Frankenweenie | |
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Directed by | Tim Burton |
Screenplay by | John August |
Based on | |
Produced by |
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Starring | |
Cinematography | Peter Sorg |
Edited by |
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Music by | Danny Elfman |
Production companies | |
Distributed by | Walt Disney Studios Motion Pictures |
Release dates |
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Running time | 87 minutes [2] |
Country | United States |
Language | English |
Budget | $39 million [3] |
Box office | $81.5 million [3] |
Frankenweenie is a 2012 American gothic 3D stop-motion animated science fiction horror comedy film directed by Tim Burton, written by John August, and starring Catherine O'Hara, Martin Short, Martin Landau, Charlie Tahan, Atticus Shaffer, and Winona Ryder. [4] A co-production between Walt Disney Pictures and Tim Burton Productions, it is a feature-length remake of Disney and Burton's 1984 short film of the same name, and is also both a parody of and homage to the 1931 film Frankenstein , based on Mary Shelley's 1818 book Frankenstein; or, The Modern Prometheus . The film follows a boy named Victor Frankenstein who uses the power of electricity to resurrect his dead Bull Terrier, Sparky, but his peers discover what he has done and reanimate their own deceased pets and other creatures, resulting in mayhem.
Frankenweenie came under development in December 2007, when Burton was asked to direct two 3D films for Disney, including a 2010 live-action adaptation of Alice in Wonderland . However, the development of a full-length stop motion dates as far back as November 2005, when scripts had been written by Josann McGibbon and Sara Parriott. Filming for a stop-motion feature film began at 3 Mills Studios in July 2010. The tongue-in-cheek film contains numerous references to and parodies of elements of Frankenstein and past film versions of it, other literary classics, various horror and science-fiction films, and other films which Burton has directed or produced.
Frankenweenie, which was both the first black-and-white feature-length film and the first stop-motion film to be released in IMAX 3D, [5] premiered at Fantastic Fest on September 20, 2012, and was released in the United States on October 5, to generally positive reviews for its visuals and story and moderate box office returns, grossing $81.5 million worldwide against a $39 million budget. It won the Saturn Award for Best Animated Film, and was nominated for an Academy Award, a Golden Globe, a BAFTA, and an Annie Award for Best Animated Film, losing the first three to Brave, and the last one to Wreck-It Ralph . [6] [7] [8] [9]
Victor Frankenstein, a young scientist and amateur filmmaker, lives with his parents and his beloved bull terrier dog, Sparky, in the quiet town of New Holland. He does not interact much with his classmates, who include his somber next-door neighbor Elsa Van Helsing, the mischievous Edgar "E" Gore, the naive Bob, the pretentious Toshiaki, the sinister Nassor, and an eccentric "Weird Girl". Concerned with his son's isolation, Victor's father encourages the boy to take up baseball. When Victor hits a home run at his first game, Sparky chases the ball and is struck and killed by a car, leaving Victor despondent.
Inspired by his new science teacher Mr. Rzykruski's demonstration of the effect of electricity on dead frogs, Victor digs up Sparky, brings him to a makeshift laboratory in his attic, and reanimates him with a bolt of lightning. Victor is elated by Sparky's revival, but keeps him hidden in the attic. While Victor is at school the next day, Sparky escapes the attic to chase the Weird Girl's cat, Mr. Whiskers, and explore the neighborhood. He is recognized by Edgar, who blackmails Victor into teaching him how to raise the dead. Together, the two resurrect a dead goldfish, which inexplicably becomes invisible. Edgar brags about the fish to his classmates, but the fish disappears when he tries to show it to a skeptical Nassor.
Fearful of losing the upcoming science fair, Toshiaki and Bob create a jetpack from soda bottles, but their test ends with Bob falling off his roof and breaking his arm. The townsfolk blame Mr. Rzykruski for the incident, accusing him of negatively influencing their children. When Victor's parents Susan and Edward call upon Mr. Rzykruski to speak in his defense, he gives a tactlessly insulting and threatening speech which results in his dismissal, and the gym teacher replaces him. Before Mr. Rzykruski leaves the school, Victor learns from him that the differing outcomes of his experiment were influenced by his emotional attachment. Edgar accidentally reveals Victor's role in reviving the fish and Sparky to Toshiaki, Nassor, and Bob, inspiring them to conduct their own reanimation experiments.
