The Revenge of Frankenstein | |
---|---|
Directed by | Terence Fisher |
Screenplay by | Jimmy Sangster |
Based on | Victor Frankenstein by Mary Shelley |
Produced by | Anthony Hinds |
Starring | Peter Cushing Francis Matthews Eunice Gayson Michael Gwynn |
Cinematography | Jack Asher |
Edited by | Alfred Cox |
Music by | Leonard Salzedo |
Color process | Technicolor |
Production company | |
Distributed by | Columbia Pictures |
Release dates |
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Running time | 90 minutes |
Country | United Kingdom |
Language | English |
Box office | 455,241 admissions (France) [1] |
The Revenge of Frankenstein is a 1958 Technicolor British horror film directed by Terence Fisher and starring Peter Cushing, Francis Matthews, Michael Gwynn and Eunice Gayson. [2] Made by Hammer Film Productions, the film was a sequel to The Curse of Frankenstein , the studio's 1957 adaptation of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus, and the second instalment in their Frankenstein series.
In 1860, Baron Victor Frankenstein, sentenced to death, escapes execution by having a priest beheaded and buried in his place with the aid of a hunchback named Karl. Three years later, Victor, now going by the alias Doctor Stein, has become a successful physician in Carlsbrück, catering to the wealthy while also attending to the poor in a paupers' hospital. Hans Kleve, a junior member of the medical council, recognizes Victor and, being an admirer, requests an apprenticeship with him. Together with Karl, Victor and Hans continue with the Baron's experiment: transplanting a living brain into a new body, one that is not a crude, cobbled-together creature. The deformed Karl is more than willing to volunteer his brain thereby gaining a healthy body, particularly after meeting Margaret, the lovely new assistant at the hospital.
The transplant succeeds, but when the excited Hans tells Karl that he will be a medical sensation, Karl panics and convinces Margaret to free him. Hans notes that the chimpanzee into which Victor had transplanted the brain of an orangutan ate its mate. He worries about Karl, but his concerns are brushed off by Victor. Karl flees from the hospital and hides in Victor's laboratory, where he burns his preserved hunchback body. He is attacked by a drunken janitor, who takes him for a burglar, but manages to kill the man. Victor and Hans discover Karl is missing and begin searching for him.
The next morning, Margaret finds Karl in her aunt's stable. While she goes to fetch Hans, Karl experiences difficulties with his arm and leg. When Hans and Margaret arrive, he is gone. At night, Karl ambushes and strangles a local girl. The next night, he rushes into an evening reception. Having redeveloped his deformities, he begs Victor for help, using his real name of Frankenstein, before he collapses and dies. Victor, disregarding Hans' pleas that he should leave the country, appears before the medical council, where he denies being the infamous Frankenstein. The unsatisfied councilors open Victor's supposed grave, only to discover the priest's body, and conclude that the real Frankenstein is still alive.
At the hospital, the patients violently attack Victor out of hatred, and Hans rushes his dying mentor to the lab. The police arrive to arrest Victor, but when Hans shows them Victor's dead body, they leave. Hans then transplants Victor's brain into a new body that Victor had prepared earlier, which he made to resemble him. Sometime later in London, Hans assists Victor, now calling himself Doctor Franck, in welcoming some patients.
According to Jimmy Sangster, James Carreras presold the film in America, taking a poster with him. When Carreras returned he approached Sangster with the project asking him to write the sequel. Sangster responded, "I killed (Baron) Frankenstein in the first film." Sangster stated that Carreras told him he had six weeks to write the project before shooting started and that "you'll think of something". [3]
The film was shot at Bray Studios and production commenced on 6 January 1958, three days after filming wrapped on Dracula (1958), which likewise starred Cushing and was directed by Fisher. [4]
Conductor and composer Leonard Salzedo was hired to write the score, [5] and most of the regular Hammer crew returned in other roles, including Jack Asher as cinematographer, Bernard Robinson on design and Phil Leakey on make-up. [6]
It was released in the United States in June 1958 [7] with Curse of the Demon (1957) on the lower half of the double bill. [8]
Three novelizations of the film were published. The first, by Jimmy Sangster (as Hurford Janes) was published by Panther Books in 1958; the second was by John Burke as part of his 1966 Pan book The Hammer Horror Film Omnibus; the third, by Shaun Hutson, was published in March 2013 ( ISBN 9780099556237).
