65th Academy Awards (1993) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Retrieved September 28, 2011.
  29. ↑ "Disney's Animated "Beauty and the Beast" Celebrates 10th Anniversary with Worldwide Large Format Debut at Record 100 Theaters on Jan. 1". The Tech Museum. Archived from the original on January 3, 2013. Retrieved May 9, 2012.
  30. 1 2 Lund, Dan (2005). Dream on Silly Dreamer (Documentary film). Orlando, Florida: WestLund Productions.
  31. ↑ "1992 Yearly Box Office Results". Box Office Mojo . Retrieved January 8, 2010.
  32. ↑ "1994 Yearly Box Office Results". Box Office Mojo . Retrieved January 8, 2010.
  33. ↑ "Highest-grossing animated films". Box Office Mojo . Retrieved December 24, 2009.
  34. ↑ "The Lion King (1994) – Awards". IMDb . Retrieved January 8, 2010.
  35. 1 2 "The 67th Academy Awards (1995) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Retrieved September 28, 2011.
  36. ↑ Mendelson, Scott (October 15, 2013). "'Nightmare Before Christmas' Turns 20: From Shameful Spawn To Disney's Pride". Forbes. Retrieved December 14, 2013.
  37. ↑ "The 68th Academy Awards (1995) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Retrieved September 28, 2011.
  38. ↑ Stewart, James (2005). DisneyWar . New York: Simon & Schuster. pp. 233–234. ISBN   0-684-80993-1.
  39. ↑ "Movie Comparison: Pocahontas (1995) vs. The Lion King (1994)". The Numbers.com. Retrieved May 26, 2021.
  40. ↑ Hicks, Chris (August 10, 1997). "Is 'Hercules' a weakling? Not by a long shot". Deseret News. Archived from the original on March 18, 2018. Retrieved August 21, 2014.
  41. ↑ Fabrikant, Geraldine (July 10, 1997). "Hercules Is Too Weak to Lift Disney Stock". The New York Times.
  42. ↑ Pallant, Chris (2011). Demystifying Disney: A History of Disney Feature Animation. New York: Continuum Publishing. p. 95. ISBN   9781441150462 . Retrieved December 24, 2014.
  43. ↑ Booker, M. Keith (2010). Disney, Pixar, and the Hidden Messages of Children's Films. Santa Barbara: ABC-CLIO. p. 65. ISBN   9780313376726 . Retrieved December 24, 2014.
  44. ↑ "The 72nd Academy Awards (2000) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Retrieved September 28, 2011.
  45. ↑ Ebert, Roger (1997). Roger Ebert's Video Companion. Andrews McMeel Publishing. p. 786.
  46. ↑ "The Little Mermaid". Rotten Tomatoes . Retrieved November 20, 2014.
  47. ↑ "The Little Mermaid". Metacritic . Retrieved June 11, 2019.
  48. ↑ "The Rescuers Down Under". Rotten Tomatoes . Retrieved March 23, 2009.
  49. ↑ "The Rescuers Down Under". Metacritic . Retrieved June 11, 2019.
  50. ↑ "Beauty and the Beast". Rotten Tomatoes . Retrieved February 6, 2015.
  51. ↑ "Beauty and the Beast". Metacritic . Retrieved February 24, 2017.
  52. 1 2 3 4 5 6 7 8 "Cinemascore". CinemaScore . Retrieved May 25, 2016.
  53. ↑ "Aladdin". Rotten Tomatoes . Retrieved February 6, 2015.
  54. ↑ "Aladdin". Metacritic . Retrieved February 24, 2017.
  55. ↑ "The Lion King". Rotten Tomatoes . Retrieved October 11, 2008.
  56. ↑ "The Lion King". Metacritic . Retrieved July 19, 2008.
  57. ↑ "Pocahontas". Rotten Tomatoes . Retrieved October 11, 2008.
  58. ↑ "Pocahontas". Metacritic . Retrieved July 19, 2008.
  59. ↑ "The Hunchback of Notre Dame". Rotten Tomatoes . Retrieved October 11, 2008.
  60. ↑ "The Hunchback of Notre Dame". Metacritic . Retrieved June 11, 2019.
  61. ↑ "Hercules". Rotten Tomatoes . Retrieved June 11, 2019.
  62. ↑ "Hercules". Metacritic . Retrieved June 11, 2019.
  63. ↑ "Mulan". Rotten Tomatoes . Retrieved July 19, 2008.
  64. ↑ "Mulan". Metacritic . Retrieved September 12, 2008.
  65. ↑ "Tarzan". Rotten Tomatoes . Retrieved November 20, 2014.
  66. ↑ "Tarzan". Metacritic . Retrieved July 19, 2008.
  67. ↑ "The Little Mermaid (1989)". Box Office Mojo. Retrieved December 10, 2009.
  68. ↑ "The Rescuers Down Under (1990)". Box Office Mojo. Retrieved December 10, 2009.
  69. ↑ "Beauty and the Beast (1991)". Box Office Mojo. Retrieved May 4, 2012.
  70. ↑ "Aladdin (1992)". Box Office Mojo. Retrieved December 10, 2009.