Victor's parents are shocked to discover Sparky in the attic, causing the dog to flee. Although upset by the gravity of Victor's actions, they and Victor set out to find Sparky. When the family leaves, Victor's classmates invade the lab and discover Victor's reanimation research. When they perform their experiments separately, their competitive sentiment turns each of their dead animals into a monster: Mr. Whiskers holds a dead bat while he is electrocuted, resulting in both animals being fused into a vampiric feline; a dead rat Edgar found in the garbage turns into a wererat; Nassor's mummified hamster Colossus comes back to life; Toshiaki's turtle Shelley is covered in Miracle-Gro and becomes a kaiju; and Bob's expired Sea-Monkeys grow into amphibious humanoids similar to Gremlins. The monsters converge on the town fair and wreak havoc.
After finding Sparky at the town's pet cemetery, Victor is alerted to the monster attacks and goes to help his classmates: the Sea-Monkeys explode after eating salted popcorn, Colossus is stepped on by Shelley, and the wererat and Shelley both return to their original, deceased forms after getting electrocuted. During the chaos, Persephone, Elsa's pet poodle, is grabbed by Mr. Whiskers and carried to the town windmill, with Elsa and Victor giving pursuit. The townsfolk blame Sparky for Elsa's disappearance and chase him to the windmill, which Elsa's uncle accidentally ignites with his torch. Victor and Sparky enter the burning windmill and rescue Elsa and Persephone. However, Victor ends up being trapped inside. Sparky rescues Victor, only to be dragged back inside by Mr. Whiskers, who is fatally impaled by a flaming piece of wood just before the windmill collapses, killing Sparky again.
The townsfolk, moved by Sparky's heroism, gather and revive Sparky with their car batteries. Persephone runs to Sparky and they touch noses, producing a spark.
Actor Christopher Lee, who had worked with Tim Burton on five earlier films, makes an appearance via the inclusion of a live-action clip from his 1958 film Dracula . [17]
Although Tim Burton signed with Walt Disney Pictures to direct two films in Disney Digital 3-D (2010's Alice in Wonderland and this film), development of a full-length stop motion Frankenweenie dates as far back as November 2005, when scripts had been written by Josann McGibbon and Sara Parriott. [18] John August was approached to do a rewrite in 2006, [19] but was not hired until January 2009.
Like the original short film, this feature version was shot in black-and-white. Many of the animation artists and crew from Corpse Bride (2005) were involved in the production of the film. [20] Burton borrowed heavily from his design for the titular character of Family Dog (1993) for Sparky. [21]
Filming began at 3 Mills Studios in July 2010. [22] The crew created three giant sound stages, including Victor's cluttered family attic, a cemetery exterior, and a school interior. The sound stages were then divided into 30 separate areas to deal with the handcrafted, frame-by-frame style of filmmaking. Compared to other stop-motion animation sets, Frankenweenie's set was much larger.
