William Gordon Harker was an English stage and film actor.
The Midas Touch is a 1940 British thriller film directed by David MacDonald and starring Barry K. Barnes, Judy Kelly, Frank Cellier and Bertha Belmore. It is an adaptation of the 1938 novel of the same title by Margaret Kennedy.
A Spot of Bother is a 1938 British comedy film directed by David MacDonald and starring Robertson Hare, Alfred Drayton, Sandra Storme and Kathleen Joyce. The film is a farce in which a bishop unwisely decides to loan the cathedral funds to a dubious businessman. Meanwhile, his secretary is involved with smuggled goods. It was shot at Pinewood Studios and adapted from a play by Vernon Sylvaine. The film's sets were designed by Wilfred Arnold.
Badger's Green is a 1949 British comedy film directed by John Irwin and starring Barbara Murray, Brian Nissen, Garry Marsh and Kynaston Reeves.
Friday the Thirteenth is a 1933 British drama film directed by Victor Saville and starring Jessie Matthews, Sonnie Hale and Muriel Aked.
Plunder is a 1931 British comedy film directed by and starring Tom Walls. It also features Ralph Lynn, Winifred Shotter and Robertson Hare. It was based on the original stage farce of the same title, and was the second in a series of film adaptations of Aldwych farces by Ben Travers, adapted in this case by W. P. Lipscomb, and was a major critical and commercial success helping to cement Walls's position as one of the leading stars of British cinema.
The House in Marsh Road, known on American television as Invisible Creature, is a 1960 British horror suspense film produced by Maurice J. Wilson, directed by Montgomery Tully and starring Tony Wright, Patricia Dainton and Sandra Dorne. The plot centres on a benevolent poltergeist in a country home which protects a woman from her homicidal husband. It may be one of the first films to use the word 'poltergeist' in reference to a spirit or ghost. The film was never released to theatres in the US, and instead went straight to television.
Small Hotel is a 1957 British 'B' comedy film directed by David MacDonald and starring Gordon Harker, Marie Lohr, John Loder, and Janet Munro. It was written by Wilfred Eades based on the 1955 play of the same name by Rex Frost.
The Voice of Merrill is a 1952 British mystery film directed by John Gilling and starring Valerie Hobson, James Robertson Justice and Edward Underdown. The Voice of Merrill was made by Tempean Films, the company owned by the film's producers Monty Berman and Robert S. Baker, which between the late 1940s and the late 1950s specialised in turning out low-budget B-movies as unpublicised second-features for the UK cinema market. On its release however, The Voice of Merrill was recognised by its distributors, Eros Films, as unusually sophisticated and stylish for a B-movie, and was elevated to the status of co-feature in cinemas. It was released in the United States the following year under the title Murder Will Out.
The Lost Hours is a 1952 British film noir directed by David MacDonald and starring Mark Stevens, Jean Kent and John Bentley. It was produced by Tempean Films which specialised in making second features at the time, and marked Kent's first descent into B films after her 1940s stardom. It was shot at Isleworth Studios and on location around London. The film's sets were designed by the art director Andrew Mazzei. It was released in the United States the following year by RKO Pictures as The Big Frame.
Trouble with Eve is a 1960 British second feature comedy film directed by Francis Searle and starring Hy Hazell, Sally Smith, Robert Urquhart and Garry Marsh. It was based on the play Widows are Dangerous by June Garland. It was shot at Walton Studios. The film was released in the U.S. in 1964 as In Trouble With Eve.
Banana Ridge is a 1942 British comedy film directed by Walter C. Mycroft and starring Robertson Hare, Alfred Drayton and Isabel Jeans. The film is based on a 1938 stage play of the same name by Ben Travers. It was made at Welwyn Studios. Michael Denison accompanied his wife Dulcie Gray for her screen test for the film, which led some years later to his casting in his breakthrough role in My Brother Jonathan. The film was a success at the box office. Hare and Drayton appeared together in another comedy Women Aren't Angels the following year.
Vernon Sylvaine (1896–1957) was a British playwright and screenwriter. He is known for writing several popular stage farces. He began working in film in 1937 when his stage hit Aren't Men Beasts! was turned into a film of the same title starring Robertson Hare and Alfred Drayton. Hare and Drayton starred in two further adaptations of his plays A Spot of Bother (1938) and Women Aren't Angels (1943). He adapted his own play for the 1943 comedy-thriller Warn That Man starring Gordon Harker, Basil Radford and Judy Kelly. His 1948 play One Wild Oat was turned into a 1951 film of the same title.
Pack Up Your Troubles is a 1940 British comedy film directed by Oswald Mitchell and starring Reginald Purdell, Wylie Watson and Patricia Roc. It takes its name from the First World War marching song "Pack Up Your Troubles in Your Old Kit-Bag".
Why Pick on Me? is a 1937 British comedy film directed by Maclean Rogers and starring Wylie Watson, Jack Hobbs and Sybil Grove. It was made at Walton Studios. It was made as a quota quickie for release by the American company RKO Pictures.
Front Line Kids is a 1942 British comedy film directed by Maclean Rogers and starring Leslie Fuller. It was made at the Riverside Studios in Hammersmith. The film's sets were designed by the art director Andrew Mazzei.
The Straw Man is a 1953 British crime film directed by Donald Taylor and starring Dermot Walsh, Clifford Evans and Lana Morris. Its storyline focuses on insurance fraud. It is based on the 1951 novel Straw Man by Doris Miles Disney.
Double Exposure is a 1954 British crime film directed by John Gilling and starring John Bentley, Rona Anderson and Garry Marsh. It was made at Southall Studios as a second feature. The film's sets were designed by Wilfred Arnold.
The Green Carnation is a 1954 British crime film directed by John Lemont and starring Wayne Morris, Mary Germaine and Marcia Ashton.
Night Comes Too Soon is a 1948 British horror film directed by Denis Kavanagh and starring Valentine Dyall, Anne Howard and Alec Faversham. It was based on the story The Haunters and the Haunted by Edward Bulwer-Lytton, and also incorporates the "changing picture" component from The Mezzotint by M. R. James. It was released in the United States under the alternative title of The Ghost of Rashmon Hall.
