Frankenstein Created Woman

Last updated

Frankenstein Created Woman
Frankcreatedwoman.jpg
Theatrical release poster
Directed by Terence Fisher
Screenplay by John Elder
Based on Victor Frankenstein
by Mary Shelley
Produced by Anthony Nelson Keys
Starring
Cinematography Arthur Grant
Edited bySpencer Reeve
Music by James Bernard
Production
company
Distributed by Warner-Pathé (UK)
20th Century-Fox (US)
Release dates
  • 15 March 1967 (1967-03-15)
(US)
  • 18 June 1967 (1967-06-18)
(UK)
Running time
86 minutes (UK)
92 minutes (US)
CountryUnited Kingdom
LanguageEnglish
Budget£140,000 [1]
Box office457,019 admissions (France) [2]

Frankenstein Created Woman is a 1967 British Hammer horror film directed by Terence Fisher. It stars Peter Cushing as Baron Frankenstein and Susan Denberg as his new creation. It is the fourth film in Hammer's Frankenstein series.

Contents

Where Hammer's previous Frankenstein films were concerned with the physical aspects of the Baron's work, the interest here is in the metaphysical dimensions of life, such as the soul's relationship to the body.

Plot

Years after witnessing his father being executed by guillotine, Hans is working as an assistant to the failed Doctor Victor Frankenstein. Frankenstein, with the help of Dr Hertz, is in the process of discovering a way of trapping the soul of a recently deceased person. Frankenstein believes he can transfer that soul into another recently deceased body to restore it to life.

Hans is also the lover of Christina, daughter of cowardly innkeeper Kleve. Christina's entire left side is disfigured and partly paralysed. Young dandies Anton, Johann and Karl frequent Kleve's inn and cause a disturbance. Johann threatens to have his father revoke Kleve's licence if he complains. The three insist that they be served by Christina and mock her for her deformities. The taunting angers Hans, who fights the three of them and cuts Anton's face with a knife. Instead of helping Hans against the thugs, Kleve runs away and fetches the police. Hans tells the police to keep away, that the other three are only getting what they deserve, but the police grab hold of him and Kleve takes the knife from his hand. Hans angrily threatens him because of his involving the police. Asked if he wants to press charges, Kleve says no. However, Anton says he wants Hans charged, but when the policeman suggests that a fight with three men against one will not look good in court, he reluctantly drops the charge. Eventually, the dandies decide to leave the inn. They return in the night to steal wine from the inn and when Kleve catches them in the act, they beat him to death.

Meanwhile, Hans spends the night with Christina, and in the morning sees her leave on the stagecoach to visit another doctor her father has paid to see if there is a treatment to help her. Returning to town, Hans sees a crowd outside Kleve's tavern and when he asks what has happened, the crowd looks at him accusingly. Since the coat Dr Hertz had given him is found by the body, and the police heard him angrily threaten Kleve the night before, Hans is immediately a suspect in the murder and is arrested. He will not reveal his time with Christina as an alibi and, known for his short temper, is tried. The trial is a farce, with Anton testifying against Hans, and Hans' father's execution being brought up in evidence. The judge urges him to say where he was that night, but Hans refuses, and, despite Frankenstein and Hertz's defences against the accusations, Hans is convicted and executed by guillotine. Seeing this as an opportunity, Frankenstein gets hold of Hans' fresh corpse and traps his soul.

Returning from her visit to the specialist, a distraught Christina arrives in time to witness Hans' death and throws herself in the river. The peasants fish out her body and bring it to Hertz to see if he can do anything. Frankenstein and Hertz transfer Hans' soul into her body. Over months of complex and intensive treatment, they cure her physical deformities. The result is a physically healthy woman with no memory of her past life. Frankenstein insists on telling her nothing but her name and keeping her in Hertz's house. Despite coming to her senses regarding her identity, Christina is taken over by the spirit of the vengeful Hans.

