Meg (Hercules)

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Megara
Hercules character
Megara promo Disney pose.png
First appearance Hercules (1997)
Created by Ron Clements
John Musker
Based on Deianira and Megara
of Greek mythology
Voiced by Susan Egan
Portrayed by Krysta Rodriguez (2019 musical)
Kacey Rohl ( Once Upon a Time )
In-universe information
Full nameMegara
NicknameMeg
SpeciesHuman
Significant others Hercules
Unnamed ex-boyfriend
NationalityGreek
Master Hades

Megara, commonly known simply as Meg, [1] [2] [3] is a fictional character who appears in the Walt Disney Pictures animated film Hercules (1997). Voiced by actress Susan Egan, Meg is introduced as a cynical young woman enslaved by Hades, god of the underworld. Hades forces Meg to uncover Hercules' weaknesses by seducing him in return for her freedom, only to develop genuine feelings for the hero instead. Loosely based on Megara and Deianira, Heracles' first and third wives in Greek mythology, directors Ron Clements and John Musker adapted Meg into a morally conflicted con artist, while basing her role and personality on 1940s screwball comediennes, particularly actress Barbara Stanwyck's performance in The Lady Eve (1941).

Contents

Egan had already been starring as Belle in the stage adaptation of Disney's Beauty and the Beast (1994) when she learned of auditions for Hercules. Despite campaigning heavily for the role of Meg, Disney initially prevented Egan from auditioning because the studio felt Meg and Belle's personalities differed too greatly. To prepare for both her audition and the role, Egan drew inspiration from several classic Hollywood actresses, including Joan Crawford, Bette Davis, and Lauren Bacall, in addition to Stanwyck. After opting not to draw the character realistically, supervising animator Ken Duncan decided to input elements of Greek pottery into Meg's hair, body, and clothing, while borrowing some of Egan's own mannerisms.

Reception towards Meg has been positive, with critics welcoming her independence, wit, and moral ambiguity as departures from previous Disney heroines, as well as praising Egan's performance. The character is considered to be underappreciated by retrospective critics, with several media publications ranking her among Disney's most underrated heroines. Meg has made subsequent appearances in the film's sequel, television spin-off, and video game adaptations, as well as a live-action iteration in Once Upon a Time , portrayed by actress Kacey Rohl.

Role

Meg first appears in Hercules (1997) as a young woman working for Hades, god of the underworld. [4] She meets Hercules when he frees her from Nessus, a centaur Meg had been sent by Hades to recruit for his army. Resisting Hercules' help, [5] Meg distrusts men, having once sold her soul to Hades in return for an ex-boyfriend's life only for him to pursue another woman, leaving Meg indebted to Hades for eternity. [6] Hades enlists Meg to entice the seemingly infallible Hercules in hopes of distracting and ultimately defeating him, [7] [8] offering her freedom for uncovering his weaknesses. Upon convincing Hercules to take a day off, they share a romantic evening during which Meg realizes she has unwittingly begun to fall in love with him, [9] although she denies feeling this way. [10] Meg refuses to assist Hades any further, prompting him to kidnap her in order to lure Hercules upon discovering that Meg is Hercules' weakness. [11] Hades tricks Hercules into giving up his strength in return for Meg's guaranteed safety, only to reveal that Meg was initially working for him. [10] With Hercules incapacitated, Hades attacks Mount Olympus and Thebes, but Hercules remains determined to defend both regions. During the battle, Meg pushes Hercules out of the way of a falling column, by which she is crushed and fatally injured. Meg's injury restores Hercules' strength, which he uses to confront Hades and retrieve Meg's soul from the River Styx before it reaches the underworld, ultimately reviving her. [12] Hercules' sacrifice for Meg proves himself a true hero, becoming a god in the process and finally allowing him to return to Mount Olympus. However, Hercules chooses to relinquish his immortality so that he can remain on Earth with Meg. [13] [10]

Meg appears as Hercules' wife in the film's direct-to-video sequel Hercules: Zero to Hero (1999), [14] in which she learns about Hercules' past and childhood. [15]

