Frankenstein Must Be Destroyed | |
---|---|
Directed by | Terence Fisher |
Screenplay by | Bert Batt |
Story by | Anthony Nelson Keys Bert Batt |
Based on | Victor Frankenstein by Mary Shelley |
Produced by | Anthony Nelson Keys |
Starring | Peter Cushing Simon Ward Veronica Carlson Freddie Jones |
Cinematography | Arthur Grant |
Edited by | Gordon Hales |
Music by | James Bernard |
Production company | |
Distributed by | Warner-Pathé Distributors (United Kingdom) Warner Bros.-Seven Arts (United States) |
Release dates |
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Running time | 98 minutes (UK) 101 minutes (U.S.) |
Country | United Kingdom |
Language | English |
Box office | 586,439 admissions (France) [1] |
Frankenstein Must Be Destroyed is a 1969 British horror film directed by Terence Fisher for Hammer Films, starring Peter Cushing, Freddie Jones, Veronica Carlson and Simon Ward. [2] [3] The film is the fifth in a series of Hammer films focusing on Baron Frankenstein, who, in this entry, terrorises those around him in a bid to uncover the secrets of a former associate confined to a lunatic asylum.
It marked the final movie by Warner Bros.-Seven Arts to be released under Warner Bros. when the company was acquired by Kinney National Company.
A doctor is decapitated by a masked man while a thief breaks into an underground lab. The masked man enters the lab, carrying the severed head, and fights the thief, who escapes in horror. The man unmasks himself and is revealed to be Baron Victor Frankenstein. The thief goes to the police station to report the severed head to Inspector Frisch. Victor, under the alias Mr Fenner, rents a room at a boarding house run by landlady Anna Spengler. Anna's fiancé Karl Holst is a doctor at the asylum where Victor's former assistant, Dr Frederick Brandt, was committed after going insane.
After discovering Karl has been stealing narcotics in order to support Anna's ailing mother, Victor reveals his true identity and blackmails Karl into helping him kidnap Brandt so he can get the secret formula of his experiment. While stealing equipment from a warehouse for Victor's new lab, Karl and the Baron are caught by the guard. Karl panics and stabs him. Victor, now with a further hold on Karl, uses him and Anna to kidnap Brandt. They take him back to the house and build a lab in the basement. Karl confides to Anna about killing the guard and begs her to leave, fearing she may go to prison for being an accessory to a murderer, but she refuses.
Meanwhile, Brandt has a heart attack, prompting Victor and Karl to kidnap the asylum's administrator, Professor Richter, to transplant Brandt's brain into his body. That night, while Anna is getting ready for bed, Victor enters her room and rapes her. The next day, Victor and Karl succeed in transplanting Brandt's brain into Richter's body and bury Brandt's body in the garden. Brandt's wife Ella recognises Victor in the street and confronts him about her husband's kidnapping. Victor assures her he has cured her husband's mental illness but does not let her see him. She refuses to believe him and goes to Frisch.
While the creature recovers, Victor and the lovers relocate to a deserted manor house when the police begin to close in. In the lab, the creature awakes and is horrified by his appearance. He scares Anna, who stabs him, causing him to escape. Victor returns and finds the creature gone. In a rage, he fatally stabs Anna and goes after the creature. The creature makes it to his former home, but his wife refuses to accept him as her husband. Wanting revenge on Victor and knowing the Baron will eventually track him there, he allows his wife to go free and pours paraffin around the house.
Victor soon arrives, with Karl following. Inside the house, the creature makes fires to trap him. Victor finds the papers of discovery and flees, but is ambushed by Karl, and they fight. The creature emerges, knocks Karl out and carries a screaming Victor into the burning house, where they both presumably die.