Christina kills Anton and Karl, driven mostly by the ghostly insistence of Hans. Frankenstein and Hertz become suspicious of her behaviour and take her to the guillotine where Hans and his father were executed. However, they believe she subconsciously retains the memories of Hans' father's death rather than of Hans himself. By the time Frankenstein realises the truth, he finds her already murdering Johann. Despite Frankenstein's pleas, Christina knows she now has no one and nothing left to live for and drowns herself again. Frankenstein, disappointed and having apparently learned a lesson, walks away silently.

Cast

Production

Frankenstein Created Woman was originally mooted as a follow-up to The Revenge of Frankenstein during its production in 1958, at a time when Roger Vadim's Et Dieu créa la femme ( And God Created Woman ) was successful (in fact, the film's original working title was And Then Frankenstein Created Woman). The film finally went into production at Bray Studios on 4 July 1966. It was Hammer's penultimate production there.

Critical reaction

Variety wrote that the film has "the excellent technical aspects which have come to be expected of the Hammer Film people," but that the script "often seems overly influenced by other and better-written screen efforts." [3] The Monthly Film Bulletin expressed disappointment that the film did not focus on Frankenstein's work, but that the script was rather "more concerned with the gory murder spree which follows in the wake of Christina's restoration," concluding that "the poverty of the script is little compensation for the loss of the old tradition." [4] Leonard Maltin is blunt: "everything goes wrong, including script." [5] Halliwell's Film and Video Guide describes this film as a crude and gory farrago" [6] while the Time Out Film Guide says it is "full of cloying Keatsian imagery which somehow transcends the more idiotic aspects of the plot." [7]

Some commentators on Frankenstein Created Woman have been more positive. Martin Scorsese picked the movie as part of a 1987 National Film Theatre season of his favourite films, saying "If I single this one out it's because here they actually isolate the soul... The implied metaphysics are close to something sublime." [8]

On the review aggregator website Rotten Tomatoes , 62% of 13 critics' reviews are positive. [9]

Box office

According to the records of the Fox studio, the double feature of this film and The Mummy's Shroud needed to earn $1,625,000 in rentals to break even and made $1,590,000, meaning it made a loss. [10]

Home media

Frankenstein Created Woman was released in October 2013 in the UK and on 28 January in the US. Each disc featured a restored version of the film, the episodes of "World of Hammer" episodes included on the DVD released by Anchor Bay over a decade before. Among the highlights is an audio commentary with actors Robert Morris and Derek Fowlds, moderated by Hammer expert Jonathan Rigby.

See also

Selected reading

Related Research Articles

<span class="mw-page-title-main">Peter Cushing</span> English actor (1913–1994)

Peter Wilton Cushing was an English actor. His acting career spanned over six decades and included appearances in more than 100 films, as well as many television, stage and radio roles. He achieved recognition for his leading performances in the Hammer Productions horror films from the 1950s to 1970s, and as Grand Moff Tarkin in Star Wars (1977).

Hammer Film Productions Ltd. is a British film production company based in London. Founded in 1934, the company is best known for a series of Gothic horror and fantasy films made from the mid-1950s until the 1970s. Many of these involve classic horror characters such as Baron Victor Frankenstein, Count Dracula, and the Mummy, which Hammer reintroduced to audiences by filming them in vivid colour for the first time. Hammer also produced science fiction, thrillers, film noir and comedies, as well as, in later years, television series.

<i>The Quatermass Xperiment</i> 1955 film by Val Guest

The Quatermass Xperiment is a 1955 British science fiction horror film from Hammer Film Productions, based on the 1953 BBC Television serial The Quatermass Experiment written by Nigel Kneale. The film was produced by Anthony Hinds, directed by Val Guest, and stars Brian Donlevy as the eponymous Professor Bernard Quatermass and Richard Wordsworth as the tormented Carroon. Jack Warner, David King-Wood, and Margia Dean appear in co-starring roles.

<i>The Curse of Frankenstein</i> 1957 horror film by Hammer Film Productions

The Curse of Frankenstein is a 1957 British horror film by Hammer Film Productions, loosely based on the 1818 novel Frankenstein; or, The Modern Prometheus by Mary Shelley. It was Hammer's first colour horror film, and the first of their Frankenstein series. Its worldwide success led to several sequels, and it was also followed by new versions of Dracula (1958) and The Mummy (1959), establishing "Hammer Horror" as a distinctive brand of Gothic cinema.

