Background
The original series of films consisted of seven instalments, which starred well-known horror actors such as Peter Cushing and Christopher Lee as Baron Victor Frankenstein and his creature respectively.
Producer Max Rosenberg originally approached Michael Carreras at Hammer Films with a deal to produce Frankenstein and the Monster (Rosenberg claims that he came up with the title) from a script by Milton Subotsky. Later, both men were cut out of their profit participation making only a $5000 fee for bringing the production to Hammer. [1] Rosenberg and Subotsky later established Amicus Films, Hammer's main rival in the production of horror films during the 1960s. Screenwriter Jimmy Sangster, who adapted Mary Shelley's novel for Hammer, never mentioned seeing Subotsky's script or being aware of Rosenberg's involvement. Sangster had worked as a production manager and said that he was keenly aware of production costs and kept the budget in mind when writing the script. Sangster said that his awareness of cost influenced him to not write scenes involving the villagers storming the castle that was typically seen in the Universal horror films "because we couldn't afford it". Sangster in an interview with film historian Jonathan Rigby indicated that he hadn't seen any of the Frankenstein films that Universal made. He just adapted the book "the way I saw it". [2]
Peter Cushing, who was then best known for his many high-profile roles in British television, had his first lead part in a film with The Curse of Frankenstein. Meanwhile, Christopher Lee's casting resulted largely from his height (6'5"), though Hammer had earlier considered the even taller (6'7") Bernard Bresslaw for the role. Universal fought hard to prevent Hammer from duplicating aspects of their 1931 film, and so it was down to make-up artist Phil Leakey to design a new look for the creature bearing no resemblance to the Boris Karloff original created by Jack Pierce. Production of The Curse of Frankenstein began, with an investment of £65,000, on 19 November 1956 at Bray Studios with a scene showing Baron Frankenstein cutting down a highwayman from a wayside gibbet. [3] The film opened at the London Pavilion on 2 May 1957 with an X certificate from the censors.