Development

Creation and writing

Meg's role in Hercules is one of several creative liberties Disney took when adapting the Greek myth into an animated film. [16] [17] In Greek mythology, Megara is Hercules' first wife, [16] [18] [19] with whom the character has several children. [20] [21] [22] The eldest daughter of King Creon, Megara is gifted to Hercules after he defeats the Minyans at Orchomenos. [23] Megara and their children are eventually killed by Hercules himself, [24] having been driven to insanity by Hera, the wife of his unfaithful father Zeus. [13] These elements were entirely omitted from the animated film while retaining a female character named "Meg", [16] [20] instead adapting her into a con artist with a troubled past, whose relationship with Hercules ultimately redeems her. [25]

The writers adapted the way in which Hercules meets his second wife, Deianira, into the way he meets Meg. [26] Herakles author Emma Stafford determined that Disney had assimilated the character with Deianira, in addition to making Meg older and more experienced. [27] Directors and screenwriters Ron Clements and John Musker primarily drew inspiration for the film from screwball comedies during the 1930s and 1940s, particularly films directed by Preston Sturges and Frank Capra, with Musker describing Hercules as "a comedy about the battle between idealism and cynicism, in the same way as some of those Sturges and Capra movies". [16] Thus, Meg was written as a cynical heroine who finds it difficult to trust men. [16]

The writers based Meg on actress Barbara Stanwyck's character in the film The Lady Eve (1941). [16] Clements said that Meg "was especially interesting for us [to create] because she was so different from the other Disney heroines" of the time period. [16] In addition to her "sharp-tongued" nature, writing Meg as a heroine who plots with the film's villain against its hero was a stark departure from previous Disney heroines and virtually unprecedented at the time. [28] Since Meg initially works for Hades, the writers also drew inspiration from Lola, a temptress contracted to work for the devil in the musical Damn Yankees (1956). [29] [30] According to The Baltimore Sun , Meg was one of Disney's first heroines to have been written with a past and backstory. [31]

Voice

Meg is voiced by American actress and singer Susan Egan who, [32] prior to Hercules, had auditioned for every animated Disney film since 1991's Beauty and the Beast . [33] Disney was interested in recruiting a Broadway performer to voice Meg, [34] instead of casting separate actors as the character's speaking and singing voices. [35] At the time, Egan was starring on Broadway as Belle in the stage adaptation of Beauty and the Beast, a role she originated, and had been four months into her tenure when she learned of auditions for Meg. [36] Despite strong interest in the role and assuming her professional relationship with the studio would benefit her prospects, [37] Disney refused to let Egan audition, stating she was "not right" for the character, [34] since the filmmakers felt Meg's "bad girl" personality was far too different from the kind, sweet-natured Belle for Egan to voice convincingly. [37] [38] Egan pursued the role constantly until Disney finally relented. [38]

Disney initially prevented actress Susan Egan from auditioning for Meg because they felt the character was too different from Beauty and the Beast's Belle, who Egan was portraying on Broadway at the time. Susan Egan 9-2007.jpg
Disney initially prevented actress Susan Egan from auditioning for Meg because they felt the character was too different from Beauty and the Beast's Belle, who Egan was portraying on Broadway at the time.

Several of Egan's Broadway contemporaries vied for the same role, including actresses Donna Murphy and Audra McDonald, both of whom attended her audition. [38] [39] [40] Composer Alan Menken and musical director Michael Kosarin, both of whom Egan had worked with during Beauty and the Beast, oversaw her audition. [34] Egan described the audition process as unusual because the filmmakers avoided looking at her, preferring to either close their eyes or study a drawing of Meg to help determine if her voice complimented their vision and not be distracted by Egan's appearance. [28] [38] Egan read Meg's lines in her naturally deep voice which sounds different than the manufactured "Belle voice" Disney had grown accustomed to hearing, surprising the casting directors and Menken. [38] [40] [41] Egan relayed to the filmmakers that "when I play Belle, I'm acting", describing herself as much more similar to Meg in both voice and personality. [41] Aware that Meg was based on Stanwyck, Egan researched some of Stanwyck's films, as well as the performances of actresses Joan Crawford, Bette Davis and Lauren Bacall, [34] [38] drawing inspiration from their "cadence of acting" and mid-Atlantic accents. [38] Egan then performed "Somewhere That's Green" from Menken's musical Little Shop of Horrors (1982) as her audition song. [38] Apart from periodic updates from Kosarin, [34] Egan would not hear from Disney until six months afterward when the studio chose her as one of three contenders to begin animating the character to, until she was finally cast following her last animation test. [38] Egan had begun to grow anxious because Disney had opted to cast "big name[d]" actors in several prominent roles, considering herself fortunate to play both the speaking and singing parts of her character, which had grown more uncommon in animated films. [38]