  71. ↑ "The Lion King (1994)". Box Office Mojo. Retrieved January 24, 2012.
  72. ↑ "Pocahontas (1995)". Box Office Mojo. Retrieved December 10, 2009.
  73. ↑ "The Hunchback of Notre Dame (1996)". Box Office Mojo. Retrieved December 10, 2009.
  74. ↑ "Hercules".
  75. ↑ "Hercules (1997)". Box Office Mojo. Retrieved December 10, 2009.
  76. ↑ "Mulan (1998)". Box Office Mojo. Retrieved December 10, 2009.
  77. ↑ "Tarzan (1999)". Box Office Mojo. Retrieved December 10, 2009.
  78. 1 2 3 Determan, Sophie (February 18, 2021). "The many merry eras of Disney". British Film Institute. Archived from the original on February 18, 2021. Retrieved November 29, 2021.
  79. 1 2 3 Crow, David (March 17, 2017). "The Disney Renaissance: The Rise & Fall of a Generational Touchstone". Den of Geek. Archived from the original on April 28, 2020. Retrieved November 29, 2021.
  80. ↑ Bellotto, Adam (November 17, 2014). "The Tried-and-True Formula for Disney Magic". Film School Rejects. Archived from the original on January 17, 2021. Retrieved November 29, 2021.
  81. ↑ Meslow, Scott (October 28, 2011). "How Celebrities Took Over Cartoon Voice Acting". The Atlantic. The Atlantic Monthly Group LLC. Archived from the original on July 31, 2018. Retrieved November 29, 2021.
  82. ↑ Zachery, Brandon (June 21, 2021). "Which Movie REALLY Ended the Disney Renaissance?". Comic Book Resources. Archived from the original on June 29, 2021. Retrieved December 2, 2021.
  83. ↑ Breznican, Anthony (February 17, 2004). "The Boy Who Never Grew Up Makes Comeback in Disney's 'Peter Pan' Sequel". Archived from the original on February 14, 2021. Retrieved November 29, 2021.
  84. ↑ Hoffman, Ilene (November 1997). "Buena Vista Home Entertainment: A Very Lucky Accident Indeed". Animation World Network. Archived from the original on December 2, 1998. Retrieved November 29, 2021.
  85. ↑ Koenig, David (2011). "8". Mouse Under Glass: Secrets of Disney Animation & Theme Parks (2nd edition, Kindle ed.). Bonaventure Press.
  86. ↑ Sarto, Dan (November 23, 2016). "The Irascible Ron Clements and John Musker Talk 'Moana'". Animation World Network. Archived from the original on November 24, 2016. Retrieved November 29, 2021.
  87. ↑ Pond, Steve (December 10, 2018). "How 'Ralph Breaks the Internet' Got Alan Menken to Write the Ultimate Alan Menken Parody". TheWrap. Archived from the original on December 11, 2018. Retrieved November 29, 2021.
  88. ↑ "Brand: Walt Disney Animation Studios". Box Office Mojo. Internet Movie Database. Archived from the original on June 22, 2020. Retrieved November 29, 2021.
  89. ↑ McClintock, Pamela (March 30, 2014). "Box Office Milestone: 'Frozen' Becomes No. 1 Animated Film of All Time". The Hollywood Reporter. Archived from the original on March 30, 2014. Retrieved November 29, 2021.
  90. ↑ "All Time Worldwide Box Office Grosses". Box Office Mojo. Internet Movie Database. Archived from the original on February 28, 2009. Retrieved November 29, 2021.
  91. ↑ Bacle, Ariana (March 3, 2014). "'Frozen' hits $1 billion mark at worldwide box office". Rotten Tomatoes. Archived from the original on March 6, 2014. Retrieved November 29, 2021.
  92. ↑ Richwine, Lisa (March 3, 2014). "Disney's 'Frozen' wins animated feature Oscar". Reuters. Archived from the original on January 9, 2016. Retrieved November 29, 2021.
  93. ↑ "Emma Thompson and Kevin Kline Join Beauty and the Beast, Release Date Set". comingsoon.net. March 16, 2015. Retrieved March 16, 2015.
  94. ↑ Tapley, Kristopher (June 4, 2014). "'Twilight' director Bill Condon will translate Disney's 'Beauty and the Beast' to live action (UPDATED)". HitFix . Archived from the original on June 5, 2014. Retrieved June 5, 2014.
  95. ↑ Brooks Barnes (March 19, 2017). "'Beauty and the Beast' Clobbers Record With $170 Million Opening". The New York Times . Archived from the original on March 20, 2017. Retrieved March 20, 2017.
  96. ↑ Sarah Whitten (March 17, 2017). "'Beauty and the Beast' could be Disney's first $1 billion film of 2017". CNBC. Archived from the original on March 19, 2017. Retrieved March 20, 2017.
  97. ↑ Pamela McClintock (March 20, 2017). "'Beauty and the Beast's' Secret to Success: Female Power and Comfort". The Hollywood Reporter. Archived from the original on March 20, 2017. Retrieved March 20, 2017.
