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The Academy Award for Best Visual Effects is an Academy Award given for the best achievement in visual effects.
The Academy Award for Best Film Editing is one of the annual awards of the Academy of Motion Picture Arts and Sciences (AMPAS). Nominations for this award are closely correlated with the Academy Award for Best Picture. For 33 consecutive years, 1981 to 2013, every Best Picture winner had also been nominated for the Film Editing Oscar, and about two thirds of the Best Picture winners have also won for Film Editing. Only the principal, "above the line" editor(s) as listed in the film's credits are named on the award; additional editors, supervising editors, etc. are not currently eligible. The nominations for this Academy Award are determined by a ballot of the voting members of the Editing Branch of the Academy; there were 220 members of the Editing Branch in 2012. The members may vote for up to five of the eligible films in the order of their preference; the five films with the largest vote totals are selected as nominees. The Academy Award itself is selected from the nominated films by a subsequent ballot of all active and life members of the Academy. This process is essentially the reverse of that of the British Academy of Film and Television Arts (BAFTA); nominations for the BAFTA Award for Best Editing are done by a general ballot of Academy voters, and the winner is selected by members of the editing chapter.
The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians. The first were Murray Spivack and Jack Solomon for Hello, Dolly!. It is generally awarded to the production sound mixers, re-recording mixers, and supervising sound editors of the winning film. In the lists below, the winner of the award for each year is shown first, followed by the other nominees. Before the 93rd Academy Awards, Best Sound Mixing and Best Sound Editing were separate categories.
The Academy Award for Best Sound Editing was an Academy Award granted yearly to a film exhibiting the finest or most aesthetic sound design or sound editing. Sound editing is the creation of sound effects. The award was usually received by the Supervising Sound Editors of the film, sometimes accompanied by the Sound Designers. Beginning with the 93rd Academy Awards, Best Sound Editing was combined with Best Sound Mixing into a single award for Best Sound.
Thomas Montgomery Newman is an American composer best known for his many film scores. In a career that has spanned over four decades, he has scored numerous films including The Player, The Shawshank Redemption, Cinderella Man, American Beauty, The Green Mile, In the Bedroom, Angels in America, Finding Nemo, Lemony Snicket's A Series of Unfortunate Events, WALL-E, the James Bond films Skyfall and Spectre, Finding Dory and 1917.
James Mangold is an American film and television director, screenwriter and producer. He is best known for the films Cop Land (1997), Girl, Interrupted (1999), Walk the Line (2005), 3:10 to Yuma (2007), The Wolverine (2013) and Logan (2017), the last of which earned him a nomination for the Academy Award for Best Adapted Screenplay. He then directed and produced the sports drama film Ford v Ferrari (2019), which earned him a nomination for the Academy Award for Best Picture. He is also directing and co-writing the upcoming Indiana Jones film, the fifth film in the franchise, will be released in 2023.
Willie D. Burton is an African American production sound mixer. His career has spanned five decades and has included films such as The Shawshank Redemption, Se7en, and Indiana Jones and the Last Crusade. Burton has been nominated for the Academy Award for Best Sound or Best Achievement in Sound Mixing a total of seven times, winning twice; he has been nominated for two BAFTA Film Awards for Best Sound, winning once; and he was nominated for one Emmy Award for Outstanding Achievement in Film Sound Mixing for his work on Roots.
Michael Minkler is a motion picture sound re-recording mixer. He has received Academy Awards for his work on Dreamgirls, Chicago and Black Hawk Down. His varied career has also included films like Inglourious Basterds, JFK and Star Wars, as well as television programs like The Pacific and John Adams. Minkler works at Todd-AO Hollywood. He is also the Managing Director of Moving Pictures Media Group, a company that specializes in film development, packaging projects for production funding acquisition.
The 89th Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences (AMPAS), honored the best films of 2016, and took place on February 26, 2017, at the Dolby Theatre in Hollywood, Los Angeles, California, at 5:30 p.m. PST. During the ceremony, AMPAS presented Academy Awards in 24 categories. The ceremony, televised in the United States by ABC, was produced by Michael De Luca and Jennifer Todd and directed by Glenn Weiss. Comedian Jimmy Kimmel hosted the ceremony for the first time.
