She Wore a Yellow Ribbon | |
---|---|
Directed by | John Ford |
Screenplay by | |
Based on | The Big Hunt 1947 story in The Saturday Evening Post War Party 1948 story in The Saturday Evening Post by James Warner Bellah [1] |
Produced by | Argosy Pictures |
Starring | |
Narrated by | Irving Pichel |
Cinematography | Winton C. Hoch |
Edited by | Jack Murray |
Music by | Richard Hageman |
Color process | Technicolor |
Production company | Argosy Pictures |
Distributed by | RKO Radio Pictures |
Release dates |
|
Running time | 103 minutes |
Country | United States |
Language | English |
Budget | $1.6 million |
Box office | $2.7 million (rentals) [3] |
She Wore a Yellow Ribbon is a 1949 American Technicolor Western film directed by John Ford and starring John Wayne. It is the second film in Ford's "Cavalry Trilogy", along with Fort Apache (1948) and Rio Grande (1950). With a budget of $1.6 million, the film was one of the most expensive Westerns made up to that time. It was a major hit for RKO. The film is named after "She Wore a Yellow Ribbon", a song popular with the U.S. military.
The film was shot on location in Monument Valley utilizing large areas of the Navajo reservation along the Arizona-Utah state border. [4] Ford and cinematographer Winton C. Hoch based much of the film's imagery on the paintings and sculptures of Frederic Remington. Hoch won the Academy Award for Best Cinematography, Color in 1950. It was also nominated as 1950's Best Written American Western (which the Writers Guild of America awarded to Yellow Sky ).
On the verge of his retirement in August, 1876 at Fort Starke, a small Frontier Army post, aging cavalry veteran Nathan Cutting Brittles is given one last mission: to deal with a breakout by the Cheyenne and Arapaho from their reservation following the defeat of George Armstrong Custer at the Battle of the Little Big Horn, and prevent a new frontier war. [5]
Brittles' task is complicated by a second order: to deliver his commanding officer's wife and niece, Abby Allshard and Olivia Dandridge, to an eastbound stage. His troop officers, 1st Lt. Flint Cohill and 2nd Lt. Ross Pennell, vie for the affections of Olivia while uneasily anticipating the retirement of their captain and mentor.
Assisting Capt. Brittles with his mission is his chief scout, Sgt. Tyree, a one-time Confederate captain of cavalry; his first sergeant, Quincannon; and Maj. Allshard, Brittles's long-time friend and commanding officer.
After apparently failing in both missions, Brittles returns with the troop to Fort Starke to retire. His lieutenants continue the mission in the field, joined by Brittles after "quitting the post and the Army". Unwilling to see more lives needlessly taken, Brittles takes it upon himself to try to make peace with his old friend Chief Pony That Walks. When that too fails, he devises a risky stratagem to avoid a bloody war by stampeding the renegades' horses out of their camp, forcing them to return to their reservation ... on foot, trailed at a discreet distance by Lt. Cohill's troop of cavalry.
Brittles is recalled to duty as Chief of Scouts with the rank of Lt. Colonel—a U.S. War Department order endorsed, he is pleased to see, by Gens. Phil Sheridan and William Tecumseh Sherman, and by President Ulysses S. Grant. Olivia and Lt. Cohill become engaged. The film ends with the troop of cavalry trotting down the road on patrol.
