M (1951 film)

Last updated
M
M 1951poster.jpg
theatrical release poster
Directed by Joseph Losey
Screenplay by
  • Norman Reilly Raine
  • Leo Katcher
  • Waldo Salt (additional dialogue)
Produced by Seymour Nebenzal
Starring
Cinematography Ernest Laszlo
Edited byEdward Mann
Music by Michel Michelet
Production
company
Superior Pictures
Distributed by Columbia Pictures
Release date
  • March 1951 (1951-03)(US)
Running time
88 minutes
CountryUnited States
LanguageEnglish

M is a 1951 American film noir directed by Joseph Losey. It is a remake of Fritz Lang's 1931 German film of the same title about a child murderer. This version shifts the location of action from Berlin to Los Angeles and changes the killer's name from Hans Beckert to Martin W. Harrow. Both versions of M were produced by Seymour Nebenzal, whose son, Harold, was associate producer of the 1951 version. [1]

Contents

The film was restored in 2015, with Harold Nebenzal as Executive Producer of the restoration.

Plot

M6 artin W. Harrow (David Wayne) is a compulsive child-murderer, and the public demands of the mayor and police that he be caught. The police start a crackdown on criminal operations, dive bars and hangouts in the city, hoping that the murderer will turn up in one of the many raids. This pressure is preventing the city's crime syndicate from doing business, and its boss, Marshall (Martin Gabel), organizes his forces to find and stop the murderer so that the police will stop the crackdown and Marshall can go back to business as usual. Meanwhile, Police Inspector Carney (Howard iDa Silva) has a psychiatrist examining patients who have been released from mental hospitals as possible suspects.

At the same time that the police focus on Harrow, finding incriminating evidence—the shoes of the dead children—in his apartment, the criminals track him down with his intended next victim. They capture him, and place him on trial by his "peers" in the Los Angeles criminal underworld. Harrow makes an impassioned plea for his life, explaining that he is unable to stop himself from committing his unspeakable crimes. Just as he is about to be killed by the crowd, the police arrive to take him away, but not before Marshall has shot and killed his alcoholic lawyer, Dan Langley (Luther Adler).

Cast

Cast notes:

Production

Producer Seymour Nebenzel's Nero Films produced the original 1931 version of M directed by Fritz Lang, and Nebenzal retained the rights when he fled Nazi Germany and began to make films in Hollywood, primarily "B" pictures for major studios and low-budget independents. Nebenzal decided in 1950 to remake M, reset to Los Angeles—perhaps inspired by the anti-Communist mass hysteria then predominant in the country—and approached Lang about directing it, but Lang was appalled and outraged by the idea of anyone remaking a film he considered to be his masterpiece. Nebenzal then approached another expatriate German film director, Douglas Sirk, who also turned him down. Joseph Losey, however, took on the job, despite his being under suspicion of being a Communist by the FBI and the House Un-American Activities Committee. Losey's casting included actors who were also under suspicion. [2] Losey would later leave the U.S. and settle in the UK to make films there, notably his collaborations with writer Harold Pinter: The Servant (1963), Accident (1967) and The Go-Between (1971). [3]

Robert Aldrich was Losey's assistant director on M. [3]

Locations

The film was shot on location in downtown Los Angeles, including the now demolished Victorian neighborhood of Bunker Hill. David Wayne's character lived at an eccentric Victorian mansion on Bunker Hill Avenue known as the Max Heindel house because Heindel, a famous astrologer in the early 20th century, had once lived there. Some scenes were shot on and around the funicular Angels Flight on Third Street. The most spectacular footage occurs in a lengthy sequence shot inside the Bradbury Building on the southeast corner of Broadway and Third, a block east of Angels Flight. Losey used the basement, the distinctive stairways and balconies, and the roof of the building.