Ai-Ling Lee is a Singaporean sound editor, re-recording mixer and audio engineer working in Los Angeles, California. Her works on films, Bruce Almighty (2003), Spider-Man 2 (2004), Mr. & Mrs. Smith (2005), The Twilight Saga: New Moon (2009), Tangled (2010), Transformers: Dark of the Moon (2011), 300: Rise of an Empire (2014), X-Men: Days of Future Past (2014), Wild (2014), The Maze Runner (2014–15), Deadpool (2016), and critically acclaimed musical-drama La La Land, for which she received two Academy Award nominations. With her nomination for the Academy Award for Best Sound Editing, she and her sound editing partner for the film Mildred Iatrou Morgan became the first female team to be nominated in the category.
Andy "Frank" Wright is an Australian supervising sound editor. He is known for his work on the war-drama film Hacksaw Ridge directed by Mel Gibson, for which he received two Academy Award nominations at the 89th Academy Awards, Best Sound Editing and winning Best Sound Mixing (both shared with Robert Mackenzie).
Robert Mackenzie is an Australian supervising sound editor. He is best known for his work on Animal Kingdom (2010), The Hunter (2011), Lore (2012), Felony (2013), The Grandmaster (2013), The Rover (2014), Deadline Gallipoli (2015), Partisan (2015), Lion, and critically acclaimed war-drama film Hacksaw Ridge, for which he received two Academy Award nominations at the 89th Academy Awards, Best Sound Editing and Best Sound Mixing (both shared with Andy Wright).
Mildred Iatrou Morgan is an American sound editor and audio engineer. She is of Greek descent.
Bernard Gariépy Strobl is a Canadian re-recording sound mixer, best known internationally as the supervising re-recording mixer of Arrival (2016), for which he won the BAFTA Award for Best Sound and was nominated for the Academy Award for Best Sound Mixing. He has been a re-recording mixer on many prominent Quebec films of the last two decades, including The Red Violin (1998), C.R.A.Z.Y. (2005), Monsieur Lazhar (2011), War Witch (2012), Gabrielle (2013), and Endorphine (2015).
Jenno Topping is an American film producer. Films she has produced include Dr. Dolittle (1998), Charlie's Angels (2000), St. Vincent (2014), Miss Peregrine's Home for Peculiar Children (2016) and Hidden Figures (2016), which earned her an Academy Award for Best Picture nomination with Donna Gigliotti, Peter Chernin, Pharrell Williams, and Theodore Melfi, and again in 2020 at the 92nd Academy Awards for the 2019 film Ford v Ferrari, along with Chernin and James Mangold.
Aaron Ryder is an American film producer. He is best known for producing Memento (2000), Donnie Darko (2001), The Prestige (2006), House at the End of the Street (2012), Transcendence (2014), The Founder (2016) and Arrival (2016), which earned him Academy Award for Best Picture nomination with Shawn Levy, Dan Levine, and David Linde. More recently, he started Ryder Picture Company with a first look deal at MGM.
Daniel S. Levine is an American film producer. He is best known for producing the critically acclaimed film Arrival (2016) that earned him an Academy Award for Best Picture nomination with Shawn Levy, Aaron Ryder, and David Linde.
Peter Grace is an Australian production sound mixer. He is best known for his work on critically acclaimed war-drama film Hacksaw Ridge (2016) for which he received the Academy Award for Best Sound Mixing at the 89th Academy Awards, sharing with Robert Mackenzie, Kevin O'Connell and Andy Wright.
Donald Sylvester is an American sound editor who has worked on over 100 films. He is best known for his work with James Mangold on the films Ford v Ferrari (2019), Logan (2017), 3:10 to Yuma (2007), and Walk the Line (2005). Sylvester won the Academy Award for Best Sound Editing at the 92nd Academy Awards for Ford v Ferrari and BAFTA Award for Best Sound at the 59th British Academy Film Awards for Walk the Line. He has been a member of BAFTA since 2007.
Rachael Tate is a British sound editor in the film industry. She was nominated for an Academy Award and won a BAFTA Award for Best Sound for her work on the 2019 film 1917.
References
- ↑ "Oscar Nominations 2017: Best Sound Mixing". Oscar.com. Retrieved January 28, 2017.
- ↑ "Oscar Nominations 2017: The Complete List - 89th Academy Awards". Oscars.com. January 24, 2017. Retrieved January 25, 2017.
- ↑ "Oscar Nominations 2017: See the Full List". Vanity Fair. January 24, 2017. Retrieved January 25, 2017.
- ↑ "The 92nd Academy Awards | 2020".
- ↑ "The 91st Academy Awards | 2019".