Director John Ford's older brother Francis appears in only one scene as Connolly, the barman. Ford kept Francis on wages "for eight weeks even through Francis could have completed his scenes in less than a week". [6] Other uncredited cast members include: Irving Pichel as narrator (voice), Harry Woods as Karl Rynders, the sutler; Cliff Lyons as Trooper Cliff; Mickey Simpson as Wagner, the blacksmith; Fred Libby as Corporal Kumrein; and Rudy Bowman as Private Smith. [7] : 294 Among Rynders' associates is veteran character actor Paul Fix (Harry Carey, Jr.'s father-in-law) in a small uncredited role. [7] : 126
Director Ford initially was uncertain whom to cast in the lead role. However, he knew that he did not want John Wayne for the part—considering, among other factors, that Wayne would be playing a character over twenty years older than he was at the time. Reportedly, Wayne's 1948 performance in Red River changed Ford's mind, causing him to exclaim, "I didn't know the big son of a bitch could act!" [8] Ford realized Wayne had grown considerably as an actor, and was now capable of playing the character he envisaged for this film. When shooting was completed, Ford presented Wayne with a cake with the message, "You're an actor now". [9] The role also became one of Wayne's favorite performances. [9] Wayne himself felt that his Academy Award nomination for Best Actor of 1949 should have been for She Wore a Yellow Ribbon instead of Sands of Iwo Jima .
The cast and crew lived in relatively primitive conditions in Monument Valley. Most slept in dirt-floor cabins that only had communal cold-water drum showers. The film was completed ahead of schedule and under budget.
Although the film's cinematographer, Winton Hoch, won an Academy Award for his work, filming was not a smooth creative process because of conflicts with Ford. Ironically one of the most iconic scenes from the film was created during a dispute. As a line of cavalry rode through the desert, [10] a real thunderstorm grew on the horizon. Hoch began to pack up the cameras as the weather worsened only for Ford to order him to keep shooting. Hoch argued that there was not enough natural light for the scene and, more importantly, the cameras could become potential lightning rods if the storm swept over them. Ford ignored Hoch's complaints; completing the scene as the thunderstorm rolled in, soaking the cast and crew. Hoch later had filed a letter of complaint against Ford with the American Society of Cinematographers over the filming of this scene. [2]
The story of Hoch's refusal to shoot in this thunderstorm has often been repeated, but actor Harry Carey, Jr., who was on the set, contests it. [11] [12] He says Ford had finished shooting for the day, but when the picturesque storm brewed he asked Hoch if they could shoot in the declining light. Hoch answered, "It's awfully dark, Jack. I'll shoot it. I just can't promise anything". Ford then instructed, "Winnie, open her up [the camera lens] and let's go for it. If it doesn't turn out, I'll take the rap". Winnie complied, saying, "Fair enough, Jack". [11]
This was the second John Ford movie filmed in Technicolor, after Drums Along the Mohawk (1939).
A theater poster featured the male lead wearing a yellow neckerchief with his uniform and a yellow banner (with proportions and shape evocative of a stylish ribbon) behind him, that also looped some 270 degrees around the female lead's shoulders.
A 1958 unsuccessful television pilot written by James Warner Bellah titled Command starred Everett Sloane as Captain Brittles and Ben Cooper as Lt Cohill.
She Wore A Yellow Ribbon earned the 1950 Academy Award for Best Cinematography, Color for Winton C. Hoch.
John Martin Feeney, known professionally as John Ford, was an American film director and producer. He is regarded as one of the most important and influential filmmakers during the Golden Age of Hollywood, and was one of the first American directors to be recognized as an auteur. In a career of more than 50 years, he directed over 130 films between 1917 and 1970, and received six Academy Awards including a record four wins for Best Director for The Informer (1935), The Grapes of Wrath (1940), How Green Was My Valley (1941), and The Quiet Man (1952).
Monument Valley is a region of the Colorado Plateau characterized by a cluster of sandstone buttes, with the largest reaching 1,000 ft (300 m) above the valley floor. The most famous butte formations are located in northeastern Arizona along the Utah–Arizona state line. The valley is considered sacred by the Navajo Nation, the Native American people within whose reservation it lies.
The Horse Soldiers is a 1959 American adventure war film set during the American Civil War directed by John Ford and starring John Wayne, William Holden and Constance Towers. The screenplay by John Lee Mahin and Martin Rackin was loosely based on the Harold Sinclair (1907-1966) 1956 novel of historical fiction of the same name, a fictionalized version of the famous Grierson's Raid by Federal cavalry in April–May 1863 riding southward through Mississippi and around the Mississippi River fortress of Vicksburg during the Vicksburg campaign to split the southern Confederacy by Union Army Gen. Ulysses S. Grant.
