Kill Me Tomorrow | |
---|---|
Directed by | Terence Fisher |
Written by | Robert Falconer Manning O'Brine |
Story by | Robert Falconer |
Produced by | Francis Searle Richard Gordon |
Starring | Pat O'Brien Lois Maxwell George Coulouris Tommy Steele |
Cinematography | Geoffrey Faithfull |
Edited by | Ann Chegwidden |
Music by | Temple Abady |
Production companies | |
Distributed by | Renown Pictures (UK) |
Release date |
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Running time | 80 min. |
Country | United Kingdom |
Language | English |
Kill Me Tomorrow is a 1957 British crime film directed by Terence Fisher starring Pat O'Brien and Lois Maxwell. [1] It was made by Tempean Films at Southall Studios in West London.
The film features a cameo by Tommy Steele.
After suffering a series of personal setbacks and in desperate need of cash, reporter Bart Crosbie tries to get his old job back. But when he returns to the newspaper offices, Crosbie discovers that his former boss has been murdered. He is then offered money by the killer, a diamond smuggler, to take the murder rap.
The Monthly Film Bulletin wrote: "Spiced with maudlin sentiment on the one hand and a guest appearance by Tommy Steele on the other, this is a competent but unconvincing crime story. However odd the teaming of Pat O'Brien and Lois Maxwell, the playing is quite adequate." [2]
The Radio Times called the film a "far-fetched B-movie ...Terence Fisher directs with little enthusiasm, but it's worth hanging in there to catch the debut of Tommy Steele." [3]
TV Guide wrote, "it's overplayed and melodramatic but has enough intrigue to make it watchable." [4]
Lois Ruth Maxwell was a Canadian actress who portrayed Miss Moneypenny in the first fourteen Eon-produced James Bond films (1962–1985), from Dr. No in 1962 to A View to a Kill in 1985. She did not appear in the 1967 adaptation of Casino Royale, nor in the 1983 remake of Thunderball, Never Say Never Again, as the production was not Eon's, though she did, as a similar character, appear in the spoof O.K. Connery.
Terence Fisher was a British film director best known for his work for Hammer Films.
Spaceways is a 1953 science fiction drama film directed by Terence Fisher and starring Howard Duff, Eva Bartok and Alan Wheatley. It was produced by Michael Carreras for Hammer Film Productions Ltd. and Lippert Productions Inc., with Robert L. Lippert as uncredited co-producer. The screenplay was written by Paul Tabori and Richard Landau, based on a radio play by Charles Eric Maine. The film was distributed in the UK by Exclusive Films Ltd. and in the United States by Lippert Pictures.
A Stranger Came Home is a 1954 British film noir directed by Terence Fisher and starring Paulette Goddard, William Sylvester and Patrick Holt. It is based on the 1946 novel Stranger at Home, credited to actor George Sanders but ghostwritten by Leigh Brackett. The film was released in the United States by Lippert Pictures.
The Unholy Wife is a 1957 Technicolor film noir crime film produced and directed by John Farrow at RKO Radio Pictures, but released by Universal Pictures as RKO was in the process of ceasing its film activities. The film features Diana Dors, Rod Steiger, Tom Tryon and Beulah Bondi. The screenplay was written by William Durkee and Jonathan Latimer
Frankenstein and the Monster From Hell is a 1974 British horror film, directed by Terence Fisher and produced by Hammer Film Productions. It stars Peter Cushing, Shane Briant and David Prowse. Filmed at Elstree Studios in 1972 but not released until 1974, it was the final chapter in the Hammer Frankenstein saga of films as well as director Fisher's last film.
Sword of Sherwood Forest is a 1960 British Eastman Color adventure film in MegaScope directed by Terence Fisher and starring Richard Greene, Peter Cushing, Niall MacGinnis and Sarah Branch. Greene reprises the role of Robin Hood, which he played in The Adventures of Robin Hood TV series 1955–1959. It was produced by Sidney Cole and Greene for Hammer Film Productions.
The Duke Wore Jeans is a 1958 British comedy musical film directed by Gerald Thomas and starring Tommy Steele, June Laverick and Michael Medwin.
Castle on the Hudson is a 1940 American prison film directed by Anatole Litvak and starring John Garfield, Ann Sheridan and Pat O'Brien. The film was based on the book Twenty Thousand Years in Sing Sing, written by Lewis E. Lawes, on whom the warden in the film was based. Castle on the Hudson is a remake of the 1932 Spencer Tracy prison film 20,000 Years in Sing Sing, also based on Lawes's book.
Final Appointment is a 1954 British second feature ('B') comedy thriller film directed by Terence Fisher, and starring John Bentley, Eleanor Summerfield and Hubert Gregg. It also features Arthur Lowe, later to become famous for his portrayal of Captain Mainwaring in Dad's Army, in an early role.The film was produced by Francis Searle for ACTFilms. A sequel, Stolen Assignment, also featuring sleuthing journalists Mike Billings and Jenny Drew, was released the following year.
The Unstoppable Man is a 1960 British second feature crime drama film directed by Terry Bishop and starring Cameron Mitchell, Harry H. Corbett, Marius Goring and Lois Maxwell. It is based on the short story Amateur in Violence by Michael Gilbert.
Seven Keys is a 1961 British second feature crime thriller directed by Pat Jackson and starring Alan Dobie. The screenplay was by Jack Davies and Henry Blyth.
The Horror of It All is a 1964 British horror comedy film directed by Terence Fisher and starring Pat Boone and Erica Rogers. The screenplay was by Ray Russell.
The Stranglers of Bombay is a 1959 British adventure horror film directed by Terence Fisher and starring Guy Rolfe, Allan Cuthbertson and Andrew Cruickshank. It was written by David Z. Goodman and produced by Hammer Films.
A Song for Tomorrow is a 1948 second feature drama film directed by Terence Fisher in his directorial debut. It stars Evelyn Maccabe and Ralph Michael. The screenplay concerns a World War II fighter pilot who suffers amnesia.
Wings of Danger is a 1952 British second feature crime film directed by Terence Fisher and starring Zachary Scott, Robert Beatty and Kay Kendall. The screenplay, based on the 1951 novel Dead on Course by Trevor Dudley Smith and Packham Webb, concerns a pilot who is suspected of smuggling. It was released in the United States under its working title of Dead on Course.
Blood Orange is a 1953 British crime film directed by Terence Fisher and starring Tom Conway and Mila Parély. It was released in the United States as Three Stops to Murder. A private eye investigating a jewel robbery at a London fashion house finds himself involved in a murder mystery.
Face the Music is a 1954 British crime drama film directed by Terence Fisher, and starring Alex Nicol, Eleanor Summerfield and Paul Carpenter. It was released in the United States by Lippert Pictures.
Murder by Proxy is a 1954 British 'B' film noir crime drama film directed by Terence Fisher and starring Dane Clark, Belinda Lee and Betty Ann Davies. The film was based on the 1952 novel of the same name by Helen Nielsen. It was produced by Hammer Films, and released in the United States by Lippert Pictures.
Dead Man's Evidence is a 1962 British black-and-white crime thriller "B" film directed by Francis Searle, starring Conrad Phillips and Jane Griffiths. A British spy is sent to Ireland to investigate the death of a former colleague who defected.