A Stranger Came Home | |
---|---|
Directed by | Terence Fisher |
Written by | Michael Carreras |
Based on | Stranger at Home by George Sanders |
Produced by | Michael Carreras |
Starring | Paulette Goddard William Sylvester Patrick Holt |
Cinematography | Walter J. Harvey |
Edited by | Bill Lenny |
Music by | Leonard Salzedo |
Production company | |
Distributed by | |
Release date |
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Running time | 80 minutes |
Country | United Kingdom |
Language | English |
Box office | 11,349 admissions (France) [1] |
A Stranger Came Home (U.S. title: The Unholy Four; also known as The Stranger) is a 1954 British film noir directed by Terence Fisher and starring Paulette Goddard, William Sylvester and Patrick Holt. [2] It was written by Michael Carreras based on the 1946 novel Stranger at Home, credited to actor George Sanders but ghostwritten by Leigh Brackett. [3] The film was released in the United States by Lippert Pictures.
Four friends go on a fishing trip but only three return. After an absence of four years, during which time he had been an amnesiac, the fourth man, Philip Vickers, returns home after regaining his memory. He tells of a "friend" who knocked him out, drugged him, and left him to die. Any one of the remaining men could be a suspect as Job Crandall, Bill Saul and Harry Bryce have all been interested in Philip's attractive 'widow', Angie. Unfortunately, Philip's return coincides with a murder and he becomes the main suspect. Angie joins forces with her husband to help solve the mystery and clear his name.
The film was produced by Hammer Films at Bray Studios in Berkshire. [4] with sets designed by the art director J. Elder Wills.
The Monthly Film Bulletin wrote: "This confused and unconvincing murder mystery is so spattered with red herrings as to be almost incomprehensible. Paulette Goddard works hard; but for the most part the acting is little superior to the material." [5]
The New York Times wrote, "A THIRD-RATE British-made whodunit called The Unholy Four, featuring Paulette Goddard and a nondescript cast ... A few more fly-by-nights like this Lippert presentation, produced and written by Michael Carreras, and the still-shapely Miss Goddard may find herself collecting the pieces of a career." [6]
Leonard Maltin called it "Muddled." [7]
Allmovie called it a "suspenseful drama." [8]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "average", writing: "Strength of character sees well-worn, fairly suspenseful thriller through." [9]
Hammer Film Productions Ltd. is a British film production company based in London. Founded in 1934, the company is best known for a series of Gothic horror and fantasy films made from the mid-1950s until the 1970s. Many of these involve classic horror characters such as Baron Victor Frankenstein, Count Dracula, and the Mummy, which Hammer reintroduced to audiences by filming them in vivid colour for the first time. Hammer also produced science fiction, thrillers, film noir and comedies, as well as, in later years, television series.
Paulette Goddard was an American actress and socialite. Her career spanned six decades, from the 1920s to the early 1970s. She was a prominent leading actress during the Golden Age of Hollywood.
Terence Fisher was a British film director best known for his work for Hammer Films.
William Sylvester was an American actor, chiefly known for his film and television work in the United Kingdom. A graduate of the Royal Academy of Dramatic Art, he was a star of British B-movies in the 1950s and 1960s, but gained widespread recognition for his role as Dr. Heywood Floyd in the landmark science-fiction film 2001: A Space Odyssey (1968).
Frankenstein Must Be Destroyed is a 1969 British horror film directed by Terence Fisher for Hammer Films, starring Peter Cushing, Freddie Jones, Veronica Carlson and Simon Ward. The film is the fifth in a series of Hammer films focusing on Baron Frankenstein, who, in this entry, terrorises those around him in a bid to uncover the secrets of a former associate confined to a lunatic asylum.
Seth Holt was a Palestinian-born British film director, producer and editor. His films are characterized by their tense atmosphere and suspense, as well as their striking visual style. In the 1960s, Movie magazine championed Holt as one of the finest talents working in the British film industry, although his output was notably sparse.