Reception

When the film was released, an anonymous reviewer at Variety wrote: "David Wayne, as the killer of small children, is effective and convincing. Luther Adler, as a drunken lawyer member of a gangster mob, turns in an outstanding performance, as do Martin Gabel, the gang-leader, and Howard da Silva and Steve Brodie as police officials ... Joseph Losey’s direction has captured the gruesome theme skilfully." [4] Wayne in particular received good reviews. [3]

Fritz Lang remarked that the release of the 1951 film earned his 1931 original the best reviews of his career. [3]

Censorship

M was boycotted in some cities because of director Losey's political views. [2]

The film was classified by Ohio film censors as unacceptable for public screenings. At the end of 1953, the film's producers appealed to the U.S. Supreme Court, and in 1954, M was approved for exhibition in Ohio without any cuts. [5]

See also

Related Research Articles

<span class="mw-page-title-main">Fritz Lang</span> Austrian filmmaker (1890–1976)

Friedrich Christian Anton Lang, better known as Fritz Lang, was an Austrian-American film director, screenwriter, and producer who worked in Germany and later the United States. One of the best-known émigrés from Germany's school of Expressionism, he was dubbed the "Master of Darkness" by the British Film Institute. He has been cited as one of the most influential filmmakers of all time.

<i>M</i> (1931 film) 1931 film by Fritz Lang

M is a 1931 German mystery suspense thriller film directed by Fritz Lang and starring Peter Lorre as Hans Beckert, a serial killer who targets children. An early example of a procedural drama, the film centers on the manhunt for Lorre's character, conducted by both the police and the criminal underworld.

<span class="mw-page-title-main">Joseph Losey</span> American filmmaker and theatre director

Joseph Walton Losey III was an American theatre and film director, producer, and screenwriter. Born in Wisconsin, he studied in Germany with Bertolt Brecht and then returned to the United States. Blacklisted by Hollywood in the 1950s, he moved to Europe where he made the remainder of his films, mostly in the United Kingdom. Among the most critically and commercially successful were the films with screenplays by Harold Pinter: The Servant (1963) and The Go-Between (1971).

<span class="mw-page-title-main">Joan Bennett</span> American actress (1910–1990)

Joan Geraldine Bennett was an American stage, film, and television actress, one of three acting sisters from a show-business family. Beginning her career on the stage, Bennett appeared in more than 70 films from the era of silent films, well into the sound era. She is best remembered for her film noir femme fatale roles in director Fritz Lang's films—including Man Hunt (1941), The Woman in the Window (1944), and Scarlet Street (1945)—and for her television role as matriarch Elizabeth Collins Stoddard in the gothic 1960s soap opera Dark Shadows, for which she received an Emmy nomination in 1968.

<i>The Testament of Dr. Mabuse</i> 1933 film by Fritz Lang

The Testament of Dr. Mabuse, also called The Last Will of Dr. Mabuse, is a 1933 German crime-thriller film directed by Fritz Lang. The movie is a sequel to Lang's silent film Dr. Mabuse the Gambler (1922) and features many cast and crew members from Lang's previous films. Dr. Mabuse is in an insane asylum where he is found frantically writing his crime plans. When Mabuse's criminal plans begin to be implemented, Inspector Lohmann tries to find the solution with clues from gangster Thomas Kent, the institutionalized Hofmeister and Professor Baum who becomes obsessed with Dr. Mabuse.

<span class="mw-page-title-main">Luther Adler</span> American actor (1903–1984)

Luther Adler was an American actor who worked in theatre, film, television, and directed plays on Broadway.

<i>The Blue Gardenia</i> 1953 film by Fritz Lang

The Blue Gardenia is a 1953 American film noir starring Anne Baxter, Richard Conte, and Ann Sothern. Directed by Fritz Lang from a screenplay by Charles Hoffman, it is based on the novella The Gardenia by Vera Caspary.

<span class="mw-page-title-main">Philip Yordan</span> American screenwriter and producer

Philip Yordan was an American screenwriter, film producer, novelist and playwright. He was a three-time Academy Award nominee, winning Best Story for Broken Lance (1951).

<i>Moonfleet</i> (film) 1954 film by Fritz Lang

Moonfleet is a 1955 Eastman Color swashbuckler film shot in CinemaScope directed by Fritz Lang. It was inspired by the 1898 novel Moonfleet by J. Meade Falkner, although significant alterations were made in the characters and plot.

