The Triplets of Belleville | |
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French | Les Triplettes de Belleville |
Directed by | Sylvain Chomet |
Written by | Sylvain Chomet |
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Starring |
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Edited by |
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Music by | Ben Charest |
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Release dates |
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Running time | 78 minutes |
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Budget | $9.5 million [2] |
Box office | $14.8 million [3] |
The Triplets of Belleville (French : Les Triplettes de Belleville) is a 2003 animated adventure comedy-drama film written and directed by Sylvain Chomet. [4] It was released as Belleville Rendez-vous in the United Kingdom and Ireland. The film is Chomet's first feature film and was an international co-production among companies in France, Belgium, Canada and the United Kingdom.
The film features the voices of Lina Boudreault, Mari-Lou Gauthier, Michèle Caucheteux, Jean-Claude Donda, Michel Robin, and Monica Viegas. There is little dialogue; much of the narrative is conveyed through song and pantomime. It tells the story of Madame Souza, an elderly woman who goes on a quest to rescue her grandson Champion, a Tour de France cyclist, who has been kidnapped by the French mafia for gambling purposes and taken to the city of Belleville (an amalgamation of Paris, New York City, Montreal and Quebec City [5] ). She is accompanied by Champion's loyal and obese hound, Bruno, and joined by the Triplets of Belleville, music hall singers from the 1930s, whom she meets in the city.
The film was highly praised by audiences and critics for its unique style of animation and has since gained a cult following. [6] The film was nominated for two Academy Awards—Best Animated Feature and Best Original Song for "Belleville Rendez-vous". It was also screened out of competition (hors concours) at the 2003 Cannes Film Festival. [7]
In France, Madame Souza is raising her grandson Champion, a melancholy orphan. They watch an old variety show on television featuring a trio of singers, the Triplets of Belleville (Rose, Blanche, and Violette). When the program is interrupted, Souza asks Champion if the "film" is finished. The listless Champion does not reply and instead changes the channel to a piano concert. Souza, seeing Champion's interest in the music, pulls out an old piano and tries to amuse him, but Champion remains indifferent. She deduces that Champion is lonely and buys him a dog, Bruno. Neither Bruno nor an electric train set succeed in lifting Champion's spirits, and the dog has no interests apart from eating, sleeping, and barking at trains.
While tidying Champion's room, Souza discovers a book filled with photos of cyclists. She buys Champion a tricycle, and he becomes an obsessive cyclist. Some years later he is competing in the Tour de France, when he is kidnapped by a pair of mobsters in a Citroën van. They take him and two other contestants across the Atlantic, Souza pursuing them on a pedalo.
Arriving in the United States penniless and hungry, Souza and the obese Bruno are adopted by the Triplets of Belleville, now elderly, and taken to their seedy apartment. When dinner is finally served, it consists of frog soup and frog stew, with tadpoles for dessert, collected by Violette using "expanding bait". Souza joins their band, playing bicycle spokes like a dulcimer, to their refrigerator-shelf harp, newspaper percussion and vacuum-cleaner bagpipe. During the show, Souza spots the kidnappers. With the help of the Triplets, Souza rescues the cyclists, who had been forced to pedal-power a gambling machine, and escape on the pedaling frame, pursued by the mobsters in Citroën sedans.
In a flashforward, an older Champion watches the TV again showing their adventure when they are leaving the city and remembers Souza asking once more if the film is finished. Champion turns to the empty bench next to him and says "It's over, Grandma".
In a humorous post-credits scene, the boatman who rented Souza the pedalo is seen patiently waiting for his vessel to return.
Rotten Tomatoes, a review aggregator, reports that 94% of 150 surveyed critics gave it a positive review, and the average rating was 8.2/10; the consensus reads: "Richly detailed and loaded with surreal touches, The Triplets of Belleville is an odd, delightful charmer." [8] Metacritic, which assigns a normalized score, rated it 91/100 based on 35 reviews, indicating "universal acclaim". [9]
The film was nominated for two Academy Awards: for Best Animated Feature, making it the first PG-13 animated film to be nominated in that category; and for Best Original Song (Benoît Charest and Sylvain Chomet for the song "Belleville Rendez-vous", sung by Matthieu Chedid in the original version). The film lost the Best Animated Feature award to Finding Nemo . It also won the César for Best Film Music, [10] and as a co-production with Canada it won the Genie Award for Best Motion Picture [11] and the BBC Four World Cinema Award in 2004. [12]
Sylvain Chomet is a French comic writer, animator and film director.
"Belleville Rendez-vous" is a song from the 2003 animated film Les Triplettes de Belleville, with music by Benoît Charest and lyrics by Sylvain Chomet. It was performed "in character" in the film by Béatrice Bonifassi.
Claude Barruck Joseph Lelouch is a French film director, writer, cinematographer, actor and producer. Lelouch grew up in an Algerian Jewish family. He emerged as a prominent director in the 1960s. Lelouch gained critical acclaim for his 1966 romantic melodrama film A Man and A Woman. At the 39th Academy Awards in 1967, A Man and a Woman won Best Original Screenplay and Best Foreign Language Film. Lelouch was also nominated for Best Director. While his films have gained him international recognition since the 1960s, Lelouch's methods and style of film are known for attracting criticism.
Matthieu Chedid is a French multi-instrumentalist and singer-songwriter.
The 24th Boston Society of Film Critics Awards, honoring the best in filmmaking in 2003, were given on 14 December 2003.
Benoît Charest is a Canadian guitarist and film score composer from Quebec. He is best known for the soundtrack of the animated film The Triplets of Belleville (2003), for which he won a César Award for Best Music Written for a Film as well as a Los Angeles Film Critics Association Award for Best Music. The song "Belleville Rendez-vous", in particular, earned him an Academy Award nomination as well as a Grammy Award nomination.
The Illusionist is a 2010 animated film written and directed by Sylvain Chomet. The film is based on an unproduced script written by French mime, director and actor Jacques Tati in 1956. Controversy surrounds Tati's motivation for the script, which was written as a personal letter to his estranged eldest daughter, Helga Marie-Jeanne Schiel, in collaboration with his long-term writing partner Henri Marquet, between writing for the films Mon Oncle and Play Time.
Maxime Morin, is a Montreal-based Canadian multi-instrumentalist, better known for his work in electronic music under the name DJ Champion, or simply Champion.
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The Old Lady and the Pigeons is a 1997 animated short film written and directed by Sylvain Chomet. It tells the slightly surreal story of a starving policeman who dresses up as a pigeon and tricks an old lady into feeding him. The film was produced through the French company Les Armateurs with support from companies in Canada, Belgium and the United Kingdom. It was Chomet's debut film and won several awards including the Grand Prix at the Annecy International Animated Film Festival.
Didier Brunner is a French film producer.
Les Armateurs is a French film production company focused on animation. It was founded by Didier Brunner in 1994 and is based in Paris. It produces feature films, short films and television series. Brunner served as the president of the company until 2014, when he was succeeded by Reginald de Guillebon. He retains a role as consultant.
"Carmen" is a song by Belgian singer Stromae, the sixth single from his second album Racine carrée.
The Human Plant is a Canadian animated feature film, directed by Pierre Hébert and released in 1996. The film stars Michael Lonsdale as Mr. Michel, a lonely and isolated widower who spends all his time at home watching television, but is driven to nightmare visions by the constant bombardment of negative and frightening information.
Arthouse animation is a combination of art film and animated film.
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