The Brat | |
---|---|
Directed by | John Ford |
Written by | S. N. Behrman Maude Fulton (uncredited) Sonya Levien |
Based on | The Brat by Maude Fulton |
Starring | Sally O'Neil Alan Dinehart Virginia Cherrill |
Cinematography | Joseph H. August |
Edited by | Alex Troffey |
Distributed by | Fox Film Corporation |
Release date |
|
Running time | 60 minutes |
Country | United States |
Language | English |
The Brat is a 1931 American pre-Code comedy film directed by John Ford, starring Sally O'Neil, and featuring Virginia Cherrill. The film is based on the 1917 play by Maude Fulton. A previous silent film had been made in 1919 with Alla Nazimova. This 1931 screen version has been updated to then contemporary standards i.e. clothing, speech, topics in the news. [1]
A novelist brings a wild chorus girl home, hoping to study her for inspiration for his new novel. His snobby upper-class family is upset by her presence, but soon she has changed their lives forever.
Writer Maude Fulton was an actress as well and starred in the 1917 Broadway premiere of her own play. Two of her co-stars in the play went on to have major film careers, Lewis Stone and Edmund Lowe. [2] The film was restored in DCP form and exhibited at New York City's Museum of Modern Art in November 2016.
Wilfred Van Norman Lucas was a Canadian American stage actor who found success in film as an actor, director, and screenwriter.
Polly Ann Young was an American actress.
Rochelle Hudson was an American film actress from the 1930s through the 1960s. Hudson was a WAMPAS Baby Star in 1931.
Maude Fealy was an American stage and silent film actress whose career survived into the sound era.
Virginia Cherrill, styled as Virginia, Countess of Jersey between 1937 and 1946, was an American actress best known for her role as the blind flower girl in Charlie Chaplin's City Lights (1931).
The Maltese Falcon is a 1931 American pre-Code crime film based on the 1930 novel The Maltese Falcon by Dashiell Hammett and directed by Roy Del Ruth. The film stars Ricardo Cortez as private detective Sam Spade and Bebe Daniels as femme fatale Ruth Wonderly. The supporting cast features Dudley Digges, Thelma Todd, Walter Long, Una Merkel, and Dwight Frye. Maude Fulton and Brown Holmes wrote the screenplay; one contemporaneous report said that Lucien Hubbard was assisting them.
Sally O'Neil was an American film actress of the 1920s. She appeared in more than 40 films, often with her name above the title.
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Sally, Irene, and Mary is a 1925 American silent comedy drama film starring Constance Bennett, Sally O'Neil, and Joan Crawford. It is based on the 1922 play of the same name by Eddie Dowling and Cyrus Woods and takes a behind-the-scenes look at the romantic lives of three chorus girls and the way their preferences in men affect their lives. The play was adapted again in 1938, again titled Sally, Irene, and Mary and directed by William A. Seiter. That version stars Alice Faye, Joan Davis, and Marjorie Weaver in the title roles, and co-starred Tony Martin, Fred Allen, and Jimmy Durante.
Dorothy Burgess was an American stage and motion-picture actress.
Sheila Bromley, also billed early in her career as Sheila LeGay, Sheila Manners, Sheila Mannors or Sheila Manors, was an American television and film actress. She is best known for her roles in B-movies, mostly Westerns of the era.
Guy Edward Hearn was an American actor who, in a forty-year film career, starting in 1915, played hundreds of roles, starting with juvenile leads, then, briefly, as leading man, all during the silent era.
Evalyn Knapp was an American film actress of the late 1920s, 1930s and into the 1940s. She was a leading B-movie serial actress in the 1930s. She was the younger sister of the orchestra leader Orville Knapp.
Maude Fulton was an American actress, playwright, stage director, theater manager, and later a Hollywood screenwriter.
The Black Camel is a 1931 American pre-Code mystery film directed by Hamilton MacFadden and starring Warner Oland, Sally Eilers, Bela Lugosi, and Dorothy Revier. It is based on the 1929 novel of the same name by Earl Derr Biggers. It is the second film to star Oland as detective Charlie Chan, and the sole surviving title of the first five Chan films starring Oland. The Black Camel marked the film debut of Robert Young.
The Brat is a 1919 American silent drama film produced by and starring Alla Nazimova and directed by Herbert Blache. The film was released by Metro Pictures, who had Nazimova under contract, and is based on Maude Fulton's 1917 Broadway play in which she starred. It was remade as the 1931 film The Brat with Sally O'Neil in the lead role. The film is lost.
Bare Knees is a 1928 American silent comedy drama film directed by Erle C. Kenton and starring Virginia Lee Corbin.
Peer Gynt is a surviving 1915 American fantasy silent film directed by Oscar Apfel and Raoul Walsh and adapted from the Henrik Ibsen play by Oscar Apfel. The film stars Cyril Maude, Myrtle Stedman, Fanny Stockbridge, Mary Reubens, Mary Ruby and Winifred Bryson. The film was released on September 16, 1915, by Paramount Pictures.
Ladies Must Love is a 1933 American pre-Code comedy film directed by E. A. Dupont and written by John Francis Larkin. The film stars June Knight, Neil Hamilton, Sally O'Neil, Dorothy Burgess, Mary Carlisle and George E. Stone. The film was released on September 25, 1933, by Universal Pictures.