Spaceways is a 1953 British second feature ('B') science fiction drama film directed by Terence Fisher and starring Howard Duff, Eva Bartok and Alan Wheatley. It was produced by Michael Carreras for Hammer Film Productions Ltd. and Lippert Productions Inc., with Robert L. Lippert as uncredited co-producer. The screenplay was written by Paul Tabori and Richard Landau, based on the 1952 radio play by Charles Eric Maine. The film was distributed in the UK by Exclusive Films Ltd. and in the United States by Lippert Pictures.
Michael Henry Carreras was a British film producer and director. He was known for his association with Hammer Films, being the son of founder James Carreras, and taking an executive role in the company during its most successful years.
The Last Page, released in the United States as Man Bait, is a 1952 British film noir directed by Terence Fisher, starring George Brent, Marguerite Chapman and Diana Dors. The film was also known as Murder in Safety and Blonde Blackmail.
Forbidden Cargo is a 1954 British crime film directed by Harold French and starring Nigel Patrick, Elizabeth Sellars and Jack Warner. It was written by Sydney Box.
Wings of Danger is a 1952 British second feature crime film directed by Terence Fisher and starring Zachary Scott, Robert Beatty and Kay Kendall. The screenplay, based on the 1951 novel Dead on Course by Trevor Dudley Smith and Packham Webb, concerns a pilot who is suspected of smuggling. It was released in the United States under its working title of Dead on Course.
Home to Danger is a 1951 British second feature film noir crime film directed by Terence Fisher starring Guy Rolfe, Rona Anderson and Stanley Baker. It was written by Written for Francis Edge and John Temple-Smith from a scenario by Ian Stuart Black.
Face the Music is a 1954 British crime drama film directed by Terence Fisher, and starring Alex Nicol, Eleanor Summerfield and Paul Carpenter. It was released in the United States by Lippert Pictures.
Murder by Proxy is a 1954 British 'B' film noir crime drama film directed by Terence Fisher and starring Dane Clark, Belinda Lee and Betty Ann Davies. The film was based on the 1952 novel of the same name by Helen Nielsen. It was produced by Hammer Films, and released in the United States by Lippert Pictures.
Mask of Dust is a 1954 British second feature motor racing drama film directed by Terence Fisher and starring Richard Conte, Mari Aldon and Peter Illing. It was written by Paul Tabori and Richard H. Landau based on the 1953 novel The Last Race by Jon Manchip White. It was released in the United States by Lippert Pictures as A Race for Life.
Tread Softly Stranger is a 1958 British crime drama film directed by Gordon Parry and starring Diana Dors, George Baker and Terence Morgan. The screenplay was written by George Minter adapted from the stage play Blind Alley (1953) by Jack Popplewell. The film was shot in black-and-white in film noir style, and its setting in an industrial town in northern England mirrors the kitchen sink realism movement coming into vogue in English drama and film at the time.
Patrick Holt was an English film and television actor.
Third Party Risk is a 1954 second feature British crime drama film directed by Daniel Birt and starring Lloyd Bridges, Simone Silva and Finlay Currie. It was written by Birt and Robert Dunbaris based on the 1953 novel of the same name by Nicholas Bentley. It was released in the United States by Lippert Pictures under the title TheDeadly Game.
Sins of Jezebel is a 1953 American historical drama film produced by Sigmund Neufeld and directed by Reginald Le Borg. It stars Paulette Goddard as Jezebel, the biblical queen of the northern kingdom of Israel during the 9th century BC. The film was shot in Ansco Color for widescreen projection.
Five Days is a 1954 British second feature ('B') film noir directed by Montgomery Tully and starring Dane Clark, Paul Carpenter and Thea Gregory. It was written by Paul Tabori and produced by Anthony Hinds for Hammer Film Productions. It was released in the United States by Lippert Pictures.