Paul N. J. Ottosson | |
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Born | Nils Jörgen Paul Ottosson 25 February 1966 |
Occupation | Sound Designer |
Years active | 1995–present |
Paul N. J. Ottosson (born 25 February 1966) is a Swedish sound designer. The recipient of numerous accolades, including three Academy Awards, a BAFTA Award, and a Primetime Emmy Award, he has worked on more than 130 films since 1995.
Award | Date of ceremony | Category | Film | Result | Ref |
---|---|---|---|---|---|
Academy Awards | 27 February 2005 | Best Sound Editing | Spider-Man 2 | Nominated | [1] |
7 March 2010 | Best Sound Editing | The Hurt Locker | Won | [2] | |
Best Sound Mixing | Won A | ||||
24 February 2013 | Best Sound Editing | Zero Dark Thirty | Won B | [3] | |
British Academy Film Awards | 12 February 2005 | Best Sound | Spider-Man 2 | Nominated C | [4] |
21 February 2010 | Best Sound | The Hurt Locker | Won A | [5] | |
Cinema Audio Society Awards | February 27, 2010 | Best Sound Mixing for Motion Pictures | The Hurt Locker | Won A | [6] |
18 February 2013 | Best Sound Mixing for Motion Pictures - Live Action | Zero Dark Thirty | Nominated D | [7] [8] | |
February 14, 2015 | Best Sound Mixing for a Motion Picture – Animated | Penguins of Madagascar | Nominated E | [9] [10] | |
Golden Reel Awards | 2001 | Best Sound Editing - Television Movies and Specials - Effects & Foley | Operation Sandman | Nominated F | [11] |
23 March 2002 | Best Sound Editing - Animated Feature Film, Domestic and Foreign | Jimmy Neutron: Boy Genius | Nominated G | [12] [11] | |
1 March 2005 | Best Sound Editing in Domestic Features - Sound Effects & Foley | Spider-Man 2 | Nominated H | [13] [11] | |
2008 | Best Sound Editing - Sound Effects and Foley for Feature Film | Spider-Man 3 | Nominated I | [14] [11] | |
20 February 2010 | Best Sound Editing - Dialogue and ADR in a Feature Film | The Hurt Locker | Nominated J | [15] [16] | |
Best Sound Editing - Best Sound Editing - Sound Effects and Foley in a Feature Film | Nominated K | ||||
2012 | Nominated L | ||||
15 February 2015 | Best Sound Editing - Sound Effects and Foley in an English Language Feature | Fury | Nominated M | [17] [18] | |
18 February 2018 | Best Sound Editing - Dialogue and ADR for Feature Film | Detroit | Nominated N | [19] [20] | |
Primetime Emmy Award | 13 September 1998 | Outstanding Sound Editing in Non-Fiction Program | Rat | Won 0 | [21] |
Satellite Awards | 23 January 2005 | Best Sound | Spider-Man 2 | Nominated P | |
20 December 2009 | 2012 | Won Q | [22] |
David Randall Thom is an American sound designer and the current director of sound design at Skywalker Sound.
Paul Massey is an English sound engineer working based in Southern California. He has been nominated for ten Academy Awards in the category Best Sound. He has worked on 200-plus films since 1982. He won the Academy Award for Best Sound Mixing in 2019 for Bohemian Rhapsody along with John Casali and Tim Cavagin. In 2022 Massey received the Cinema Audio Society’s Career Achievement Award at the 58th annual CAS Awards.
Frank Morrone is an independent re-recording mixer who has worked extensively in both film and television. His award winning work includes Emmy Awards for the ABC hit LOST and the mini-series The Kennedys as well as a best sound Satellite Award for Tim Burton's Sleepy Hollow.
The Cinema Audio Society Award for Outstanding Achievement in Sound Mixing for a Motion Picture – Live Action is an annual award given by the Cinema Audio Society to live action motion picture sound mixer for their outstanding achievements in sound mixing. The award came to its current title in 2013, when feature motion pictures were separated into two categories; achievement in live action sound mixing, and achievement in animated sound mixing. Before this, the category was labeled Outstanding Achievement in Sound Mixing for Motion Pictures, and was given annually starting in 1994.
