External links
- Jon Johnson at IMDb
Jon Johnson | |
|---|---|
| Born | October 16, 1954 |
| Occupation | Sound editor |
| Years active | 1982–present |
Jon Johnson, MPSE (born October 16, 1954) is an American sound editor of television and feature film. He won the Academy Award for Best Sound Editing for his work on the World War II submarine epic U-571 (2000).
Johnson has been a leading figure in sound editing for many years. His career began with work as a sound effects editor on animated programs such as The New Scooby and Scrappy-Doo Show and Super Friends: The Legendary Super Powers Show , among others. His foray into feature film came with the horror film documentary Terror in the Aisles (1984). Another milestone, his first supervising sound editor role, came two years later on the Return to Mayberry (1986) reunion special.
Johnson's work in mainstream cinema took off with the popular science fiction films Star Trek Generations (1994) and Independence Day (1996). With the success of those projects, he went on to become a highly regard supervising sound editor in Hollywood. His credits include U-571 (2000), A Knight's Tale (2001), Amazing Grace (2006), The Blind Side (2009), Captain America: The First Avenger (2011) and Saving Mr. Banks (2013). He has not, however, forgotten his roots in television, having served as supervising sound editor on the miniseries John Adams (2008) and the television film Grey Gardens (2009).
| Year | Award | Category | Work | Result |
|---|---|---|---|---|
| 1986 | Emmy Awards | Outstanding Sound Editing for a Miniseries, Movie or a Special | Unnatural Causes | Won |
| Fresno (for Part VI) | Nominated | |||
| 1989 | Emmy Awards | Outstanding Sound Editing for a Series | MacGyver (for episode "Gold Rush") | |
| 2000 | Academy Awards | Best Sound Editing | U-571 | Won |
| 2008 | Emmy Awards | Outstanding Sound Editing for a Miniseries, Movie or a Special | John Adams (for episode "Unnecessary War") | Nominated |
Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film which increasingly involves the use of digital technology.
U-571 is a 2000 submarine film directed by Jonathan Mostow from a screenplay he co-wrote with Sam Montgomery and David Ayer. The film stars Matthew McConaughey, Harvey Keitel, Bill Paxton, Jon Bon Jovi, Jake Weber and Matthew Settle. The film, telling the story of a World War II German submarine boarded by American submariners to capture her Enigma cipher machine, does not represent any real events.
The Super 6 is an animated cartoon series which was produced by DePatie–Freleng Enterprises and Mirisch-Rich Television Productions in 1966, and shown on the NBC television network from 1966 to 1969. This was DePatie–Freleng's first vehicle for Saturday morning. Only one season of the show was produced, but NBC ran the series for three years in the same timeslot.
Verna Fields was an American film editor, film and television sound editor, educator, and entertainment industry executive. In the first phase of her career, from 1954 through to about 1970, Fields mostly worked on smaller projects that gained little recognition. She was the sound editor for several television shows in the 1950s. She worked on independent films (including The Savage Eye, on government-supported documentaries of the 1960s, and on some minor studio films such as Peter Bogdanovich's first film, Targets. For several years in the late 1960s, she was a film instructor at the University of Southern California. Her one major studio film, El Cid, led to her only industry recognition in this phase of her career, which was the 1962 Golden Reel award for sound editing.
Super Friends: The Legendary Super Powers Show is an American animated television series about a team of superheroes which ran from 1984 to 1985 on ABC. It was produced by Hanna-Barbera Productions and is based on the Justice League and associated comic book characters published by DC Comics.
Edward "Ned" Hastings, is an American video editor, producer and voice actor, best known for his work on various Adult Swim shows, most notably "Aqua Teen Hunger Force". He has sometimes been credited as "Edward Hastings".
Ralph Rosenblum was an American film editor who worked extensively with the directors Sidney Lumet and Woody Allen. He won the 1977 BAFTA Award for Best Editing for his work on Annie Hall, and published an influential memoir When the Shooting Stops, the Cutting Begins: A Film Editor's Story.
Paul J. Coyne is an American film and television editor and producer.
"Gone for Goode" is the first episode of the first season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on January 31, 1993, immediately following Super Bowl XXVII. The episode was written by series creator Paul Attanasio and directed by executive producer Barry Levinson. "Gone for Goode" introduced regular cast members Daniel Baldwin, Ned Beatty, Richard Belzer, Andre Braugher, Wendy Hughes, Clark Johnson, Yaphet Kotto, Melissa Leo, Jon Polito and Kyle Secor.
