Watership Down | |
---|---|
![]() U.S. theatrical release poster | |
Directed by |
|
Written by | Martin Rosen |
Based on | Watership Down by Richard Adams |
Produced by | Martin Rosen |
Starring | |
Narrated by | Michael Hordern |
Edited by | Terry Rawlings |
Music by | |
Production company | |
Distributed by |
|
Release dates |
|
Running time | 102 minutes [2] |
Country | United Kingdom [3] |
Language | English |
Budget | $2.4 million |
Box office | $3.5 million (US and Canada distributor rentals) [4] |
Watership Down is a 1978 British animated adventure-drama film, written, produced and directed by Martin Rosen and based on the 1972 novel by Richard Adams. [5] It was financed by a consortium of British financial institutions and was distributed by Cinema International Corporation in the United Kingdom. Released on 19 October 1978, the film was an immediate success and it became the sixth-most popular film of 1979 at the UK box office. [6]
It features the voices of John Hurt, Richard Briers, Harry Andrews, Simon Cadell, Nigel Hawthorne and Roy Kinnear, among others, and was the last film work of Zero Mostel, as the voice of Kehaar the gull. The musical score was by Angela Morley and Malcolm Williamson. Art Garfunkel's hit song "Bright Eyes" was written by songwriter Mike Batt. It has gained a cult following. [7]
In Lapine language mythology, the world was created by the god Frith. All animals were grass eaters, living harmoniously. The rabbits multiplied, and their appetite led to a food shortage. Frith ordered the rabbit prince, El-Ahrairah, to control his people, but was scoffed at. In retaliation, Frith gave special gifts to every animal, making some into predators to hunt the rabbits. Satisfied that El-Ahrairah had learned his lesson, Frith gave rabbits the gifts of speed and cunning.
In the present, in a warren near Sandleford, a rabbit seer named Fiver has an apocalyptic vision when he and his older brother Hazel come across a signboard; it says a residential development is coming, but they cannot read it. The two beg the chief rabbit to order an evacuation; the chief dismisses them, and orders Captain Holly, the head of the warren's Owsla police force, to stop those trying to leave. Fiver and Hazel manage to escape with six other rabbits named Bigwig, Blackberry, Pipkin, Dandelion, Silver, and Violet.
They journey through the woods, avoiding several dangerous situations; until Violet – the group's only doe – is killed by a hawk. The others eventually meet a rabbit named Cowslip, who invites them to his warren, where a farmer leaves Cowslip's group ample vegetables. They are grateful, but Fiver leaves when he senses something unsettling in the atmosphere. Bigwig follows, berating Fiver for causing tension. When a snare catches Bigwig, Bigwig's friends manage to free him, and Fiver realizes that the farmer is protecting and feeding Cowslip's warren so that he can snare rabbits for his own meals. The group returns to its journey.
The rabbits discover Nuthanger Farm, which contains a hutch of domesticated does. Before they can free the females, the farm cat and dog chase them away. Later, they are found by Captain Holly, who recounts the destruction of Sandleford by humans as well as an encounter with vicious rabbits called the "Efrafans". Fiver finally finds the hill he envisioned, Watership Down, where the group settles in with Hazel as their new chief.
They soon befriend an injured black-headed seagull named Kehaar, who flies out in search of does. That night, the rabbits return to Nuthanger Farm to attempt to free the does, but Hazel's leg is shot and the rest are forced to retreat. Fiver follows a vision of the mythical Black Rabbit to his injured brother. Kehaar returns and, while pecking out buckshot from Hazel's leg with his beak, reports of the many does at the overcrowded Efrafa warren. Captain Holly describes it as a dangerous totalitarian state, but Hazel feels they must go there. Bigwig infiltrates the warren and is made an Owsla officer by their cruel chief, General Woundwort. Bigwig recruits several potential escapees to his cause, including Blackavar and Hyzenthlay. With Kehaar's help, the escapees use a boat to float down the river. That night, Kehaar leaves for his homeland, but promises to return in winter.