Egan continued to perform in Beauty and the Beast while working on Hercules, playing Belle throughout the day and Meg during evenings. [42] Egan's first recording session was postponed due to a foot injury she suffered on stage. [43] At one point, Menken warned Egan that she had begun incorporating aspects of Meg's personality into Belle, saying, "You're onstage and your hip juts out ... it's like you're going to roll your eyes and tell the Beast to shave", which she corrected. [42] Egan continued to draw inspiration from classic Hollywood performers, adapting "a hard-boiled frame of mind" when approaching Meg's putdowns, retorts and insults. [28] She channeled actresses Jean Arthur and Ginger Rogers for the scene in which Meg first nicknames Hercules "Wonder Boy". [28] Some of Egan's lines were lifted directly from her audition, particularly "So did they give you a name along with all those rippling pectorals?" and "My friends call me Meg. At least they would if I had any friends". [40] This posed a challenge for the sound engineers, who were tasked with removing background noise such as New York City traffic from the footage. [40] Egan described Meg as "the gorgeous, girl-with-a-track-record" female character that she had always wanted to play, possessing "the Liz Taylor look and the one-liners I wish I could come up with in real life." [37] Egan felt it "fun to be funny" as Meg, believing that her sarcastic and witty personality is typically reserved for male characters. [44]

Personality and design

Actress Barbara Stanwyck is among several classic Hollywood actresses by whom Meg's personality and appearance were inspired; Egan also based her voice acting on Stanwyck's performances. Barbara Stanwyck-publicity.jpg
Actress Barbara Stanwyck is among several classic Hollywood actresses by whom Meg's personality and appearance were inspired; Egan also based her voice acting on Stanwyck's performances.

Meg was inspired by 1940s screwball comediennes, [45] specifically actress Barbara Stanwyck's performances in the films The Lady Eve and Ball of Fire (both 1941). [33] Both Egan and supervising animator Ken Duncan drew inspiration from Stanwyck's "tough-minded" demeanor in her films, [33] with Egan describing Meg as a "fast-talking, 1940s dame who has guys wrapped around her little finger". [46] Egan believes Meg is a character "somewhere in between" good and evil, unlike most Disney heroines who are typically either one or the other. [33] Egan called Meg a "beautiful and brilliant" woman "who knows how to go after what she wants," describing her as "disillusioned with people" until she meets "Hercules, who is so pure of spirit and so honest that it re-establishes her faith in goodness." [33] Egan said Meg and Belle are "not exactly the same type" of character; [47] comparing Meg to her other Disney heroine, Belle, Egan described the former as the Beast to Hercules' Belle: "[Meg is] the one who's had a traumatic event in her life which has forced her to lose faith in people. It takes a pure spirit to reestablish that faith. For the Beast, it was Belle. For Meg, it's Hercules." [28] Furthermore, Egan believes "there's no other character like Meg", elaborating that she lacks the moral compass that Belle has "because that's Hercules’ job in the movie. She's not a princess, and she's not a villain." [35] Egan believes that Meg undergoes "a much larger arch than the Disney princesses" as she experiences a change of heart, describing her as flawed and feeling that Disney not crowning her a princess makes her "more relatable". [48]

