The hobby of collecting includes seeking, locating, acquiring, organizing, cataloging, displaying, storing, and maintaining items that are of interest to an individual collector. Collections differ in a wide variety of respects, most obviously in the nature and scope of the objects contained, but also in purpose, presentation, and so forth. The range of possible subjects for a collection is practically unlimited, and collectors have realised a vast number of these possibilities in practice, although some are much more popular than others.
In collections of manufactured items, the objects may be antique or simply collectable. Antiques are collectable items at least 100 years old, while other collectables are arbitrarily recent. The word vintage describes relatively old collectables that are not yet antiques.
Collecting is a childhood hobby for some people, but for others, it is a lifelong pursuit or something started in adulthood. Collectors who begin early in life often modify their goals when they get older. Some novice collectors start by purchasing items that appeal to them and then slowly work at learning how to build a collection, while others prefer to develop some background in the field before starting to buy items. The emergence of the internet as a global forum for different collectors has resulted in many isolated enthusiasts finding each other.
The most obvious way to categorize collections is by the type of objects collected. Most collections are of manufactured commercial items, but natural objects such as birds' eggs, butterflies, rocks, and seashells can also be the subject of a collection. For some collectors, the criterion for inclusion might not be the type of object but some incidental property such as the identity of its original owner.
Some collectors are generalists with very broad criteria for inclusion, while others focus on a subtopic within their area of interest. Some collectors accumulate arbitrarily many objects that meet the thematic and quality requirements of their collection, others—called completists or completionists—aim to acquire all items in a well-defined set that can in principle be completed, and others seek a limited number of items per category (e.g. one representative item per year of manufacture or place of purchase).[1] Collecting items by country (e.g. one collectible per country) is very common. The monetary value of objects is important to some collectors but irrelevant to others. Some collectors maintain objects in pristine condition, while others use the items they collect.
Value of collected items
Herbert Kullmann, picture sale catalogue by Bernheim-Jeune, Paris, May 1914.
After a collectable has been purchased, its retail price no longer applies and its value is linked to what is called the secondary market. There is no secondary market for an item unless someone is willing to buy it, and an object's value is whatever the buyer is willing to pay. Depending on age, condition, supply, demand, and other factors, individuals, auctioneers, and secondary retailers may sell a collectable for either more or less than what they originally paid for it. Special or limited edition collectables are created with the goal of increasing demand and value of an item due to its rarity. A price guide is a resource such as a book or website that lists typical selling prices.
Products often become more valuable with age. The term antique generally refers to manufactured items made over 100 years ago,[2] although in some fields, such as antique cars, the time frame is less stringent. For antique furniture, the limit has traditionally been set in the 1830s. Collectors and dealers may use the word vintage to describe older collectables that are too young to be called antiques,[3] including Art Deco and Art Nouveau items, Carnival and Depression glass, etc. Items which were once everyday objects but may now be collectable, as almost all examples produced have been destroyed or discarded, are called ephemera.
Psychological factors can play a role in both the motivation for keeping a collection and the impact it has on the collector's life. These factors can be positive or negative.[4]
The hobby of collecting often goes hand-in-hand with an interest in the objects collected and what they represent, for example collecting postcards may reflect an interest in different places and cultures. For this reason, collecting can have educational benefits, and some collectors even become experts in their field.
Maintaining a collection can be a relaxing activity that counteracts the stress of life, while providing a purposeful pursuit which prevents boredom. The hobby can lead to social connections between people with similar interests and the development of new friendships. It has also been shown to be particularly common among academics.[citation needed]
Collecting for most people is a choice, but for some it can be a compulsion, sharing characteristics with obsessive hoarding. When collecting is passed between generations, it might sometimes be that children have inherited symptoms of obsessive–compulsive disorder. Collecting can sometimes reflect a fear of scarcity, or of discarding something and then later regretting it.
Carl Jung speculated that the widespread appeal of collecting is connected to the hunting and gathering that was once necessary for human survival.[5] Collecting is also associated with memory by association and the need for the human brain to catalogue and organise information and give meaning to ones actions.[citation needed]
History
"Musei Wormiani Historia", the frontispiece from the Museum Wormianum depicting Ole Worm's cabinet of curiosities
Collecting is a practice with a very old cultural history. In Mesopotamia, collecting practices have been noted among royalty and elites as far back as the 3rd millennium BCE.[6] The Egyptian Ptolemaic dynasty collected books from all over the known world at the Library of Alexandria. The Medici family, in Renaissance Florence, made the first effort to collect art by private patronage, this way artists could be free for the first time from the money given by the Church and Kings; this citizenship tradition continues today with the work of private art collectors. Many of the world's popular museums—from the Metropolitan in New York City to the Thyssen in Madrid or the Franz Mayer in Mexico City—have collections formed by the collectors that donated them to be seen by the general public.
