A Man on the Beach (1955) is a British fiction featurette. [1] It was directed by Joseph Losey and produced by Anthony Hinds for Hammer Films. Based on a story by Victor Canning ("Chance At the Wheel") adapted by Jimmy Sangster, his first script, [2] the film stars Donald Wolfit, Michael Medwin and Michael Ripper.
An old lady is driven to a Mediterranean casino by an un-named chauffeur, (Ripper), in a Rolls-Royce. After briefly playing at the tables without success, the lady visits the manager, played by Alex Gallier. While toasting her loyalty to the casino with champagne, the manager is attacked by the old lady, and his takings are stolen.
In reality, the old ' lady ' is career criminal, Max (Medwin), and the chauffeur is his accomplice on his first job. Journeying into the countryside they stop for Max to change into male clothing. The chauffeur is alarmed when Max reneges on their agreement to divide the stolen money and pulls a gun on him, instead. But Max is accidentally injured when it fires while they fight. With the unconscious chauffeur slumped over the wheel, Max kills him by pushing the car off a cliff. Looking for assistance, Max stumbles across the empty house occupied by the reclusive Carter (Wolfit), a blind alcoholic, and former doctor. Returning shortly afterwards, he discovers his unwanted guest, and the two men talk and drink, though Carter does not reveal his loss of sight, nor Max realise it. He thinks Carter is unwilling to look at his bleeding arm, and uses whisky as disinfectant on his wound. He later passes out.
When he comes around the following morning, he finds his wound treated, Carter absent, and that his bag has been examined. He assumes Carter has gone to the police when he sees Carter's policeman-friend arriving by car. Carter asks him to leave. Whilst threatening to shoot him, Max fills in most of the remaining details of his crime because he assumes he is able to identify him. They struggle, and Max is disarmed. As Carter is unable to find the gun, Max finally realises the other man is blind. Carter's policeman friend arrives as usual to take him fishing, only to have Max hand the day's catch, Max, over to him, instead.
A "modest featurette which scarcely justifies its credits" according to Halliwell's Film and Video Guide which gives the film no stars. [3] David Caute in his study of Losey is equally dismissive. Viewing the film "is a misfortune - its twenty nine minutes weigh like sixty" whose "dialogue and action are equally amateurish, inconsistent, awful. Everything is spelled out, usually several times." [4] Wheeler Winston Dixon is more positive: "Immaculately photographed by Wilkie Cooper, this peculiar and atmospheric caper film ... offers an interesting hint as to Losey's future direction in British cinema." [5]
Joseph Walton Losey III was an American theatre and film director, producer, and screenwriter. Born in Wisconsin, he studied in Germany with Bertolt Brecht and then returned to the United States. Blacklisted by Hollywood in the 1950s, he moved to Europe where he made the remainder of his films, mostly in the United Kingdom. Among the most critically and commercially successful were the films with screenplays by Harold Pinter: The Servant (1963) and The Go-Between (1971).
Accident is a 1967 British drama film directed by Joseph Losey. Written by Harold Pinter, it is an adaptation of the 1965 novel Accident by Nicholas Mosley. It is the third of four Losey–Pinter collaborations; the others being The Servant (1963), Modesty Blaise (1966) and The Go-Between (1971). At the 1967 Cannes Film Festival, Accident won the Grand Prix Spécial du Jury award. It also won the Grand Prix of the Belgian Film Critics Association.
The Servant is a 1963 British drama film directed by Joseph Losey. It was written by Harold Pinter, who adapted Robin Maugham's 1948 novella. The Servant stars Dirk Bogarde, Sarah Miles, Wendy Craig and James Fox.
Secret Ceremony is a 1968 British drama-thriller film directed by Joseph Losey and starring Elizabeth Taylor, Mia Farrow and Robert Mitchum.
Dante's Inferno is a 1935 American drama horror film starring Spencer Tracy and loosely based on Dante Alighieri's Divine Comedy. The film remains primarily remembered for a 10-minute depiction of hell realised by director Harry Lachman, himself an established post-impressionist painter. This was Fox Film Corporation's last film to be produced under the Fox Studios banner before the company merged with Twentieth Century Pictures to form 20th Century-Fox Film Corporation.
Michael Hugh Medwin, OBE was an English actor and film producer.
The Go-Between is a 1971 British historical drama film directed by Joseph Losey. Its screenplay by Harold Pinter is an adaptation of the 1953 novel The Go-Between by L. P. Hartley. The film stars Julie Christie, Alan Bates, Margaret Leighton, Michael Redgrave and Dominic Guard. It won the Palme d'Or at the 1971 Cannes Film Festival.
The Criminal is a 1960 British neo-noir crime film directed by Joseph Losey and starring Stanley Baker, Sam Wanamaker, Grégoire Aslan, Jill Bennett, and Margit Saad. Baker plays Johnny Bannion, a recently-paroled gangster who is sent back to prison after robbing a racetrack, with both the authorities and the criminal underworld looking for the money.
The Sandwich Man is a 1966 British comedy film directed by Robert Hartford-Davis starring Michael Bentine, with support from a cast of British character actors including Dora Bryan, Harry H. Corbett, Bernard Cribbins, Diana Dors, Norman Wisdom, Terry-Thomas and Ian Hendry. It was written by Hartford-Davis and Bentine.
Time Without Pity is a 1957 British film noir thriller film directed by Joseph Losey and starring Michael Redgrave, Ann Todd, Leo McKern, Paul Daneman, Peter Cushing, Alec McCowen and Renee Houston. It is about a father trying to save his son from execution for murder.
The Sleeping Tiger is a 1954 British film noir directed by Joseph Losey and starring Alexis Smith, Dirk Bogarde and Alexander Knox. It was Losey's first British feature, which he directed under the pseudonym of Victor Hanbury due to being blacklisted in the McCarthy Era. It was shot at Walton Studios and on location in London. The film's sets were designed by the art director John Stoll. It was released by Anglo-Amalgamated while in America it was distributed by Astor Pictures.
Another Shore is a 1948 Ealing Studios comedy film directed by Charles Crichton. It stars Robert Beatty as Gulliver Shields, an Irish customs official who dreams of living on a South Sea island; particularly Rarotonga. It is based on the 1947 novel by Kenneth Sheils Reddin, an Irish judge.
The Flanagan Boy is a 1953 British film noir directed by Reginald Le Borg. It was made by Hammer Film Productions and stars Barbara Payton, Tony Wright, Frederick Valk and Sid James. It was based on the 1949 novel of the same name by Max Catto.
Blind Date is a 1959 British murder mystery film directed by Joseph Losey and starring Hardy Krüger, Stanley Baker, and Micheline Presle.
The Intimate Stranger is a 1956 British film noir drama film directed by Joseph Losey, and starring Richard Basehart, Mary Murphy, Constance Cummings and Roger Livesey. It was released in the U.S. as Finger of Guilt.
The Lawless is a 1950 American film noir directed by Joseph Losey and featuring Macdonald Carey, Gail Russell and Johnny Sands.
The Gypsy and the Gentleman is a 1958 British costume drama film directed by Joseph Losey. It stars Melina Mercouri and Keith Michell.
Twist of Fate is a 1954 British and American mystery film noir directed by David Miller and starring Ginger Rogers and Herbert Lom. In the UK it was released as Beautiful Stranger.
The Man in the Back Seat is a 1961 British second feature crime film, directed by Vernon Sewell and starring Derren Nesbitt and Keith Faulkner. It was written by Malcolm Hulke and Eric Paice based on an Edgar Wallace story.
The Depraved is a 1957 British crime film directed by Paul Dickson and starring Anne Haywood and Robert Arden.