The Disney Golden Age was a period from 1937 to 1942 during which Walt Disney Productions released its earliest feature-length animated films, establishing the studio as a pioneer of the medium. The five films associated with this period are Snow White and the Seven Dwarfs (1937), Pinocchio , Fantasia (1940), Dumbo (1941), and Bambi (1942). [1]
These films combined innovative animation techniques with ambitious storytelling, pushing the boundaries of what animated cinema could achieve. [2] Snow White and the Seven Dwarfs was the first full-length cel-animated feature in motion picture history and became an unprecedented critical and commercial success, [3] while subsequent films like Pinocchio and Fantasia were praised for their artistry and technical achievements despite initial box office challenges. [1] The Golden Age firmly established Disney as a dominant force in the animation industry and laid the foundation for its later periods of success. [4]
In the years prior to 1937, Walt Disney and his studio had achieved success with innovative short subjects, particularly the Silly Symphonies series (1929–1939). These shorts experimented with new techniques in sound, color, and storytelling, and were frequently used by Disney as a proving ground for technologies later applied to feature films. [1] Notable examples include Flowers and Trees (1932), the first commercially released film produced in full Technicolor, and The Old Mill (1937), which pioneered the use of the multiplane camera. [5]
Disney also found enormous popularity with Mickey Mouse , introduced in Steamboat Willie (1928), one of the first synchronized sound cartoons. [6] By the mid-1930s, Mickey had become an international icon, and the studio’s reputation for technical innovation and character-driven storytelling was well established.
Despite this success, the idea of producing a feature-length animated film was considered highly risky at the time. Industry critics famously labeled Walt Disney’s plan to adapt Snow White and the Seven Dwarfs as “Disney’s Folly,” believing audiences would not sit through a full-length cartoon. [7] Disney, however, was determined to push the medium beyond shorts, and began production on Snow White in 1934, investing heavily in new staff, training programs, and technical innovations to support the ambitious project. [1] The film’s unprecedented success in 1937 would prove critics wrong and inaugurate the era later known as the Disney Golden Age.
Disney’s first full-length animated feature, Snow White and the Seven Dwarfs (1937), was considered a major gamble for the studio, with industry figures dubbing it “Disney’s Folly.” [8] Produced over three years with a budget of nearly $1.5 million—an unprecedented sum for an animated film—it employed groundbreaking techniques such as the multiplane camera and realistic human animation. [9]
Upon its premiere in December 1937, Snow White became a critical and commercial triumph, grossing over $8 million worldwide during its initial release and earning an honorary Academy Award, presented to Walt Disney along with seven miniature statuettes. [10] The film’s success established Walt Disney Productions as a major player in Hollywood and financed the construction of a new studio in Burbank.
Following Snow White, Disney released Pinocchio (1940), a technically sophisticated film noted for its character animation and use of the multiplane camera. Despite critical acclaim, including two Academy Awards for Best Original Score and Best Original Song ("When You Wish Upon a Star"), the film underperformed at the box office due to the outbreak of World War II cutting off European and Asian markets. [11]
Later that same year, Disney premiered Fantasia (1940), an experimental feature combining classical music with animation. While initially not a financial success, partly due to its expensive “Fantasound” stereophonic sound system and limited distribution, Fantasia was praised for its ambition and has since become regarded as a landmark in animation history. [12]
In 1941, Disney released the semi-documentary feature The Reluctant Dragon , designed to showcase the new Burbank studio and the animation process. The same year saw the release of Dumbo (1941), produced on a lower budget after the financial difficulties of Pinocchio and Fantasia. At just 64 minutes, Dumbo was warmly received by critics and audiences, becoming one of Disney’s most profitable Golden Age films. [13]
Bambi (1942) was Disney’s fifth animated feature, adapting Felix Salten’s novel. Known for its naturalistic animation of animals and environments, the film also broke ground in emotional storytelling, particularly with the death of Bambi’s mother. [14] Though praised critically, Bambi struggled commercially during its initial release due to wartime restrictions but later became recognized as one of Disney’s most beloved classics.
The films of the Disney Golden Age were considered groundbreaking at the time of their release, both technically and artistically. Snow White and the Seven Dwarfs was praised as the first feature-length cel-animated film and received widespread critical acclaim, with The New York Times in 1937 calling it "a classic of motion picture history." [15]
Pinocchio (1940) and Fantasia (1940) initially struggled at the box office due to the outbreak of World War II limiting European markets, but were later reevaluated as artistic masterpieces. Pinocchio is now regarded as one of Disney’s finest achievements, and Fantasia has become celebrated for its experimental blend of classical music and animation.
Dumbo (1941), produced with a smaller budget, was well received by critics for its simplicity and heartwarming story, while Bambi (1942) was admired for its artistry and emotional impact, though its somber tone was divisive upon release.