Disney enlisted cartoonist and caricaturist Gerald Scarfe to help design the film's characters. [49] Alongside Hercules, Meg is one of only two prominent human characters in the film; [49] Scarfe determined that neither character "offer[ed] a lot for caricature" in comparison to the film's non-human characters, opting to draw them as "good looking, hunky, pretty" instead. [49] Observing that Disney heroines "ha[ve] certainly evolved over the years", Scarfe identified Meg as very different from Snow White from Snow White and the Seven Dwarfs (1937), describing her as "a feisty, in some ways cynical girl who has a lot of oomph." [49] Duncan served as Meg's supervising animator, both designing and animating the character. [50] Duncan Marjoribanks was originally intended to animate Meg, while Duncan had been slated to animate Nessus. [43] Duncan asked to replace Marjoribanks when the latter left the production to work for DreamWorks Animation. [43] Duncan originally attempted to draw Meg as a realistic-looking heroine. [51] Upon deciding to incorporate elements of Greek pottery into the character's hair, Duncan ultimately decided to base the character's entire body on pottery as well. [51] Duncan hoped that his animation would change how Meg's personality was originally depicted in storyboards, from "tough and angry to street smart and playfully sarcastic." [43] Clements and Musker described Meg's head as "sort of a vase shape", while "she's got a Greek curl in the back." [52] Notably, Meg's hair is designed and animated in a way that is very difficult to replicate in real life. [43]

Egan feels her character closer resembles Stanwyck than herself, although some of Egan's mannerisms, facial expressions and features, such as Egan's arched eyebrows, were incorporated into the character's appearance by animators watching video footage of the actress recording. [46] While reviewing storyboards early during production, Egan recognized Meg performing a "slicing" gesture with her hand she had originated during her audition when her character says "Thanks for everything, Herc. It's been a real slice", which producer Alice Dewey confirmed had been borrowed directly from Egan's audition. [34] Meg's eye colour had been changed from blue to purple by the time Phil's line warning Hercules not to be distracted by her eyes was written, prompting the writers to change it from "Don't let your guard down because of a pair of big, blue eyes" to "goo-goo eyes". [26] In 2011, Egan enlisted Duncan to animate animal characters in the music video for her single "Nina Doesn't Care". [42]

Characterization and themes

Meg is the film's female lead, [53] whose listless personality distinguishes her from Disney's history of earnest heroines. [19] Stylist writer Kayleigh Dray described Meg as manipulative, sarcastic, fierce, and wise, [54] characteristics that Egan said are typically reserved for male characters in Disney films. [44] IndieWire's Greg Ehrbar observed that Meg's sardonicism is "unusual for a Disney heroine", describing her as a "descendant of a Barbara Stanwyck film noir character" who is also hesitant "to get close to anyone lest they wreck her life further", [55] suffering from a complicated past that leaves her bitter and cynical. [12] The Los Angeles Times ' Kenneth Turan remarked that Meg is "a different kind of Disney heroine, the kind of been-around, good-bad girl who could have been voiced by Barbara Stanwyck." [1] Meg is also very sarcastic, a characteristic considered to be unusual among most Disney heroines, [56] often speaking in "misandrist quips." [57] Olivia Martello of MovieWeb agreed that Meg has a more complex background than typically afforded to love interests. [58]

Vice writer Jill Gutowitz reviewed that Meg "was measurably more sexual than any female character" at the time of the film's release; "I had never seen a woman treat men the way she did, luring them with her catlike eyes; tugging them around by the shirt collar; dragging her spindly fingers across their pecs. Meg teased her friends and foes, taunting them with an air of mystery that implied she harbored secrets" [57] Observing that "Female characters tend to be fully good or fully bad in Disney movies—a Maleficent or a Sleeping Beauty, if you will", Kate Knibbs of The Ringer wrote that "Meg is a little harder to neatly categorize, as she's a good person with an attitude problem who makes some bad choices. [59] Disney, Pixar, and the Hidden Messages of Children's Films author M. Keith Booker called Meg Hercules' "version of Kryptonite", Superman's weakness. [60] Describing Meg as "cynical and articulate," The Independent 's Judith Welikala stated that the character "shows a more devious side normally confined to villainous females," unlike her predecessors. [61] Sabina Ibarra of Moviefone identified Meg as "one of Disney's few lady anti-heroes", representing "a reluctant hero" until she encounters "someone who brings out the good in her". [62]

