The Rossiter Case | |
---|---|
![]() | |
Directed by | Francis Searle |
Screenplay by | John Hunter Francis Searle [1] |
Based on | The Rossiters (play) by Kenneth Hyde [2] |
Produced by | Anthony Hinds |
Starring | Helen Shingler Clement McCallin Sheila Burrell |
Cinematography | Walter J. Harvey |
Edited by | John Ferris |
Music by | Frank Spencer |
Production company | |
Distributed by | Exclusive Films (UK) |
Release date |
|
Running time | 75 minutes |
Country | United Kingdom |
Language | English |
The Rossiter Case is a 1951 British second feature ('B') [3] crime film directed by Francis Searle and starring Helen Shingler, Clement McCallin, Sheila Burrell and Stanley Baker in a small role. [4] It was written by John Hunter and Searle based on Kenneth Hyde's 1947 play The Rossiters. [5] Production ran from 22 May 1950 to 9 June. It was released on 21 January 1951. The film is unlisted in film guides and is today considered a lost film. [6]
Peter Rossiter's wife Liz is paralyzed from a car accident caused by his driving. He has an affair with his calculating sister-in-law, Honor, who tells him she is pregnant and that he should divorce Liz and marry her. When Liz realizes her sister is scheming to steal her husband, she confronts her and Honor pulls out a gun. The sisters wrestle over the weapon, and Honor is shot dead. The police find Peter's gun by the body, and he becomes their number one murder suspect. Since he was drunk at the time of the shooting, he has no alibi. Liz decides to confess, and as she does so, she miraculously regains her ability to walk again and rises up out of her wheelchair. The police rule the case an accidental homicide, and Liz and Peter decide to work on repairing their marriage.
The Monthly Film Bulletin wrote: "This melodrama, adapted from a stage play, has been almost literally translated to the screen. The result is a film artificial in presentation, and weighed down by dialogue." [7]
Picture Show wrote: "Competently acted and directed." [8]
The Daily Film Renter wrote: "Both the leading and supporting roles are acted in really true-to-life style, and the picture remains traditionally British in character." [9]
Picturegoer wrote: "Both Helen Shingler and Clement McCallin have achieved considerable success on television in recent months. This, their first screen appearance after a long absence, will, unfortunately, not enhance their names with picturegoers. Neither is able to inject sufficient dramatic quality into this tale. The story, though it has its moments, is far too long." [10]