Variety called The Revenge of Frankenstein "a high grade horror film" with "rich" production values and a script that was "well-plotted, peopled with interesting characters, aided by good performances." [9]
Motion Picture Daily noted, "a horror picture turned out with creative skill and imagination. The most notable contribution the Hammers have made to the genre is their stunning use of color for frightening effects". Hammer Films "have demolished once and for all the theory that horror films should always be in black-and-white". [10]
Harrison's Reports declared it "a first-rate picture of its kind." [11]
The Monthly Film Bulletin wrote: "A contrived plot and a notable lack of pace and imagination are responsible for the failure of this lavish and painstaking production to be convincing even on the level of a horror film. Peter Cushing's stylish and diffident performance serves only to underline the farcical effects of a crude and pedestrian handling of the little legitimate horror left." [12]
As of October 2022 [update] , The Revenge of Frankenstein held an 87% approval rating on the review aggregator website Rotten Tomatoes, based on 15 reviews. [13]
Peter Wilton Cushing was a British actor. His acting career spanned over six decades and included appearances in more than 100 films, as well as many television, stage and radio roles. He achieved recognition for his leading performances in the Hammer Productions horror films from the 1950s to 1970s, and as Grand Moff Tarkin in Star Wars (1977).
Hammer Film Productions Ltd. is a British film production company based in London. Founded in 1934, the company is best known for a series of Gothic horror and fantasy films made from the mid-1950s until the 1970s. Many of these involve classic horror characters such as Baron Victor Frankenstein, Count Dracula, and the Mummy, which Hammer reintroduced to audiences by filming them in vivid colour for the first time. Hammer also produced science fiction, thrillers, film noir and comedies, as well as, in later years, television series.
Young Frankenstein is a 1974 American comedy horror film directed by Mel Brooks. The screenplay was co-written by Brooks and Gene Wilder. Wilder also starred in the lead role as the title character, a descendant of the infamous Dr. Victor Frankenstein. Peter Boyle portrayed the monster. The film co-stars Teri Garr, Cloris Leachman, Marty Feldman, Madeline Kahn, Kenneth Mars, Richard Haydn, and Gene Hackman.
Frankenstein's monster, also referred to as Frankenstein, is a fictional character that first appeared in Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus as its main antagonist. Shelley's title compares the monster's creator, Victor Frankenstein, to the mythological character Prometheus, who fashioned humans out of clay and gave them fire.
Dracula is a 1958 British gothic horror film directed by Terence Fisher and written by Jimmy Sangster based on Bram Stoker's 1897 novel of the same name. The first in the series of Hammer Horror films starring Christopher Lee as Count Dracula, the film also features Peter Cushing as Doctor Van Helsing, along with Michael Gough, Melissa Stribling, Carol Marsh, and John Van Eyssen. In the United States, the film was retitled Horror of Dracula to avoid confusion with the U.S. original by Universal Pictures, 1931's Dracula.
Terence Fisher was a British film director best known for his work for Hammer Films.
The Curse of Frankenstein is a 1957 British horror film by Hammer Film Productions, loosely based on the 1818 novel Frankenstein; or, The Modern Prometheus by Mary Shelley. It was Hammer's first colour horror film, and the first of their Frankenstein series. Its worldwide success led to several sequels, and it was also followed by new versions of Dracula (1958) and The Mummy (1959), establishing "Hammer Horror" as a distinctive brand of Gothic cinema.
Igor, or sometimes Ygor, is a stock character, a sometimes hunch-backed laboratory assistant to many types of Gothic villains or as a fiendish character who assists only himself, the latter most prominently portrayed by Bela Lugosi in Son of Frankenstein (1939) and The Ghost of Frankenstein (1942). He is familiar from many horror films and horror film parodies. He is traditionally associated with mad scientists, particularly Victor Frankenstein, although Frankenstein has neither a lab assistant nor any association with a character named Igor in the original Mary Shelley novel. The Igor of popular parlance is a composite character, based on characters created for the Universal Studios film franchise. In the first Frankenstein film (1931), Fritz served the role; in the sequels, a different physically deformed character, Ygor, is featured, though Ygor is not an assistant in those films.
Frankenstein Must Be Destroyed is a 1969 British horror film directed by Terence Fisher for Hammer Films, starring Peter Cushing, Freddie Jones, Veronica Carlson and Simon Ward. The film is the fifth in a series of Hammer films focusing on Baron Frankenstein, who, in this entry, terrorises those around him in a bid to uncover the secrets of a former associate confined to a lunatic asylum.