Meg resents being referred to as a damsel in distress, particularly by Hercules when they first meet. [44] Uninterested in and opposed to the idea of love, [63] the character is cynical towards the idea of new romantic relationships due to suffering from a broken heart as a result of past failed relationships, [6] being one of the few Disney heroines to have had their heart broken prior to meeting their true love. [64] At the same time, love complicates Meg's motivations, affecting choices she makes both about herself and others. [19] The San Francisco Chronicle 's Peter Stack wrote that Meg appears to be "as world-weary as a downtown barfly". [17] Hercules must ultimately prove himself a hero by earning Meg's love. [65] According to Bustle 's Tracy Dye, Meg "only used her feminine wiles as a guise to pay her dues to evil Hades". [6] PopSugar's Stacey Nguyen considers Meg one of the studio's most sexually confident characters. [19] According to Shoshana Kessock of Tor.com , Meg is an example "of some creative editing ... where [she finds her] particular power in the films: through blatant uses of sexuality." [66] Meg is depicted sexualizing herself in order to use her sexuality as a weapon unlike Jasmine, Pocahontas and Esmeralda, who instead are sexualized by the men around them. [67] Meanwhile, Meg also undergoes character development, slowly opening up to and sacrificing herself for Hercules. [68] Identifying Meg as "a stronger and more complex female character ... than the typical Disney princess". [60] Booker considers Hercules' decision to sacrifice immortality in order to be with Meg as a "progressive twist" in which the hero sacrifices something important to be with his love interest, as opposed to the woman sacrificing. [60]

Critical response

Critical reception towards Meg has been mostly positive. Critics such as the Chicago Tribune 's Harlene Ellin and Michael Ollove of The Baltimore Sun welcomed her witty personality, complex morals, and backstory as refreshing departures from traditional Disney heroines. [69] [44] [31] [58] Journalist Janet Maslin called Meg "hipper" than typical Disney heroines. [70] Film critic Owen Gleiberman described the character as "refreshingly saucy". [65] Amy Longsdorf of The Morning Call declared Meg "one of the most complicated heroines in the Disney canon" and "revolutionary" for her moral ambiguity. [28] The Irish Times considered the character to be a creative breakthrough for Disney heroines "as the company's first (albeit implied) non-virginal female romantic lead". [16] John Rundin of Animation World Network called Meg "A surprisingly liberated heroine" for Disney and the film's sole exception to the studio's intolerance "for moral complexity and ambiguity". [18] Several critics found the character reminiscent of classic Hollywood actresses such as Barbara Stanwyck, [71] Mae West, [72] and Veronica Lake. [70]

Egan's performance was also widely praised. [71] [72] [64] Film critic Kenneth Turan believes Hercules owes at least some of its success to her work. [1] Derek Armstrong of AllMovie said Egan's delivery "drip[s] with the kind of eyeball-rolling feminist wit that makes [Meg] one of Disney's strongest female characters". [73] Josh Spiegel of /Film described Meg as "vastly more interesting" than Hercules due in part to Egan's performance, dismissing Hercules as an "overgrown child" in comparison. [74] Time ranked Egan's work among Disney's finest voice acting performances. [75] Geeks + Gamers contributor Virginia Kublawi crowned Egan one of Hercules' MVPs, calling her a sympathetic, unique character who uses her sexuality and appearance as weapons unlike previous Disney heroines. [67] Kublawi further also praised the character's design, song, and called her a standout among the film's characters. [67] Writing for CNN, Carol Buckland appreciated Egan's "smart, surprisingly sexy" interpretation, but warned that some parents might be disturbed by some of her actions. [76] Similarly, Bob Smithouser of Plugged In was wary of the character's sexuality and immodesty. [12] In a more mixed review, Nell Minow of Common Sense Media said Meg is still mostly relegated to the sidelines despite being "tougher and braver than the traditional damsel in distress". [77]