<span class="mw-page-title-main">Victor Frankenstein</span> Character from Mary Shelleys 1818 novel "Frankenstein"

Victor Frankenstein is a fictional character and the main protagonist and title character in Mary Shelley's 1818 novel, Frankenstein; or, The Modern Prometheus. He is a Swiss scientist who, after studying chemical processes and the decay of living things, gains an insight into the creation of life and gives life to his own creature. Victor later regrets meddling with nature through his creation, as he inadvertently endangers his own life and the lives of his family and friends when the creature seeks revenge against him. He is first introduced in the novel when he is seeking to catch the monster near the North Pole and is saved from near death by Robert Walton and his crew.

<i>Frankenstein Must Be Destroyed</i> 1969 British film

Frankenstein Must Be Destroyed is a 1969 British horror film directed by Terence Fisher for Hammer Films, starring Peter Cushing, Freddie Jones, Veronica Carlson and Simon Ward. The film is the fifth in a series of Hammer films focusing on Baron Frankenstein, who, in this entry, terrorises those around him in a bid to uncover the secrets of a former associate confined to a lunatic asylum.

<i>The Evil of Frankenstein</i> 1964 film

The Evil of Frankenstein is a 1964 film directed by Freddie Francis. The third instalment in Hammer's Frankenstein series, it stars Peter Cushing, Sandor Elès and Kiwi Kingston.

<i>Kiss of the Vampire</i> (film) 1963 British film

Kiss of the Vampire is a 1963 British vampire film made by the film studio Hammer Film Productions. The film was directed by Don Sharp and was written by producer Anthony Hinds, credited under his writing pseudonym John Elder.

<i>Dracula: Prince of Darkness</i> 1966 British film

Dracula: Prince of Darkness is a 1966 British gothic supernatural horror film directed by Terence Fisher. The film was produced by Hammer Film Productions, and is the third entry in Hammer's Dracula series, as well as the second to feature Christopher Lee as Count Dracula, the titular vampire. It also stars Andrew Keir, Francis Matthews, and Barbara Shelley.

<span class="mw-page-title-main">Derek Fowlds</span> English actor (1937–2020)

Derek James Fowlds was an English actor. He was best known for his appearances as "Mr Derek" in The Basil Brush Show (1969–1973), as Bernard Woolley in the sitcom Yes Minister (1980–1984) and its sequel Yes, Prime Minister (1986–1988), and as Oscar Blaketon in Heartbeat (1992–2010).

<i>House of Frankenstein</i> (film) 1944 film

House of Frankenstein is a 1944 American horror film starring Boris Karloff, Lon Chaney Jr. and John Carradine. Based on a story by Curt Siodmak, it was directed by Erle C. Kenton and produced by Universal Pictures. The film is about Dr. Gustav Niemann, who escapes from prison and promises to create a new body for his assistant Daniel. Over the course of the film, they encounter Count Dracula, Larry Talbot, the Wolf Man, and Frankenstein's Monster.

<i>Taste the Blood of Dracula</i> 1970 film by Peter Sasdy

Taste the Blood of Dracula is a 1970 British supernatural horror film produced by Hammer Film Productions. Directed by Peter Sasdy from a script by Anthony Hinds, it is the fifth installment in Hammer's Dracula series, and the fourth to star Christopher Lee as Count Dracula, the titular vampire. The film also features Geoffrey Keen and Gwen Watford.

<i>The Horror of Frankenstein</i> 1970 British film

The Horror of Frankenstein is a 1970 British horror film by Hammer Film Productions that is both a semi-parody and semi-remake of the 1957 film The Curse of Frankenstein, of Hammer's Frankenstein series. It was produced and directed by Jimmy Sangster, starring Ralph Bates, Kate O'Mara, Veronica Carlson and David Prowse as the monster. It was the only film in the Frankenstein series which did not star Peter Cushing. The original music score was composed by Malcolm Williamson.