The collecting hobby is a modern descendant of the "cabinet of curiosities" which was common among scholars with the means and opportunities to acquire unusual items from the 16th century onwards. Planned collecting of ephemeral publications goes back at least to George Thomason in the reign of Charles I and Samuel Pepys in that of Charles II. Collecting engravings and other prints by those whose means did not allow them to buy original works of art also goes back many centuries. The progress in 18th-century Paris of collecting both works of art and of curiosité, dimly echoed in the English curios, and the origins in Paris, Amsterdam and London of the modern art market have been increasingly well documented and studied since the mid-19th century.[7]
The involvement of larger numbers of people in collecting activities came with the prosperity and increased leisure for some in the later 19th century in industrial countries. That was when collecting such items as antique china, furniture and decorative items from oriental countries became established. The first price guide was the Stanley Gibbons catalogue issued in November 1865.
The history of collecting is chronicled in the book Lock, Stock, and Barrel: The story of collecting. This well-researched book on collecting, written by Elizabeth and Douglas Rigby, was published by J. B. Lippincott & Co., a major publisher in Philadelphia.[8] "An important book as well as a delightful one. I recommend it urgently as the best all around volume in its field," wrote Vincent Starrett of the Chicago Tribune in a review of the book.[9] In addition to being reviewed by newspapers, magazines, and journals -- such as The Chicago Tribune, The New York Times, The Saturday Review, New York History, The Pennsylvania Magazine of History, and The American Scholar -- the book also has been cited in academic studies on collecting.[10][11][12][13]
Chaney, Edward, ed. (2003) The Evolution of English Collecting. New Haven: Yale University Press
Schulz, Charles M. (1984) Charlie Brown's Super Book of Things to Do and Collect: based on the Charles M. Schulz characters. New York: Random House, 1984, paperback, ISBN0-394-83165-9, (hardcover in library binding ISBN0-394-93165-3)
Redman, Samuel J. (2016) Bone Rooms: From Scientific Racism to Human Prehistory in Museums. Cambridge: Harvard University Press
Rigby, Douglas and Rigby, Elizabeth (1944) Lock, Stock and Barrel: The Story of Collecting. Philadelphia: J B Lippincott. 9781299010123, 1299010121
Shamash, Jack, (2013) George V's Obsession – a King and His Stamps
Shamash, Jack (2014) The Sociology of Collecting
Thomason, Alison Karmel (2005) Luxury and Legitimation: Royal Collecting in Ancient Mesopotamia. Hampshire, U.K.: Ashgate Publishing Limited.
van der Grijp, Paul (2006) Passion and Profit: Towards an Anthropology of Collecting. Berlin: LIT Verlag. ISBN3-8258-9258-1
Notes and references
↑ For example, book collector Rush Hawkins (1831–1920) sought the first and second books from every European printer before 1501, while illuminated manuscript collector Henry Yates Thompson (1838–1928) maintained a collection of exactly 100 items, selling his least preferable items to make room for new ones.
↑ For example, the arts and crafts sales website Etsy requires "vintage" items sold on their platform to be "at least 20 years old". "Vintage Items on Etsy". 18 October 2017.[permanent dead link]
↑ Mueller, Shirley M. (2019). Inside the Head of a Collector: Neuropsychological Forces at Play. Seattle. ISBN978-0-9996522-7-5. OCLC1083575943.{{cite book}}: CS1 maint: location missing publisher (link)
↑ Thomason, Alison Karmel Thomason (2005). Luxury and Legitimation: Royal Collecting in Ancient Mesopotamia. Hampshire, U.K.: Ashgate Publishing Limited. ISBN0754602389.
↑ Chronologically some essential works are C. Blanc, Le trésor de la curiosité (1857–58), E. Bonnaffé, Les collectionneurs de l'ancienne France (1873), l. Courajod, La livre-journal de Lazare Duvaux (1873), L. Clément de Ris, Les amateurs d'autrefois (1877), A. Maze-Sencier, Le livre des collectionneurs (1893), G. Reitlinger The Economics of Taste (1961), G. Glorieux's monograph, À l'Enseigne de Gersaint (2002).
A hobby is considered to be a regular activity that is done for enjoyment, typically during one's leisure time. Hobbies include collecting themed items and objects, engaging in creative and artistic pursuits, playing sports, or pursuing other amusements or avocations. Participation in hobbies encourages acquiring substantial skills and knowledge in that area. A list of hobbies changes with renewed interests and developing fashions, making it diverse and lengthy. Hobbies tend to follow trends in society. For example, stamp collecting was popular during the nineteenth and twentieth centuries as postal systems were the main means of communication; as of 2023, video games became more popular following technological advances. The advancing production and technology of the nineteenth century provided workers with more leisure time to engage in hobbies. Because of this, the efforts of people investing in hobbies has increased with time.
Philately is the study of postage stamps and postal history. It also refers to the collection and appreciation of stamps and other philatelic products. While closely associated with stamp collecting and the study of postage, it is possible to be a philatelist without owning any stamps. For instance, the stamps being studied may be very rare or reside only in museums.
A collectable is any object regarded as being of value or interest to a collector. Collectable items are not necessarily monetarily valuable or uncommon. There are numerous types of collectables and terms to denote those types. An antique is a collectable that is old. A curio is something deemed unique, uncommon, or weird, such as a decorative item. A manufactured collectable is an item made specifically for people to collect.