According to Rotten Tomatoes, four of the Golden Age films – Snow White, Pinocchio, Fantasia, and Bambi – hold approval ratings above 90%, while Dumbo maintains a similarly strong reputation.
Film | Directors | Rotten Tomatoes | Metacritic | CinemaScore |
---|---|---|---|---|
Snow White and the Seven Dwarfs | David Hand (supervising director) | 97% (8.6/10 average rating) (132 reviews) [16] | 95 (31 reviews) [17] | — |
Pinocchio | Ben Sharpsteen, Hamilton Luske | 100% (9.1/10 average rating) (93 reviews) [18] | 99 (28 reviews) [19] | — |
Fantasia | James Algar, Samuel Armstrong, Ford Beebe Jr., et al. | 95% (8.6/10 average rating) (65 reviews) [20] | 96 (21 reviews) [21] | — |
Dumbo | Ben Sharpsteen | 95% (8.1/10 average rating) (78 reviews) [22] | 96 (20 reviews) [23] | — |
Bambi | David Hand (supervising director) | 91% (8.1/10 average rating) (65 reviews) [24] | 91 (18 reviews) [25] | — |
Film | Release date | United States (initial run) | Worldwide (initial run) | Budget | Notes |
---|---|---|---|---|---|
Snow White and the Seven Dwarfs | December 21, 1937 | $3,500,000 | $8,000,000 | $1,488,423 | Became the highest-grossing sound film of all time until Gone with the Wind was reissued. [26] |
Pinocchio | February 7, 1940 | $1,400,000 | $1,900,000 | $2,289,247 | Considered a box-office disappointment in its original release, but later profitable in reissues. |
Fantasia | November 13, 1940 | $1,300,000 | $1,800,000 | $2,280,000 | Distribution limited by Fantasound; later became profitable after multiple reissues. |
Dumbo | October 23, 1941 | $1,600,000 | $1,800,000 | $950,000 | Produced on a low budget; one of Disney’s few profitable Golden Age releases. |
Bambi | August 21, 1942 | $1,200,000 | $1,600,000 | $858,000 | Underperformed initially due to wartime restrictions but became a classic through later reissues. |
Total | $9,000,000 | $15,100,000 |
All box office grosses are approximate and reflect initial releases only; later reissues significantly increased total earnings.
Snow White and the Seven Dwarfs was recognized with an Honorary Academy Award in 1939, consisting of one full-size Oscar statuette and seven miniature ones, presented to Walt Disney by Shirley Temple. Pinocchio and Dumbo were the only Golden Age films to win competitive Academy Awards, each receiving two. Fantasia received two Honorary Academy Awards in 1942 for its contribution to the advancement of sound and for its unique achievement in the creation of a new form of musical entertainment.
Year | Film | Academy Awards | |
---|---|---|---|
Nomination(s) | Win(s) | ||
1937 | Snow White and the Seven Dwarfs | Honorary | Honorary (1 statuette + 7 miniature Oscars) |
1940 | Pinocchio | 2 | 2 (Best Original Score, Best Original Song) |
1940 | Fantasia | 0 | 2 Honorary (Contribution to sound and innovative achievement) |
1941 | Dumbo | 2 | 2 (Best Original Score, Best Original Song) |
1942 | Bambi | 3 | 0 |
The Golden Age marked the beginning of Disney’s tradition of releasing original soundtracks, although they were initially issued on 78 rpm records rather than later formats like CDs or cassettes. Snow White and the Seven Dwarfs (1937) became the first commercially issued film soundtrack, establishing a precedent for future animated features. Subsequent Golden Age films also featured memorable scores and songs composed by notable musicians such as Leigh Harline, Paul Smith, Oliver Wallace, and Frank Churchill.
Title | Release year | Notable songs | Composer(s) |
---|---|---|---|
Snow White and the Seven Dwarfs | 1937 | "Heigh-Ho", "Someday My Prince Will Come", "Whistle While You Work" | Frank Churchill, Leigh Harline, Paul J. Smith |
Pinocchio | 1940 | "When You Wish Upon a Star", "I've Got No Strings", "Give a Little Whistle" | Leigh Harline, Paul J. Smith |
Fantasia | 1940 | Classical works (e.g., The Nutcracker Suite, Toccata and Fugue in D minor) | Various (conducted by Leopold Stokowski) |
Dumbo | 1941 | "Baby Mine", "Pink Elephants on Parade", "When I See an Elephant Fly" | Frank Churchill, Oliver Wallace |
Bambi | 1942 | "Love Is a Song", "Little April Shower" | Frank Churchill, Edward H. Plumb |
While none of the Golden Age films produced charting singles upon their original release (the modern music charts did not yet exist), several songs from this era became standards and were later covered by popular artists. "When You Wish Upon a Star" from Pinocchio (1940) became particularly iconic, eventually serving as the theme song for The Walt Disney Company and winning the Academy Award for Best Original Song in 1940. "Someday My Prince Will Come" from Snow White (1937) went on to be widely recorded by jazz and pop artists in later decades.