Efrafan trackers eventually find Watership Down. Woundwort rejects Hazel's offer of peace, and demands that all deserters must be turned over or Watership Down will be wiped out. While the Watership rabbits barricade their warren, Fiver slips into a trance, in which he envisions a dog named Bob running loose in the woods. His mumblings give Hazel an idea; he chews through the Nuthanger Farm watchdog's leash, and Blackberry, Dandelion and Hyzenthlay bait the animal into following them to the warren. Meanwhile, when the Efrafans break through the warren's defences, Woundwort goes in alone; Blackavar attacks him but is easily killed. Bigwig ambushes Woundwort and they fight to a standstill. When Bob arrives and starts attacking the Efrafans, Woundwort abandons Bigwig and emerges from the warren, refuses to flee and he stands his ground until Bob notices him, and Woundwort fearlessly attacks Bob. However, no trace of Woundwort is ever found, which leaves his fate a mystery.
Several years later, an elderly Hazel is visited by the Black Rabbit, who invites him to join his own Owsla, assuring him of Watership Down's perpetual safety. Reassured, Hazel accepts and dies peacefully. His spirit follows the visitor through the woodland and trees towards the Sun, which metamorphoses into Frith, and the afterlife, as Frith's parting advice to El-Ahrairah is heard once more.
Film rights were purchased by producer Martin Rosen. [8] He did this with the assistance of a merchant banker, Jake Eberts, who enjoyed the experience so much it launched Eberts's career in the film industry. The option for the film rights was £50,000. [9]
Rosen estimated the budget at $2.4 million. Eberts raised $1 million from the Pearson company and clients of the merchant bank Lazard. [10]
Production of the film began in 1975 by a new animation studio, formed in London by Rosen. [11] It was originally going to be directed by John Hubley, who left after disagreements with the film's producer Martin Rosen. His work can still be found in the film, most notably in the "fable" scene. [12] He was replaced by Rosen who thereby made his directorial debut.[ citation needed ]
The backgrounds and locations, especially Efrafa and the nearby railway, are based on the diagrams and maps in Richard Adams's original novel. Most of the locations in the movie either exist or were based on real spots in Hampshire and surrounding areas.[ citation needed ]
The musical score was by Angela Morley and Malcolm Williamson, Morley replacing Williamson after the composer had fallen behind and only composed the prelude and main title theme in sketch form. [13] A list of the musical cues for the film can be found on the composer's website, which also gives information about the different composers working on the project. [14]
The soundtrack includes Art Garfunkel's British No. 1 hit, "Bright Eyes", which was written by the British singer and songwriter Mike Batt. He also wrote other songs for the film which were not used. The composer recorded three songs with vocals by Garfunkel, but only "Bright Eyes" made it to the film. The song "When You're Losing Your Way in the Rain" has a very similar feeling and arrangement, and was recorded by the former Zombies vocalist Colin Blunstone in 1979. Garfunkel's version was heard years later, on the Watership Down TV series soundtrack released in 2000. The song, like many others which appeared on the TV soundtrack, was never used in the show.[ citation needed ]
Watership Down was first released to the UK on 19 October 1978, and was later released in the United States on 1 November 1978, where the movie was distributed by AVCO Embassy Pictures. In British cinemas the film was preceded by the 1974 live-action short film Tahere Tikitiki: The Making of a Māori Canoe. [15]
The film was very successful at the box office. According to financier Jake Eberts, the investors who put up the $50,000 development finance "got their money back with interest, plus an additional $450,000, making a total of ten times their investment". [16] Other investors in the film reportedly received a return of 5,000% on their investment. [17]
The film was nominated for the Hugo Award for Best Dramatic Presentation in 1979. [18]
Gene Siskel and Roger Ebert were divided on their opinions of Watership Down on their show Sneak Previews . Siskel thought that the film was too long, but that otherwise he found "most of it very effective" due to the film's success at situating the audience in the rabbits' point of view which put him "in touch with the delicate and brutal balance of nature". He also called the film "more mature than what we usually expect or get from an animated feature film". However, Ebert felt that the realism of the story, which he liked, did not match with the style of animation which he described as "soft-edged, cuddly and like a cartoon'. [19]
