Countess Dracula

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Countess Dracula
Comtesse des Grauens Poster.jpg
Theatrical release poster
Directed by Peter Sasdy
Written by Jeremy Paul
Produced by Alexander Paal
Starring Ingrid Pitt
Nigel Green
Lesley-Anne Down
CinematographyKenneth Talbot
Edited by Henry Richardson
Music by Harry Robertson
Production
company
Distributed by Rank Film Distributors
Release date
  • 31 January 1971 (1971-01-31)(London)
Running time
93 minutes
CountryUnited Kingdom
LanguageEnglish

Countess Dracula is a 1971 British Hammer horror film directed by Peter Sasdy and starring Ingrid Pitt, Nigel Green and Lesley-Anne Down. [1] It was written by Jeremy Paul and produced by Alexander Paal.

Contents

Countess Dracula was inspired by the infamous Hungarian Countess Elizabeth Báthory (1560–1614), a landowner and noblewoman who was accused of murdering dozens of women and girls. [2] Her husband was Ferenc Nádasdy, Nádasdy being the surname given to the Countess in the film.

Plot

In 17th-century Hungary, recently widowed Countess Elisabeth Nádasdy discovers that her youthful appearance and libido can be temporarily restored if she bathes in the blood of young women. She enlists her steward and lover Captain Dobi and her maid Julie to help with the kidnap and murder of several local girls, whilst beginning a romance with a young Lieutenant named Imre Toth.

As a cover for her crimes while in her rejuvenated state, she takes the identity of her own 19-year-old daughter, Countess Ilona, whom she has Dobi hold captive in the woods by the mute money gambler. However, castle historian Fabio grows suspicious. Eventually, she kills a prostitute called Ziza, but her blood does not restore her like the others. Dobi finds Fabio, who has a book-chapter about blood sacrifices and tells Elisabeth the truth in return for being allowed to live. He reveals that only virgin blood will restore Elisabeth's youth and beauty.

Elisabeth then kills a peasant girl bought in the marketplace. Fabio tries to tell Toth the truth about her, but Dobi kills Fabio before he can do so. Dobi then exposes Elisabeth to Toth to steer him away from her. Elisabeth forces Toth into marrying her, but her daughter Ilona arrives home, having been brought by Dobi as a sacrifice, then freed by a repentant Julie who loved her as a daughter. At the wedding, Elisabeth grows old again after the priest pronounces the blessing. She tries to kill her daughter in front of the wedding attendees, but accidentally kills Toth instead. Elisabeth, Dobi and Julie are sentenced to death for their crimes and are last seen awaiting the hangman in their cell. In the final scene, the peasants curse Elisabeth as a "devil woman" and "Countess Dracula".

Cast

Production

The original music score was composed by Harry Robertson. The movie was part financed by Rank. [3]

Release

The film opened at the New Victoria cinema in London on 31 January 1971 before going on general release in the UK on 14 February. [4] [5] It opened October 1972 in the United States. [6] It was released[ where? ] on a double bill with Vampire Circus (1972).

Critical reception

In The Hammer Story: The Authorised History of Hammer Films, Barnes and Hearne wrote that the film's "distinctly anemic blood-lettings fail to lift a rather tiresome tale of court intrigue." [7]

New York Times film critic Howard Thompson considered it "better than most [horror movies] in a sea of trashy competition", and called Peter Sasdy's direction "smooth and pointed" with "crisp, cutting edge" dialogue, until the last act of the film where "it runs out of gas, along with the desperate old woman [Countess Elizabeth]." [8]

David Pirie of The Monthly Film Bulletin called the acting "extremely poor," but found that the film "frequently takes on a nightmare quality" and that Pitt "brings to the part a very potent aura of physical corruption that is especially effective in the transformation sequences." [9]

In The Radio Times Guide to Films Adrian Turner gave the film 3/5 stars, writing: "Ingrid Pitt, the first lady of British horror movies, excels in this colourful hokum based on the legend of notorious Hungarian countess Elizabeth Bathory. The film atones for its lack of horror with a brittle atmosphere of decay." [10]

Leslie Halliwell wrote "Risibly sub-Freudian addition to a grotesque Hammer gallery of monsters, indistinguishable from the othes, once it gets going." [11]

Novelizations

Two novelizations of the film have been published:

Home media

The film is available on DVD from Metro-Goldwyn-Mayer in the US as a double-bill with The Vampire Lovers , and from Carlton in the UK in a box set with Twins of Evil and Vampire Circus .

Synapse released a Blu-ray/DVD combo pack in the U.S. in 2014, which featured a new high-definition transfer.

See also

References

  1. "Countess Dracula". British Film Institute Collections Search. Retrieved 13 January 2024.
  2. McNally, Raymond T. (1983). Dracula Was a Woman: In Search of the Blood Countess of Transylvania. New York City: McGraw-Hill. p. 11-13. ISBN   978-0-07-045671-6.
  3. Vagg, Stephen (22 August 2025). "Forgotten British Film Studios: The Rank Organisation 1968-1977". Filmink. Retrieved 22 August 2025.
  4. "Put heart into your box office (advertisement)". Kine Weekly . 30 January 1971.
  5. Meikle, Dennis (2009). A History of Horrors: The Rise and Fall of the House of Hammer (Revised ed.). Lanham, MD: Scarecrow Press, Inc. p.  255. ISBN   9780810863811.
  6. Smith, Gary A. (2017). Vampire Films of the 1970s: Dracula to Blacula and Every Fang Between. Jefferson, NC: McFarland & Company. pp. 64–65. ISBN   9781476625591.
  7. Hearn, Marcus; Barnes, Alan (2007) [1997]. The Hammer Story: The Authorised History of Hammer Films (2nd ed.). Titan Books. p. 143. ISBN   978-1-8457-6185-1.
  8. "Double Bill of Horror Arrives". New York Times. 12 October 1972. Retrieved 16 May 2013.
  9. Pirie, David (March 1971). "Countess Dracula". The Monthly Film Bulletin . 38 (446): 47.
  10. Radio Times Guide to Films (18th ed.). London: Immediate Media Company. 2017. p. 204. ISBN   9780992936440.
  11. Halliwell, Leslie (1989). Halliwell's Film Guide (7th ed.). London: Paladin. p. 225. ISBN   0586088946.