Cecelia Hall | |
---|---|
Other names | Cece Hall |
Occupation | Sound editor |
Years active | 1977–2010 |
Cecelia Hall (Cece Hall) is an Oscar-winning sound designer and sound editor. She became the first woman to be nominated for an Academy Award for Best Sound Effects Editing in 1986 for Top Gun and went on to win the Oscar for The Hunt for Red October , a 1990 film for which she also received a nomination for the BAFTA Award for Best Sound at the 44th British Academy Film Awards.
In 1984, Hall was elected the first woman president of the Motion Picture Sound Editors and served on the executive committee of the Sound Branch of the Academy of Motion Picture Arts and Sciences from 1988 to 1995.
In 1995, Hall was invited to teach at the University of California, Los Angeles (UCLA) Graduate School of Theatre, Film and Television/Media; she remains the only professor teaching sound design. Hall has also taken residencies at Savannah College of Art and Design (SCAD) and California State University, Monterey Bay, taught master classes in sound in London, and participated in numerous panels and seminars on sound design.
Hall has been the subject of numerous interviews and articles on sound design and women working in Hollywood. She is profiled in Sound Design for Film, Working in Hollywood, The Women Who Run Hollywood, and The Editors Guild Magazine.[ citation needed ] Hall is featured in the 2019 documentary Making Waves: The Art of Cinematic Sound .
Jerrald King Goldsmith was an American composer, with a career in film and television scoring that spanned nearly 50 years and over 200 productions, between 1954 and 2003. He was considered one of film music's most innovative and influential composers. He was nominated for eighteen Academy Awards, six Grammy Awards, five Primetime Emmy Awards, nine Golden Globe Awards, and four British Academy Film Awards.
Motion Picture Sound Editors (MPSE) is an American professional society of motion picture sound editors founded in 1953. The society's goals are to educate others about and increase the recognition of the sound and music editors, show the artistic merit of the soundtracks, and improve the professional relationship of its members. The society is not to be confused with an industry union, such as the I.A.T.S.E. The current president is David Barber. The names of active members of the MPSE will generally appear in film credits with the post-nominal letters "MPSE".
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