As IGN noted, the main character Sparky had to be "'dog-size' compared to the other human characters, but also large enough to house all the elements of the mechanical skeleton secreted within his various foam and silicon-based incarnation". The mechanics were small and delicate, and in some instances the filmmakers had to have Swiss watchmakers create the tiny nuts and bolts. Around 200 separate puppets were used in the film, with roughly 18 different versions of Victor. The puppets had human hair, with 40–45 joints for the human characters and about 300 parts for Sparky. [23] [24] [25]
In early 2011, it was announced that Danny Elfman would score Frankenweenie, with work already started on pre-production music. [26]
Prior to the film's release, both an "inspired by" soundtrack album, Frankenweenie: Unleashed!, and Elfman's Frankenweenie: The Original Motion Picture Soundtrack were released by Walt Disney Records on September 25, 2012. [27] The download of Frankenweenie: Unleashed! contained bonus content, including a custom icon and an app that loaded a menu to view more bonus content, provide input, or buy more music from Disney Music Group. [28]
In the lead-up to the film's release in October 2012, there was a traveling art exhibition detailing the work that went into creating the film. During the exhibition, it was possible to see sets and characters that were used for this stop motion feature film. [29]
From September 14 to November 5, 2012, Disney California Adventure offered exclusive scenes from the film during nighttime operating hours of Muppet*Vision 3D. [30]
At Disneyland, Sparky's tombstone was added to the pet cemetery outside of Haunted Mansion Holiday, a seasonal attraction that features characters from Burton's The Nightmare Before Christmas . [31]
The free version of Where's My Water? received a level pack called 10 Days of Frankenweenie. It was only available for a limited time, from September 27 to October 6, 2012 [32]
Victor's mad scientist outfit and some clothes with designs inspired by the film were added to the Xbox 360 Avatar store along with an interactable Sparky prop. [33]
The film’s world premiere took place on September 20, 2012, on the opening night of the Fantastic Fest celebration, an annual event in Austin, Texas. [34] It also opened the London Film Festival, on October 10, 2012. [35]
Initially set for theatrical release in November 2011, Walt Disney Studios Motion Pictures moved the film twice, first to March 9, 2012, [20] [36] and then, in January 2011, to October 5, 2012, with John Carter taking the March 9 release date. [37]
Frankenweenie grossed $35,291,068 in North America and $46,200,000 in other countries for a worldwide total of $81,491,068. [3] In North America, it earned $11,412,213 its opening weekend, finishing fifth at the box office (behind Taken 2 , Hotel Transylvania , Pitch Perfect , and Looper ). [38] Its second weekend, the film dropped to seventh place, grossing an additional $7,054,334. [39] Its third weekend, it dropped to ninth place, grossing $4,329,358, [40] and its fourth weekend, it dropped to twelfth place, grossing $2,456,350. [41]
The film was released by Walt Disney Studios Home Entertainment on DVD, Blu-ray, and Blu-ray 3D on January 15, 2013. [42] The Blu-ray releases included the original live-action Frankenweenie short and a new two-minute animated short, titled Captain Sparky vs the Flying Saucers, as bonus features. [43]
The film received generally positive reviews from critics. Based on 223 reviews, it holds an approval rating of 87% on review aggregator Rotten Tomatoes, with an average rating of 7.5/10; the website's critical consensus reads: "Frankenweenie is an energetic stop-motion horror movie spoof with lovingly crafted visuals and a heartfelt, oddball story." [44] On Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, it has a score of 74, based on 38 reviews, indicating "generally favourable reviews". [45] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale. [46]
