Abbott and Costello Meet Frankenstein is a 1948 American horror comedy film directed by Charles Barton. The film features Count Dracula who has become partners with Dr Sandra Mornay, in order to find a brain to reactivate Frankenstein's monster ; the ideal brain they find belonging to Wilbur Grey.
Frankenstein is a 1931 American pre-Code science fiction horror film directed by James Whale, produced by Carl Laemmle Jr., and adapted from a 1927 play by Peggy Webling, which in turn was based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The Webling play was adapted by John L. Balderston and the screenplay written by Francis Edward Faragoh and Garrett Fort, with uncredited contributions from Robert Florey and John Russell.
A parody film or spoof film is a subgenre of comedy film that lampoons other film genres or films as pastiches, works created by imitation of the style of many different films reassembled together. Although the subgenre is often overlooked by critics, parody films are commonly profitable at the box office. Parody is related to satire, except that "parody is more often a representation of appreciation, while a satire is more often...pointing ...out the major flaws of an object through ridicule." J.M. Maher notes that the "difference is not always clear" and points out that "some films employ both techniques". Parody is found in a range of art and culture, including literature, music, theater, television, animation, and gaming.
The Fog is a 1980 American independent supernatural horror film directed by John Carpenter, who also co-wrote the screenplay and created the music for the film. It stars Adrienne Barbeau, Jamie Lee Curtis, Tom Atkins, Janet Leigh and Hal Holbrook. It tells the story of a strange, glowing fog that sweeps over a small coastal town in Northern California.
Charles Robert Band is an American film producer and director, known for his work on horror comedy movies.
Halloween II is a 1981 American slasher film directed by Rick Rosenthal, in his directorial debut, written and produced by John Carpenter and Debra Hill, and starring Jamie Lee Curtis and Donald Pleasence, who reprise their respective roles as Laurie Strode and Dr. Sam Loomis. It is the second installment in the Halloween film series and is a continuation sequel to Halloween (1978). The plot picks up directly after the cliffhanger ending of the first film, with Michael Myers following survivor Laurie Strode to the local hospital, while his psychiatrist Dr. Loomis continues his pursuit of him.
Herman Cohen was an American producer of B-movies during the 1950s, and helped to popularize the teen horror movie genre with films like the cult classic I Was a Teenage Werewolf.
Jeffrey Kramer is an American film and television actor and producer.
The Funhouse is a 1981 American slasher film directed by Tobe Hooper, written by Larry Block and starring Elizabeth Berridge, Kevin Conway, William Finley, Cooper Huckabee, Miles Chapin, Largo Woodruff, Wayne Doba, and Sylvia Miles. The film's plot concerns four teenagers who become trapped in a dark ride at a local carnival in Iowa and are stalked by a mentally disabled murderous carnie.
Sneak Previews is an American film review show that ran for over two decades on Public Broadcasting Service (PBS). It was created by WTTW, a PBS member station in Chicago, Illinois. It premiered on November 26, 1975, as a monthly local-only show called Opening Soon...at a Theater Near You and in 1977 was renamed Sneak Previews. In 1978 it became a biweekly show airing nationally on PBS. It grew to prominence with a review-conversation-banter format between opinionated film critics, notably for a time, Roger Ebert and Gene Siskel. By 1980, it was a weekly series airing on over 180 stations and the highest-rated weekly entertainment series in the history of public broadcasting. The show's final broadcast was on October 4, 1996.
The Universal Monsters media franchise includes characters based on a series of horror films produced by Universal Pictures and released between 1913–1956.
Comedy horror, also known as horror comedy, is a literary, television, and film genre that combines elements of comedy and horror fiction. Comedy horror has been described as able to be categorized under three types: "black comedy, parody and spoof." It often crosses over with the black comedy genre. Comedy horror can also parody or subtly spoof horror clichés as its main source of humour or use those elements to take a story in a different direction. Examples of comedy horror films include Abbott and Costello Meet Frankenstein (1948), An American Werewolf in London (1981), the Evil Dead franchise (1981–present), Gremlins (1984), Shaun of the Dead (2004), and The Cabin in the Woods (2011).
Halloween is a 1978 American independent slasher film directed and scored by John Carpenter, who co-wrote it with its producer Debra Hill. It stars Donald Pleasence, Jamie Lee Curtis, P. J. Soles, and Nancy Loomis. Set mostly in the fictional Illinois town of Haddonfield, the film follows mental patient Michael Myers, who was committed to a sanitarium for murdering his teenage sister one Halloween night during his childhood; he escapes 15 years later and returns to Haddonfield, where he stalks teenage babysitter Laurie Strode and her friends while his psychiatrist Dr. Samuel Loomis pursues him.
Fear Itself is a 2015 British documentary film about horror cinema, directed by Charlie Lyne and narrated by Amy E. Watson.
Techno-horror is a subgenre of horror fiction that focuses on concerns with and fears of technology. The stories are often cautionary tales created during periods of rapid technological advancement that express concerns about privacy, freedom, individuality and wealth disparity. They often take place in dystopian settings.
The history of horror films was described by author Siegbert Solomon Prawer as difficult to read as a linear historical path, with the genre changing throughout the decades, based on the state of cinema, audience tastes and contemporary world events.
Postmodern horror is a horror film related to the art and philosophy of postmodernism. Examples of this type of film includes George A. Romero's Night of the Living Dead, Tobe Hooper's The Texas Chainsaw Massacre and John Carpenter's slasher film Halloween.
