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2nd millennium BC in music - 1st millennium BC in music - 1st millennium in music
| | This article needs additional citations for verification .(August 2009) |
2nd millennium BC in music - 1st millennium BC in music - 1st millennium in music
The Aeolian mode is a musical mode or, in modern usage, a diatonic scale also called the natural minor scale. On the white piano keys, it is the scale that starts with A. Its ascending interval form consists of a key note, whole step, half step, whole step, whole step, half step, whole step, whole step. That means that, in A aeolian, you would play A, move up a whole step to B, move up a half step to C, then up a whole step to D, a whole step to E, a half step to F, a whole step to G, and a final whole step to a high A.
The Phrygian mode can refer to three different musical modes: the ancient Greek tonos or harmonia sometimes called Phrygian, formed on a particular set of octave species or scales; the Medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.
The modern Lydian mode is a seven-tone musical scale formed from a rising pattern of pitches comprising three whole tones, a semitone, two more whole tones, and a final semitone.
The Seikilos epitaph is the oldest surviving complete musical composition, including musical notation, from anywhere in the world. The epitaph has been variously dated, but seems to be either from the 1st or the 2nd century CE. The song, the melody of which is recorded, alongside its lyrics, in the ancient Greek musical notation, was found engraved on a tombstone from the Hellenistic town of Tralles near present-day Aydın, Turkey, not far from Ephesus. It is a Hellenistic Ionic song in either the Phrygian octave species or Iastian tonos. While older music with notation exists, all of it is in fragments; the Seikilos epitaph is unique in that it is a complete, though short, composition.
In the musical system of ancient Greece, genus is a term used to describe certain classes of intonations of the two movable notes within a tetrachord. The tetrachordal system was inherited by the Latin medieval theory of scales and by the modal theory of Byzantine music; it may have been one source of the later theory of the jins of Arabic music. In addition, Aristoxenus calls some patterns of rhythm "genera".
The Locrian mode is either a musical mode or simply a diatonic scale. On the piano, it is the scale that starts with B and only uses the white keys from there. Its ascending form consists of the key note, a half step, two whole steps, a further half step, and three more whole steps.
Flaccus was a composer from the 2nd century BC, of whom little is known. He was either a freedman or a slave of one of Terence's patrons and wrote musical scores for Terence's comedies. Terence mentions him specifically in the opening didaskalia to each of his comedies, and in addition mentions the type of double reed pipe to be used in each. Some further commentary on the musical modes employed has puzzled scholars: it is not known whether Terence refers to melodies or musical metres.
Mesomedes of Crete was a Greek citharode and lyric poet and composer of the early 2nd century AD in Roman Greece. Prior to the discovery of the Seikilos epitaph in the late 19th century, the hymns of Mesomedes were the only surviving written music from the ancient world. Three were published by Vincenzo Galilei in his Dialogo della musica antica e della moderna, during a period of intense investigation into music of the ancient Greeks. These hymns had been preserved through the Byzantine tradition, and were presented to Vincenzo by Girolamo Mei.
The Delphic Hymns are two musical compositions from Ancient Greece, which survive in substantial fragments. They were long regarded as being dated circa 138 BC and 128 BC, respectively, but recent scholarship has shown it likely they were both written for performance at the Athenian Pythaides in 128 BC. If indeed it dates from ten years before the second, the First Delphic Hymn is the earliest unambiguous surviving example of notated music from anywhere in the western world whose composer is known by name. Inscriptions indicate that the First Delphic Hymn was written by Athenaeus, son of Athenaeus, while Limenius is credited the Second Delphic Hymn's composer.
Limenius was an Athenian musician and the creator of the Second Delphic Hymn in 128 BC. He is the earliest known composer in recorded history for a surviving piece of music, or one of the two earliest, or the second-earliest, depending first on whether one accepts the proposition of Bélis that the composer of the First Delphic Hymn is named Athenaeus and, second, whether that hymn was composed in the same year as the Second Hymn, or ten years earlier. Limenius was a performer on the kithara and, as a professional musician performing in the Pythaïs, he was required to belong to one of the guilds of the Artists of Dionysus.
The Oxyrhynchus hymn is the earliest known manuscript of a Christian hymn to contain both lyrics and musical notation. The papyrus on which the hymn was written dates from around the end of the 3rd century AD. It is on Papyrus 1786 of the Oxyrhynchus papyri, now kept at the Papyrology Rooms of the Sackler Library, Oxford. The manuscript was discovered in 1918 in Oxyrhynchus, Egypt, and later published in 1922.
Music was almost universally present in ancient Greek society, from marriages, funerals, and religious ceremonies to theatre, folk music, and the ballad-like reciting of epic poetry. It thus played an integral role in the lives of ancient Greeks. There are some fragments of actual Greek musical notation, many literary references, depictions on ceramics and relevant archaeological remains, such that some things can be known—or reasonably surmised—about what the music sounded like, the general role of music in society, the economics of music, the importance of a professional caste of musicians, etc.
Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale.
Athenaeus, son of Athenaeus was an ancient Greek (Athenian) composer and musician who flourished around 138–128 BC, when he composed the First Delphic Hymn. Although it was long thought that the composer of the First Hymn was merely "an Athenian", careful reading of the inscription shows that it cannot be the ethnic Athenaîos, but rather names Athénaios Athenaíou as the composer.
The musical system of ancient Greece evolved over a period of more than 500 years from simple scales of tetrachords, or divisions of the perfect fourth, into several complex systems encompassing tetrachords and octaves, as well as octave scales divided into seven to thirteen intervals.
1st millennium BC in music – 1st millennium in music – 11th century in music
The 1310s in music involved some events.