The Gelignite Gang | |
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![]() American release poster | |
Directed by | Terence Fisher Francis Searle |
Written by | Brandon Fleming |
Story by | Brandon Fleming |
Produced by | Brandon Fleming Geoffrey Goodhart |
Starring | Wayne Morris Sandra Dorne |
Cinematography | Cedric Williams |
Edited by | Douglas Myers |
Music by | Jerry Levy |
Production company | Cybex Film Productions |
Distributed by | Renown Pictures (UK) Astor Pictures (US) |
Release date |
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Running time | 74 minutes |
Country | United Kingdom |
Language | English |
The Gelignite Gang (U.S. title The Dynamiters [1] ) is a 1956 British black and white second feature [2] crime film directed by Terence Fisher and Francis Searle, starring Wayne Morris and Sandra Dorne. [3] It was written by Brandon Fleming.
American insurance investigator Jimmy Baxter works for the Anglo American Investigation Company in England. He searches for a gang of jewel robbers who use gelignite as part of their modus operandi. He goes to The Green Dragon Club to interview its owner Mr Popoulos. After he leaves, the head waiter, Bergman, calls him from a phone box, but before he can say much he is shot dead by an unseen assailant.
Baxter is more successful than his boss at chatting up the office secretary, Sally, and asks her to dinner at the Green Dragon Club.
Sally does some sleuthing on her own and finds valuable clues. Baxter tracks the gang to its lair, but then Sally is kidnapped by Mr. G., the gang's secret mastermind, and tied up in a warehouse.
Initially the old pawnbroker appears to be the mastermind. The gang are tracked to his pawn shop and when they fail to shoot their way out they set fire to the building. Ultimately Mr G. appears to be Rutherford, the boss of Anglo American.
The Monthly Film Bulletin wrote: "Straightforward crime thriller on a modest scale, with fast and furious action in familiar London surroundings." [4]
Chibnall and McFarlane in The British 'B' Film wrote: "It is hard to imagine anyone finding much pleasure in Francis Searle's The Gelignite Gang except for the frequent unintentional laughs provided by its clichéd script and wooden direction. ... The film's only redeeming feature is a reasonably well-filmed rooftop shootout." [2]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "mediocre", writing: "Fast-moving crime drama is short on actual action, has unintentional laughs in shoals." [5]