Bruce Stambler | |
---|---|
Occupation | Sound editor |
Years active | 1982-Present |
Bruce Stambler is a sound editor. He won the Academy Award for Best Sound Editing for the drama thriller film The Ghost and the Darkness (1996). [1] [2] This marked both his first win and fifth consecutive nomination in the category, after being recognized for Under Siege (1992), The Fugitive (1993), Clear and Present Danger (1994) and Batman Forever (1995). His work on The Fugitive also earned him the BAFTA Award for Best Sound. [3] In television, his work on the "Brother's Keeper" pilot episode of Miami Vice (1984–1989) earned him the Primetime Emmy Award for Outstanding Sound Editing for a One-Hour Series. [4]
Stambler got into sound editing when he was working at Universal Studios. After working at various tasks, he was asked if he wanted to be an assistant sound editor. He agreed and eventually worked his way up to a position of supervisor. [5]
The Academy Award for Best Film Editing is one of the annual awards of the Academy of Motion Picture Arts and Sciences (AMPAS). Nominations for this award are closely correlated with the Academy Award for Best Picture. For 33 consecutive years, 1981 to 2013, every Best Picture winner had also been nominated for the Film Editing Oscar, and about two thirds of the Best Picture winners have also won for Film Editing. Only the principal, "above the line" editor(s) as listed in the film's credits are named on the award; additional editors, supervising editors, etc. are not currently eligible.
Zach S. Staenberg, A.C.E. is a Jewish American film editor best known for his work on action films and the Matrix Trilogy. Staenberg won an Academy Award and two ACE Eddie Award for the editing of The Matrix (1999) and for HBO's Gotti (1996) for which he was also nominated for an Emmy. The Matrix films were written and directed by the Wachowskis, with whom Staenberg has had an extended collaboration dating from 1996. He is a frequent collaborator of director Andrew Niccol.
Robert Long is an American writer and television producer in Hollywood. As a screenwriter and executive producer for the long-running television program Cheers, he received Emmy and Golden Globe nominations in 1992 and 1993. Long created the television show George and Leo, among others.
Alan Heim, ACE is an American film editor. He won an Academy Award for editing All That Jazz.
Michael Minkler is a motion picture sound re-recording mixer. He has received Academy Awards for his work on Dreamgirls, Chicago and Black Hawk Down. His varied career has also included films like Inglourious Basterds, JFK and Star Wars, as well as television programs like The Pacific and John Adams. Minkler works at Todd-AO Hollywood. He is also the Managing Director of Moving Pictures Media Group, a company that specializes in film development, packaging projects for production funding acquisition.
Robert Lloyd Lewis is an American television and film producer. He has worked as a producer on the Showtime drama series Dexter since 2006 and has received multiple award nominations for his work on the series.
"Love's Labor Lost" is the nineteenth episode of the first season of the American medical drama ER. It first aired on March 9, 1995, on NBC in the United States. The episode was written by Lance Gentile and directed by Mimi Leder. The episode received universal acclaim, with many deeming it the best of the series, and some going as far as to deem it one of the greatest television episodes of all time. "Love's Labor Lost" earned five Emmy Awards and several other awards and nominations.
Sidney Wolinsky is a Canadian-American film editor with over 30 credits beginning in 1983. He won the Primetime Emmy Award for Outstanding Single-Camera Picture Editing for a Drama Series for the pilot episode of Boardwalk Empire (2010). Earlier, his work on The Sopranos (1999–2007) earned him three Emmy nominations and two ACE Eddie Awards.
John Leveque is a sound editor. He has won two BAFTAs for sound and has been nominated by the Motion Picture Sound Editors for sound.
Melanie Ann Oliver is a New Zealand film editor. She is best known for her works in the films Anna Karenina (2012), Les Misérables (2012), The Danish Girl (2015) and Victoria & Abdul (2017).
SoundStorm was an independent audio post-production and sound editorial company based in Burbank, California. It provided post-production sound design, sound editing and ADR in Hollywood. The editors recorded their sound effect library from 1984 to 2004, worked on more than eighty feature films, and earned a number of awards and nominations from the Academy Awards, Emmy Awards, British Academy Film Awards and Golden Reel Awards. In 2004, the company was dissolved and sold its assets; Soundogs.com Inc. acquired the trademark and complete archive of the SoundStorm sound effects library.
Jake Allston is an American sound designer.
Michael Baber is an American freelance music editor who has worked on several popular American TV shows.
The British Academy Television Craft Award for Best Sound: Fiction is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Editing: Fiction is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.
The British Academy Television Craft Award for Best Sound: Factual is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories.