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Joseph Jean-Baptiste Laurent Arban was a cornetist, conductor, composer, pedagogue and the first famed virtuoso of the cornet à piston or valved cornet. He was influenced by Niccolò Paganini's virtuosic technique on the violin and successfully proved that the cornet was a true solo instrument by developing virtuoso technique on the instrument.
Vittorio Monti was an Italian composer, violinist, mandolinist and conductor. His most famous work is his Csárdás, written around 1904 and played by almost every gypsy orchestra.
The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin or violin. It is a soprano banjo. It has been independently invented in more than one country, being called banjolin and banjourine in English-speaking countries, banjoline and bandoline in France, and the Cümbüş in Turkey.
The "Carnival of Venice" is based on a Neapolitan folk tune called "O Mamma, Mamma Cara" and popularized by violinist and composer Niccolo Paganini, who wrote twenty variations on the original tune. He titled it "Il Carnevale Di Venezia," Op. 40. In 1829, he wrote to a friend, "The variations I've composed on the graceful Neapolitan ditty, 'O Mamma, Mamma Cara,' outshine everything. I can't describe it."
Ernesto Köhler was an Italian flautist and composer. He was considered one of the best flautists of his era.
In music, a decet—sometimes dectet, decimette, or even tentet—is a composition which requires ten musicians for a performance, or a musical group that consists of ten people. The corresponding German word is Dezett, the French is dixtuor. Unlike some other musical ensembles such as the string quartet, there is no established or standard set of instruments in a decet.
In music, a Flute method is a kind of specific textbook style manual for playing the flute. It usually contains fingering charts and/or scales and numerous different exercises, sometimes also simple etudes, in different keys, in ascending order as to difficulty or with a focus on isolated aspects like fluency, rhythm, dynamics, articulation and the like. Sometimes there are duets or even recital pieces, also with accompaniment. Such methods differ from etude books in that they are meant as a linear course for a student to follow, with consistent guidance, whereas volumes of etudes are not as comprehensive.
Salvator Léonardi was a mandolin virtuoso, teacher and composer. He taught in Egypt, Malta, London and Paris for more than 20 years, and also toured as a performer. Léonardi learned mandolin and guitar from an uncle, but went on to become a professional musician, studying the violin at a Naples conservatory. He won awards as a solo mandolinist at international music competitions in Florence and Rome.
Pietro Denis (1720–1790), also known as Pierre Denis, was a French mandolin virtuoso and teacher, and composer. He studied under Giuliano in Naples and established himself in Paris. He is best known for his compositions Sonata for Mandolin & Continuo No. 1 in D major and Sonata No. 3 for Mandolin. He also wrote a mandolin instruction method, Méthode pour apprendre à jouer de la mandoline sans Maître, published Paris in 1768.
Jules Cottin (1868–1922) was a mandolin virtuoso who played in Paris from the 1890s. A pupil of the guitarist Jacques Bosch, he became part of the mandolin revival, which revitalized the instrument after its long decline in the 19th century. He was part of a group of virtuosi mandolinists, including Giuseppe Silvestri, Ferdinando de Cristofaro, and Jean Pietrapertosa, who played before enthusiastic Paris audiences. He was also a composer and author, writing the 1891 mandolin method book, Celèbre Méthode Complète Theoretique et Pratique de Mandoline.
Jean Pietrapertosa (1855–1940) was a composer and virtuoso of the mandolin who performed in Paris in the 1880s. He taught the mandolin and wrote a two-volume mandolin method book, Méthode de mandolin, published in Paris in 1892. He also organized a mandolin orchestra.
Edgar Bara (1876–1962) was a mandolinist, author and composer. He wrote the method book Méthode de Mandoline et Banjoline, published 1903 in the United States, one of the few from that era which is still in print today, in France. He was also a conductor of a mandolin orchestra in Paris, the Cercle Mandoliniste in 1907.
George H. Hucke was a musician, playing both violin and mandolin, and he became one of the most popular English composers for the mandolin. He was also the author of an 1893 mandolin method called Forty Progressive Studies for the Mandoline, published by John Alvey Turner. Part of the BMG movement. Hucke died in Hammersmith London.
Gabriele Leone was an Italian musician and composer who lived in Paris during the middle and later part of the 18th century. A virtuoso on the violin and mandolin, he wrote an early mandolin method, Analytical method for mastering the violin or the mandolin in 1768 and composed for both instruments. He was an early teacher of the duo method, an advanced technique which would reappear in the 20th century, taught by Giuseppe Pettine in the United States.
Lucien Thévet was a twentieth-century French horn player and teacher in France.
References
- "International Music Score Library Project." (Website)
- "Slide trombone methods." (List)
- "The trill in the classical period (1750-1820)." (Article)
- Anzenberger, Friedrich. Trumpet method books of the 19th century. (List at archive.org)
- Ginsburg, Lev. History of the violoncello. Neptune City, New Jersey: Paganiniana Publications, 1983. (Relevant excerpt)
- Hoeprich, Eric. The clarinet. New Haven: Yale University Press, 2008.
- Kimball, Will. Trombone. 2008. (19th century)
- Nelson, Kayla. "hornhistory.com". 2007. (Website)
- Rosen, Lawrence, Ed. CD Sheet Music. Verona, NJ: Subito Music, Corp., 2000–2009.
- Schwartz, Richard. The cornet compendium: The history and development of the nineteenth-century cornet. 2000. (Chapter 5: Tutors)
- Spaniol, Doug. "A history of the Weissenborn Practical method for bassoon" in Ewell, Terry. Celebrating Double Reeds: A Festschrift for William Waterhouse and Philip Bate. 2009.
- Westbury Park Strings. Romberg and the history of the violoncello. (Article)
- Westphal, Frederick. Guide to teaching woodwinds. Sacramento, CA: McGraw-Hill, 1990.
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| Bowed string instruments | ||
| Guitar | ||
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| Percussion | ||
| Human voice | ||
| Related articles | ||