Some critics commented on the film's success as an adaptation, such as The Observer 's Philip French, who wrote that "the novel's texture isn't there and the characters never take on strong pictorial identities". Later in the review he elaborated that the rabbit characters are "blandly drawn" and concluded that the film as a whole is "difficult to enthuse over". [20] In The Times , David Robinson also criticised the film's translation to the screen as inaccessible for "People who come to the film without the assistance of the book", as they "may well have a little difficulty with the special lore and language of Richard Adams' rabbit civilisation" and with the fictional Lapine language spoken by the rabbits. Robinson nevertheless complimented the voice acting and the "fresh and pleasant" animation design. [21] The Globe and Mail 's Jay Scott, on the other hand, described the animation backgrounds of the film as "second-rate shopping mall watercolor landscapes" but praised the film's allegorical aspects (drawing comparisons between the villain General Woundwort and Adolf Hitler), the realistic and compassionate approach to its rabbit characters, and the voice cast. [22]
The Daily Mail 's Margaret Hinxman also praised the voice acting, the "delicious" music, and called the background landscapes "superb", but concluded that "Watership Down is by no stretch of the imagination a Disney-type animation feature film. Sadly, I have to say, if it had been I might have enjoyed it more." [23] However, other critics drew favourable comparisons with Disney, notably Julian Fox in Films and Filming, who called Watership Down "far and away the most exciting and totally involving animated feature since Disney's peak years (ie that period which ended with Pinocchio , Dumbo and Bambi )." [24] He praised in particular the aesthetics, sound design, and the film's way of humanising the rabbit characters without over-anthropomorphising them. The Guardian 's Derek Malcolm also complimented Kehaar the seagull's "most Disney-like" animation style even though he found the film as a whole to be "old-fashioned" and the song "Bright Eyes" to be "more than a trifle bland". [25]
In a joint review of Watership Down and Ralph Bakshi's The Lord of the Rings , animation historian Michael Barrier described both films as "very stupid movies, of a special kind" and that "the films themselves show no sign that any intelligence was at work in making them" due to their "grim literalism" in adapting their source texts. He did describe Watership Down as the "least offensive" of the two but nevertheless characterised the animation style as "graceless" and expressed disappointment that the vision of the film's original director John Hubley was never fully realised. [26] Newsweek 's David Ansen also drew comparisons with The Lord of the Rings, but while he disliked Bakshi's film he was more effusive about Watership Down, which he said "has the relentless momentum of a good war movie" and "is swift of foot, graced with wit, and capable of touching the hearts of both children and adults". [27]
In a review of the DVD edition, Film Freak Central's Walter Chaw praised the film for offering an "unusually thoughtful" alternative to Disney animated films of the era: "Watership Down arose in that extended lull between Disney's heyday and its late-Eighties resurrection. ... Watership Down points to the dwindled potential for American animation to evolve into what anime has become: a mature medium for artistic expression of serious issues." Chaw commended the film's frankness, honesty, and themes of friendship and loyalty, concluding that, in spite of the film's violent elements, "the picture may be more appropriate for young children than a legion of condescendingly sugarcoated Disney fare." [28]
Watership Down has developed a reputation as a distressing children's text, with Ed Power of The Independent describing the film in a 40th anniversary retrospective as a "classic" but which "arguably traumatised an entire generation". [29] In 2016, the British broadcaster Channel 5 faced criticism after broadcasting the film in a pre-watershed slot on Easter Sunday, which was seen to be in poor taste due to the film's representations of violence inflicted upon rabbits, and with many people on social media expressing concern about child viewers being distressed (though it is unclear whether any children were actually negatively affected). [30] Despite the criticism, Channel 5 broadcast Watership Down on Easter Sunday again the following year. [31]
Despite the film's reputation as traumatising, regulators and critics in 1978 expressed little concern about the film's potentially negative effects on children. When the film was first submitted to the British Board of Film Censors, the BBFC passed the film with a 'U' certificate (suitable for all ages), deciding that "Animation removes the realistic gory horror in the occasional scenes of violence and bloodshed, and we felt that, while the film may move children emotionally during the film's duration, it could not seriously trouble them once the spell of the story is broken, and that a 'U' certificate was therefore quite appropriate." [32] This choice has been quite controversial though, and in 2012, the BBFC acknowledged that it had "received complaints about the suitability of Watership Down at 'U' almost every year since its classification". [33] In 2022, the BBFC re-classified the film with a PG rating for "mild violence, threat, brief bloody images, language". [34]
