KonoSuba: God's Blessing on This Wonderful World is an anime that has a lot of fun mocking the tropes of the typical JRPG fantasy world via a colorful cast of characters that are enjoyable in their own right. The comedy is so spot-on with its deadpan nature that it's hard not to be drawn in by that alone.
– Richard Eisenbeis, in his review of the anime[90]
Like its light novel counterpart, the anime has received positive reception for its comedy, parody of the isekai genre, and faithful adaptation of the light novels.[91] Reviewing the first few episodes, Anime News Network (ANN)'s Theron Martin described the second episode as "the funniest episode of anime I have seen since Monthly Girls' Nozaki-kun aired", while also praising the series' musical score.[92] The voice acting has also been a subject of praise; Nick Creamer of ANN commended Sora Amamiya and Rie Takahashi's roles as Aqua and Megumin for the energy provided in their performances,[93] while Martin applauded Jun Fukushima for his work in voicing Kazuma, considering his dry tone an additional factor in the show's humor.[94]
From the Legend of Crimson's release in Japan, Daryl Harding, writing for Crunchyroll News praised the story and comedy of the film noting that the "classic humor of (the TV series) translates well to a film runtime." Daryl Harding did criticise the film by stating that "It doesn't look too different than the TV series" even with "more effects placed over the animation during scenes of explosive magic."[95]
In contrast, a common criticism of the anime was its inconsistent character animation, one that was described as "low budget" as characters appeared off-model.[91] Koichi Kikuta responded by stating such design was intentional, hoping to "bring out the individuality of each character" rather than the prettier artwork in the light novels; to do this, Kikuta's animation displayed "their more human sides, like their unflattering traits and their distressed moments."[38] Crunchyroll's Kim Morrissy considered the animation to be humorous, especially fitting in a comedic anime.[91]Kotaku writer Richard Eisenbeis explained much of the series' humor derives from the deconstruction of Kazuma's hopes of becoming the hero of a fantasy world, instead realizing he is forced to struggle his way through the world.[90] Comparing Kazuma's problems in a fantasy world to those in real life, Creamer wrote about a sense of relatability between the series' protagonists and the audience, as the party deals with issues like debt and taking questionable jobs because of high pay. On a critical note, Creamer disapproved of Kazuma's negative attitude, which he felt harmed the comedy in the series.[93]
KonoSuba's characters, especially those in Kazuma's party, have garnered favorable reactions in the anime community. Creamer described the group as possessing a "strange but endearing chemistry," as the members are unfriendly with one another, yet are close.[93] Morrissy added the party's "emotional bond is also evident in the ways they interact with each other. My favorite thing about the anime is that it takes the time to draw these nuances out onscreen and express them with visual flair."[91] Megumin in particular has been considered one of the series' most popular characters, winning Sneaker Bunko's official Favorite KonoSuba Character poll.[96] She was also the sixth-highest vote in Newtype's 2015–16 Awards for Best Female Character (Kazuma was third in the male category) and received the most "Other" votes in the Best Girl category in Crunchyroll's Anime Awards 2016.[87][88] In an interview with internet personality The Anime Man, Natsume Akatsuki described Megumin as giving off "a pure and elegant atmosphere" like one of an anime heroine or waifu, hence her popularity among fans.[12]
Notes
↑ Credited as Chief Director (総監督, Sō Kantoku) for the third season.[4]
Anime Limited holds home video distribution rights in the United Kingdom and Ireland, and Crunchyroll Store Australia holds a separate license from Crunchyroll.
This series was originally licensed by Crunchyroll, then owned by The Chernin Group and AT&T, prior to its acquisition by Sony's Funimation Global Group in 2021. Funimation itself is owned as a joint venture between Sony Pictures Entertainment and Sony Music Entertainment Japan (Aniplex).[5][6]
LN notes
^LN represents the light novel series in X.Y format, where X represents the volume number and Y represents the chapter number.
Original titles
↑ Japanese: この素晴らしい世界に祝福を!, Hepburn: Kono Subarashii Sekai ni Shukufuku o!, lit. "A Blessing on This Wonderful World!"
↑ この素晴らしい世界に爆焔を!, Kono Subarashii Sekai ni Bakuen o!, lit. "Give Explosions to This Wonderful World!"
↑ 続・この素晴らしい世界に爆焔を!, Zoku: Kono Subarashii Sekai ni Bakuen o!, lit. "Sequel: Give Explosions to This Wonderful World!"
↑ この仮面の悪魔に相談を!, lit. "Consulting with the Masked Devil!"
↑ この素晴らしい世界に祝福を!エクストラ あの愚か者にも脚光を!, Kono Subarashii Sekai ni Shukufuku o! Extra Ano Orokamono ni mo Kyakkou o!, lit. "Bless Me in This Wonderful World! Extra: Attention Also to That Fool!"
↑ Martin, Theron (February 23, 2017). "KONOSUBA - God's blessing on this wonderful world! 2 - Episode 7". Anime News Network. Retrieved September 1, 2017. Week in and week out, Jun Fukushima knocks it out of the park with his perfectly-measured rendition of Kazuma. In every scene, his inflection and tone is exactly right to milk the maximum value out of a scene's comedy potential. ... The female seiyuu are nailing their roles too, but many scenes in this series wouldn't be half as funny without Kazuma's dry wit as the slightly-less-crazy center of a crazy maelstrom.
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