George Watters II | |
---|---|
Born | George Duncan Watters September 19, 1949 [1] Los Angeles, California |
Occupation | Sound editor |
Years active | 1978–2011 |
George Watters II (born September 19, 1949) is an American retired sound editor with more than 80 feature film credits. [2] He has won the Academy Award for Best Sound Editing twice, for The Hunt for Red October (1990) and for Pearl Harbor (2001).
Watters entered the film industry in 1973 as an apprentice in the Television Sound Editing Department at Paramount Pictures. Following his apprenticeship, he became an assistant sound editor for feature films at Paramount; in a 2012 interview, he said, "At that time I had the opportunity to work a bit in picture editing and music editing, but I found I preferred sound FX editing. Sound is sculptural, imaginative, universal and for me the most creative medium." Watters' first credit as a Supervising Sound Editor was for American Hot Wax (1978). Watters worked at Paramount Studios until 1992. In his interview, Watters singled out his long relationship with Jerry Bruckheimer. Bruckheimer produced twenty-five out of thirty of the films for which Watters was the sound editor, from Flashdance (1983) through Pirates of the Caribbean: On Stranger Tides (2011). [3] [4]
In 2012, Watters received the Career Achievement Award of the Motion Picture Sound Editors (MPSE), which is an honorary society of sound editors based in the United States. [3] [5]
All of these are in Best Sound Editing.
The Academy Award for Best Film Editing is one of the annual awards of the Academy of Motion Picture Arts and Sciences (AMPAS). Nominations for this award are closely correlated with the Academy Award for Best Picture. For 33 consecutive years, 1981 to 2013, every Best Picture winner had also been nominated for the Film Editing Oscar, and about two thirds of the Best Picture winners have also won for Film Editing. Only the principal, "above the line" editor(s) as listed in the film's credits are named on the award; additional editors, supervising editors, etc. are not currently eligible.
Thelma Schoonmaker is an American film editor, best known for her collaboration over five decades with director Martin Scorsese. She has received numerous accolades, including three Academy Awards, two BAFTA Awards, and four ACE Eddie Awards. She has been honored with the British Film Institute Fellowship in 1997, the Golden Lion for Lifetime Achievement in 2014, and the BAFTA Fellowship in 2019.
Per Hallberg, is a Swedish film sound editor whose work has appeared in over 40 movies. He has won three Academy Awards for Best Sound Editing for the films Braveheart (1995), The Bourne Ultimatum (2007) and Skyfall (2012). He was also nominated for the award for Face/Off (1997).
Charles L. Campbell was an American sound engineer who won three Academy Awards for Best Sound Editing. He also served as Governor of the Academy of Motion Picture Arts and Sciences (AMPAS) 1984-1987.
Cecelia Hall is an Oscar-winning sound designer and sound editor. She became the first woman to be nominated for an Academy Award for Best Sound Effects Editing in 1986 for Top Gun and went on to win the Oscar for The Hunt for Red October, a 1990 film for which she also received a nomination for the BAFTA Award for Best Sound at the 44th British Academy Film Awards.
Mark Mangini is an American sound editor with over 125 film credits. He has won two Academy Awards, in 2021 for Best Sound for Dune and in 2015 for Best Sound Editing along with David White for their work on Mad Max: Fury Road.
Mark Stoeckinger is an American sound editor. He has over 80 film credits. In addition to 3 Oscar nominations, he has been nominated for the Motion Picture Sound Editors a total of 10 times, winning once with Gladiator.
Michael Silvers is a sound editor who has often worked with Pixar. He has worked on nearly every Pixar feature film.
Tom Bellfort is a sound editor. He has done sound editing on over 80 films since 1983.
Karen Baker Landers is a two-time Academy Award-winning sound editor. She also has won and been nominated for several Motion Picture Sound Editors awards as well as winning the BAFTA Award for Best Sound. She often works with Per Hallberg.
John Leveque is a sound editor. He has won two BAFTAs for sound and has been nominated by the Motion Picture Sound Editors for sound.
Gwendolyn Yates Whittle is a three-time Academy Award-nominated sound editor. She has worked on over 120 films to date. She has won 5 Golden Reel Awards at the Motion Picture Sound Editors. She is a member of Skywalker Sound.
Tom Sayers is a sound editor. He was nominated at the 81st Academy Awards in the category of Best Sound Editing for the film Slumdog Millionaire. He shared his nomination with Glenn Freemantle.
Christopher Scarabosio is a sound editor who started working in sound on Gumby Adventures (1988) as a Sound Effects Assistant, and later as a Sound Editor on The Young Indiana Jones Chronicles. He usually works at Skywalker Sound.
Ben Snow is a special effects artist who has been nominated four times at the Academy Awards. He works at Industrial Light & Magic.
Colleen Callaghan was an Academy Awards-nominated hair stylist who has been nominated twice for Academy Award for Best Makeup and Hairstyling. She worked on over 120 films and TV shows during her long career.
Rachael Tate is a British sound editor in the film industry. She was nominated for an Academy Award and won a BAFTA Award for Best Sound for her work on the 2019 film 1917.
The 70th Golden Reel Awards, presented by the Motion Picture Sound Editors (M.P.S.E.), honored the best in sound editing for film, television, gaming and student productions in 2022. The ceremony was held on February 26, 2023, at the Wilshire Ebell Theatre in Los Angeles. For the first time in three years, the awards ceremony was held live and featured special features to celebrate the sound organization's platinum anniversary.
{{cite AV media}}
: External link in |publisher=
(help) Short video interview with Watters by a reporter from Sound & Picture magazine.