Like the BBFC, film critics in 1978 characterised Watership Down as suitable for children in spite of its potentially distressing aspects. The Spectator 's Ted Whitehead described it as "a straightforward children's adventure story". [35] Scott in The Globe and Mail wrote that "Parents are more apt to feel squeamish about this than their children: there is nothing as devastating as the death of Bambi's mother. In Watership Down, some of the rabbits are unlucky and some live to old age. When they do die, the deaths are treated with sympathy but not morbidity. The message is that life is hard, and difficult, but that it's fun, and rewarding, too." [22] Malcolm in The Guardian dismissed concerns about the film's suitability for children by stating that "It is not true, as had already been hinted at by some, that the film is too violent and disturbing for children. What, pray, about some of Grimms' fairy tales?" [25] Fox in Films and Filming was one of the few critics to express caution by saying that, because of the "graphic horror", "one could scarcely recommend the film to the very young". [24]
More recently, film critics and scholars have defended Watership Down's potential value for child audiences. Children's media scholar Catherine Lester argues that the violence is "never without a specific narrative or moral purpose" and that discussions of the film's effect upon children require "greater nuance" that acknowledges the complexity and variety of children as viewers and how they respond to films. [36] Gerard Jones, in his essay on the film for the Criterion Collection, admits that the film "has troubled me ever since I first saw it" at the age of twenty-one, but that he believes it is an important film for viewers of all ages because it "asks us to spend time with those elements of existence that we will always find most troubling (and haunting and moving), and that we so rarely allow our children's culture or our own entertainment to dwell on." He cites as an example the non-violent death of Hazel from old age at the end of the film, which he calls "as joyous as it is poignant". [37]
A picture book adaptation was also produced, titled The Watership Down Film Picture Book. Two editions of the book were published, one a hardcover, the other a reinforced cloth-bound edition. The contents include film stills linked with a combination of narration and extracts from the script, as well as a preface by Adams and a foreword by Rosen. [38]
Watership Down was initially released on VHS in the UK by Thorn EMI Video, then later by Guild Home Video and later by PolyGram Video. It was given a DVD release in 2001 by Universal Pictures Home Entertainment and another in 2005 from Warner Home Video.
In the US, Watership Down was first released on CED in 1981 by RCA SelectaVision VideoDiscs and was given a VHS and Betamax release in 1983 by Warner Home Video. The film was re-released a number of times on VHS in the US by Warner Home Video, including through their Warner Bros. Classic Tales label, and was released on DVD in the US in 2002 [39] [40] and again in 2008. The 2002 DVD release was later duplicated for Warner Bros' 2005 DVD release in the UK, with the only difference being the film being converted to PAL format.
A UK Blu-ray for the film was planned to be released in 2010 but, due to a rights dispute between Euro-London Films, Universal Pictures, and Warner Bros., the release was cancelled. Warner eventually put out a BD release in Germany, where it held distribution rights. The UK Blu-ray was eventually released in 2013 by Universal using the same HD master as on Warner's 2008 DVD and 2011 German Blu-ray release. In 2014, Euro-London Films acquired the remaining US rights from Warner Bros. (who had held US distribution rights since the 1980s) and licensed the film to The Criterion Collection for release on DVD, Blu-ray and streaming in 2015 and Janus Films for theatrical repertory runs. [41] [42] [43]
The British Film Institute planned to release the film as a 4K Ultra HD Blu-ray in the UK in February 2023, but cancelled the release due to external issues beyond their control. [44] On July 26, 2024, however, the company reannounced the release for a November 11 release. [45]
Watership Down is an adventure novel by English author Richard Adams, published by Rex Collings Ltd of London in 1972. Set in Hampshire in southern England, the story features a small group of rabbits. Although they live in their natural wild environment, with burrows, they are anthropomorphised, possessing their own culture, language, proverbs, poetry, and mythology. Evoking epic themes, the novel follows the rabbits as they escape the destruction of their warren and seek a place to establish a new home, encountering perils and temptations along the way.
Who Framed Roger Rabbit is a 1988 American fantasy comedy film directed by Robert Zemeckis from a screenplay written by Jeffrey Price and Peter S. Seaman. It is loosely based on the 1981 novel Who Censored Roger Rabbit? by Gary K. Wolf. The film stars Bob Hoskins, Christopher Lloyd, Stubby Kaye, Joanna Cassidy, and the voices of Charles Fleischer and an uncredited Kathleen Turner. Combining live-action and animation, the film is set in an alternate history Hollywood in 1947, where humans and cartoon characters co-exist. Its plot follows Eddie Valiant, a private investigator with a grudge against toons, who must help exonerate Roger Rabbit, a toon framed for murder.