An antique is an item perceived as having value because of its aesthetic or historical significance, and often defined as at least 100 years old, although the term is often used loosely to describe any object that is old. An antique is usually an item that is collected or desirable because of its age, beauty, rarity, condition, utility, personal emotional connection, and/or other unique features. It is an object that represents a previous era or time period in human history. Vintage and collectible are used to describe items that are old, but do not meet the 100-year criterion.
Ephemera are items which were not originally designed to be retained or preserved, but have been collected or retained. The word is etymologically derived from the Greek ephēmeros ‘lasting only a day’. The word is both plural and singular.
A dollhouse or doll's house is a toy house made in miniature. Since the early 20th century dollhouses have primarily been the domain of children, but their collection and crafting is also a hobby for many adults. English-speakers in North America commonly use the term dollhouse, but in the United Kingdom and other English-speaking countries the term is doll's house. They are often built to put dolls in.
Nazi memorabilia are items produced during the height of Nazism in Germany, particularly the years between 1933 and 1945. Nazi memorabilia includes a variety of objects from the material culture of Nazi Germany, especially those featuring swastikas and other Nazi symbolism and imagery or connected to Nazi propaganda. Examples are military and paramilitary uniforms, insignia, coins and banknotes, medals, flags, daggers, guns, posters, contemporary photos, books, publications, and ephemera.
Although an antique tool might be said to be one that is more than a hundred years old, the term is often used to describe any old tool of quality that might be deemed collectable.
Film memorabilia are objects considered of value because of their connection to the cinema. These include costumes, props, advertising posters, and scripts, among other things. Fans have always coveted memorabilia, but in recent years, what was once a hobby has mushroomed into big business, with millions of dollars changing hands in auctions held by such firms as Christie's and Sotheby's. In addition, many popular films have their collectible items sold via independent, online movie memorabilia stores, web auctions, and at film studio charity events.
As with many consumer products, early bicycles were purchased solely for their usefulness or fashionableness and discarded as they wore out or were replaced by newer models. Some items were thrown into storage and survived, but many others went to the scrapyard. Decades later, those with an interest in cycling and history began to seek out older bikes, collecting different varieties. Like other forms of collecting, bike collectors can be completists or specialists, and many have extensive holdings in bike parts or literature, in addition to complete bicycles.
Jefferson R. Burdick (1900–1963) was an American electrician and a collector of printed ephemera, including postcards, posters, cigar bands, and other types of printed materials dating from the mid-nineteenth century to the early 1960s. He is best known for collecting trading and baseball cards in The American Card Catalog, otherwise known as the ACC.
Button collecting is the collecting of various types of clothing buttons.
Collectors Weekly is an online resource for people interested in antiques, collectibles, and vintage items. The site pairs live auctions with original content, which ranges from encyclopedic essays to multi-sourced articles that aim to illuminate the cultural history of objects.
Knife collecting is a hobby which includes seeking, locating, acquiring, organizing, cataloging, displaying, storing, and maintaining knives. Some collectors are generalists, accumulating an assortment of different knives. Others focus on a specialized area of interest, perhaps bayonets, knives from a particular factory, Bowie knives, pocketknives, or handmade custom knives.
The psychology of collecting is an area of study that seeks to understand the motivating factors explaining why people devote time, money, and energy making and maintaining collections. There exist a variety of theories for why collecting behavior occurs, including consumerism, materialism, neurobiology and psychoanalytic theory. The psychology of collecting also offers insight into variance between similar behavior that can be recognised on a continuum between being beneficial as a hobby and also capable of being a mental disorder. The large diversity of different types of collected objects and variance of collecting behaviors across these types has also been subject to research in psychology, marketing and game design.
The American Political Items Collectors is a 501(c)3 non profit organization founded in 1945 to encourage the study, collecting, and preservation of political campaign memorabilia. It is the largest organization of political memorabilia collectors in the United States. The group actively seeks to educate the general public about government and political history through displays at libraries and museums, as well as educating the public about reproduction items.
John A. Daniel (c.1931-2011) was magician and a collector and dealer of magician memorabilia, Baranger Motion machines, vintage electric trains, toys, antique carousels and other collectibles.
The City Reliquary is a not-for-profit community museum and civic organization located in Williamsburg, Brooklyn. The museum traces the history of New York City's five boroughs with its exhibitions of cultural ephemera and relics. Besides a permanent display of New York City artifacts, the City Reliquary also hosts rotating exhibits of community collections and annual cultural events.
Can collecting is the hobby of collecting cans, both aluminum and tin plate cans. There are many types of cans that can be collected from around the world, each with many different brands as well as brand variations and themes. Among the most popular cans to collect are soda ones, beer ones, and car oil ones, the latter of which are sometimes branded with well-known petrol company names. Other cans that may be considered as collectibles are milk cans coffee cans, syrup, salted peanuts, crayon and advertisement-oriented lithograph tins.
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