<i>Barocco</i> 1976 French film

Barocco is a 1976 French romantic thriller film, directed by André Téchiné. The film stars Isabelle Adjani, Gérard Depardieu and Marie-France Pisier. Identity, redemption and resurrection are the themes of the film. The plot follows a young woman who convinces her boxer boyfriend to accept a bribe to tell a lie that discredits a local politician. When the boyfriend is murdered, she is racked with guilt until she meets the killer and plans to remake him into the image of her slain lover. The film won three César Awards: Best Actress in a Supporting Role, Best Cinematography and Best Music. The film had a total of 678,734 admissions in France.

<i>Wake of the Red Witch</i> 1948 film by Edward Ludwig

Wake of the Red Witch is a 1948 American adventure film directed by Edward Ludwig, produced by Edmund Grainger and starring John Wayne, Gail Russell, Gig Young, Adele Mara and Luther Adler. It is based upon the 1946 novel of the same name written by Garland Roark. The film is one of the few A-level features produced by Republic Pictures, as it had a relatively high production budget. It became one of Republic' most successful releases.

Seton Ingersoll Miller was an American screenwriter and producer. During his career, he worked with film directors such as Howard Hawks and Michael Curtiz. Miller received two Oscar nominations and won once for Best Screenplay for the 1941 fantasy romantic comedy film, Here Comes Mr. Jordan, along with Sidney Buchman.

Seymour Nebenzal was an American-born Jewish-German film producer. He produced 46 films between 1927 and 1961.

<i>Beyond a Reasonable Doubt</i> (2009 film) 2009 American film

Beyond a Reasonable Doubt is a 2009 American crime thriller film written and directed by Peter Hyams, starring Michael Douglas, Jesse Metcalfe and Amber Tamblyn. Based on Fritz Lang's 1956 film of the same name, it was Hyams' second reimagining of an RKO property after 1990's Narrow Margin. In it, a young journalist (Metcalfe) sets himself up as a murderer to expose the unethical practices of a star prosecutor with a trumped up conviction record (Douglas), but finds himself unable to produce the evidence he had prepared to restore his innocence.

<span class="mw-page-title-main">Rita Corday</span> American actress

Rita Corday was an American actress. She appeared in 30 films during the 1940s and 1950s. She was sometimes billed as Paula Corday or Paule Croset.

Nero-Film AG was a German film production company founded in 1925 and based in Berlin during the Weimar era.

<i>Siren of Atlantis</i> 1949 film by Gregg G. Tallas

Siren of Atlantis, also known as Atlantis the Lost Continent, is a 1949 American black-and-white fantasy-adventure film, distributed by United Artists, that stars Maria Montez and her husband Jean Pierre Aumont. It was the first feature she made after leaving Universal Pictures.

<i>Too Many Winners</i> 1947 film by William Beaudine

Too Many Winners is a 1947 American mystery crime film directed by William Beaudine and starring Hugh Beaumont, Trudy Marshall and Ralph Dunn. Made and released by Producers Releasing Corporation, it was one of a number of films featuring the private detective Michael Shayne.

Heinrich Nebenzahl (1870–1938) was an Austrian-born film producer. In 1925 he founded the German production company Nero Film which prospered under the management of his son Seymour Nebenzahl. In 1933 the Jewish Nebenzahls were forced to leave Germany by the coming to power of the Nazi Party. They resettled in Paris where Seymour continued to operate the company following the Nazi censorship of Seymour's film made with Fritz Lang. The Testament of Dr. Mabuse. In 1938 Heinrich died and his son Seymour and grandson, film producer Harold Nebenzal subsequently relocated to the United States.

The Power and the Glory is a 1961 American TV film based on the 1940 novel The Power and the Glory by Graham Greene. It was produced by David Susskind for Talent Associates-Paramount. The production was shot for American TV but also distributed theatrically overseas.

References

  1. M at the TCM Movie Database.
  2. 1 2 Muller, Eddie (April 28, 2019) Intro to the Turner Classic Movies presentation of M
  3. 1 2 3 4 Muller, Eddie (April 28, 2019) Outro to the Turner Classic Movies presentation of M
  4. Variety film review (1951); accessed July 17, 2013.
  5. Staff (January 1, 1954). "High Court to See Two Banned Films / Appeals From Rulings on 'M' and 'La Ronde' Call States' Action Unconstitutional". The New York Times . Retrieved February 17, 2019.