Justin Chang of Variety reacted positively to the film, saying that it "evinces a level of discipline and artistic coherence missing from the director's recent live-action efforts". [47] Todd McCarthy of The Hollywood Reporter gave it a mediocre review, explaining that, while the various creative elements "pay homage to a beloved old filmmaking style", the film mostly feels "like second-generation photocopies of things Burton has done before". [48] Roger Ebert gave the film three out of four stars, writing that it is "not one of Burton's best, but it has zealous energy" and "the charm of a boy and his dog retains its appeal". [49] Chris Packham of The Village Voice gave the film a positive review, saying: "Frankenweenie, scripted by John August, and based on a screenplay by Lenny Ripps from Burton's original story, is tight and brief, hitting all the marks you'd expect from an animated kid's film, and enlivened by Burton's visual style. The man should make more small movies like this one." [50] Christy Lemire of the Associated Press gave the film three out of four stars, saying: "Revisiting the past - his own, and that of the masters who came before him - seems to have brought this filmmaker's boyish enthusiasm back to life, as well." [51] Kerry Lengel of The Arizona Republic gave the film three out of five stars, saying: "It's all perfectly entertaining, but never really reaches the heights of hilarity, perhaps because everything about the plot is underdeveloped." [52] Lisa Schwarzbaum of Entertainment Weekly gave the film an A−, saying: "The resulting homage to Frankenstein in particular and horror movies in general is exquisite, macabre mayhem and a kind of reanimation all its own." [53]
Michael Phillips of the Chicago Tribune gave the film two and a half stars out of four, saying: "The monster-movie component of Frankenweenie stomps all over the appeal of the original 30-minute version." [54] Linda Barnard of the Toronto Star gave the film three out of four stars, saying: "High-concept and stylish, Frankenweenie is a playlist of films and characters from Burton's movie-loving childhood." [55] James Berardinelli of ReelViews gave the film three out of four stars, saying: "Even as the narrative becomes progressively more ghoulish and a Godzilla wannabe shows up, Frankenweenie never loses its heart." [56] Joe Williams of the St. Louis Post-Dispatch gave the film three out of four stars, saying: "Some audiences might feel that Frankenweenie is creaky, but those on the same wavelength as Burton will gratefully declare it's alive." [57] Alonso Duralde of The Wrap gave the film a positive review, saying: "Fans of Tim Burton 1.0, rejoice: Frankenweenie hearkens back to the director's salad days and, in turn, to the old-school horror classics that inspired him in the first place." [58] Claudia Puig of USA Today gave the film three and a half stars out of five, saying: "Frankenweenie is enlivened with beguiling visuals and captivating action sequences. The science is murky at best, but the underlying themes are profound, and the story is equal parts funny and poignant. It's Burton's most moving film." [59] Rafer Guzmán of Newsday gave the film two and a half stars out of four, saying: "It's a quintessential Burton film, but also more Disney than a lot of Disney films." [60] Amy Biancolli of the San Francisco Chronicle gave the film four out of four stars, saying: "The overall effect is great cinema, good fun, a visual feast for pie-eyed Burton fans - and a terrifically warped reminder of just how freaky a PG film can be." [11]
Elizabeth Weitzman of the New York Daily News gave the film four out of five stars, saying: "Burton's extraordinary powers of imagination are in dazzling bloom, from the gorgeous stop-motion animation to the goofy, homemade horror movies the children direct." [61] Peter Travers of Rolling Stone gave the film three and a half stars out of four, saying: "Only Tim Burton could envision this Frankenstein-inspired tale, and it's a honey, a dark and dazzling spellbinder that scares up laughs and surprising emotion." [62] Colin Covert of the Star Tribune gave the film four out of four stars, saying: "The story brims with self-parody, social satire, horror, nostalgia, wit and emotional insight, with Burton keeping all the plates spinning." [63] David Hiltbrand of The Philadelphia Inquirer gave the film two out of four stars, saying: "Frankenweenie is the apotheosis of goth director Tim Burton's oeuvre: artistic yet sterile, incredibly meticulous and totally misbegotten." [64] Stephanie Zacharek of NPR gave the film a negative review, saying: "Burton half succeeds in making this revamped Frankenweenie its own distinctive creature, pieced together from the essential bits of the 29-minute original. But he just doesn't know when to stop, and his overgrown creation gets the better of him." [65] Betsy Sharkey of the Los Angeles Times gave the film three out of five stars, saying: "There are so many horror auteurs Burton wants to thank that the film is absolutely bursting at the seams with knowing nods." [66] A. O. Scott of The New York Times gave the film three out of five stars, saying: "While Frankenweenie is fun, it is not nearly strange or original enough to join the undead, monstrous ranks of the classics it adores." [67]
Ty Burr of The Boston Globe gave the film four out of four stars, saying: "Frankenweenie is a mere 87 minutes long, which turns out to be just the right length; there's not enough time for Burton to go off the rails as he does in so many of his films." [68] Tom Long of The Detroit News gave the film a B+, saying: "Frankenweenie may just be a wacky horror cartoon, but it's an awfully good wacky horror cartoon. Frighteningly good, you might say." [69] Richard Corliss of Time gave the film a positive review, saying: "This 3-D, black-and-white 'family' comedy is the year's most inventive, endearing animated feature." [70] Stephen Whitty of the Newark Star-Ledger gave the film four out of four stars, saying: "The stop-motion animation - a favorite tool of Burton's - is given loving attention, and the character design is full of terrific touches, such as the hulking flat-topped schoolmate who looks a bit like a certain man-made monster." [71] Michael O'Sullivan of The Washington Post gave the film three out of four stars, saying: "Designed to appeal to both discriminating adults and older kids, the gorgeous, black-and-white stop-motion film is a fresh, clever and affectionate love letter to classic horror movies." [72] Moira Macdonald of The Seattle Times gave the film three out of four stars, saying: "Older kids, horror-movie buffs and Burton fans will likely enjoy this oddly gentle tale of a boy and his dog." [73]
Award | Category | Recipient(s) | Result |
---|---|---|---|
85th Academy Awards [6] | Best Animated Feature | Tim Burton | Nominated |
American Cinema Editors [74] | Best Edited Animated Feature Film | Chris Lebenzon, A.C.E., & Mark Solomon | |
Annie Awards [75] [76] | Best Animated Feature | ||
Production Design in an Animated Feature Production | Rick Heintzich | ||
Voice Acting in an Animated Feature Production | Atticus Shaffer | ||
Voice Acting in an Animated Feature Production | Catherine O'Hara | ||
Writing in an Animated Feature Production | John August | ||
BAFTA Awards [8] | Best Animated Film | Tim Burton | |
Boston Society of Film Critics | Best Animated Film | Won | |
Critics Choice Awards [77] | Best Animated Feature | Nominated | |
Chicago Film Critics Association | Best Animated Feature | ||
Cinema Audio Society | Outstanding Achievement in Sound Mixing for Motion Pictures Animated | ||
Dallas-Fort Worth Film Critics Association | Best Animated Film | Tim Burton | |
Florida Film Critics Circle | Best Animated Feature | Won | |
Golden Globe Awards [78] | Best Animated Feature Film | Nominated | |
Houston Film Critics Society | Best Animated Film | ||
Kansas City Film Critics Circle | Best Animated Film | Won | |
Los Angeles Film Critics Association | Best Animation | ||
Nevada Film Critics Society | Best Animated Movie | ||
New York Film Critics Circle | Best Animated Film | ||
Online Film Critics Society | Best Animated Feature | Nominated | |
Phoenix Film Critics Society | Best Animated Film | ||
Producers Guild of America | Outstanding Animated Theatrical Motion Pictures | Allison Abbate & Tim Burton | |
San Diego Film Critics Society | Best Animated Film | Tim Burton | |
Satellite Awards [79] | Best Motion Picture, Animated or Mixed Media | ||
Saturn Awards [80] [81] | Best Animated Film | Won | |
Best Music | Danny Elfman | ||
Southeastern Film Critics Association | Best Animated Film | Tim Burton | Nominated |
St. Louis Gateway Film Critics Association | Best Animated Film | ||
Toronto Film Critics Association | Best Animated Feature | ||
Washington D.C. Area Film Critics Association | Best Animated Feature |
Timothy Walter Burton is an American film director, producer, screenwriter, and animator. Known for popularizing Goth culture in the American film industry, Burton is famous for his gothic horror and fantasy films. He has received numerous accolades including an Emmy Award as well as nominations for two Academy Awards, a Golden Globe Award and three BAFTA Awards. He was honored with the Venice International Film Festival's Golden Lion for Lifetime Achievement in 2007 and was given the Order of the Arts and Letters by Culture Minister of France in 2010.
Sleepy Hollow is a 1999 gothic supernatural horror film directed by Tim Burton. It is a film adaptation loosely based on Washington Irving's 1820 short story "The Legend of Sleepy Hollow", and stars Johnny Depp and Christina Ricci, with Miranda Richardson, Michael Gambon, Casper Van Dien, Christopher Lee, and Jeffrey Jones in supporting roles. The plot follows police constable Ichabod Crane (Depp) sent from New York City to investigate a series of murders in the village of Sleepy Hollow by a mysterious Headless Horseman.
