The music of Latin America refers to music originating from Latin America, namely the Spanish and Portuguese-speaking regions of the Americas south of the United States. Latin American music also incorporate the indigenous music of Latin America. Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, son, and tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton.
The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte. Along with folk songs and African- and Indian-based classical forms, cross-cultural interactions have produced other indigenous forms of music including soca, rapso, parang, chutney, and other derivative and fusion styles. There are also local communities which practice and experiment with international classical and pop music, often fusing them with local steelpan instruments.
The Music of Puerto Rico has evolved as a heterogeneous and dynamic product of diverse cultural resources. The most conspicuous musical sources of Puerto Rico have primarily included African, Taino Indigenous, and European influences. Puerto Rican music culture today comprises a wide and rich variety of genres, ranging from essentially native genres such as bomba, jíbaro, seis, danza, and plena to more recent hybrid genres such as salsa, Latin trap and reggaeton. Broadly conceived, the realm of "Puerto Rican music" should naturally comprise the music culture of the millions of people of Puerto Rican descent who have lived in the United States, especially in New York City. Their music, from salsa to the boleros of Rafael Hernández, cannot be separated from the music culture of Puerto Rico itself.
Panama is a Central American country, inhabited mostly by mestizos. The music of Panama is heavily based on the folk music of Spain, particularly that of Andalusia and was influenced first by the indigenous populations of Kunas, Teribes, Ngobe Bugle and others, and then by the black population who were brought over, first as slaves from Africa, between the 16th century and the 19th century, and then voluntarily to work on the Panamanian Railroad and Canal projects between the 1840s and 1914.
Mauritius is a multi-ethnic, multilingual and a plural society with a population composed mainly of four major ethnic and religious groups. It is often depicted as a "rainbow nation".
Chutney music is a fusion genre of Indian folk music, specifically Bhojpuri folk music, with Caribbean calypso and soca music, and later with Bollywood music. This genre of music that developed in Trinidad and Tobago is popular in Trinidad and Tobago, Guyana, Suriname, Jamaica, other parts of the Caribbean, Fiji, Mauritius, and South Africa. Chutney music emerged mid-20th century and reached a peak of popularity during the 1980s. Several sub-genres have developed.
The music of Antigua and Barbuda is largely African in character, and has only felt a limited influence from European styles due to the population of Antigua and Barbuda descending mostly from West Africans who were made slaves by Europeans.
The music of Guyana encompasses a range of musical styles and genres that draw from various influences including: Indian, Latino-Hispanic, European, African, Chinese, and Amerindian music. Popular Guyanese performers include: Terry Gajraj, Eddy Grant, Dave Martins & the Tradewinds, Aubrey Cummings, Colleˊ Kharis and Nicky Porter. Eddie Hooper The Guyana Music Festival has proven to be influential on the Guyana music scene.
Music of Punjab reflects the traditions of the Punjab region associated with Punjabi language. Punjab is currently divided into two parts: East Punjab, in India, and West Punjab, the most populous province of Pakistan. The Punjab has diverse styles of music, ranging from folk and Sufi to classical, notably the Patiala gharana. Contemporary Punjabi music has tended to include more modern hip-hop and R&B sounds. While this style of music is obviously most popular in Punjab, it has seen popularity across the subcontinent and areas with large Punjabi diaspora populations, such as Canada, the United Kingdom, and the United States.
Sega is one of the major music genres of Mauritius and Réunion. It is a complete performance art, involving music, story-telling and traditional dance. Musically, the most modern forms common in Mauritius are its fusion genre Seggae and bhojpuri variations, whilst in Réunion we find the addition of maloya, the latter being much closer to the older, typical music influences originating from Madagascar. The variety of different sega forms is reflected in the multi-ethnic populous of the indigenous population of Mauritius.
Seggae is a fusion genre of sega, the traditional music of the Mascarene Islands, and reggae. It was originally created in Mauritius by the musician Kaya and eventually became popular in the Mascarene Islands. Seggae is one of the most popular music genres in Mauritius.
Indo-Mauritians are Mauritians who trace their ethnic ancestry to the Republic of India or other parts of the Indian subcontinent in South Asia.
Mauritian Creoles are the people on the islands of Mauritius, Rodrigues, Agaléga and the Chagos Archipelago and in the wider overseas Mauritian diaspora who trace their roots to continental Africans who were brought to Mauritius under slavery from the seventeenth to the nineteenth century. The majority of these enslaved people came from the region in and around modern day Mozambique and Madagascar. Creole peoples can be found on other islands in the Mascarene Islands and these groups all share cultural and linguistic connections with one another stemming from the common heritage of their African ancestors. It can also refer to and include members of the islands' mixed race or Métis community who identify as creoles, especially if they are also Christian. In government records, creoles along with Franco-Mauritians form part of the broader group known as Population Générale.
Maloya is one of the two major music genres of Réunion, usually sung in Réunion Creole, and traditionally accompanied by percussion and a musical bow. Maloya is a new form that has origins in the music of African and Malagasy slaves and Indian indentured workers on the island, as has the other folk music of Réunion, séga. World music journalists and non-specialist scholars sometimes compare maloya to the American music, the blues, though they have little in common. Maloya was considered such a threat to the French state that it was banned in the 1970s.
Music of the African diaspora is a sound created, produced, or inspired by Black people, including African music traditions and African popular music as well as the music genres of the African diaspora, including some Caribbean music, Latin music, Brazilian music and African-American music.
Santé engagé is a genre of Mauritian music which consists of singing and rapping protest songs. It is a way to protest against political/social oppression and repression through music. The genre mixes traditional Mauritian sega with Indian, Chinese and Western influences.
Stéphano Honoré, better known as Menwar, is a Mauritian percussionist and singer. He was one of the pioneers of Seggae music, forming the group Sagaï in the 1980s. Honoré is a player of the ravanne, for which he has begun to develop a written technique, something that has not been done previously. He also plays multiple instruments that he has selfmade or that come from the African culture.
The ravanne is a large tambourine-like instrument used in sega music of Mauritius. It is made out of goat skin called “lapo cabri” which usually needs to be heated up before playing. The ravanne is used as the main rhythm in sega music and has been played by the great contributors of the Sega (genre). One of the main contribution for the ravanne is a book written in 1999 called “Méthode de ravanne”: Ways of playing the "ravanne", traditional music instrument by Menwar Throughout the time the traditional ravanne has evolved to more modern ravanne types using different materials and manufacturing techniques. It is commonly used for entertainment mainly in the tourist industry and common family gatherings all around the island.
Joseph Réginald Topize, popularly known by his stage name Kaya, was a Mauritian musician, and the creator of "seggae" - a fusion of Mauritian sega and reggae, two popular music genres in Mauritius. Kaya died while in police custody, after being arrested for smoking marijuana during one of his concerts.
Baithak Gana is a form of music originating in Suriname by the Indian community. Baithak is a social gathering. It is a mix of Bhojpuri folk songs with other Caribbean influences. It is similar to Chutney music that originated in Trinidad and Tobago. The most popular exponent in Surinam of the genre were Ramdew Chaitoe and Dropati.