The Cinema Audio Society Award for Outstanding Achievement in Sound Mixing for a Motion Picture – Animated is an annual award given by the Cinema Audio Society to live action motion picture sound mixer for their outstanding achievements in sound mixing. The award came to its current title in 2013, when feature motion pictures were separated into two categories; achievement in live action sound mixing, and achievement in animated sound mixing. Before this, the category was labeled Outstanding Achievement in Sound Mixing for Motion Pictures, and was given annually starting in 1994.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Musical for Feature Film is an annual award given by the Motion Picture Sound Editors. It honors music editors whose work has warranted merit in the field of cinema; in this case, their work in musical feature films. It was first awarded in 1999, for films released the previous year, under the title Best Sound Editing – Music – Musical Feature . In 2002, the award dropped "Foreign & Domestic" from its title, going by Best Sound Editing – Music – Musical Feature Film. From this point, until 2017, that title would remain, or some simple variation of it. The award has been given with its current title since 2018. The category was not presented in 2021.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Dialogue and ADR for Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of theater; in this case, their work in the field of automated dialogue replacement, or ADR. It was first awarded in 1964, for films released the previous year, under the title Best Sound Editing – Loop Lines. The following year, the award was re-titled Best Sound Editing – Dialogue, and would remain this until 1984, before being changed to Best Sound Editing – ADR. In 1991, the "dialogue" and "ADR" aspects of the process were divided into separate categories and would, intermittently, be awarded for the next seven years, before combining again in 1998, under the title Best Sound Editing – Dialogue & ADR. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Dialogue and ADR for Animated Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of animated film. It was first awarded in 1989, for films released the previous year, under the title Best Sound Editing - Animated Feature. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Feature Film Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of non-theatrical film; i.e. films that go direct-to-video or direct-to-streaming. It was first awarded in 1999, for films released the previous year, under the title Best Sound Editing – Direct to Video – Sound. From 1999 until 2011, the award honored both animated and live-action films. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Animated Long Form Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of non-theatrical film; i.e. films that go direct-to-video or direct-to-streaming. It was first awarded in 1999, for films released the previous year, under the title Best Sound Editing – Direct to Video – Sound. From 1999 until 2011, the award honored both animated and live-action films. The award has been given with its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Series 1 Hour – Effects / Foley is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of sound effects and foley work in long form broadcast media. It was first awarded in 2002, for episodes premiering the previous year, under the title Best Sound Editing in Television - Effects & Foley, Long Form. The term "long form" was added to the category in 2002, as long form television had been award under the category titled Best Sound Editing - Television Movie of the Week - Effects & Foley, or some moniker of it, since 1998. The award has been given with its current title since 2022. Also in 2022, limited and anthology series were separated from other hour-long programs and given their own category, Outstanding Achievement in Sound Editing – Limited Series or Anthology, though the category was not presented the following year.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects and Foley for Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of sound effects and foley. It was first awarded in 1954, for films released the previous year, under the title Best Sound Editing - Feature Film. In 1964 the award was split in two, this to honor sound effects editing, while the other honored adr. It wasn't until 1974 that the title specified that it was being awarded to sound effects, under the title Best Sound Editing - Sound Effects. The "foley" of the title wasn't recognized until 1997. Between then and 2018, the category's title fluctuated between similar variations. The award has been given under its current title since 2018.
The Golden Reel Award for Outstanding Achievement in Sound Editing - Sound Effects, Foley, Dialogue and ADR for Foreign Language Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of non-English language film. It was first awarded in 1983, for films released the previous year, but was separated into two categories: Best Sound Editing - Foreign Feature - Dialogue and Best Sound Editing - Foreign Feature - Sound Effects This was amended in 1985, when ADR and sound effects were combined for the category Best Sound Editing - Foreign Feature. It was not until 2018, when this award was first given under its current title, that this category awarded, exclusively, non-English language films. Previously, the award was given to either foreign language films and/or English language films produced outside of the United States.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Feature Underscore is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of film; in this case, their work in the field of music editing in theatrically released motion pictures. The awards title has gone through many incarnations since its inception, but its focus has been on honoring exemplary work of music editors. Until 2005, animated films had their own category; since then, they have been eligible for this award. In 2022, a category was presented exclusively for documentary features.
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The Cinema Audio Society Award for Outstanding Achievement in Sound Mixing for Television Non Fiction, Variety or Music – Series or Specials is an annual award given by the Cinema Audio Society to sound mixers for their outstanding achievements in sound mixing for non fiction, variety or music series/specials television productions.