Frankenstein is a 1931 American gothic pre-Code science fiction horror film directed by James Whale, produced by Carl Laemmle Jr., and adapted from a 1927 play by Peggy Webling, which in turn was based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The Webling play was adapted by John L. Balderston and the screenplay written by Francis Edward Faragoh and Garrett Fort, with uncredited contributions from Robert Florey and John Russell.
Edward Scissorhands is a 1990 American gothic romantic fantasy film directed by Tim Burton. It was produced by Burton and Denise Di Novi, written by Caroline Thompson from a story by her and Burton, and starring Johnny Depp, Winona Ryder, Dianne Wiest, Anthony Michael Hall, Kathy Baker, Vincent Price, and Alan Arkin. It tells the story of an unfinished artificial humanoid who has scissor blades instead of hands, is taken in by a suburban family, and falls in love with their teenage daughter.
The Nightmare Before Christmas is a 1993 American gothic stop motion animated musical fantasy film directed by Henry Selick in his feature directorial debut and produced and conceived by Tim Burton. It tells the story of Jack Skellington, the King of Halloween Town, who stumbles upon Christmas Town and schemes to take over the holiday. Danny Elfman wrote the songs and score and provided the singing voice of Jack. The principal voice cast includes Chris Sarandon, Catherine O'Hara, William Hickey, Ken Page, Paul Reubens, Glenn Shadix and Ed Ivory.
Frankenweenie is a 1984 American science fiction comedy horror featurette directed by Tim Burton and written by him and Leonard Ripps. It is both a parody of, and homage to, the 1931 film Frankenstein based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. Burton later directed a feature-length stop-motion animated remake, released in 2012.
Vincent is a 1982 American gothic stop-motion animated short film written, designed and directed by Tim Burton, and produced by Rick Heinrichs.
Corpse Bride is a 2005 gothic stop-motion animated musical horror fantasy film directed by Mike Johnson and Tim Burton from a screenplay by John August, Caroline Thompson, and Pamela Pettler, based on characters created by Burton and Carlos Grangel. The plot is set in a fictional Victorian era village in England. Johnny Depp leads the cast as the voice of Victor, while Helena Bonham Carter voices Emily, the titular bride. An international co-production between the United States and United Kingdom, produced by Tim Burton Productions and Laika Entertainment, and distributed by Warner Bros. Pictures, Corpse Bride is the first stop-motion feature film directed by Burton after previously producing The Nightmare Before Christmas (1993) and James and the Giant Peach (1996).
John August is an American screenwriter, director, producer, and novelist. He is known for writing the films Go (1999), Charlie's Angels (2000), Charlie's Angels: Full Throttle (2003), Big Fish (2003), Charlie and the Chocolate Factory (2005), Corpse Bride (2005), Frankenweenie (2012), the Disney live-action adaptation of Aladdin (2019), the novels Arlo Finch in the Valley of Fire (2018), Arlo Finch in the Lake of the Moon (2019) and Arlo Finch in the Kingdom of Shadows (2020).
The Curse of Frankenstein is a 1957 British horror film by Hammer Film Productions, loosely based on the 1818 novel Frankenstein; or, The Modern Prometheus by Mary Shelley. It was Hammer's first colour horror film, and the first of their Frankenstein series. Its worldwide success led to several sequels, and it was also followed by new versions of Dracula (1958) and The Mummy (1959), establishing "Hammer Horror" as a distinctive brand of Gothic cinema.
Alice in Wonderland is a 2010 American fantasy adventure film directed by Tim Burton from a screenplay written by Linda Woolverton and produced by Walt Disney Pictures. The film stars Mia Wasikowska in the title role, with Johnny Depp, Anne Hathaway, Matt Lucas, Helena Bonham Carter, and Crispin Glover, while featuring the voices of Alan Rickman, Stephen Fry, Michael Sheen, and Timothy Spall. A live-action adaptation and re-imagining of Lewis Carroll's works, the film follows Alice Kingsleigh, a nineteen-year-old who accidentally falls down a rabbit hole, returns to Wonderland, and alongside the Mad Hatter helps restore the White Queen to her throne by fighting against the Red Queen and her Jabberwocky, a dragon that terrorizes Wonderland's inhabitants.