Critics have discussed how Meg's personality and complexity makes her a stronger, more developed character. Karen Mazurkewich of Playback credited Duncan's design with subverting "the Disney stereotype by crafting a more sly and sexy female lead", prior to whom she often found Disney heroines "cloyingly naive". [78] Shoshana Kessock of Tor.com described the character as a complicated woman whose heart remains entirely her own, despite her internal conflict. [66] Kessock said the character's sexuality "makes her a difficult character for the PG brand. Yet in the pantheon of Anti-Princesses ... she claims her place among the more in command, take-charge Disney women", concluding, "When she finally does give in to her feelings for Hercules, it is after a lot of soul-searching and character growth, something that could be a good story for young women to learn—if she was given the same air time as the other Disney heroines". [66] Romper's Allison Piwowarski described Meg as "a very powerful character in the Disney universe" who "is just as much of a hero as Herc is". [79] Screen Rant 's Matthew Wilkinson called Meg "one of Hercules' best characters" because she balances sassy confidence with emotion. [80] Writing for Vice , Jill Gutowitz described Meg's "depth, her wit, her bullheaded resistance to being saved, and her willingness to rebuke masculinity" as "The most intriguing" aspects of her characterization, as opposed to her appearance. [57]

Legacy

Since the release of Hercules, Meg has continued to inspire discourse about the film’s reputation and her distinctive role as an unconventional heroine within Disney’s canon. A Plus contributor Jill O'Rourke reported that Disney fans often defend Hercules from its detractors due to their strong appreciation for Meg. [81] Dirk Libbey of CinemaBlend hailed Meg as "one of Disney's most interesting female characters", finding it frustrating that her film is less revered than some of its contemporaries. [82] Critics Mary Grace Garis of Bustle and Lindsey Weber of Vulture agreed that Meg is superior to Disney Princesses, [56] [83] with Weber describing her as one of Disney's few heroines to possess "an actual personality". [83] Nerdist named Meg "The real star of Hercules", [84] while Clarisse Loughrey of The Independent described her as "a close runner-up for the title" of the film's hero, calling her "the go-to Disney princess for the cool kids". [85] Freeform deemed Meg a character everyone wishes they could be. [86] Thought Catalog ranked Meg Disney's 10th "Most Awesome Female Character". [87] Screen Rant ranked her Disney's 23rd best heroine, with author Colby Tortorici describing her as more "fleshed out" than her predecessors. [68] IndieWire called Meg "one of Disney’s best and most complex female characters". [88]

Meg has acquired a dedicated fanbase, despite her relative obscurity compared to other Disney heroines. [64] [89] In retrospect, several media publications have called Meg one of Disney's most underrated female characters. [6] [56] [90] [91] [92] Dalin Rowell of /Film said Meg seldom receives the attention or merchandising she deserves. [64] Critics have offered different theories attempting to explain Meg's exclusion from the Disney Princess franchise. According to Sara Franks-Allen of ScreenCrush, Meg was omitted due to Hercules' underperformance at the box office, [63] while MovieWeb and Kessock suggested that Disney found the character too sexualized to market. [93] [66] The Ringer 's Kate Knibbs believes Meg "would be the only Disney princess with a shitty ex-boyfriend" had she been a member, describing her exclusion as "for the best, because she's also the female Disney character who seems like she'd care the least about the distinction". [59] Naming Meg one of the "10 Best Unofficial Disney Princesses", Collider's Kristin Kranz described her as one of Disney's "most complex, interesting, and authentic" female characters, calling her exclusion from the franchise a shame. [94]

Some commentators believe Meg's distinct personality and role have helped reshape the Disney heroine archetype, with numerous critics noting her influence on the progression of strong, independent female characters. Bustle writer Tracy Dye credited her cynicism with upending the stereotype of fairy tale heroines being unrelenting in their quests for true love and happy endings, in turn offering "a realistic portrayal of a woman who had become guarded after having her heart broken". [6] According to Cinema Blend's Alexandra Ramos, Meg "walked so that all these independent, strong Disney women could run", citing her as one of Disney's strongest leading ladies due to her willingness to defy Hades despite his power over her. [95] Some critics and fans revere Meg as a feminist icon, [96] [83] with Mashable's Erin Strecker writing that she "was always one of the more feminist 'princesses' in the Disney animated canon". [97] Stylist ranked Meg Disney's ninth most feminist princess character, with author Kayleigh Dray crediting her villainous role with disproving that "non-bubbly women are deemed evil". [54] Natalie Xenos of Metro called Meg "the badass heroine cinema needs", recognizing her as a feminist who "was inspiring girls long before Moana and Elsa". [98] Stacey Nguyen of PopSugar argued that Meg is neither a role model or feminist icon like some of her contemporaries but remains one of her favorite Disney heroines, describing her as "one of the richest, most developed characters in Disney's library" who she believes is deprived of the discussion she deserves. [19] Nguyen crowned the character "the other hero in Hercules". [19]

