Set in feudal Japan, the film revolves around Kubo, a young boy who wields a magical musical instrument and whose left eye was stolen during infancy. Accompanied by an anthropomorphic snow monkey charm and a human-stag beetle hybrid, he must embark on a quest to defeat his mother's baleful twin sisters, Karasu and Washi, and his ominous grandfather, the Moon King, who is responsible for stealing his left eye.
Laika's production designer Shannon Tindle pitched the fantasy story based on samurais to Knight. By December 2014, Laika announced that Kubo and the Two Strings would be released in August 2016, with Knight to direct and produce the project, as well as the voice casting announcement. He was enthusiastic about the project, owing partly to his affinity towards both the "epic fantasy" genre as well as Japanese culture in general, despite the studio never having ventured into the genre before. The stop-motion animation were inspired by Japanese media such as ink wash painting, ukiyo-e woodblock printing, and origami among others. Assistance came from 3D printing firm Stratasys who allowed Laika to use their newest technologies in exchange for feedback on them. Knight stated that the story for the film was partly inspired by works of Japanese animator Hayao Miyazaki. Dario Marianelli, who previously composed the music for Laika's 2014 film The Boxtrolls, composed the film's musical score.
In the early feudal Japan era, a 12-year-old boy with only one eye named Kubo tends to his ill mother in a mountain cave near a village. He earns their living by manipulating origami with music from his magical shamisen (a Japanese stringed instrument), telling the tale of his missing father Hanzo, a samurai warrior. Kubo is never able to finish his story, as he does not know what happened to Hanzo and his mother cannot recall the end due to her deteriorating mental state. His mother warns him not to stay out after dark as her sisters Karasu and Washi, as well as his grandfather, the Moon King (who took his eye when he was a baby) will find him and take his remaining eye.
One day, Kubo learns of the village's Bon festival allowing them to speak to deceased loved ones. Kubo attends, but is angry when Hanzo does not appear from his lantern and forgets to return home before sunset. Karasu and Washi quickly find him and attack, but his mother suddenly appears and using her magic sends Kubo far away, telling him to find his father's armor. Kubo wakes up in a distant land to find Monkey, his wooden snow monkey charm[a] has come alive. Monkey tells him that his mother is gone and the village destroyed. With help of "Little Hanzo", an origami figure based on Kubo's father, they set out to find the armor. Along the way, they meet Beetle, an amnesiac samurai who was cursed to take the form of a stag beetle—human hybrid, but believes he once was a follower of Hanzo.
The three reclaim the "Sword Unbreakable" from a cave guarded by a giant skeleton. They cross the Long Lake in a leaf boat to locate the "Breastplate Impenetrable" deep underwater. Kubo and Beetle swim down to retrieve it and encounter a sea monster, the "Garden of Eyes", who first uses its many eyes to entrance its victims by showing them visions of secrets and, while distracted, eats them. Kubo obtains the breastplate, but is caught in the creature's sight and, while entranced, realizes that Monkey is the reincarnated spirit of his mother. Beetle rescues the unconscious Kubo, but on returning to the boat, they find that Monkey has been badly wounded fighting and vanquishing Karasu whose mask split and hat forced off in the progress.
Going ashore to recover, Monkey explains that she and her Sisters were sent from the heavens ordered by the Moon King to kill Hanzo, but she arrived early and instead fell in love with him, whereupon she was ousted from the sky. That night, Kubo dreams of meeting his grandfather, who points him towards the "Helmet Invulnerable" in Hanzo's abandoned fortress. They travel there the next day, but realize too late it is a trap. Washi appears and kills Beetle, revealing that he is Hanzo, cursed by the Moon King for taking his daughter away. Monkey sacrifices herself, buying Kubo the time to use his instrument to vanquish Washi, breaking two of the three strings on it. Little Hanzo provides insight to Kubo that the helmet is actually the bell at the village, and Kubo breaks the last string to quickly travel there.
At the village, Kubo again meets the Moon King, who offers to take Kubo's other eye to make him perfect and immortal, but Kubo refuses. The Moon King transforms into the Moon Beast, a dragon-like creature, and pursues Kubo and the remaining villagers into the cemetery. When the armor proves ineffective, Kubo removes it and restrings his instrument using his father's bowstring and his mother's hair along with his own. Playing the instrument, he summons the spirits of the villagers' loved ones, to protect all of them from the Beast and to show the Moon King that memories are the strongest magic of all and can never be destroyed. Kubo and the spirits' magic strips him of his powers, leaving him a mortal old man without any memories. Spurred on by Kubo's stories, the villagers choose compassion and tell him he was a man of many positive traits, accepting him into the village. Kubo is able to speak to his parents' ghosts during the subsequent Bon ceremony, as they watch the deceased villagers' lanterns transform into golden cranes and fly to the spirit world.