The scene where Frankenstein rapes Anna was filmed over the objections of both Peter Cushing and Veronica Carlson, and director Terence Fisher, who halted it when he felt enough was enough. [4] It was not in the original script, but the scene was added at the insistence of Hammer executive James Carreras, who was under pressure to keep the American distributors happy. [4]
The scenes featuring Thorley Walters as Inspector Frisch were also late additions to the original script; they have been described as unnecessary, adding an unwelcome element of comedy into the suspenseful story and also making the film too long. [5] [6] [7]
In 1978, the Welsh television station HTV Cymru/Wales broadcast a version dubbed into the Welsh language called Rhaid Dinistrio Frankenstein, a more-or-less literal translation of the English title. It was rebroadcast on the new Welsh language channel S4C on its launch in 1982. [8]
Variety called the film "a good-enough example of its low-key type, with artwork rather better than usual (less obvious backcloths, etc.) a minimum of artless dialogue, good lensing by Arthur Grant and a solid all round cast." [9]
The Monthly Film Bulletin called it "the most spirited Hammer horror in some time. The crudities still remain, of course, but the talk of transplants and drugs seem to have injected new life into the continuing story of Baron Frankenstein." [10]
The Radio Times Guide to Films gave the film 3/5 stars, writing that the film: "is graced by an incisive performance from Peter Cushing, up to his old tricks as the Baron performing brain transplants. Freddie Jones is astonishing as the anguished victim of the transplant, whose wife fails to recognise him and rejects him, prompting a revenge plan. The gothic gore is once more directed with spirited skill and economy by Terence Fisher (his fourth in the series)." [11]
Leslie Halliwell said: "Spirited but decidely unpleasant addition to the cycle, made more so by a genuine note of pathos." [12]
Frankenstein Must Be Destroyed currently holds an average 70% on Rotten Tomatoes. [13]
Peter Wilton Cushing was an English actor. His acting career spanned over six decades and included appearances in more than 100 films, as well as many television, stage and radio roles. He achieved recognition for his leading performances in the Hammer Productions horror films from the 1950s to 1970s and as Grand Moff Tarkin in Star Wars (1977).
Hammer Film Productions Ltd. is a British film production company based in London. Founded in 1934, the company is best known for a series of Gothic horror and fantasy films made from the mid-1950s until the 1970s. Many of these involve classic horror characters such as Baron Victor Frankenstein, Count Dracula, and the Mummy, which Hammer reintroduced to audiences by filming them in vivid colour for the first time. Hammer also produced science fiction, thrillers, film noir and comedies, as well as, in later years, television series.
Frankenstein's monster, commonly referred to as Frankenstein, is a fictional character that first appeared in Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus as its main antagonist. Shelley's title compares the monster's creator, Victor Frankenstein, to the mythological character Prometheus, who fashioned humans out of clay and gave them fire.
Dracula is a 1958 British gothic horror film directed by Terence Fisher and written by Jimmy Sangster based on Bram Stoker's 1897 novel of the same name. The first in the series of Hammer Horror films starring Christopher Lee as Count Dracula, the film also features Peter Cushing as Doctor Van Helsing, along with Michael Gough, Melissa Stribling, Carol Marsh, and John Van Eyssen. In the United States, the film was retitled Horror of Dracula to avoid confusion with the U.S. original by Universal Pictures, 1931's Dracula.
Terence Fisher was a British film director best known for his work for Hammer Films.
The Curse of Frankenstein is a 1957 British horror film by Hammer Film Productions, loosely based on the 1818 novel Frankenstein; or, The Modern Prometheus by Mary Shelley. It was Hammer's first colour horror film, and the first of their Frankenstein series. Its worldwide success led to several sequels, and it was also followed by new versions of Dracula (1958) and The Mummy (1959), establishing "Hammer Horror" as a distinctive brand of Gothic cinema.
Victor Frankenstein is a fictional character who first appeared as the titular main protagonist of Mary Shelley's 1818 novel, Frankenstein; or, The Modern Prometheus. He is a Swiss scientist who, after studying chemical processes and the decay of living things, gains an insight into the creation of life and gives life to his own creature. Victor later regrets meddling with nature through his creation, as he inadvertently endangers his own life and the lives of his family and friends when the creature seeks revenge against him. He is first introduced in the novel when he is seeking to catch the monster near the North Pole and is saved from near death by Robert Walton and his crew.
