Music of Morocco

North Africa has contributed considerably to popular music, especially Egyptian classical music alongside el Gil, Algerian raï and Chaabi. The broad region is sometimes called Maghreb, and the term Maghrebian music is in use. For a variety of reasons Libya does not have as extensive nor popular a tradition as its neighbours. Folk music abounds, however, despite frequent condemnation and suppression from governments, existing in multiple forms across the region—the Berbers, Sephardic Jews, Tuaregs, Copts and Nubians, for example, retain musical traditions with their ancient roots.

Berber music refers to the musical traditions of the Berbers, a diverse grouping of distinct ethnic groups indigenous to North Africa who predate the arrival of Arabs in the Arab migration to the Maghreb. Their main connections are identified by their usage of the mostly mutually unintelligible Berber languages. Berber music varies widely across North Africa. It is stylistically diverse, with songs being predominantly African rhythms and a stock of oral literature.

Andalusi classical music, also called Andalusi music or Arab-Andalusian music, is a genre of music originally developed in al-Andalus by the Muslim population of the region and the Moors. It then spread and influenced many different styles across the Maghreb after the Expulsion of the Moriscos. It originated in the music of al-Andalus between the 9th and 15th centuries. Some of its poems derive from famous authors such as al-Mu'tamid ibn Abbad, Ibn Khafaja, al-Shushtari, and Ibn al-Khatib.

Andalusī nūbah, also transliterated nūba, nūbā, or nouba, or in its classical Arabic form, nawba, nawbah, or nōbah, is a music genre found in the North African Maghrib states of Morocco, Algeria, Tunisia, and Libya but, as the name indicates, it has its origins in Andalusi music. The name replaced the older use of sawt and originated from the musician waiting behind a curtain to be told it was his turn or nawbah by the sattar or curtain man.

Malhun, meaning "the melodic poem", is a form of music that originated in Morocco. It is a kind of urban, sung poetry that comes from the exclusively masculine working-class milieu of craftsmen's guilds. On 6 December 2023, malhun was added to the UNESCO Intangible Cultural Heritage Lists of Morocco.

Abu l-Hasan 'Ali Ibn Nafi', better known as Ziryab, Zeryab, or Zaryab, was a singer, oud and lute player, composer, poet, and teacher who lived and worked in Iraq, Northern Africa and Andalusia during the medieval Islamic period. He was also a polymath, with knowledge in astronomy, geography, meteorology, Botanics, cosmetics, culinary art and fashion.

Jil Jilala is a Moroccan musical group which rose to prominence in the 1970s among the movement created by Nass El Ghiwane and Lem Chaheb. Jil Jilala was founded in Marrakech in 1972 by performing arts students Mohamed Derhem, Moulay Tahar Asbahani, Sakina Safadi, Mahmoud Essaadi, Hamid Zoughi and Moulay Abdelaziz Tahiri. In 1974, they released their first record Lyam Tnadi on the Atlassiphone label. The songs "Leklam Lemrassaa," "Baba Maktoubi," "Ha L'ar a Bouya," "ah ya Jilala" and "Chamaa" quickly achieved the status of popular 'classics.'

Amina Alaoui is a Moroccan interpreter of Andalusian classical music. She sings in Arabic, Classic Persian, Haketia, Spanish, and Portuguese.

Moroccan pop or abbreviated as Morocco-pop music is a genre of the new Moroccan music generation along the hip hop, rap music in Morocco.

Mohamed Abdennour is an Algerian composer, arranger and instrumentalist, active in France and playing a fusion of different musical forms mixed with chaabi.

Haim Botbol is a Moroccan musician.