Rio Grande is a 1950 American romantic Western film directed by John Ford and starring John Wayne and Maureen O'Hara. It is the third installment of Ford's "Cavalry Trilogy", following two RKO Pictures releases: Fort Apache (1948) and She Wore a Yellow Ribbon (1949). Wayne plays the lead in all three films, as Captain Kirby York in Fort Apache, then as Captain Nathan Brittles in She Wore a Yellow Ribbon, and finally as a promoted Lieutenant Colonel Kirby Yorke in Rio Grande. Rio Grande's supporting cast features Ben Johnson, Claude Jarman Jr., Harry Carey Jr., Chill Wills, J. Carrol Naish, Victor McLaglen, Grant Withers, the Western singing group the Sons of the Pioneers and Stan Jones.
Henry DeWitt Carey II was an American actor and one of silent film's earliest superstars, usually cast as a Western hero. One of his best known performances is as the president of the United States Senate in the drama film Mr. Smith Goes to Washington (1939), for which he was nominated for the Academy Award for Best Supporting Actor. He was the father of Harry Carey Jr., who was also a prominent actor.
Henry George Carey Jr. was an American actor. He appeared in more than 90 films, including several John Ford Westerns, as well as numerous television series.
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3 Godfathers is a 1948 American Western film in Technicolor directed by John Ford and starring John Wayne, Pedro Armendáriz and Harry Carey Jr.. The screenplay was written by Frank S. Nugent and Laurence Stallings based on the 1913 novelette The Three Godfathers by Peter B. Kyne. The story is a loose retelling of the biblical Three Wise Men in an American Western context.
Winton C. Hoch, A.S.C. was an American cinematographer. He was earlier a lab technician who contributed to the development of Technicolor before becoming a cinematographer in 1936. His understanding of the color process quickly led to his being hailed as one of Hollywood's premier color cinematographers. Hoch never made a film in black and white.
Sergeant Rutledge is a 1960 American Technicolor Western film directed by John Ford and starring Jeffrey Hunter, Constance Towers, Woody Strode and Billie Burke. The title was also used for the novelization published in the same year. Six decades later, the film continues to attract attention because it was one of the first mainstream films in the U.S. to treat racism frankly and to give a starring role to an African-American actor. In 2017, film critic Richard Brody observed that "The greatest American political filmmaker, John Ford, relentlessly dramatized, in his Westerns, the mental and historical distortions arising from the country’s violent origins—including its legacy of racism, which he confronted throughout his career, nowhere more radically than in Sergeant Rutledge."
Archibald Job Stout, ASC was an American cinematographer whose career spanned from 1914 to 1954. He enjoyed a long and fruitful association with John Ford, working as the principal cinematographer on Fort Apache (1948) and second unit cinematographer on She Wore a Yellow Ribbon (1949) and The Quiet Man (1952), becoming the only 2nd unit cinematographer to receive an Oscar. In a wide-ranging career, he also worked on such films as the original version of The Ten Commandments (1923) and several Hopalong Cassidy and Tarzan films. His last film was the airborne disaster movie The High and the Mighty in 1954.
James Warner Bellah was an American Western author from the 1930s to the 1950s. His pulp-fiction writings on cavalry and Indians were published in paperbacks or serialized in the Saturday Evening Post.
The John Ford Stock Company is the name given to the large collection of actors used repeatedly in the films of American director John Ford. Most famous among these was John Wayne, who appeared in twenty-four films and three television episodes for the director.
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Jack Murray was an American film editor with about 55 feature film credits between 1929 and 1961. Fifteen of these films were with the director John Ford. Their credited collaborations commenced with The Prisoner of Shark Island (1936), which was produced when both men were working at the 20th Century Fox studio. It encompassed such well-known films as The Quiet Man (1952) and The Searchers (1956), and ended only with Murray's death in 1961.
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