Mickey's Christmas Carol is a 1983 American animated Christmas fantasy featurette directed and produced by Burny Mattinson. The cartoon is an adaptation of Charles Dickens's 1843 novella A Christmas Carol, and stars Scrooge McDuck as Ebenezer Scrooge. Many other Disney characters, primarily from the Mickey Mouse universe, as well as Jiminy Cricket from Pinocchio (1940), and characters from The Adventures of Ichabod and Mr. Toad (1949) and Robin Hood (1973), were cast throughout the film. The featurette was produced by Walt Disney Productions and released by Buena Vista Distribution on December 16, 1983, with the re-issue of The Rescuers (1977). In the United States, it was first aired on television on NBC, on December 10, 1984.
Cats Don't Dance is a 1997 American animated musical comedy film directed by Mark Dindal. The film features the voices of Scott Bakula, Jasmine Guy, Matthew Herried, Ashley Peldon, John Rhys-Davies, Kathy Najimy, Don Knotts, Hal Holbrook, Betty Lou Gerson, René Auberjonois, Dindal, and George Kennedy.
Bosko, the Talk-Ink Kid is a 1929 live-action/animated short film produced to sell a series of Bosko cartoons. The film was never released to theaters, and therefore not seen by a wide audience until 2000 on Cartoon Network's television special Toonheads: The Lost Cartoons. The film was produced on May 29, 1929 and directed by Hugh Harman and Rudolf Ising.
The Criterion Collection, Inc. is an American home-video distribution company that focuses on licensing, restoring and distributing "important classic and contemporary films". A de facto subsidiary of arthouse film distributor Janus Films, Criterion serves film and media scholars, cinephiles and public and academic libraries. Criterion has helped to standardize certain aspects of home-video releases such as film restoration, the letterboxing format for widescreen films and the inclusion of bonus features such as scholarly essays and documentary content about the films and filmmakers. Criterion most notably pioneered the use of commentary tracks. Criterion has produced and distributed more than 1,000 special editions of its films in VHS, Betamax, LaserDisc, DVD, Blu-ray and Ultra HD Blu-ray formats and box sets. These films and their special features are also available via The Criterion Channel, an online streaming service that the company operates.
"Bright Eyes" is a song written by British songwriter Mike Batt and performed by Art Garfunkel. It was written for the soundtrack of the 1978 British animated adventure drama film Watership Down. Rearranged as a pop song from its original form in the film, the track appears on British and European versions of Garfunkel's 1979 Fate for Breakfast and on the US versions of his 1981 album Scissors Cut. "Bright Eyes" topped the UK Singles Chart for six weeks and became Britain's biggest-selling single of 1979, selling over a million copies. Richard Adams, author of the original novel, is reported to have hated the song. A cover of the song was later used explicitly in the Watership Down television series as its theme song.
20th Century Home Entertainment was a home video distribution arm that distributed films produced by 20th Century Studios, Searchlight Pictures, and 20th Century Animation and several third-party studios, as well as television series by 20th Television, Searchlight Television, 20th Television Animation, and FX Productions in home entertainment formats.
The Milky Way is a one-reel animated cartoon short subject, produced in Technicolor and released to theatres with the film The Captain Is a Lady in 1940 by Metro-Goldwyn-Mayer. The short explores the adventures of the "three little kittens who lost their mittens", as they explore a dreamland where space is made up entirely of dairy products. The short won the 1940 Oscar for Best Animated Short Film, and was the first non-Disney film to do so. Other shorts nominated in 1940 included A Wild Hare by Warner Bros., introducing Bugs Bunny, and another MGM cartoon Puss Gets the Boot, with Jasper & Jinx, the prototype for Tom and Jerry. This makes 1940 the first time a Disney film wasn’t even nominated for the award. It was added as a bonus feature in the Marx Bros. DVD release of Go West (1940) and Warner Archive Blu-ray release of Broadway Melody of 1940 (1940).
The Magic Roundabout is a 2005 animated comedy adventure fantasy film based on the television series of the same name. Unlike the show, which was presented with stop-motion animation, the film utilizes computer-generated animation. The story sees a group of unlikely heroes who go on a quest to stop a reawakened villain, who intends on freezing the world, from retrieving a set of powerful diamonds.
The Plague Dogs is a 1982 animated adventure drama film, based on the 1977 novel of the same name by Richard Adams. It was written, directed and produced by Martin Rosen, who also directed Watership Down, the film adaptation of another novel by Adams, with animation direction by Tony Guy. The Plague Dogs was produced by Nepenthe Productions; it was released by Embassy Pictures in the United States and by United Artists in the United Kingdom. The film was originally released unrated in the United States, but for its DVD release, was later re-rated PG-13 by the MPAA for mature themes such as animal cruelty, violent imagery, and emotionally distressing scenes. The Plague Dogs is the first non-family-oriented MGM animated film, and the first adult animated feature by the studio.
Buena Vista Home Entertainment, Inc. is the home entertainment distribution arm of the Walt Disney Company. The division handles the distribution of Disney's films, television series, and other audiovisual content across digital formats and platforms.
Watership Down is an animated fantasy children's television series, adapted from the 1972 novel of the same name by Richard Adams. The second adaptation of the novel, it was produced by UK's Alltime Entertainment and Canada's Decode Entertainment in association with Martin Rosen, with the participation of the Canadian Television Fund, the Canadian Film or Video Production Tax Credit and the Ontario Film and Television Tax Credit from the Government of Ontario.
The Pixar Story, directed by Leslie Iwerks, is a documentary of the history of Pixar Animation Studios. An early version of the film premiered at the Sonoma Film Festival in 2007, and it had a limited theatrical run later that year before it was picked up by the Starz cable network in the United States.
Coyote Falls is a 2010 animated Looney Tunes short film featuring the characters Wile E. Coyote and the Road Runner. Directed by Matthew O'Callaghan and written by Tom Sheppard, it is the first Wile E. Coyote and Road Runner short to be made into CGI as well as the first theatrically released 3-D animated short since 1953's Lumber Jack-Rabbit. Coyote Falls was first shown in theaters before Warner Bros.' feature-length film Cats & Dogs: The Revenge of Kitty Galore. In 2014, Warner Bros. Animation published this short on YouTube.
The Warner Archive Collection is a home video division for releasing classic and cult films from Warner Bros.' library. It started as a manufactured-on-demand (MOD) DVD series by Warner Bros. Home Entertainment on March 23, 2009, with the intention of putting previously unreleased catalog films on DVD for the first time. In November 2012, Warner expanded the Archive Collection to include Blu-ray releases, Some Warner Archive releases, such as Wise Guys, previously had a pressed DVD release but have lapsed out of print and have since been re-released as part of the Warner Archive collection.
The Thief and the Cobbler is an unfinished animated fantasy film co-written and directed by Richard Williams. Originally devised in the 1960s, the film was in and out of production for nearly three decades due to independent funding and ambitiously complex animation. It was finally placed into full production in 1989 when Warner Bros. agreed to finance and distribute the film. When production went over budget and behind schedule, it was heavily cut and hastily re-edited by producer Fred Calvert without Williams's involvement. It was eventually released by Allied Filmmakers in 1993 with the title The Princess and the Cobbler. Two years later, Miramax Films, which was owned by Disney at the time, released another re-edit titled Arabian Knight. Both versions of the film performed poorly at the box office and received mixed reviews.
Rabid Rider is a 2010 animated Looney Tunes short film featuring the characters Wile E. Coyote and the Road Runner. Directed by Matthew O'Callaghan and written by Tom Sheppard, the film was first shown in theaters before Warner Bros.' feature-length film Yogi Bear. In 2014, Warner Bros. Animation published this short on YouTube. The film also came before the 2018 theatrical re-release of Batman: Mask of the Phantasm.
Watership Down is a CGI-animated adventure fantasy drama television miniseries directed by Noam Murro. It is based on the 1972 novel of the same name by Richard Adams and adapted by Tom Bidwell. It was released on 22 December 2018 in the United Kingdom and internationally on Netflix the next day. The BBC broadcast comprised two back-to-back episodes per day.
Events in 1911 in animation.