<i>Frankenstein and the Monster from Hell</i> 1974 British film

Frankenstein and the Monster From Hell is a 1974 British horror film, directed by Terence Fisher and produced by Hammer Film Productions. It stars Peter Cushing, Shane Briant and David Prowse. Filmed at Elstree Studios in 1972 but not released until 1974, it was the final chapter in the Hammer Frankenstein saga of films as well as director Fisher's last film.

<span class="mw-page-title-main">Susan Denberg</span> German-Austrian model and actress

Susan Denberg is a German-Austrian model and actress. Denberg has appeared on stage and in film, notably in Frankenstein Created Woman (1967) and other roles in the 1960s.

<i>Lust for a Vampire</i> 1971 British film by Jimmy Sangster

Lust for a Vampire, also known as Love for a Vampire or To Love a Vampire, is a 1971 British Hammer Horror film directed by Jimmy Sangster, starring Ralph Bates, Barbara Jefford, Suzanna Leigh, Michael Johnson, and Yutte Stensgaard. It was given an R rating in the United States for some violence, gore, strong adult content and nudity. It is the second film in the Karnstein Trilogy, loosely based on the 1872 Sheridan Le Fanu novella Carmilla. It was preceded by The Vampire Lovers (1970) and followed by Twins of Evil (1971). The three films do not form a chronological development, but use the Karnstein family as the source of the vampiric threat and were somewhat daring for the time in explicitly depicting lesbian themes.

<i>The Revenge of Frankenstein</i> 1958 film by Terence Fisher

The Revenge of Frankenstein is a 1958 Technicolor British horror film made by Hammer Film Productions. Directed by Terence Fisher, the film stars Peter Cushing, Francis Matthews, Michael Gwynn and Eunice Gayson. In the United States, it was released in June, 1958 with Curse of the Demon on the lower half of the double bill.

<i>Vampire Circus</i> 1972 British film

Vampire Circus is a 1972 British horror film directed by Robert Young and starring Adrienne Corri, Thorley Walters and Anthony Higgins. It was written by Judson Kinberg, and produced by Wilbur Stark and Michael Carreras for Hammer Film Productions. The story concerns a travelling circus, the vampiric artists of which prey on the children of a 19th century Serbian village.

<i>Tales of Frankenstein</i> TV series or program

Tales of Frankenstein is an unsold TV pilot filmed in 1958. It was a co-production of Hammer Film Productions and Columbia Pictures. The film is a mixture of elements from both the Hammer and Universal Pictures versions of Frankenstein, based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The episode title, which does not appear onscreen, is "The Face in the Tombstone Mirror". The film is in the public domain.

Frankenstein is a British horror-adventure film series produced by Hammer Film Productions. The films, loosely based on the 1818 novel Frankenstein; or, The Modern Prometheus by Mary Shelley, are centered on Baron Victor Frankenstein, who experiments in creating a creature beyond human. The series is part of the larger Hammer horror oeuvre.

References

  1. Marcus Hearn & Alan Barnes, The Hammer Story: The Authorised History of Hammer Films, Titan Books, 2007 p 79
  2. Box office information for Terence Fisher films in France at Box office Story
  3. "Frankenstein Created Woman". Variety : 6. 15 March 1967.
  4. "Frankenstein Created Woman". The Monthly Film Bulletin . 34 (401): 95. June 1967.
  5. Leonard Maltin Movie Guide 2009, New York and London: Plume, 2008, p.489
  6. John Walker (ed) Halliwell's Film and Video Guide 2000, London: HarperCollins, 1999, p.307
  7. John Pym (ed) Time Out Film Guide 2009, London: Aurum Press, 2008, p.378
  8. Cited in M. Hearn & A. Barnes, The Hammer Story, Titan Books, 1997, ISBN   1-85286-876-7, p.111
  9. "Frankenstein Created Woman". Rotten Tomatoes .
  10. Silverman, Stephen M (1988). The Fox that got away : the last days of the Zanuck dynasty at Twentieth Century-Fox . L. Stuart. p.  326. ISBN   9780818404856.