The Evil of Frankenstein is a 1964 British film directed by Freddie Francis and starring Peter Cushing, Sandor Elès and Kiwi Kingston. The screenplay was by Anthony Hinds. It is the third instalment in Hammer's Frankenstein series.
The Brides of Dracula is a 1960 British supernatural gothic horror film produced by Hammer Film Productions. Directed by Terence Fisher, the film stars Peter Cushing, David Peel, Freda Jackson, Yvonne Monlaur, Andrée Melly, and Martita Hunt. The film is a sequel to the 1958 film Dracula, though the character of Count Dracula does not appear in the film, and is instead mentioned only twice. Christopher Lee would reprise his role as Dracula in the next film in the Dracula series, Dracula: Prince of Darkness (1966).
Frankenstein Created Woman is a 1967 British Hammer horror film directed by Terence Fisher and starring Peter Cushing and Susan Denberg. The screenplay was by Anthony Hinds. It is the fourth film in Hammer's Frankenstein series.
House of Frankenstein is a 1944 American horror film starring Boris Karloff, Lon Chaney Jr. and John Carradine. It was directed by Erle C. Kenton and produced by Universal Pictures. Based on Curt Siodmak's story "The Devil's Brood", the film is about Dr. Gustav Niemann, who escapes from prison and promises to create a new body for his assistant Daniel. Over the course of the film, they encounter Count Dracula, the Wolf Man and Frankenstein's monster. The film is a sequel to Frankenstein Meets the Wolf Man (1943).
The Horror of Frankenstein is a 1970 British horror film by Hammer Film Productions that is both a semi-parody and semi-remake of the 1957 film The Curse of Frankenstein, of Hammer's Frankenstein series. It was produced and directed by Jimmy Sangster, starring Ralph Bates, Kate O'Mara, Veronica Carlson and David Prowse as the monster. It was the only film in the Frankenstein series which did not star Peter Cushing. The original music score was composed by Malcolm Williamson.
Frankenstein and the Monster From Hell is a 1974 British horror film, directed by Terence Fisher and produced by Hammer Film Productions. It stars Peter Cushing, Shane Briant and David Prowse. Filmed at Elstree Studios in 1972 but not released until 1974, it was the final chapter in the Hammer Frankenstein saga of films as well as director Fisher's last film.
Lust for a Vampire, also known as Love for a Vampire or To Love a Vampire, is a 1971 British Hammer Horror film directed by Jimmy Sangster, starring Ralph Bates, Barbara Jefford, Suzanna Leigh, Michael Johnson, and Yutte Stensgaard. It was given an R rating in the United States for some violence, gore, strong adult content and nudity. It is the second film in the Karnstein Trilogy, loosely based on the 1872 Sheridan Le Fanu novella Carmilla. It was preceded by The Vampire Lovers (1970) and followed by Twins of Evil (1971). The three films do not form a chronological development, but use the Karnstein family as the source of the vampiric threat and were somewhat daring for the time in explicitly depicting lesbian themes.
Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus, and the famous character of Frankenstein's monster, have influenced popular culture for at least a century. The work has inspired numerous films, television programs, video games and derivative works. The character of the Monster remains one of the most recognized icons in horror fiction.
The Man Who Could Cheat Death is a 1959 British horror film, directed by Terence Fisher and starring Anton Diffring, Hazel Court, and Christopher Lee. Jimmy Sangster adapted the screenplay from the play The Man in Half Moon Street by Barré Lyndon, which had been previously filmed in 1945. The Man Who Could Cheat Death was produced by Michael Carreras and Anthony Nelson Keys for Hammer Film Productions. It was released in the US on 19 August 1959 and in the UK on 30 November 1959.
Tales of Frankenstein is an unsold TV pilot filmed in 1958. It was a co-production of Hammer Film Productions and Columbia Pictures. The film is a mixture of elements from both the Hammer and Universal Pictures versions of Frankenstein, based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The episode title, which does not appear onscreen, is "The Face in the Tombstone Mirror". The film is in the public domain.
Frankenstein is a British horror-adventure film series produced by Hammer Film Productions. The films, loosely based on the 1818 novel Frankenstein; or, The Modern Prometheus by Mary Shelley, are centered on Baron Victor Frankenstein, who experiments in creating a creature beyond human. The series is part of the larger Hammer horror oeuvre.