Allison Therese Abbate is an American film producer and animator, primarily of animated films.
Charles Tahan is an American actor. Starting as a child actor, with appearances in the 2007 films American Loser and I Am Legend, he has progressed through teen and adult roles. His notable roles include Ben Burke in the Fox dystopian mystery thriller series Wayward Pines (2015–16), the young Jonathan Crane / Scarecrow in the Fox/DC Comics superhero drama Gotham (2014–17), and Wyatt Langmore in the Netflix original crime drama Ozark (2017–2022).
Almost Alice: Music Inspired by the Motion Picture is a 2010 concept album of various artists' music inspired by Tim Burton's film, Alice in Wonderland. The album is also notable for featuring songs that were inspired from quotes directly from Lewis Carroll's original 1865 novel Alice's Adventures in Wonderland. For example, both "The Lobster Quadrille" and "You Are Old, Father William" are both word-for-word performances of poems from the original Alice as quoted by the Mock Turtle and Alice herself to the Caterpillar. Furthermore, "Very Good Advice" by Robert Smith is a cover of Kathryn Beaumont's "Very Good Advice" from Disney's 1951 animated adaptation of Alice in Wonderland.
The following is a list of unproduced Tim Burton projects, in roughly chronological order. During a career that has spanned over 30 years, Tim Burton has worked on a number of projects which never progressed beyond the pre-production stage under his direction.
Planes is a 2013 American animated sports comedy film produced by Disneytoon Studios and released by Walt Disney Pictures. Directed and co-written by Klay Hall and produced by Traci Balthazor-Flynn, it is a spin-off of Pixar's Cars franchise. Despite not being produced by Pixar, the film was co-written and executive produced by Pixar and Walt Disney Animation Studios' then-chief creative officer John Lasseter, who directed the first two Cars films, while the remaining writers of the film included Jeffrey M. Howard. The film stars the voices of Dane Cook, Stacy Keach, Priyanka Chopra in her Hollywood debut, Brad Garrett, Teri Hatcher, Danny Mann, Julia Louis-Dreyfus, Roger Craig Smith, John Cleese, Carlos Alazraqui, Sinbad, Val Kilmer, and Anthony Edwards. In the film, Dusty Crophopper (Cook), a crop duster plane in the town of Propwash Junction, wants to complete Wings Around the Globe with racing planes, especially Ripslinger (Smith), despite his fear of heights, with the help of naval aviator Skipper Riley (Keach), who trains him.
Frankenweenie: The Original Motion Picture Soundtrack is the film score for the Disney film, Frankenweenie, by Danny Elfman, and was released on September 25, 2012.
Tim Burton is an American film director, producer, artist, writer, animator, puppeteer, and actor.
Victor Frankenstein is a 2015 American science fantasy horror film based on contemporary adaptations of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. It is directed by Paul McGuigan and written by Max Landis and stars Daniel Radcliffe, James McAvoy, Jessica Brown Findlay, Andrew Scott, and Charles Dance. The film was released by 20th Century Fox on November 25, 2015.
Dumbo is a 2019 American fantasy period adventure film directed by Tim Burton from a screenplay by Ehren Kruger. It is a live-action adaptation of Walt Disney's 1941 animated film Dumbo, which is based on the novel by Helen Aberson and Harold Pearl. Colin Farrell, Michael Keaton, Danny DeVito, Eva Green and Alan Arkin star in a story about a family that works at a failing traveling circus encounter a baby elephant with extremely large ears who is capable of flying.
Even in the animated Frankenweenie, I stuck in a shot from 1958's Horror of Dracula, the only live-action piece in the movie, just because Lee was an inspiration.