In other media

Meg guest appears on the television series Disney's Hercules: The Animated Series (1998), [99] in which she eventually marries Hercules. [89] Like many other Disney animated characters, she has cameos throughout the television series House of Mouse (2001–2003). [100] A live-action alternate version of Meg appears on the fantasy television series Once Upon a Time , portrayed by actress Kacey Rohl. [101] The character first appears in the 13th episode of the show's fifth season, "Labor of Love", alongside Hercules (Jonathan Whitesell). [102] The show's iteration of Meg is described as "a plucky young adventurer with a sly sense of humor and a tough, no-nonsense spirit". [103] [104] In the episode, Meg is imprisoned in the Underworld for several years after having being eaten by Cerberus. She has no affiliation with Hades and little is revealed about her backstory. [105] [106] Critics and audiences were divided over Meg's portrayal in the series; fans expressed their disappointment in the character's weaker, more dependent characterization on social media. [105] [79]

Meg appears in the Kingdom Hearts video game series, beginning with Kingdom Hearts II (2005). [107] She meets Sora during his second visit to the Olympus Coliseum while she was contemplating asking Hades to stop sending monsters for Hercules to fight, having grown fond of him. She accepts Sora's offer for him to go in her stead, under the condition that they keep the entire arrangement a secret from Hercules. Hades kidnaps Meg as bait to convince Sora to unlock the Underworld's Underdrome, holding her hostage when Hercules and Auron refuse to fight each other in the Underdrome. Sora and Hercules rescue her, promising to repay the heroes as best as she can. [107] The character appears briefly in the game's sequel Kingdom Hearts III (2019). [108] Meg is a playable character to unlock for a limited time in the video game Disney Magic Kingdoms . [109] She is also a playable character in the racing game Disney Speedstorm , once again voiced by Egan. [110]

Actress Krysta Rodriguez originated the role of Meg in the stage adaptation of Hercules, which premiered Off-Broadway in 2019. [97] They ultimately decided to have Rodriguez perform wearing her natural hair, despite fitting her for a wig while rehearsing for the part. [111] Michael Plunkett of Slant complimented Rodriguez's performance but complained that Meg is still rescued in the show's climax, wishing her "dreams of independence" were treated more seriously. [112] Meanwhile, Sara Holdren of Vulture found herself bored by Meg's "sharp-tongued, demonstratively self-sufficient“ role. [113]

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<span class="mw-page-title-main">Belle (Disney character)</span> Fictional character in Disneys 1991 animated film Beauty and the Beast

Belle is a fictional character in Disney's Beauty and the Beast franchise, first appearing in the 1991 animated film of the same name. Voiced by Paige O'Hara, Belle is the book-loving daughter of an inventor, who yearns for adventure. When her father, Maurice, is imprisoned by an unkind beast in his enchanted castle, Belle offers her own freedom in exchange for his. Despite his outward appearance, she gradually befriends the Beast, who softens towards her and others in return.

"I Won't Say (I'm in Love)" is a song written by composer Alan Menken and lyricist David Zippel for Disney's animated film Hercules (1997). Included on the film's soundtrack, the song is performed by American actress and singer Susan Egan in her role as Meg, Hercules' love interest, while singers Cheryl Freeman, Lillias White, Vaneese Thomas, LaChanze and Roz Ryan provide girl group-style backup vocals as the Muses.

<i>Hercules: Zero to Hero</i> 1999 television film directed by Bob Kline

Hercules: Zero to Hero is a 1999 American animated fantasy film produced by Walt Disney Television Animation. The film is a direct-to-video follow-up to 1997 animated feature Hercules. It was released on August 17, 1999. The film serves as a package film combining four episodes of Hercules: The Animated Series.