  98. ↑ Nathan McAlonemar (March 21, 2017). "'Beauty and the Beast' could make $1.5 billion at the box office, and it has big implications for Disney's future". Business Insider . Archived from the original on March 23, 2017. Retrieved March 23, 2017.
  99. ↑ "2017 Worldwide Box Office". Box Office Mojo . IMDb . Retrieved March 7, 2020.
  100. ↑ "Live-action 'Beauty and the Beast' is still enchanting (but the original is better)". The Charlotte Observer . Robert W. Butler. March 16, 2017. Archived from the original on September 10, 2017.
  101. ↑ Chris Hunneysett (March 17, 2017). "Beauty and the Beast review: Irresistible charm shows no one casts a spell quite like Disney". Daily Mirror . Archived from the original on September 10, 2017. Retrieved April 27, 2017.
  102. ↑ Spencer Perry (September 12, 2017). "Walt Disney Studios Sets Release Dates for Aladdin, Artemis Fowl, and More". Comingsoon.net. Retrieved September 13, 2017.
  103. ↑ "VIDEO: Pasek & Paul to Team with Menken on Live-Action ALADDIN; Miranda Confirmed for LITTLE MERMAID". Broadway World.
  104. ↑ "2019 Worldwide Box Office". Box Office Mojo . IMDb . Retrieved March 16, 2020.
  105. ↑ Kennedy, Mark (May 22, 2019). "Review: Smith's fine in 'Aladdin.' Another guy's the problem". Associated Press . Archived from the original on June 21, 2019. Retrieved June 21, 2019.
  106. ↑ Snetiker, Marc (April 25, 2017). "Disney sets release dates for Frozen 2, Lion King, and more". Entertainment Weekly . Archived from the original on April 19, 2020. Retrieved April 25, 2017.
  107. ↑ "Sir Elton John confirms new Tim Rice collaboration for Disney's The Lion King remake". Digital Spy . February 10, 2018. Archived from the original on February 12, 2018. Retrieved February 11, 2018.
  108. ↑ Mendelson, Scott (August 11, 2019). "'The Lion King' Just Broke A Disney Box Office Record, But It's Not Exactly Clear Which One". Forbes. Archived from the original on August 11, 2019. Retrieved August 12, 2019.
  109. ↑ "Movie Review: 'The Lion King' remake is amazingly lifelike, lacks original's soul". WTOP. July 19, 2019. Archived from the original on August 17, 2019. Retrieved August 17, 2019.
  110. ↑ D'Alessandro, Anthony (August 4, 2020). "'Mulan' Going On Disney+ & Theaters In September; CEO Bob Chepak Says Decision Is A "One-Off", Not New Windows Model". Deadline Hollywood . Retrieved August 4, 2020.
  111. ↑ "Harry-Gregson-Williams to Score Disney's 'Mulan' Live-Action Movie". Film Music Reporter. Archived from the original on August 24, 2018. Retrieved August 24, 2018.
  112. ↑ "Disney's Mulan compared with Western Chinese food". South China Morning Post. September 8, 2020. Archived from the original on September 10, 2020. Retrieved September 10, 2020.
  113. ↑ Pan, Christina (November 14, 2020). "Exceptionally Awful, Shockingly Stupid, and Despicable". Archived from the original on November 16, 2020.
  114. ↑ Kit, Borys (September 10, 2021). "Disney's Live-Action 'The Little Mermaid' to Open on Memorial Day Weekend in 2023". The Hollywood Reporter . Retrieved December 2, 2021.
  115. ↑ Snetiker, Marc (August 16, 2016). "Lin-Manuel Miranda, Alan Menken team up for live-action Little Mermaid". Entertainment Weekly. Archived from the original on February 23, 2017. Retrieved March 4, 2017.
  116. ↑ "The Little Mermaid (2023)". Box Office Mojo . IMDb . Retrieved July 5, 2024.
  117. ↑ "The Little Mermaid (2023)". The Numbers . Archived from the original on May 27, 2023. Retrieved July 5, 2024.
  118. ↑ "The Little Mermaid Review: A Riveting Live-Action Tale That Improves On The Original". /Film. May 22, 2023. Archived from the original on May 23, 2023. Retrieved May 23, 2023.
  119. ↑ Hornaday, Ann (May 24, 2023). "'The Little Mermaid': An Ariel for a new generation". The Washington Post . Archived from the original on May 29, 2023. Retrieved May 25, 2023.
  120. ↑ Kit, Borys (April 30, 2020). "'Hercules' Live-Action Remake in the Works From Disney, 'Shang-Chi' Writer (Exclusive)". The Hollywood Reporter. Archived from the original on May 6, 2020. Retrieved April 30, 2020.
  121. ↑ Fleming, Mike Jr. (June 17, 2022). "'Aladdin' Director Guy Ritchie Teams With Disney & AGBO On Live-Action 'Hercules'". Deadline Hollywood. Retrieved June 22, 2022.
  122. ↑ "Remember When Disney Magic Extended to Tie-In Video Games?". IGN Southeast Asia . July 5, 2021.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.