The Evil of Frankenstein is a 1964 British film directed by Freddie Francis and starring Peter Cushing, Sandor Elès and Kiwi Kingston. The screenplay was by Anthony Hinds. It is the third instalment in Hammer's Frankenstein series.
The Gorgon is a 1964 British horror film directed by Terence Fisher and starring Christopher Lee, Peter Cushing, Richard Pasco and Barbara Shelley. The screenplay was by John Gilling and Anthony Nelson Keys. It was produced by Keys for Hammer Films.
The Brides of Dracula is a 1960 British supernatural gothic horror film produced by Hammer Film Productions. Directed by Terence Fisher, the film stars Peter Cushing, David Peel, Freda Jackson, Yvonne Monlaur, Andrée Melly, and Martita Hunt. The film is a sequel to the 1958 film Dracula, though the character of Count Dracula does not appear in the film, and is instead mentioned only twice. Christopher Lee would reprise his role as Dracula in the next film in the Dracula series, Dracula: Prince of Darkness (1966).
Frankenstein Created Woman is a 1967 British Hammer horror film directed by Terence Fisher and starring Peter Cushing and Susan Denberg. The screenplay was by Anthony Hinds. It is the fourth film in Hammer's Frankenstein series.
Island of Terror is a 1966 British horror film directed by Terence Fisher and starring Peter Cushing and Edward Judd. The screenplay was by Edward Mann and Al Ramsen. It was produced by Planet Film Productions. The film was released in the United States by Universal Studios on a double bill with The Projected Man (1966).
Night of the Big Heat is a 1967 British science fiction film directed by Terence Fisher, and starring Patrick Allen, Christopher Lee, Peter Cushing and Jane Merrow.It was based on the 1959 novel of the same name by John Lymington, and was released in the UK by Planet Film Productions.
The Horror of Frankenstein is a 1970 British horror film by Hammer Film Productions that is both a semi-parody and semi-remake of the 1957 film The Curse of Frankenstein, of Hammer's Frankenstein series. It was produced and directed by Jimmy Sangster, starring Ralph Bates, Kate O'Mara, Veronica Carlson, and David Prowse as the monster. It was the only film in the Frankenstein series which did not star Peter Cushing. The original music score was composed by Malcolm Williamson.
Frankenstein and the Monster From Hell is a 1974 British horror film, directed by Terence Fisher and produced by Hammer Film Productions. It stars Peter Cushing, Shane Briant and David Prowse. Filmed at Elstree Studios in 1972 but not released until 1974, it was the final chapter in the Hammer Frankenstein saga of films as well as director Fisher's last film.
The Revenge of Frankenstein is a 1958 Technicolor British horror film directed by Terence Fisher and starring Peter Cushing, Francis Matthews, Michael Gwynn and Eunice Gayson. Made by Hammer Film Productions, the film was a sequel to The Curse of Frankenstein, the studio's 1957 adaptation of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus, and the second instalment in their Frankenstein series.
Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus, and the famous character of Frankenstein's monster, have influenced popular culture for at least a century. The work has inspired numerous films, television programs, video games and derivative works. The character of the Monster remains one of the most recognized icons in horror fiction.
The Bride of Frankenstein is a fictional character first introduced in Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus and later in the 1935 film Bride of Frankenstein. In the film, the Bride is played by Elsa Lanchester. The character's design in the film features a conical hairdo with white lightning-trace streaks on each side, which has become an iconic symbol of both the character and the film.
Tales of Frankenstein is an unsold TV pilot filmed in 1958. It was a co-production of Hammer Film Productions and Columbia Pictures. The film is a mixture of elements from both the Hammer and Universal Pictures versions of Frankenstein, based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The episode title, which does not appear onscreen, is "The Face in the Tombstone Mirror". The film is in the public domain.
Frankenstein is a British horror-adventure film series produced by Hammer Film Productions. The films, loosely based on the 1818 novel Frankenstein; or, The Modern Prometheus by Mary Shelley, are centered on Baron Victor Frankenstein, who experiments in creating a creature beyond human. The series is part of the larger Hammer horror oeuvre.