Voice cast
Art Parkinson as Kubo an adventurous 12-year-old boy who can make origami move when he plays his magic shamisen
Charlize Theron as Sariatu a former goddess, Kubo's mother / Monkey, the latter being a reincarnation of the former
Matthew McConaughey as Hanzo / Beetle respectively Kubo's father and a cursed, amnesiac bug form of the former
Rooney Mara as Karasu and Washi Sariatu's twin sister goddesses, tasked with taking Kubo's other eye by their father, the Moon King
Ralph Fiennes as the Moon King God Kubo's grandfather who took Kubo's left eye
Brenda Vaccaro as Kameyo Kubo's elderly friend and grandmother-figure in the local village
Kubo and the Two Strings was announced by the stop-motion animation studio Laika in December 2014, and is the directorial debut of Laika's CEO Travis Knight.[5] Laika's production designer Shannon Tindle pitched the story to Knight as a "stop-motion samurai epic". Although the studio had never ventured into the genre before, Knight was enthusiastic about the project; owing partly his affinity towards both the "epic fantasy" genre as well as Japanese culture in general.[6]
The art took inspiration from such Japanese media as ink wash painting and origami among others. A particular influence came from the ukiyo-ewoodblock printing style, with Laika intending to make the entire film "to look and feel as if it's a moving woodblock print"[6] A second major influence on the film included the works of Kiyoshi Saito, who was a 20th-century Japanese graphic artist. Assistance came from 3D printing firm Stratasys who allowed Laika to use their newest technologies in exchange for feedback on them.[6] Knight mentioned that the story for the film was partly inspired by works of Japanese animator Hayao Miyazaki and filmmaker Akira Kurosawa.[7][8]
The art of Kiyoshi Saito was a strong influence on the style of the animation. In an interview, director Travis Knight described Saito's work as being the "touchstone" and the "one key visual artist" that inspired the film. Knight also describes being profoundly affected by the artist's interest in both eastern and western art styles and fusing them together in his works. This artist's combination of different styles across cultures inspired Knight and his film crew in the creation of Kubo and the Two Strings.[9]
For the giant skeleton, the team created a giant 16ft (5m), 400lb (180kg) puppet, which Laika claims is the record holder for largest stop-motion puppet.[10] The idea to make such a massive puppet was born out of a fear that individual smaller parts (meant to represent the larger monster) would not work well on screen interacting with the other puppets.[10] The resulting puppet was built in two parts which were then attached together by magnets. For movement, Laika had to design a robot to easily manipulate it. The team at one point purchased an industrial robot from eBay, but found that it would not work with their setup.[10] A small portion of the production was released on YouTube.[11]
Kubo and the Two Strings was first screened at the Melbourne International Film Festival on August 13, 2016,[14] and was theatrically released in the United States on August 19, 2016.[15]
Box office
Kubo and the Two Strings was released in the United States on August 19, 2016 alongside Ben-Hur and War Dogs. The film was projected to gross $12–15 million from 3,260 theaters in its opening weekend with some projections going as high as $17–20 million.[16] It made $515,000 from its Thursday night previews and $4.1 million on its first day, going on to gross $12.6 million in its opening weekend—just meeting its target—finishing 4th at the box office behind War Dogs, Sausage Party, and Suicide Squad.[17] The film grossed $48 million in North America and $29.5 million in other territories for a worldwide total of $77.5 million, against a budget of $60 million.[3]
Critical response
Review aggregation website Rotten Tomatoes gives the film an approval rating of 97% based on reviews from 228 critics, with an average rating of 8.40/10. The website's critical consensus reads, "Kubo and the Two Strings matches its incredible animation with an absorbing—and bravely melancholy—story that has something to offer audiences of all ages."[18] On Metacritic, the film has a weighted average score of 84 out of 100, based on 38 critics, indicating "universal acclaim".[19] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale, while PostTrak reported filmgoers gave it an 85% overall positive score and a 63% "definite recommend".[17]
Christy Lemire of RogerEbert.com awarded the film three and a half out of four stars, saying that "one of the most impressive elements of Kubo and the Two Strings—besides its dazzling stop-motion animation, its powerful performances and its transporting score—is the amount of credit it gives its audience, particularly its younger viewers."[20]IGN's Samantha Ladwig gave the film 7.5/10, stating that the film is "Dark, twisted, and occasionally scary, but also with humor, love, and inspiration."[21] Jesse Hassenger, of The A.V. Club, praised the film, saying that "no American animation studio is better-suited to dreamlike plotting than Laika, and the animation of Kubo is truly dazzling, mixing sophistication and handmade charm with inspired flow."[22]
Michael O'Sullivan of The Washington Post gave the film four out of four stars, stating that the film is "both extraordinarily original and extraordinarily complex, even for a grown-up movie masquerading as a kiddie cartoon (which it kind of is)."[23] In The New York Times, Glenn Kenny said that "the movie's blend of stop-motion animation for the main action with computer-generated backgrounds is seamless, creating what is the most visually intoxicating of all Laika's movies."[24] Peter Debruge of Variety wrote that ""Kubo" offers another ominous mission for a lucky young misfit, this one a dark, yet thrilling adventure quest that stands as the crowning achievement in Laika's already impressive oeuvre."[25]Jordan Hoffman of The Guardian was more critical of the film, giving it a two out of five stars and saying that "Older kids, except for a few teacher’s pets, will soon realise that this is hardly a fun action-adventure cartoon at all, but a plate of vegetables."[26]
Jonathan Pile of Empire, wrote of the film: "Yet another success for stop-motion giants Laika … boasts big laughs and effective scares in a typically gorgeous animated tale."[27]
Casting criticism
While the film received critical acclaim for its craft and story, it was criticized for its perceived whitewashing as a movie set in ancient Japan but featuring a centrally white voice cast. George Takei and Cary-Hiroyuki Tagawa were the only actors of Japanese descent, and both played minor characters.[28][29]
↑ Lemire, Christy (August 19, 2016). "Kubo and the Two Strings". RogerEbert.com. Ebert Digital LLC. Archived from the original on August 21, 2016. Retrieved August 23, 2016.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
