Doctor Waldman | |
---|---|
Frankenstein; or, The Modern Prometheus character | |
Created by | Mary Shelley |
Portrayed by | Edward Van Sloan (1931 film) William Hansen (1973 film) John Cleese (1994 film) William Hurt (2004 miniseries) Neil Pearson (2007 film) |
In-universe information | |
Species | Human |
Gender | Male |
Occupation | Professor |
Status | Deceased (original film and 1994 remake) Alive (original novel) |
Dr. Waldman is a fictional character who appears in Mary Shelley's 1818 novel, Frankenstein; or, The Modern Prometheus and in its subsequent film versions. He is a professor at Ingolstadt University who specializes in chemistry and is a mentor of Victor Frankenstein. [1]
In the novel, Waldman is introduced when Frankenstein attends his lecture on chemistry. He is described as about fifty years old and both his kindness and his perspective on science make an impression on Frankenstein. He is presented in contrast with M. Krempe, another professor at the university, in that he did not scorn the study of alchemists. [1] Before Frankenstein came to the university, he had lost his interest in science, believing that nothing could be known about the world and disappointed by the inability of science to match the goals of the alchemists he once studied. [2] At the conclusion of the lecture, Waldman makes a statement that has a great impact on Frankenstein.
"The ancient teachers of this science promised impossibilities, and performed nothing. The modern masters promise very little; they know that metals cannot be transmuted, and that the elixir of life is a chimera. But these philosophers, whose hands seem only made to dabble in dirt, and their eyes to pore over the microscope or crucible, have indeed performed miracles. They penetrate into the recesses of nature, and show how she works in her hiding-places. They ascend into the heavens; they have discovered how the blood circulates, and the nature of the air we breathe. They have acquired new and almost unlimited powers; they can command the thunders of heaven, mimic the earthquake, and even mock the invisible world with its own shadows"
M. Waldman, [1]
Waldman restores Frankenstein's interest in science and inspires him to pursue his own research. [1]
This section needs additional citations for verification .(December 2020) |
In the 1931 film version of Frankenstein, Dr. Waldman (portrayed by Edward Van Sloan) was a professor of anatomical studies at Goldstadt Medical College. Waldman had been Henry Frankenstein's favourite teacher during the aspiring young scientist's time as a student there. Although Waldman had much respect for Henry's brilliance, he became increasingly disturbed when Henry began demanding fresh bodies for his experiments in chemical galvanism and electro-biology: bodies that were not those of cats and dogs, but human beings. Eventually, the increasingly ambitious Henry left the college to pursue his researches in private. Some time later, Henry's fiancée, Elizabeth, and best friend, Victor Moritz, came to the college to confide in Waldman their fears for Henry's health. After telling them of Henry's decision to leave the school, Waldman agreed to accompany them to Henry's lab to talk some sense into him. Instead, the three bore witness to Henry Frankenstein's crowning achievement: the creation of a creature he had built from parts of dead bodies sewn together, plus a brain that Henry's assistant Fritz had stolen from Waldman's classroom. Waldman tried to tell Henry that the Monster had a defective brain and was dangerous, as Fritz had dropped the chosen brain and brought a criminal one, but this fact only sank in when the monster killed Fritz. They locked up the Monster, and then unlocked the door, injecting him with a sedative in the back which knocked him out after he had nearly killed Frankenstein.[ citation needed ]
Suffering a nervous breakdown, Henry was taken home by Elizabeth, Victor, and his father, Baron Frankenstein. Waldman remained at the laboratory for the purposes of destroying the Monster by dissection. The Monster awoke before Waldman could begin, however, and, seizing Waldman by the throat, he proceeded to strangle the old man to death.[ citation needed ]
The character of Dr. Waldman would later appear in 1932's Boo!, a comedy short made by Universal, in which he is once again strangled to death by the Monster despite the narrator's attempts to warn him.[ citation needed ]
In Branagh's film, it is Professor Shmael Augustus Waldman (portrayed by John Cleese) —first and middle name revealed in the comic adaptation of the film—who teaches Victor how to re-animate dead tissue. He previously followed the same path Victor will eventually take, conducting illegal experiments on the human body, only to stop after they brought about "abomination." Waldman and Victor are administering vaccines to the local townspeople. One townsperson (portrayed by Robert De Niro) resists and stabs Waldman, resulting in his hanging. Victor uses the killer's body, Waldman's brain, and the leg of a late fellow student named Schiller (portrayed by Hugh Bonneville) who died from Cholera to form the Monster (also portrayed by Robert De Niro).[ citation needed ]
M. Waldman may have been inspired by James Lind. [4]
The mad scientist is a stock character of a scientist who is perceived as "mad, bad and dangerous to know" or "insane" owing to a combination of unusual or unsettling personality traits and the unabashedly ambitious, taboo or hubristic nature of their experiments. As a motif in fiction, the mad scientist may be villainous or antagonistic, benign, or neutral; may be insane, eccentric, or clumsy; and often works with fictional technology or fails to recognise or value common human objections to attempting to play God. Some may have benevolent intentions, even if their actions are dangerous or questionable, which can make them accidental antagonists.
Frankenstein is a 1931 American gothic pre-Code science fiction horror film directed by James Whale, produced by Carl Laemmle Jr., and adapted from a 1927 play by Peggy Webling, which in turn was based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The Webling play was adapted by John L. Balderston and the screenplay written by Francis Edward Faragoh and Garrett Fort, with uncredited contributions from Robert Florey and John Russell.