<span class="mw-page-title-main">Mark Henn</span> American animator (born 1958)

Mark Alan Henn is an American animator and film director. His work includes animated characters for Walt Disney Animation Studios films, most notably leading or titular characters and heroines. He served as the lead animator for Ariel in The Little Mermaid (1989), Belle in Beauty and the Beast (1991), Jasmine in Aladdin (1992), Young Simba in The Lion King (1994), the title character in Mulan (1998), and Tiana in The Princess and the Frog (2009). Since all these characters except Simba became Disney Princesses, he came to be known as the "princess guy" around the studio. He directed the short films John Henry (2000) and D.I.Y. Duck (2024). Henn spent a total of 43 years at Walt Disney Animation Studios, from 1980 until his retirement in 2023.

Anya (<i>Anastasia</i>) Fictional character in Anastasia

Anya is a character in 20th Century Fox's animated film Anastasia (1997). A Russian orphan with amnesia, Anya travels to Paris, France, in hopes of re-discovering her past and family, aided by a pair of con artists who scheme to use her likeness to Russia's Imperial family to win a lucrative reward. Although largely fictionalized, the character is loosely based on two historical figures: Grand Duchess Anastasia Nikolaevna of Russia, the youngest daughter of Tsar Nicholas II, and Anna Anderson, an imposter famous for claiming to be the Grand Duchess. Plot elements from the film Anastasia (1956), in which the title character is played by actress Ingrid Bergman, served as a primary source of inspiration for Anya.

Rapunzel (<i>Tangled</i>) Fictional character from the 2010 animated film Tangled

Rapunzel is a fictional character in Disney's animated film Tangled (2010). Based on the title character from the Brothers Grimm fairy tale of the same name, Rapunzel is a young princess kept unaware of her royal lineage by Mother Gothel, a vain woman who kidnaps her as a baby to hoard her hair's healing powers and remain young forever. Raised in a secluded tower, Rapunzel escapes with a wanted thief who promises to help her see the elusive floating lights in time for her 18th birthday, in exchange for a crown she has hidden from him. She is voiced by actress and singer Mandy Moore.

"Belle" is a song written by lyricist Howard Ashman and composer Alan Menken for Disney's animated film Beauty and the Beast (1991). Recorded by American actors Paige O'Hara and Richard White, "Belle" is a mid-tempo classical music-inspired song that borrows elements from Broadway and musical theatre. It was the first song Ashman and Menken wrote for Beauty and the Beast, which they feared Disney would reject due to its length and complexity, but the film's producers ultimately liked the song.

Hercules is a Disney media franchise comprising a film series and additional merchandise, starting with the 1997 animated Disney feature of the same name, directed by John Musker and Ron Clements.

Labor of Love (<i>Once Upon a Time</i>) 13th episode of the 5th season of Once Upon a Time

"Labor of Love" is the thirteenth episode of the fifth season of the American fantasy drama series Once Upon a Time, which aired on March 13, 2016.

<i>Descendants 3</i> 2019 Disney Channel Original Movie directed by Kenny Ortega

Descendants 3 is an American musical fantasy television film, being the third installment in the Descendants series, following Descendants and Descendants 2, and the last one in the film trilogy focused on Mal and her friends. It is written by Sara Parriott and Josann McGibbon, and is directed by Kenny Ortega. The film premiered on Disney Channel on August 2, 2019, and in other territories worldwide starting on October 12, 2019. The film was followed by an animated television special, Descendants: The Royal Wedding, released in 2021.

<i>Sleeping Beauty</i> (franchise) Disney media franchise

Sleeping Beauty is a Disney media franchise that began in 1959 with the theatrical release of the animated film Sleeping Beauty, based on the homonymous fairy tale.

<i>Hercules</i> (musical) 2019 musical by Alan Menken and David Zippel

Hercules is a musical based on the Walt Disney Animation Studios 1997 film of the same name, with music and lyrics by Alan Menken and David Zippel, and a book by Robert Horn and Kwame Kwei-Armah. The production is also loosely based on the legendary hero of the same name, the son of Zeus, in Greek mythology.

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