Musical notation is any system used to visually represent music. Systems of notation generally represent the elements of a piece of music that are considered important for its performance in the context of a given musical tradition. The process of interpreting musical notation is often referred to as reading music.
The Hurrians were a people who inhabited the Ancient Near East during the Bronze Age. They spoke the Hurrian language, and lived throughout northern Syria, upper Mesopotamia and southeastern Anatolia.
The lyre is a stringed musical instrument that is classified by Hornbostel–Sachs as a member of the lute family of instruments. In organology, a lyre is considered a yoke lute, since it is a lute in which the strings are attached to a yoke that lies in the same plane as the sound table, and consists of two arms and a crossbar.
Although definitions of music vary wildly throughout the world, every known culture partakes in it, and it is thus considered a cultural universal. The origins of music remain highly contentious; commentators often relate it to the origin of language, with much disagreement surrounding whether music arose before, after or simultaneously with language. Many theories have been proposed by scholars from a wide range of disciplines, though none has achieved broad approval. Most cultures have their own mythical origins concerning the invention of music, generally rooted in their respective mythological, religious or philosophical beliefs.
Shastra is a Sanskrit word that means "precept, rules, manual, compendium, book or treatise" in a general sense. The word is generally used as a suffix in the Indian literature context, for technical or specialized knowledge in a defined area of practice.
A bansuri is an ancient side-blown bamboo flute originating from Indian Subcontinent. It is an aerophone produced from bamboo and metal like material used in many Indian and Nepali Lok songs. A bansuri is traditionally made from a single hollow shaft of bamboo with seven finger holes. Some modern designs come in ivory, fiberglass and various metals. The six hole instrument covers two and a half octaves of music. The bansuri is typically between 30 and 75 centimetres in length, and the thickness of a human thumb. One end is closed, and few centimeters from the closed end is its blow hole. Longer bansuris feature deeper tones and lower pitches. The traditional design features no mechanical keys, and the musician creates the notes they want by covering and uncovering the various finger holes.
The Nāṭya Shāstra is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE.
Urkesh, also transliterated Urkish, is a tell, or settlement mound, located in the foothills of the Taurus Mountains in Al-Hasakah Governorate, northeastern Syria. It was founded during the fourth millennium BC, possibly by the Hurrians, on a site which appears to have been inhabited previously for a few centuries. The city god of Urkesh was Kumarbi, father of Teshup.
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, the theory and practice of which can be traced to the Sanskrit text Natya Shastra. The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on the source and scholar; the main organisation for Indian arts preservation, the Sangeet Natak Academy recognizes eight: Bharatanatyam, Kathak, Kuchipudi, Odissi, Kathakali, Sattriya, Manipuri and Mohiniyattam. Additionally, the Indian Ministry of Culture includes Chhau in its list, recognising nine total styles. Scholars such as Drid Williams add Chhau, Yakshagana and Bhagavata Mela to the list. Each dance tradition originates and comes from a different state and/or region of India; for example, Bharatanatyam is from Tamil Nadu in the south of India, Odissi is from the east coast state of Odisha, and Manipuri is from the northeastern state of Manipur. The music associated with these different dance performances consists many compositions in Hindi, Malayalam, Meitei (Manipuri), Sanskrit, Tamil, Odia, Telugu, Assamese, and many other Indian-Subcontinent languages; they represent a unity of core ideas and a diversity of styles, costumes, and expression.
Music was ubiquitous throughout Mesopotamian history, playing important roles in both religious and secular contexts. Mesopotamia is of particular interest to scholars because evidence from the region—which includes artifacts, artistic depictions, and written records—places it among the earliest well-documented cultures in the history of music. The discovery of a bone wind instrument dating to the 5th millennium BCE provides the earliest evidence of music culture in Mesopotamia; depictions of music and musicians appear in the 4th millennium BCE; and later, in the city of Uruk, the pictograms for ‘harp’ and ‘musician’ are present among the earliest known examples of writing.
3rd millennium BC in music - 2nd millennium BC in music - 1st millennium BC in music
Nabnitu ("Creation") is an ancient encyclopedic work of the Old Babylonian period that consists of multiple tablets. The name Nabnitu is taken from the first line of the first tablet in the series. Some of the tablets provide "scientific" names for "parts" of objects and the human body. Tablet VII lists the parts of the human hand.
Music in ancient India, can be reproduced from written works dating to the Indian classical period, such as the Nātya Shastra, and through surviving examples of liturgical music such as the hymns of the Samaveda. Musical instruments dating to the prehistoric period have been recovered from archaeological excavations.
A musical instrument is a device created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who plays a musical instrument is known as an instrumentalist.
The Hurrian songs are a collection of music inscribed in cuneiform on clay tablets excavated from the ancient Amorite-Canaanite city of Ugarit, a headland in northern Syria, which date to approximately 1400 BC. One of these tablets, which is nearly complete, contains the Hurrian Hymn to Nikkal, making it the oldest surviving substantially complete work of notated music in the world. While the composers' names of some of the fragmentary pieces are known, h.6 is an anonymous work.
The veena, also spelled vina, is any of various chordophone instruments from the Indian subcontinent. Ancient musical instruments evolved into many variations, such as lutes, zithers and arched harps. The many regional designs have different names such as the Rudra veena, the Saraswati veena, the Vichitra veena and others.
The santur, is a hammered dulcimer of Iranian origins.
Richard J. Dumbrill is a British/French archaeomusicologist and composer. He is a relativist musicologist who opposes Universalism and Occicentrism theories in his field.
Hittite music is the music of the Hittites of the 17th–12th century BC and of the Syro-Hittite successor states of the 12th–7th century BC.
Anne Draffkorn Kilmer was an American historian of the ancient Near East who served as a professor of Assyriology at the University of California, Berkeley. She was an expert in ancient Mesopotamian culture, specifically Sumero-Akkadian cuneiform texts and the history of ancient music, games, and mathematics. In 1963, she became the first woman appointed to a tenure-track position in what is now the Middle Eastern Languages and Cultures department at the University of California, Berkeley. She later became curator of the Babylonian collection in the Phoebe A. Hearst Museum of Anthropology, formerly the Lowie Museum. She rose to the rank of Professor, served as chair of her department three times, and acted as dean of humanities.