Frankenstein's monster, commonly referred to as Frankenstein, is a fictional character that first appeared in Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus as its main antagonist. Shelley's title compares the monster's creator, Victor Frankenstein, to the mythological character Prometheus, who fashioned humans out of clay and gave them fire.
Mary Shelley's Frankenstein is a 1994 science fiction horror film directed by Kenneth Branagh who also stars as Victor Frankenstein, with Robert De Niro portraying Frankenstein's monster, and co-stars Tom Hulce, Helena Bonham Carter, Ian Holm, John Cleese, Richard Briers and Aidan Quinn. Considered the most faithful film adaptation of Mary Shelley's 1818 novel in some respects, Frankenstein; or, The Modern Prometheus, despite several differences and additions in plot from the novel, the film follows a medical student named Victor Frankenstein who creates new life in the form of a monster composed of various corpses' body parts.
The Curse of Frankenstein is a 1957 British horror film by Hammer Film Productions, loosely based on the 1818 novel Frankenstein; or, The Modern Prometheus by Mary Shelley. It was Hammer's first colour horror film, and the first of their Frankenstein series. Its worldwide success led to several sequels, and it was also followed by new versions of Dracula (1958) and The Mummy (1959), establishing "Hammer Horror" as a distinctive brand of Gothic cinema.
Victor Frankenstein is a fictional character who first appeared as the titular main protagonist of Mary Shelley's 1818 novel, Frankenstein; or, The Modern Prometheus. He is a Swiss scientist who, after studying chemical processes and the decay of living things, gains an insight into the creation of life and gives life to his own creature. Victor later regrets meddling with nature through his creation, as he inadvertently endangers his own life and the lives of his family and friends when the creature seeks revenge against him. He is first introduced in the novel when he is seeking to catch the monster near the North Pole and is saved from near death by Robert Walton and his crew.
Igor, or sometimes Ygor, is a stock character, a sometimes hunch-backed laboratory assistant to many types of Gothic villains or as a fiendish character who assists only himself, the latter most prominently portrayed by Bela Lugosi in Son of Frankenstein (1939) and The Ghost of Frankenstein (1942). He is familiar from many horror films and horror film parodies. He is traditionally associated with mad scientists, particularly Victor Frankenstein, although Frankenstein has neither a lab assistant nor any association with a character named Igor in the original Mary Shelley novel. The Igor of popular parlance is a composite character, based on characters created for the Universal Studios film franchise. In the first Frankenstein film (1931), Fritz served the role; in the sequels, a different physically deformed character, Ygor, is featured, though Ygor is not an assistant in those films.
Doctor Septimus Pretorius is a fictional character who appears in the Universal film Bride of Frankenstein (1935) as the main antagonist. He is played by British stage and film actor Ernest Thesiger. Some sources claim he was originally to have been played by Bela Lugosi or Claude Rains. Others indicate that the part was conceived specifically for Thesiger.
Frankenstein: The True Story is a 1973 British made-for-television film loosely based on the 1818 novel Frankenstein; or, The Modern Prometheus by Mary Shelley. It was directed by Jack Smight, and the screenplay was written by novelist Christopher Isherwood and his longtime partner Don Bachardy.
The Revenge of Frankenstein is a 1958 Technicolor British horror film directed by Terence Fisher and starring Peter Cushing, Francis Matthews, Michael Gwynn and Eunice Gayson. Made by Hammer Film Productions, the film was a sequel to The Curse of Frankenstein, the studio's 1957 adaptation of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus, and the second instalment in their Frankenstein series.
Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus, and the famous character of Frankenstein's monster, have influenced popular culture for at least a century. The work has inspired numerous films, television programs, video games and derivative works. The character of the Monster remains one of the most recognized icons in horror fiction.
Frankenstein is a 2004 American television miniseries based on the 1818 novel Frankenstein; or, The Modern Prometheus by Mary Shelley.
Frankenstein is a 2007 British television film produced by Impossible Pictures for ITV. It was written and directed by Jed Mercurio, adapted from Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus to a present-day setting. Dr. Victoria Frankenstein, a female geneticist, accidentally creates a monster while growing her son's clone from stem cells as an organ donor in an effort to prevent his imminent death. The film was broadcast on 24 October 2007, to an average audience of 3.6 million.
Frankenstein; or, The Modern Prometheus is an 1818 Gothic novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared in the second edition, which was published in Paris in 1821.
Elizabeth Frankenstein is a fictional character first introduced in Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. In both the novel and its various film adaptations, she is the fiancée of Victor Frankenstein.
The Bride of Frankenstein is a fictional character first introduced in Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus and later in the 1935 film Bride of Frankenstein. In the film, the Bride is played by Elsa Lanchester. The character's design in the film features a conical hairdo with white lightning-trace streaks on each side, which has become an iconic symbol of both the character and the film.
Frankenstein, MD is a 2014 American Gothic horror comedy webseries with transmedia elements. Produced in partnership between Pemberley Digital and PBS Digital Studios, the show is a modern adaptation of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus, replacing the eponymous character with Victoria Frankenstein, a medical student near graduation. The show, which represents PBS Digital's first foray into scripted content, was created by Bernie Su, Brett Register, and Lon Harris. It ran on YouTube from August 19 through October 31, 2014, and was generally well-received by critics.
Tales of Frankenstein is an unsold TV pilot filmed in 1958. It was a co-production of Hammer Film Productions and Columbia Pictures. The film is a mixture of elements from both the Hammer and Universal Pictures versions of Frankenstein, based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The episode title, which does not appear onscreen, is "The Face in the Tombstone Mirror". The film is in the public domain.
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