Lon Ethan Bender is an American supervising sound editor, business executive and inventor. Bender won the Academy Award for Best Sound Effects Editing for his work on Braveheart (1995). He has been recognized for numerous other industry awards as well, including Oscar nominations for The Revenant (2015), Drive (2011) and Blood Diamond (2006). Bender is the co-founder of post production sound services company Soundelux.
"Love's Labor Lost" is the nineteenth episode of the first season of the American medical drama ER. It first aired on March 9, 1995, on NBC in the United States. The episode was written by Lance Gentile and directed by Mimi Leder. "Love's Labor Lost" earned five Emmy Awards and several other awards and nominations.
Lou Lombardo was an American filmmaker whose editing of the 1969 film The Wild Bunch has been called "seminal". In all, Lombardo is credited on more than twenty-five feature films. Noted mainly for his work as a film and television editor, he also worked as a cameraman, director, and producer. In his obituary, Stephen Prince wrote, "Lou Lombardo's seminal contribution to the history of editing is his work on The Wild Bunch (1969), directed by Sam Peckinpah. The complex montages of violence that Lombardo created for that film influenced generations of filmmakers and established the modern cinematic textbook for editing violent gun battles." Several critics have remarked on the "strange, elastic quality" of time in the film, and have discerned the film's influence in the work of directors John Woo, Quentin Tarantino, Kathryn Bigelow, and the Wachowskis, among others. While Lombardo's collaboration with Peckinpah lasted just a few years, his career was intertwined with that of director Robert Altman for more than thirty years. Lombardo edited Altman's 1971 film McCabe & Mrs. Miller (1971), which had "a radical approach to the use of dialogue and indeed other sound, both in and beyond the frame." Towards the end of his career Lombardo edited Moonstruck (1987) and two other films directed by Norman Jewison. While his editing is now considered "revolutionary" and "brilliant", Lombardo was never nominated for editing awards during his career.
Richard Ford, formerly known as Rick Ford, is a music editor and music producer for feature film soundtracks and scores. He has worked with a number of critically acclaimed film makers, including Ben Affleck, Alexander Payne, Ted Demme and Kathryn Bigelow. He started his musical career as a bass player in his home town of London and later in New York City, working with, amongst others, guitarist Bill Nelson and singer/songwriter Joe Jackson. Ford moved to Los Angeles in the 1990s where he started his music editing career. He is best known for his work on films such as Argo, The Descendants, Sideways, Election, Training Day and American History X.
James M. Falkinburg, known in the entertainment industry as James "Jim" Nelson, was an American sound editor, film producer and post-production supervisor.
Ernst Ragnar Rolf, better known as Tom Rolf, was a Swedish-born American film editor who worked on at least 48 feature films in a career spanning over fifty years. Most notable among these films are Martin Scorsese's Taxi Driver, for which he was nominated for the 1976 BAFTA Award for Best Editing, and Philip Kaufman's The Right Stuff, for which he and his editing team won the 1983 Oscar for Best Film Editing. Other notable films he edited include WarGames, Jacob's Ladder, Heat and The Horse Whisperer.
Caryl Deyn Korma is a Film Director, Senior Colorist and Senior Editor. With more than 20 years of experience, Caryl has the ability to specialize in more than one area of the Film and Television Industry.
SoundStorm was an independent audio post-production and sound editorial company based in Burbank, California. It provided post-production sound design, sound editing and ADR in Hollywood. The editors recorded their sound effect library from 1984 to 2004, worked on more than eighty feature films, and earned a number of awards and nominations from the Academy Awards, Emmy Awards, British Academy Film Awards and Golden Reel Awards. In 2004, the company was dissolved and sold its assets; Soundogs.com Inc. acquired the trademark and complete archive of the SoundStorm sound effects library.
Keith Palmer is a British film editor, best known for the Sharpe and Hornblower television movies, but active in feature films since the 1960s.
John Neares Carter was an American film editor. He rose to the ranks at CBS on the Ed Sullivan Show, becoming the first African-American film editor to be employed by network television in New York. For the last four of his twelve years with CBS, he was the supervising film editor for the award-winning documentary unit, Eye On New York. John left CBS to form his own company John Carter Associates, Inc.
Donald Sylvester is an American sound editor who has worked on over 100 films. He is best known for his work with James Mangold on the films Ford v Ferrari (2019), Logan (2017), 3:10 to Yuma (2007), and Walk the Line (2005). Sylvester won the Academy Award for Best Sound Editing at the 92nd Academy Awards for Ford v Ferrari and BAFTA Award for Best Sound at the 59th British Academy Film Awards for Walk the Line. He has been a member of BAFTA since 2007.