The success of the Disney Golden Age has often been attributed to several innovative storytelling and technical strategies that established animated feature films as a mainstream art form. Pioneering works like Snow White and the Seven Dwarfs set the standard with fully realized characters, emotionally resonant storytelling, and integration of music into the narrative. Songs were used to express characters’ inner emotions and advance the plot, a technique that became a hallmark of Disney animation. [27]
Critics also highlight the Golden Age films’ technical innovations. The use of the multiplane camera in Snow White and Pinocchio added depth and a sense of realism to animation. Additionally, careful attention to color, lighting, and character design allowed these early films to evoke strong emotional responses from audiences. [28]
Another key factor in the era’s success was the focus on universal themes such as love, friendship, and courage. While contemporary audiences were drawn to these timeless narratives, critics also note the influence of fairy tales, folklore, and classical music in shaping the films’ tone and style. For example, Fantasia (1940) combined animation with classical compositions, experimenting with abstract visuals and storytelling techniques that were unprecedented for the time. [29]
Overall, the Golden Age established a formula that would influence not only Disney’s later films but the animation industry as a whole: a combination of emotionally compelling stories, memorable music, and technical innovation that captivated both critics and audiences alike.
The success of the Disney Golden Age established animated feature films as a commercially viable and culturally significant medium, prompting other studios to enter the animation market. Following the release of Snow White and the Seven Dwarfs, studios such as Warner Bros., MGM, and Fleischer Studios invested in feature-length animation projects.
Many of these studios sought to emulate Disney's combination of engaging storytelling, musical integration, and technically sophisticated animation. For example, Fleischer Studios produced Gulliver's Travels (1939), and Warner Bros. experimented with longer-form animated features and narrative shorts that incorporated musical elements. Although few were able to match Disney’s critical and commercial success at the time, the Golden Age set a benchmark for quality and innovation in the industry, influencing the broader animation landscape for decades.
During the Golden Age, none of the original animated features received direct sequels at the time of their release. Unlike later eras, Disney did not produce follow-up films to Snow White and the Seven Dwarfs (1937), Pinocchio (1940), Fantasia (1940), Dumbo (1941), or Bambi (1942). [30]
Many decades later, several of these films did receive direct-to-video or theatrical sequels, mostly produced by Disneytoon Studios during the 1990s and 2000s. These include Fantasia 2000 (1999), a follow-up to the 1940 original, and Bambi II (2006), a midquel set during the events of the original film. [31] Other Golden Age classics such as Snow White, Pinocchio, and Dumbo have instead been revisited through live-action remakes rather than direct sequels. [32]
Several films from the Golden Age have been remade or reimagined by Disney in live action and other media.
Snow White and the Seven Dwarfs is currently in development as a live-action adaptation directed by Marc Webb, with Rachel Zegler cast as Snow White and Gal Gadot as the Evil Queen. [33] [34]
Pinocchio was remade as a live-action/CGI film directed by Robert Zemeckis and released on Disney+ on September 8, 2022, starring Tom Hanks as Geppetto. [35] The film received mixed-to-negative reviews from critics, with praise for Hanks’ performance but criticism toward the visual effects and screenplay. [36]
Fantasia (1940) has not been remade in live action, but its concept inspired various projects, including the live-action/animated hybrid Fantasia 2000 (1999) and the The Sorcerer’s Apprentice (2010), a feature-length film inspired by the Fantasia segment starring Nicolas Cage. [37]
Dumbo was remade in live action directed by Tim Burton, released on March 29, 2019. The film grossed $353 million worldwide and received mixed reviews, with praise for its visuals and performances but criticism for its darker tone and deviation from the original story. [38]
Bambi is also in development for a live-action/CGI remake, similar in style to The Lion King (2019). [39]
Several films from the Golden Age have inspired video game adaptations released decades after the original films.
Snow White and the Seven Dwarfs was adapted into multiple games, including Snow White and the Seven Dwarfs for the Game Boy Color (2001). [40]
Pinocchio inspired the platformer Pinocchio (1996), released on the Super Nintendo Entertainment System and Sega Genesis, developed by Virgin Interactive. [41]
Fantasia (1940) was loosely adapted as Fantasia (1991) for the Sega Genesis, though it received negative reviews for its gameplay and difficulty. [42] The film later inspired Fantasia: Music Evolved (2014) for Xbox 360 and Xbox One, developed by Harmonix. [43]
Dumbo appeared as a playable world in Kingdom Hearts (2002), where the character could be summoned to assist players. [44]
Bambi has not had a dedicated game, but characters from the film, including Bambi and Faline, appear as cameos in the Kingdom Hearts series. [45]